So check out our list of why you shouldn’t be too nice in the military.
1. Your fellow brothers and sisters will end up venting to you on a daily basis.
If you’re that sweet guy or gal who is nice enough to listen to everybody’s problems — stand by for handing out free therapy sessions.
Best news ever! (Image via Giphy)
2. You just might get put into someone’s friend zone.
You know that hot guy or girl who works down at supply?
Because you haven’t shown signs of having a backbone — instead of going out with them on Saturday night — you’re going to be watching them leave the barracks with your co-worker who has a backbone.
They’re not coming back anytime soon. (Image via Giphy)
3. People will ask for favors — a lot of favors.
You know how you’re bad at saying no because you’re too nice? Well, have fun standing somebody else’s duty Saturday night while they’re off having an excellent time at the bar.
FML. (Image via Giphy)
4. If you get even a little upset, everyone will think the “nice guy” is going crazy.
You listen to everyone’s problems 24/7, but when you decide to emote at all — everyone now thinks you’re the crazy one.
It’s okay for everyone else, but just not the nice guy or gal. (Image via Giphy)
5. You could get pushed to the side.
People have crazy schedules this day and age. So when they need to make space in their lives for something important, they might reschedule a meeting with you — the accommodating one — to make room.
Son-of-a-b*tch! (Image via Giphy)
6. Your chain of command could assign you extra duty.
Many times a bad assignment will come down the pipeline, and your chain of command needs to assign someone to work an outside event. If you’re that person who rarely gives anyone sh*t, you may be the one they ask to come on in on Saturday because you never say no.
Yeah. So, we’re going to need you to come in on Saturday. (Image via Giphy)
It’s been more than 150 years since Confederate General Robert E. Lee surrendered to Union Army Commander Ulysses S. Grant at Wilmer McLean’s Appomattox home, but the legacy of the Civil War still lingers.
From the recent controversies over Confederate memorials to the tens of thousands of hobbyists who dress in grey and blue every summer to reenact key battles, Americans continue to wrestle with the causes and ramifications of the War Between the States.
These nine films, which cover the conflict from the hallways of Congress to the scorched earth of Bleeding Kansas, are packed with insights and (usually) authentic historical details. Just as importantly, they’re guaranteed to entertain.
Widely considered one of the greatest films of all time, this four-hour epic won 10 Academy Awards, broke box office records, and introduced the myth of the Lost Cause to generations of moviegoers. For the role of Scarlett O’Hara, producer David O. Selznick considered nearly every leading lady in Hollywood–from Katharine Hepburn to Tallulah Bankhead to Lana Turner–before settling on Vivien Leigh, a relatively unknown English actress. Her iconic performance immortalized the character of the spoiled, strong-willed Southern belle.
To cast Clark Gable as Rhett Butler, Selznick had to delay production and give away half his profits. In return, Gable got the most famous exit line in movie history: “Frankly, my dear, I don’t give a damn.” Hewing closely to Margaret Mitchell’s bestselling novel, the screenplay features insightful period details (Confederate blockade runners, Carpetbaggers bribing freed slaves for their votes, etc.) and an epic recreation of the burning of Atlanta. While Gone with the Wind has been rightly criticized for misleading viewers about the horrors of slavery, its emotional impact and sweeping scale make it a must-see for anyone interested in the legacy of the Civil War.
Denzel Washington won his first Academy Award for his portrayal of a runaway slave turned soldier in this captivating drama about the 54th Massachusetts Voluntary Infantry, the first all-black regiment in the history of the US Army. Matthew Broderick stars as Robert Gould Shaw, the white officer who commanded the 54th.
The Confederate Army had recently announced that any captured black Union soldier would be enslaved or killed alongside his white officers, and Shaw had doubts about the unit’s chances for success. But he was impressed by the soldiers’ grit and determination in the face of relentless discrimination and eventually joined their protest to be paid the same as white soldiers.
Tasked with the impossible mission to take Fort Wagner in Charleston Harbor, Shaw and the men of the 54th fought with incredible courage. Their sacrifice is memorialized in a bronze statue in Boston Common, which inspired screenwriter Kevin Jarre to pay tribute to their story.
Daniel Day-Lewis spent a full year researching Abraham Lincoln’s life in preparation for his Oscar-winning turn as the 16th president of the United States. The result is a tender, lived-in portrayal of the man behind the myth–from his slumped shoulders and high-pitched Illinois twang to his unwavering sense of conviction.
Pulitzer Prize-winning playwright Tony Kushner draws on Doris Kearns Goodwin’s biography Team of Rivalsto dramatize the political machinations involved in the passage of the 13th Amendment to the Constitution. Lincoln knew that the permanent abolition of slavery was necessary to the nation’s survival but had to race against the clock to get the bill passed before the South could negotiate peace.
By revealing the drama and intrigue behind one of Congress’s most significant pieces of legislation, director Steven Spielberg offers a civics lesson as thrilling as it is necessary.
Originally planned as a TV miniseries, this four-hour epic based on Michael Shaara’s Pulitzer Prize-winning novel Killer Angelsstars Tom Berenger, Jeff Daniels, and Martin Sheen. Director James Maxwell convinced the National Park Service to allow him to film on the actual Gettysburg battlefield, and thousands of Civil War reenactors came from all over the country to recreate crucial moments in the three-day campaign, including the assault on Devil’s Den and Pickett’s Charge.
The film, like the novel, focuses on the decisions and actions of key players including General Robert E. Lee (Sheen), Lieutenant General James Longstreet (Berenger), and Colonel Joshua Lawrence Chamberlain (Daniels). Daniels, in particular, delivers a rousing performance as the commander of 20th Maine Volunteer Infantry Regiment, whose stout defense of Little Round Top against repeated Confederate assaults helped to turn the tide of the battle and the war. With its massive scale, brilliant cinematography, and rigorous attention to historical detail, Gettysburg does justice to the deadliest battle in US history.
When it was first broadcast on five consecutive nights in September 1990, this documentary miniseries drew an average of 14 million viewers per night–the largest audience in the history of PBS. Over the course of nine episodes, director Ken Burns and his team of researchers, video editors, historians, and actors unspooled the full story of the Civil War, from John Brown’s uprising at Harper’s Ferry to Lincoln’s assassination and the capture of John Wilkes Booth.
Inspired by Matthew Brady’s photographs of the conflict, Burns used a panning and zooming technique (thereafter known as the “Ken Burns effect”) to bring to life roughly 16,000 still images. Excerpts from the letters and diaries of Robert E. Lee, Walt Whitman, Frederick Douglass, and less-known historical figures such as Mary Chestnut and George Templeton Strong provide an intimate perspective on large-scale events like the Battle of Gettysburg and Sherman’s March to the Sea.
The Civil War reignited popular interest in America’s bloodiest conflict and helped to pave the way for bingeable TV documentaries such as The Jinxand OJ: Made in America.
Based on Charles Frazier’s blockbuster novel of the same name, this Anthony Minghella-directed epic is the story of W.P. Inman (Jude Law), a Confederate deserter trying to make his way home to North Carolina in the final months of the Civil War. Gravely wounded in the Battle of the Crater and recovering in a field hospital, Inman decides to leave the war when he reads a letter from his beloved, Ada Monroe (Nicole Kidman), imploring him to do just that.
While Inman and the other Cold Mountain men have been off fighting, Ada has been struggling to work her deceased father’s farm. Eventually she’s helped in her efforts by Ruby Thewes (Renée Zellweger in an Oscar-winning performance), an unlettered woman well-versed in the hardscrabble life of a subsistence farmer.
The film brilliantly interweaves Inman’s encounters with all manner of desperate characters–from ribald preachers to villainous Confederate Home Guards –and scenes of Ada and Ruby learning to fend for themselves. Natalie Portman, Philip Seymour Hoffman, Brendan Gleeson, Donald Sutherland, and Jack White round out the all-star cast of this story of war-torn country and lovers.
Starring Tobey Maguire, Skeet Ulrich, Jewel, and Jeffrey Wright, this underrated film is based on Daniel Woodrell’s novel Woe to Live On. Maguire stars as young Missouri farmer Jake Roedel, who joins the Bushwhackers, a pro-Confederate guerrilla force, when his German immigrant father is killed by pro-Union Jayhawkers from Kansas.
Alongside his best friend Jack Bull Chiles (Ulrich), Roedel roams the border between Kansas and Missouri, skirmishing with Union regulars and irregulars. But when the Bushwhackers, led by militiaman William Quantrill (John Ales), raid Lawrence, Kansas and massacre 150 unarmed men and boys, Roedel must ask himself where his loyalties truly lie.
Jeffrey Wright delivers a stellar performance as a freed slave who fights for the South, and director Ang Lee brings deep sensitivity and impressive historical accuracy to this searing portrayal of a largely forgotten chapter of the Civil War.
This John Ford-directed Civil War Western is loosely based on the real story of Grierson’s Raid, a daring Union cavalry incursion some six hundred miles into hostile territory that set the stage for the siege of Vicksburg, Mississippi.
John Wayne stars as Colonel John Marlowe, a railroad construction engineer who leads his men on a mission to destroy a railroad and supply depot in Newton’s Station, Mississippi. When a Southern belle overhears the brigade’s plans, Marlowe is forced to take her and her slave, Lukey, captive. Legendary tennis ace Althea Gibson, the first black woman to win a Grand Slam title, was cast as Lukey but objected to the character’s scripted stereotypical “Negro” dialect. Ford had the dialogue changed at her request.
With Ford’s dynamic visual style and a well-matched rivalry between Wayne’s colonel and William Holden as a regimental surgeon haunted by the horrors of warfare, The Horse Soldiers captures the drama and audacity of one of the war’s most brilliant campaigns.
Inspired by real-life rumors of lost Confederate gold, this epic spaghetti Western follows three gunslingers across a southwestern landscape ravaged by the Civil War. Clint Eastwood is Blondie (The Good), a lone-wolf bounty hunter with a sense of justice; Lee van Cleef is Angel Eyes (The Bad), a cold-blooded mercenary who never lets a contract killing go unfulfilled; and Eli Wallach is Tuco (The Ugly), a voluble Mexican bandit wanted for a long list of crimes.
As these drifters cross and double-cross each other in pursuit of 0,000 in buried treasure, Union and Confederate forces clash for control of the New Mexico Territory. In director Sergio Leone’s vision of the Civil War, neither side fights with honor. Greed, violence, and stupidity rule the day. With brilliant cinematography and an iconic score by Ennio Morricone, The Good, the Bad, and the Ugly is one of the 20th century’s most unique and influential films.
Iraqi armed forces have pushed out Daesh from Tal Afar city while some parts of the district bearing the same name remain under the terrorist group’s control, a senior army official said Aug. 27.
“Joint forces of the army and the Hashd al-Shaabi — a pro-government Shia militia — have liberated two neighborhoods of Al-Askari and the Al-Senaa Al-Shamaliya, as well as the Al-Maaredh area, Tal Afar Gate, and the Al-Rahma village in the eastern part of the city,” Lt. Gen. Abdul-Amir Yarallah, Mosul operation commander, said in a televised statement.
While all parts of the city have been recaptured, fighting for control of some parts of Tal Afar district continues.
Yarallah said only the Al-Ayadieh area and its surrounding villages in the district now remain in Daesh’s grip, adding the armed forces were advancing “towards the last targets in order to liberate them”.
On Aug. 27, the Iraqi government launched a major offensive to retake Tal Afar, involving army troops, federal police units, counter-terrorism forces and armed members of Hashd al-Shaabi — a largely Shia force that was incorporated into the Iraqi army last year.
Ministry of Displacement and Migration official Zuhair Talal al-Salem told Anadolu Agency 1,500 people fled the district’s surrounding villages and areas.
“The displaced people were transferred from security checkpoints to Nimrod camp, where they are receiving relief assistance,” Al-Salem said.
Nimrud camp in the southeast of Mosul is said to have a capacity to house 3,000 families.
The ministry transferred some 500 displaced families to the camp after checking their names August 26 in the district of Hamam al-Alil, south of Mosul.
Video gamers got a taste of military operations when Marine veteran and former Green Beret Chase Millsap took them through an obstacle course in actual armor with dummy weapons.
As you might expect, the civilians struggle with the low crawls, fireman carries, and other tasks they’re asked to perform. Both teams drop their weapons and leave them behind at some point, and a few of the players have trouble even getting their armor on.
Bravery is a thing you see every day in the military. In all branches, in moments great and small, it’s an expression of the fundamental courage it takes to put your life on the line for love of country and to serve those you swore to protect.
Former Navy SEAL David Meadows proved exemplary in this capacity, serving 11 years in some of the harshest theaters of war throughout the Middle East.
But unlike many of his fellow Oscar Mike alumni, Meadows chose, upon reentry, to translate his habituated bravery into a civilian arena that would, honestly, make most servicemen and women want to crawl out of their natural born skins…
Yeah, he became an actor.
And we can tell you from experience that there are few professions that require a more constant personal brokerage with public shame, mortal embarrassment, insecurity, and rejection — in short, all of the types of feelings that normal people avoid like their lives depend on it.
Being the Special Ops-trained bad ass that he is, though, Meadows surveyed this new theater of war and then dove in head first. Acting for a living takes guts.
“I think that if there is a magic left in the world…it’s really for a person to be affected, to be changed — by one human being actually affecting somebody else on a really human, natural, soulful level. Does that make sense? And performing artists have that power. And I thought…that’s absolutely amazing. And I want to be a part of that.”
To get a taste of the kind of courage an actor has to muster every day, Oscar Mike host Ryan Curtis visited Meadows at his acting studio in Los Angeles and submitted himself to a battery of drills that actors employ to help them behave truthfully under imaginary circumstances.
Each exercise is designed to increase physical sensitivity, dial up emotional availability, and to inure actors to the fear of ridicule that can shut them down at crucial moments. Like all high-stakes training, it’s effective — but it ain’t pretty.
Today’s lesson is clear: in a successful civilian life, emotional bravery matters. But you don’t have to take our word for it, you can just watch as Curtis cracks under the pressure and and begs to postpone the big payoff in the video embedded at the top.
“Bond. James Bond.” These are Sir Sean Connery’s first lines in 1962’s Dr. No as he brought Ian Fleming’s spy of mystique to life on the silver screen. Ironically, Fleming didn’t want the working-class, bodybuilding Scotsman to portray his suave and dapper British super-spy. However, Connery went on to play the role a total of seven times, and each time was met with critical acclaim. In 1964, Fleming even wrote Connery’s heritage into the Bond character, saying that his father was from Glencoe in Scotland. On August 25, 2020, the veteran actor celebrated his 90th birthday. What many people don’t know about him is that before he played Commander James Bond, Connery was a sailor himself.
“Bond. James Bond.” (United Artists)
In 1946, at the age of 16, Connery enlisted in His Majesty’s Royal Navy. He received training at the naval gunnery school in Portsmouth and was assigned to an anti-aircraft artillery crew. His first and only ship assignment was the Illustrious-class aircraft carrier HMS Formidable. After three years of naval service, Connery was medically discharged due to a duodenal ulcer.
After leaving the Navy, Connery went into bodybuilding and football (the European sort). Though he was offered a contract with Manchester United, the short-lived career of a footballer deterred him. “I realized that a top-class footballer could be over the hill by the age of 30, and I was already 23,” Connery recalled. “I decided to become an actor and it turned out to be one of my more intelligent moves.”
Connery started his acting career onstage in the 1953 production of South Pacific. Back in uniform, albeit a costume, Connery played a Seabee chorus boy before he was given the part of Marine Cpl. Hamilton Steeves. The next year, the production returned out of popular demand and Connery was promoted to the featured role of Lt. Buzz Adams.
When Connery made the transition to motion pictures, it wasn’t long before he was portraying military men again. Less than two weeks after Dr. No was released in the UK, The Longest Day hit theaters with Connery playing the role of Pte. Flanagan. After six Bond films, Connery traded his onscreen Naval rank for an Army one. The 1974 film Murder on the Orient Express featured Connery as British Indian Army Officer Colonel John Arbuthnot. Three years later, Connery took on one of his most iconic military roles in 1977’s A Bridge Too Far, portraying Major General Roy Urquhart and his command of the British 1st Airborne Division as they attempted to hold a bridge in Arnhem during the ill-fated Operation Market Garden.
Connery wearing the iconic paratrooper’s red beret (United Artists)
The 1980s would see Connery reprise the role of Commander James Bond one last time in 1983’s Never Say Never Again. The Scotsman also donned an American uniform, playing Lt. Col. Alan Caldwell in the 1988 film The Presidio. Serving as the Post Provost Marshal, Caldwell clashes with maverick SFPD detective and former Army MP Jay Austin, played by Mark Harmon.
Exploring the uniforms of other nations, Connery then went behind the Iron Curtain as Soviet Submarine Captain Marko Ramius in 1990’s The Hunt for Red October. If I have to explain this one, your weekend assignment is to watch it.
“One ping only” (Paramount Pictures)
1996 saw Connery play the role of a military man one last time in The Rock. As former British SAS Captain John Mason, Connery starred alongside Nicholas Cage and Ed Harris in this action thriller directed by Michael Bay and produced by Don Simpson and Jerry Bruckheimer, the production duo that brought us Top Gun.
Connery was knighted by Queen Elizabeth II at Holyrood Palace in Edinburgh on July 5, 2000. He also received a Lifetime Achievement Award from the American Film Institute when he announced his retirement from acting on June 8, 2006. When asked if he would return to acting to appear in Indiana Jones and the Kingdom of the Crystal Skull, Connery announced that he would not, saying, “Retirement is just too much damned fun.”
Possibly the most popular TV show in late 2019 is one show that very few people have seen or know anything about. The first live-action Star Wars TV show ever — “Star Wars: The Mandalorian” — will hit Disney+ late 2019. But when does it actually come out? The answer is sooner than you think.
According to Entertainment Weekly and a few other sources, the first episode of “The Mandalorian” will hit Disney+ streaming service on Nov. 12, 2019. Right now, this means the series will not have all of its episodes released at once, but instead, most likely be released one at a time. It’s unclear if this kind of weekly release schedule will be the same for all the forthcoming Disney+ series (like the upcoming Marvel “Loki” series) will also be released weekly, but it’s a good bet.
For those who maybe forgot, “The Mandalorian” is a sort of space western adventure about a gunslinger in the Star Wars universe, set after “Return of the Jedi,” but taking place way before “The Force Awakens.” The title refers to the kind of crazy armor costume worn by the bounty hunter Boba Fett and his clone father Jango Fett. It’s not clear yet if the helmeted titular Mandalorian is a good guy or a bad guy or something in between. The show is being run by Jon Favreau, more famous as the guy who directed “Iron Man” and also plays Happy Hogan in the Marvel movies. But, unless you were a hardcore Star Wars person and you were at Star Wars Celebration this last spring, you probably haven’t seen a trailer.
The Mandalorian Star Wars Celebration 2019 trailer Footage
The film A Private War follows the real life of Marie Colvin, a journalist who covered stories of war and conflict from ahead of the front lines in places from Iraq and Afghanistan to Sri Lanka and Syria, but its greater contribution may be the light it shines on the human cost of conflict.
Marie Colvin explains a point to her friend Paul Conroy in the 2018 film, A Private War.
Spoiler alert: This article focuses on Marie Colvin and how the new movie illuminates her life and contributions, but it does contain some minor spoilers of the movie, including the nature of Colvin’s death and the accompanying scene in the film.
Colvin was famous for donning an eyepatch and wearing designer lingerie under her body armor, but among journalists, she was known for coverage that saved thousands of lives, telling the stories of those besieged by government forces under tyrants. In coverage from East Timor in 1999, she stayed behind when many other journalists fled, keeping the pressure on Indonesian Forces who were besieging 1,500 refugees in a U.N. compound.
Thanks to the efforts of Colvin and other journalists, U.N. personnel remained at the compound until the refugees were able to peacefully leave.
Now, Matthew Heinneman, himself a documentary filmmaker who has covered conflict in Syria, Mexico’s drug wars, and other places, has made a narrative film that aims to not only tell Colvin’s life to whoever might be interested, but also sheds light on the human stories Colvin worked so hard to tell.
Marie Colvin attempts to surrender to government forces in the 2018 movie, A Private War.
“I really didn’t want to make this film as a traditional biopic,” Heinneman told WATM. “I wanted to make it more of a psychological thriller examining what pushes someone to go to these places, and then show the effect that it had on her. I wanted to examine what she suffered from. I wanted to examine PTSD. I wanted to examine all the sort of ramifications of what she saw and what she experienced.”
“At the same time,” he continued, “I also wanted to obviously highlight the work that she did and her effort in shedding light on these stories. I guess in another way, the film is a continuation of her work. Sadly and tragically, what she died covering, the conflict in Syria, has persisted until this day. And I think she would be devastated to know over half a million civilians have been killed since the conflict began. She probably would be in Idlib, or somewhere else right now covering the story if she were still alive.”
Colvin was tragically killed in Homs, Syria, in 2012.
Paul Conroy takes a photo of refugees during the 2018 movie A Private War.
The movie really hits its stride when showing the plight of the vulnerable populations that Colvin covered. While Rosamund Pike and Jamie Dorman do a great job playing Colvin and Paul Conroy — Colvin’s longtime journalism partner — they both fade into the background as victims of government forces or insurgent strikes tell their stories to the journalists.
Heinemann credits this to the people he cast into these “roles.” He didn’t cast actors, he recruited actual refugees to tell the real stories of what they suffered at the hands of Bashir Al-Assad, ISIS, or others. These scenes were filmed in Jordan, a country allied with the U.S., which has accepted large numbers of refugees.
“In the film, [Colvin] is walking into a room filled with Syrian refugees. In real life, the two women that [Rosamund Pike] speaks to are real women from Homs, telling their own real stories and shedding their own real tears.”
Refugees huddle together in the 2018 movie A Private War. The filmmakers recruited actual refugees to play the parts of hunted populations in the movie.
“It’s a really deeply emotional atmosphere on set,” he continued. “In another scene taking place in the hospital in Homs, a man brings his injured son after a mortar attack into the room. He also was from Homs. He was at a protest with his nephew who was shot off his shoulders and bled out in front of him.”
“The grief and the trauma that he brought into that room was almost unbearable. And it really created an atmosphere that felt both incredibly intimate and incredibly real that I think helped give the film the feeling that it has.”
One of the recurring events in the film is that Colvin goes into a combat zone to cover violent events, then heads back home to cities where people want to toast her for her accomplishments. This rapid, hacksaw motion between violent areas and parties is something many veterans can understand, and Heinemann used quick cuts between the two extremes to play up the difference.
Marie Colvin accepts an award for her coverage in the 2018 movie A Private War.
“…those transitions in life are never that graceful, and so, editorially, artistically, stylistically sort of smashing in and out of those two worlds was something that was in the script, but definitely something we played with and discovered a lot in the editor room with our editor, Nick Fenton,” Heinemann said. Quick cuts allowed them to “sort of drop you in and out of these war zones in a way that makes you uncomfortable and disoriented and as it was her experience. As much as possible in this film, I tried to put you in her shoes.”
This focus on Colvin’s experience shifts in the final moments of the film when Colvin is killed by a government airstrike. In the movie, as in real life, Colvin is killed while trying to escape the city with Conroy and a French photographer, Remi Ochlick. Ochlick was also killed and Conroy was severely wounded, barely surviving a massive wound in his leg.
“Dealing with the final moments of her life was something that was quite obviously delicate and something that I ruminated over for many, many, many months.”
Marie Colvin, Remi Ochlick, and Paul Conroy try to escape a Syrian government airstrike in A Private War.
“Through Conroy’s face, we feel her loss so immensely.”
But Conroy’s grief slowly morphs into the grief for a lost city as the camera moves upwards.
“But also as we move away from her and as the camera lifts,” he said. “I wanted to show that she was just one person amidst a sea of devastation, and that yes her death was tragic, but so is all that she was covering.”
“I think journalism and journalists are under attack, obviously, as we’ve seen with the murder of Jamal Khashoggi. When Marie Colvin started her career, the traditional dangers of being a journalist were that of being embedded with soldiers. It was being shot or being blown up by an IED or being hit by a mortar. It wasn’t that journalists were being targeted. And this, obviously, has changed over time.”
A Private War had a limited release on November 2. It has a much wider release, meaning it will likely be available near you, on November 16.
The timeline escalates, with an unidentified narrator speaking about a “system” that was initiated in 2039.
But that system underwent it’s own “critical divergence” in 2058 — which is likely when Dolores and the other “Westworld” hosts gained consciousness, took over the park, and infiltrated the outside world.
“Westworld” returns with an eight-episode season on Sunday, March 15, 2020.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
Netflix dropped its latest British TV series on March 29, a spy thriller set at the end of World World II.
“Traitors” is streaming globally exclusively on Netflix outside of the UK and Ireland, and airs on the UK’s Channel 4 network. It stars “Call Me by Your Name” actor Michael Stuhlbarg, Emma Appleton, and Keeley Hawes.
Netflix describes the series like this: “As World War II ends, a young English woman agrees to help an enigmatic American agent root out Russian infiltration of the British government.”
Netflix has built a library of British shows in its effort to draw worldwide audiences, many of which are co-productions with UK networks. The strategy benefits both Netflix and British TV networks like the BBC, as the shows reach a wider audience and can reel in potential subscribers.
Other British shows Netflix has acquired include “The Last Kingdom,” which wasn’t a hit in the UK but found a worldwide audience; “The End of the F—ing World,” which Netflix renewed for a second season; and “Bodyguard,” which was nominated for the best drama series Golden Globe this year and won the Globe for best actor in a drama series for star Richard Madden.
From left to right: Luke Treadaway, Michael Stuhlbarg, Emma Appleton, Keeley Hawes, Brandon P. Bell.
(‘Traitors’ on Netflix)
Critics are mixed on “Traitors” but leaning positive. “Traitors” has a 71% Rotten Tomatoes critic score. Den of Geek called it a “satisfyingly grown-up spy thriller,” but others criticized how it takes historical liberties.
“I don’t usually mind this kind of revisionism; can appreciate, revel in its freshness, its new eyes, but this is in mild danger of being slathered on with a trowel,” Observer’s Euan Ferguson wrote. “It’s always heartily good to keep an open mind. Maybe not so open that your brains fall out.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Sergeant Fritz Niland had more to do with Band of Brothers than Saving Private Ryan – save for being the inspiration for the movie’s central plot. Historian Steven Ambrose even wrote about Niland in his book, “Band of Brothers – E Company, 506th Regiment, 101st Airborne, from Normandy to Hitler’s Eagle’s Nest.” Niland, like the fictional Ryan, lost three brothers in combat, and found out about them all in the same day.
Sadly, his mother did too.
From left to right, the Niland Brothers, Edward, Preston, Robert, and Fritz.
No one had to go searching for Sgt. Niland. He didn’t need to be saved. Niland went looking for his brothers after D-Day, while assigned to the 101st Airborne Division in Europe. His brother Bob was in the 82d Airborne, also fighting in Europe. While looking for his brother Bob, he discovered Bob was killed on D-Day. According to Ambrose, Bob Niland’s platoon was surrounded, so Bob manned a machine gun to harass the Germans so his unit could break through. They did, and Bob went through three boxes of ammo before he was killed in action. Fritz then went searching for another brother, Preston.
Preston Niland was a second lieutenant and platoon leader in the 4th Infantry Division. He too landed on D-Day, but with his men at Utah Beach. Fritz discovered that Preston Niland was killed in action on D+1 at Normandy’s Crisbecq Battery. Fritz returned to the 506th with the heartbreaking news. The news got worse from there.
Frederick “Fritz” Niland is buried at Fort Richardson National Cemetery, Alaska.
Upon returning to his unit, Father Francis Sampson informed Fritz Niland that a third brother was killed by the enemy. Technical Sergeant Edward Niland, who had been imprisoned by the Japanese in the China-India-Burma theater was considered killed in action. Fritz Niland was now the sole surviving son of his family. The Army decided to send him home as soon as possible. His mother had received all three War Department telegrams on the same day. No platoon was sent to take him home, instead, Father Samson escorted Niland to Utah Beach, where he was flown home to complete his service stateside.
Luckily, Edward Niland wasn’t actually dead. He’d been held prisoner by the Japanese after being shot down in May 1944. He was held for over a year before being liberated in 1945. Word had not yet come to the European theater when Fritz found out about his brothers. The two surviving brothers actually moved to their native Tonawanda, N.Y. when they left the Army, and Edward actually outlived Fritz by a full year. Edward died in 1984, while Fritz passed in 1983.
Robert and Preston are buried side-by-side at the American Cemetery near Colleville-sur-Mer, Normandy, France.
Remember how awesome The Empire Strikes Back was? You can stream that particularly great Star Wars movie on Disney+ right now. And, as of Nov. 15, 2019, Disney+ just added some context to one classic Boba Fett and Darth Vader beef. In the latest episode of The Mandalorian, we finally understand why Darth Vader said “no disintegrations.”
Spoilers ahead for The Mandalorian Chapter 2: The Child.
In the second episode ofThe Mandalorian, our titular bounty hunter continues his make-it-up-as-you-go-along journey to protect a little baby Yoda-looking creature. Throughout his misadventures in this episode (which culminate in getting a giant space rhino egg) the Mando tangoes with a bunch of Jawas who have stripped his spaceship of much-needed parts. In an effort to get his stuff back, the Mando busts out his nifty rifle, which, as it turns out, turns anyone he points it at into a puff of smoke. He vaporizes a few of the on the lizard-like Trandoshans who ambush him at the top of the episode, and later on, a few pesky Jawas.
The Mandalorian gets ready to disintegrate some punks.
Later, when he has to make peace with the Jawas to barter for some of his parts back, he mentions “I disintegrated a few of them.” In terms of what we’ve seen in the Star Wars movies so far, this specific tech hasn’t been witnessed, but it has been mentioned. When Vader hires a bunch of bounty hunters to capture the Millennium Falcon in The Empire Strikes Back, the Dark Lord very pointedly shakes his finger at Boba Fett (a dude who rocks Mandalorian armor) and says “no disintegrations.”
Boba Fett and IG-88 in ‘The Empire Strikes Back’
So, there you have it. Vader was well-aware that this weapon was probably in Boba Fett’s arsenal, and now, just a about six years after the events of Empire Strikes Back, in The Mandalorian, we get to see what that weapon looks like. The most surprising thing? In The Mandalorian, the disintegrations are shockingly mess-free. Less like a blaster, and more like a civilized vacuum for a more elegant bounty hunter.
After every episode of The Mandalorian you watch on Disney+, it invariably suggests you watch The Empire Strikes Back. Kind of makes sense now, right?
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