Netflix is on a roll this October, leading with “Patton,” which won 7 Oscars and made the case for military valor at the height of the anti-Vietnam protests. Plus a Coast Guard action picture that deserves your attention and an Oscar-winning drama about the man who cracked the Enigma code. Plus “Three Kings” is back.
This biopic about General George S. Patton won 7 Oscars, including Best Picture, Best Actor for George C. Scott and Best Original Screenplay for Francis Ford Coppola. Opening with a less profane version of the general’s legendary speech to the Third Army in 1944, “Patton” was an unabashed celebration of the military spirit. Even though it was released at the height of protest against the Vietnam War, the movie was a box office smash and received almost unanimous critical acclaim. (1970)
2. The Finest Hours
Chris Pine and Casey Affleck star in Disney’s action movie about the Coast Guard’s legendary 1952 rescue of the SS Pendleton off the coast of Cape Cod, Massachusetts. Pine is Bernie Webber, the young petty officer who led what everyone believed was a suicide mission. Affleck is Ray Sybert, the Pendleton senior officer who tries to keep the crew focused in the face of almost certain doom. “The Finest Hours” wasn’t a box office hit, but it’s most definitely worth watching. (2016)
3. The Imitation Game
Benedict Cumberbatch plays pioneering computer genius Alan Turing, who led the effort to break Nazi Germany’s Enigma code during World War II. Turing is socially awkward, difficult and brilliant and the film details his struggles to communicate with his colleagues. After the war, Turing was prosecuted under Britain’s anti-homosexuality statues and committed suicide in 1954. (2014)
4. Three Kings
Hollywood loves director David O. Russell these days because of”The Fighter,” “Silver Linings Playbook” and “American Hustle,” but this satire about the first Gulf War is his best movie to date. George Clooney, Mark Wahlberg, Ice Cube, Spike Jonze (!) and Jamie Kennedy (!!) star as US. Army and Army reservist troops who hatch a plan to steal gold and other goods that Iraqis plundered from Kuwait. Watch it. (1999)
5. Saving Private Ryan
What can you say about this one? The D-Day invasion at the beginning is greatest military action sequence in movie history. Everything good about the entire “Band of Brothers” TV series (which is still awesome) gets distilled down into less than 3 hours. Tom Hanks has never been better and an entire generation learned to appreciate the sacrifices and heroism during WWII for the first time. (1998)
Daniel Craig and Liev Schreiber star as Tuva and Zus Bielski, Jewish brothers who led a guerrilla resistance against Nazi troops in Belarus during WWII. Based on real events, it got a limited release and deserves a much bigger audience than it found in theaters. (2008)
7. Black Hawk Down
Ridley Scott’s drama is based on a real-life 1993 raid in Somalia to capture faction leader Mohamed Farrah Aidid. The 75th Rangers and Delta Force go in and things quickly go south, the troops face down enemy forces in a brutal battle and 19 men (and over 1,000 Somali citizens) are killed before the mission is complete. Scott brings a compelling visual style to the material and the cast features a host of young actors who went on to great success, including Josh Hartnett, Ewan McGregor, Tom Hardy, Orlando Bloom and Eric Bana. Sam Shepherd and Tom Sizemore also play key old-guy roles. (2001)
Sailors from the British destroyer HMS Bulldog really did capture an Enigma machine from Germany’s U-110 U-boat in 1941. Hollywood must’ve though that was boring, so they made up a story involving the U.S. submarine S-33 and the German U-571. Brits were mad about the movie, but if you can get past the made-up story, it’s a fine submarine thriller. (2000)
9. Top Gun
Is Tony Scott’s movie about Naval aviators technically accurate? No way. Is it even dramatically effective? Absolutely not. But Tom Cruise’s Maverick, Val Kilmer’s Iceman and Anthony Edwards’ Goose managed to inspire a generation of young men to pursue their flyboy dreams. It’s hard to imagine that the upcoming sequel will mean as much to people, especially if they ruin the original vibe by shifting to properly staged dogfights. (1986)
10. The Heavy Water War
This 6-episode TV series tells the story of Operation Grouse, the action by Norwegian commandos who blew up a power plant and prevented the Nazis from getting access to the deuterium oxide (a/k/a heavy water) they wanted to use in the nuclear reactors that Germany wanted to build. If you can handle the subtitles, this is yet another example of the amazing untold stories of WWII. (2015)
Normally, asking which of two beloved characters with rabid fanbases is a way to rile people up, to start up a spirited debate. Kirk vs. Picard is the classic example of this kind of question: there’s no right answer, which is why it’s fun to talk about.
So when a Twitter user asked who gives the better speeches, Captain America or Optimus Prime, we didn’t expect anything approaching a consensus to emerge. And yet, one did.
It’s Optimus Prime, by a mile. And honestly, after we rewatched the speeches people posted in the replies, it’s hard not to agree. It might not be fair—he’s a massive robot after all—but he has more gravitas than Cap. There’s also the fact that the Transformers stories present plenty of opportunities to talk about the future of the human race and that, in the Avengers films at least, Cap is one of dozens of characters competing for screen time.
As a refresher, here is one of Optimus Prime’s best speeches from the Transformers films.
And here’s one of Cap’s, from Winter Soldier.
Captain America’s Epic Speech Scene – Captain America: The Winter Soldier (2014) HD
One of the biggest reveals in “Star Wars: The Rise of Skywalker,” other than Rey’s identity, came at its very end when the character revealed she had her own new lightsaber with a distinctive yellow-orange hue.
What color exactly is the lightsaber and how did the visual effects team land on it?
“A fair number of colors have been used in lightsabers. So there was a design challenge there in terms of what color it should be,” “TROS” visual effects supervisor Roger Guyett told Insider Monday of the direction given for the lightsaber seen at the movie’s very end.
“There was an optimistic kind of quality to that, but we also wanted [Rey] to have a very unique color,” he added of coming up with the color we see on screen. “We ran some tests and decided in the end what color it would be.”
Rey prepares to slice through Kylo Ren’s ship with Luke Skywalker’s lightsaber.
Is there a specific name to Rey’s lightsaber color? We’re going with ‘yellow optimism.’
“That specific color yellow, if you go too pale — this is getting really in the weeds here — if you go too pale and you make it too light, it’s going to look white a lot of times,” Industrial Light Magic (ILM) visual effects supervisor Patrick Tubach said of one factor that helped them land on that precise color. “Colors on film, sometimes they bleed away depending on the exposure and the quality of the light in the scene.”
“Making it that more golden yellow gives you that optimistic feeling, and it also allows you to make it supersaturated and still feel like it’s in the ‘Star Wars’ universe,” he added.
Yellow sabers aren’t anything new to “Star Wars” lore, but they are uncommon. In the past, yellow lightsabers have mostly been limited to Jedi temple guards, who wielded double-bladed sabers.
Here’s Kanan Jarrus going up against a Jedi Temple guard on the animated series “Star Wars Rebels.”
When asked if they had a specific name for the color, optimism was a word that came up frequently to describe the tone they were going for with the look of Rey’s lightsaber.
“We definitely went for things like golden and sun and optimism,” said Tubach.
“I think the optimism carried that choice,” added Guyett.
“I’m going to paint my house ‘yellow optimism,'” joked creature and makeup effects creative supervisor Neal Scanlan.
Did the hilt of Rey’s lightsaber look familiar? It should have.
Rey’s lightsaber does include a yellow kyber crystal
“Yeah, it’s supposed to be a yellow crystal,” said Tubach.
It was not a clear crystal that changed color after chosen by Rey. Neither was it a purified version of a red kyber crystal as Ahsoka Tano did in the past to create her white lightsabers.
Insider thought Rey’s saber color may have contained a healed version of Kylo Ren/Ben Solo’s cracked red kyber crystal, but it seems that’s not the case.
Did the hilt of Rey’s lightsaber look familiar? It should have.
The small detail within Rey’s new lightsaber you may have missed: The hilt of her lightsaber comes from her original staff.
“That was the concept,” said Guyett of the inspiration behind the hilt of Rey’s lightsaber. “The art production design and the art department, we all contribute to the designs of various things… [director] J.J. [Abrams] just thought it was logical that she had the staff, and, therefore, the saber should somehow be linked to that.”
In hindsight, when you go back to “The Force Awakens,” Rey’s staff always looked like it could eventually be transformed into the perfect lightsaber hilt.
Could Boeing be out of the fighter business in the near future? That question has been kicking around in recent years as air forces are looking to advanced planes like the Lockheed F-35 Lightning or for cheaper options like the Saab Gripen.
A big reason is that Boeing’s entry for a new Joint Strike Fighter, the X-32, lost that competition. A 2014 report from DefenceAviation.com noted that Boeing was producing an average of four jets a month.
The company has made some sales for versions of the F-15E Strike Eagle, but aside from Australia, there have not been many export orders for the F/A-18E/F Super Horner and EA-18G Growler (granted, the Marines could use the Super Hornet to replace aging F/A-18C/D Hornets in a more expeditious manner). The company has marketed the Super Hornet to India in the wake of the problems India has had in adapting the Tejas for carrier operations, and did a video promoting an advanced F-15C.
Boeing is not completely out of the light jet business. It has teamed up with Saab for an entry into the T-X competition that also includes the Lockheed T-50 and the T-100 from Leonardo and Raytheon. It also recently got an order for 36 F-15QAs from Qatar, according to FlightGlobal.com. Qatar also bought 36 Eurofighter Typhoons and 36 Dassault Rafales.
Boeing is also preparing for an upgrade to the F/A-18E/F Super Hornet line. The Block III Super Hornet will feature conformal fuel tanks for longer range and improved avionics, including a new radar and better electronic countermeasures systems. President Trump’s budget proposals did include buying 80 more Super Hornets.
Such purchases could only be delaying the inevitable. The Navy and Air Force are reportedly planning a sixth-generation fighter in the FA-XX project, but that may still be years into the future.
Ray Allen, a 10-time NBA All-Star, recently participated in a USO holiday tour with Chairman of the Joint Chiefs of Staff Gen. Joseph Dunford. On this tour, the athlete, along with other celebrities, visited service members in Turkey, Qatar, Afghanistan, and Germany.
Now back in the states, Allen has spoken about much the trip meant to him, both as the son of an Air Force metals technologist and as a retired athlete.
NBA Legend Ray Allen meets with service members during a troop engagement at Incirlik Air Base, Dec. 5, 2016. (Photo: Navy Petty Officer 2nd Class Dominique A. Pineiro)
One of the topics Allen touched on during an interview with Sports Illustrated was the way military terms pop up in sports discussions, even though they don’t really fit:
In the NBA, often times we’ll be in the locker room and we’ll talk about “going to war” and “going into battle” and “being in the foxhole,” all these terminologies that we equate with being at war. I have such a greater appreciation for the conflicts going on around the world, now I try to not use those terms out of respect.
NBA legend Ray Allen, left, fires an M240 machine gun at the 7th Army Training Command’s Grafenwoehr Training Area during this year’s USO Holiday Tour, Grafenwoehr, Germany, Dec. 8, 2016. (Photo: U.S. Army Visual Information Specialist Gertrud Zach)
Allen also told SI about how a comment from Dunford helped him appreciate the military’s expeditionary mindset, and how service members are constantly working to make sure that conflicts rarely come to American shores:
One of the things that General Dunford said that resonated with me was, “We’re over here at war, my job is to make sure that we have all away games.” So when I got back on U.S. soil, I thought about how privileged we are.
While speaking to USA Today, the NBA player took a moment to discuss how different life is in a combat zone, but that being there with professional warfighters made him feel safe:
“I (felt) more protected than I’ve ever felt in my life, being on that tour. I had some bad guys with me. Guys who knew how to handle weapons, that had been in combat. I’m looking to my left and right, and I’m like ‘I’m safe, I feel good about where I am, because these guys know what they’re doing.’ And that’s what I want to tell everybody, any athlete, from the NBA to baseball to football…join up with the USO and take a tour. It’ll give you a greater perspective on war, it’ll give you a greater perspective on the people that are fighting the war.”
Military movies can often remind Veterans of their service. They can also bring up painful memories of the past.
Air Force Veteran and Silver Star recipient John Pighini is someone who knows both sides of this issue. He recently worked as a technical adviser on a major motion picture that showcased the bravery of service members, but also brought up a painful past. These movies can sometimes show Veterans dealing with their own struggles: anger, paranoia, edginess, regret and survivor’s guilt.
Pighini saw those struggles on the big screen after working on the movie. “It feels like they take post-traumatic stress and they set it right in your lap,” he said. “Don’t go to this movie and not take a handkerchief or tissues with you. You will not make it through.”
PTSD in Veterans
These are the feelings Pighini knows all too well. He served as a pararescueman during Vietnam, which led to his role on the movie as a technical adviser. As members of Air Force Special Warfare, pararescue specialists rescue and medically treat downed military personnel all over the world. These highly trained experts take part in every aspect of the mission and are skilled parachutists, scuba divers and rock climbers, and they are even arctic-trained in order to access any environment to save a life when called.
Dr. Paula Schnurr, executive director for National Center for PTSD in VA’s Office of Mental Health and Suicide Prevention, started studying PTSD in 1984. She said Vietnam Veterans are still dealing with effects because the lack of support when they returned from deployment.
“Vietnam Veterans, like Veterans of earlier wars, were expected to come home and get on with their lives,” she said. Schnurr added the publicly opposed war made Vietnam Veterans’ transition hard to come home.
The National Vietnam Veterans Readjustment Study, completed in 1988 by the Research Triangle Institute, was pivotal for Veterans and the medical community. At the time, it was the most rigorous and comprehensive study on PTSD and other psychological problems for Vietnam Veterans readjusting to civilian life.
The study findings indicated about 30% of all male and 27% of female Vietnam theater Veterans had PTSD at some point during their lives. At the time, that equated to more than 970,000 Veterans. Additionally, about one half of the men and one third of the women who ever had PTSD still had it.
PTSD symptoms may increase with age after retiring from work, or from medical problems and lack of coping mechanisms.
Having a mission
Having a mission can help Veterans deal with PTSD. While working on a recent movie, Pighini recalled the struggles he still deals with–50 years after his Vietnam service.
“The early days, we didn’t know what we had,” he said. “As we get older, we become more melancholy. We’re not busy and we’re not out there on the firing line.”
While filmed in Thailand, Pighini said the smells from Southeast Asia raised the hairs on the back of his neck. Despite the flashbacks, Pighini said he hopes viewers realize the importance of putting a spotlight on PTSD. He added movies also depict the courageousness of military members. In the movie he worked on, the movie told the story of an Air Force pararescuemen who lived by their motto, “That others may live.”
“That means you lay it out,” Pighini said. “You do whatever you need to do to save a life. It’s the ethos we have. It’s what we live by. If you have to lay down your life or one of your limbs or whatever it is, you do it. It means everything.”
There’s a special place in our hearts for zombie films. It’s a fun little escape to the smokepit conversations every troop has while deployed, like, “who would your zombie apocalypse team be?” And, “where would you go looting first?” Obviously, the only correct answers are your squadmates and the nearest gunshop, respectively, but I digress.
Zombie films have a strange place in the cinematic landscape. The ones that embrace the campiness of the genre tend to be more successful financially and the lower the budget of a zombie film, the more fun (or funny) it’ll probably be. This is part of what made the veteran-made Range 15 so enjoyable to other veterans who enjoy that special, corny magic typical of zombie films.
It was recently announced that J.J. Abrams is set to produce the upcoming film Overlord. From the looks of things, it’s going to be a zombie film set during the events of the Battle of Normandy — also known as Operation Overlord.
Kind of like the Norwegian film ‘Dead Snow.’
There is a bit of historical precedent for the film. The Nazis never created zombies (obviously), but their fascination with the occult and fringe sciences has been well documented. Hitler, in addition to being a mass-murdering f*ckhead, was obsessed with everything occult in trying to get an edge. This ranged from having officers study Nordic runes to sending troops into Tibet in search of Shangri-la and all sorts of messed-up stuff to create their so-called “übermensch.”
There is no historical record of the Nazis ever trying to reanimate the dead in any Frankensteinian or Lovecraftian manner, but it isn’t too far of a stretch to play on Hitler’s “thousand year army” dream to include “thousand year soldiers.”
The biggest homage has got to be given to the 1985 film, ‘Re-Animator.’
(Empire International Pictures)
Judging by the trailers, this film seems like it’s going to be an homage to both the war and zombie genres of film. Of course, fans have been quick to point out the similarities between it and Call of Duty‘s Nazi Zombie mode or Return to Castle Wolfenstein, if you want to actually want to get your gaming history right. In the film’s defense, it’s actually making far more references to the mutated Nazi monsters and transformation scenes in An American Werewolf in London.
It’s also interesting to note that this is the first rated-R film for both Bad Robot and J.J Abrams. It’s been said numerous times by Abrams himself that the film is not going to be a part of the Cloverfield franchise. While he’s known for his misdirection, it seems like he’s telling the truth, you know, since the Cloverfield alien was from space and this film is set in Nazi-occupied France.
The film also has plenty of great actors attached who have an impressive action-feature resume. Jovan Adepo of The Leftovers, Jacob Anderson of Game of Thrones, Bokeem Woodbine of The Rock and Riddick, and Wyatt Russell from the Black Mirror episode ‘Playtest’ are all co-leads against Pilou Asbæk’s (Euron Greyjoy from Game of Thrones) evil Nazi scientist character.
Overlord is going to be directed by Julius Avery, the director of the Australian indie film, Son of a Gun. Billy Ray, the writer of Captain Phillips, and Mark L. Smith, screenplay writer for The Revenant, co-wrote the script.
The film is scheduled for release on November 9th, 2018, but you can watch the trailer below right now.
Chapter 3: The Sin has a few choices in it that were easy to predict and a few that I didn’t see coming. By the end of it, I’d been on a satisfying emotional journey and I’m genuinely curious about where the series will go next.
Before we get started, though, let’s talk about Ludwig Göransson‘s music for a minute. That drumbeat is so bitchin’ I’m ready to add it to my workout mix. It’s suspenseful with a bit of levity, which is the tone that series creator Jon Favreau (Iron Man, Chef) captures really well in his work. It’s no surprise that Göransson also scored films like Black Panther and Creed.
Alright. Let’s get to it. Spoilers for the third episode of The Mandalorian ahead:
I’m gonna say what is on everyone’s mind: that Yoda Baby is so goddamn cute. Like, I don’t know if I want kids, but I will take that little guy. Every scene where our Mandalorian isn’t cuddling that baby makes me anxious. HOLD THE BABY AND TELL HIM EVERYTHING IS GOING TO BE OKAY, YOU MONSTER.
Instead, “Mando” (I still…hate that nickname, okay? I hate it) surprises me and actually takes the Yoda Baby to The Client. He’s got a guilty conscience about it, though. AS WELL HE SHOULD.
But then again, he’s being paid a lot of beskar steel (like, a lot), so I get it. Still, zero part of me believes that our Mandalorian isn’t going back for the baby…after he suits up with a nice new cuirass that is.
I totally get why he wanted that new armor. My DND rogue just got a Mithril breastplate and, well, it’s thrilling.
The Mandalorian, Disney+
Our Mandalorian heads to The Armorer so we can get a female with a speaking role some more information about Mandalorian lore. The importance of keeping his helmet on is repeated here (I have so many questions: can he take it off when he’s alone? How does he brush his teeth?), as is the protection of foundlings, who “are the future.”
As other Mandalorians follow our Mandalorian and his ice cream maker of beskar steel, we learn how much they revile the fallen Empire and, presumably, its attacks against their people. “When one chooses to walk the way of the Mandalore, one becomes the hunter and the prey,” intones The Armorer.
In addition to his new armor, she gives our Mandalorian “whistling birds” which have just become the new Star Wars version of Chekhov’s Gun.
Is that beskar steel in your pocket or…
The Mandalorian, Disney+
Our Mandalorian heads back to Greef Karga (Carl Weathers) to accept another assignment (a Mon Calamari — fun easter egg or foreshadowing?) and we get a heavy-handed reveal that every bounty hunter in the room has a tracking fob for the Yoda Baby. Neither talk of the bounty hunter guild’s code about what happens to assets when they’re delivered (it’s basically a don’t ask, don’t tell policy) nor our Mandalorian’s boarding of his ship make me think for a second he’s leaving that baby.
Where does he store the fuel?
The Mandalorian, Disney+
Sure enough, he heads back and makes quick work of the shoddy Stormtroopers with his marksmanship, flame throwers, and whistling birds (remember the Jericho Missile in Iron Man? They’re that, but pocket-sized). The creepy clone guy begs for his life and claims that he saved the life of the Yoda Baby, who is asleep and hooked up to machines.
Personally, I think we could have gotten some intelligence from this cowering dude, but I guess our Mandalorian wanted to get the hell out of dodge. Luckily I got what I’ve been waiting for: Pedro Pascal cradling the Yoda Baby in his arms.
Don’t judge my biological responses and I won’t judge yours.
Speaking of Disney+, how great is The Rocketeer?
The Mandalorian, Disney+
Just when you think the showdown is over, our Mandalorian exits The Client’s stronghold and is confronted by dozens of bounty hunters and their tracking fobs, lead by Karga. They want the baby, our Mandalorian wants the baby, I want the baby, we all want the baby.
A firefight commences.
Our Mandalorian does a pretty stellar job, considering he’s outnumbered. We also get to see the impressive capabilities of his rifle, which disintegrates enemies much like the Tesseract weapons from Marvel. Still, he’s in a bind…and then, a fun surprising-yet-inevitable deus-ex-machina arrives in the form of a tribe of Mandalorian, who fly in with their rocket packs and take on the bounty hunters so our Mandalorian can escape with the cutest little bounty in the universe.
After outing themselves, the Mandalorian will be forced to relocate. With a salute, our Mandalorian is waved off by one of his wingmen. He makes a mental note to get himself a rocket pack, hands the Yoda Baby a toggle from his ship (which is definitely a choking hazard, but whatever, they’re bonding), and he shoots off into the stars.
Loving the vibe of the #Mandalorian! I can’t wait until episode 3.pic.twitter.com/rcOaAhmufP
After the Luftwaffe lost the Battle of Britain in 1940, Hermann Goering ordered an ambitious new project he called the “3×1000” fighter. Goering wanted a plane that could deliver 1,000 kilograms of ordnance to a target 1,000 kilometers and fly 1,000 kilometers per hour.
Two brothers, Walter and Reimar Horten, proposed a design that not only would satisfy the ambitious concept, but that would also be the first stealth fighter.
The Horten 229 was the first blended-wing jet fighter ever built, but it only flew a handful of times in World War II. While its body looks similar to modern stealth planes like the B-2 Spirit, the 229 was never tested against radar.
The first prototype was destroyed in a crash during testing and the second was captured by the Allies who boxed it up and sent it to the U.S.
A team of Northrup Grumman model builders created a mockup of the 229 so that engineers could test the design against the types of radar used for the defense of Britain.
The results spelled probable doom for the British if the Horten had entered full production. Its reduced cross section could have allowed it to get closer to the coast before detection, and its speed might have gotten it to its target well before it could have been intercepted.
And, even if fighters or coastal artillery did reach the Horten before it destroyed the radar station and flew off, its speed and maneuverability would have made in nearly unstoppable in a fight.
See the full story of the engineers who rebuilt the Horten body and how the plane could have reshaped history in the National Geographic video below:
Every time a new comic book movie is set to come out, nerds flock to the internet and try to decode each and every detail in the trailers to figure what’s going to happen. Doing that kind of sleuthing relies heavily on having a deep understanding of comic book lore.
Last night, the new trailer for Captain Marvel dropped and, in short, it looks amazing. Since they’re changing much of her story from the comic books into a single, condensed, easy-to-follow plot, it’s left some civilian comic book fans scratching their heads.
Truth is, you need a good understanding of military culture to truly grasp the comprehensive awesomeness of this trailer.
Kinda spoiler-y: but these guys are called the Star Force and they’re evil. Take what you will about the plot details from that.
In the comic books, Captain Marvel, otherwise known as Carol Danvers, was an Air Force Intelligence officer turned fighter pilot who went by the callsign, “Cheeseburger.” She later joins NASA and is promoted to colonel before being caught in an explosion with an alien known as Captain Mar-Vell.
The explosion intertwines his alien superpowers with her and she takes on the moniker of “Ms. Marvel” before eventually taking on the title of “Captain Marvel” herself. She occasionally teams up with other superheros, like Spider-Man, the X-Men (which is actually how Rogue gets her flight and super-strength), the Fantastic Four, and, later, becomes a leading member of the Avengers.
The film, on the other hand, takes all 41 years of storytelling and condenses it down to her just being an F-15C pilot that gets caught in the explosion. The match-cut editing of the trailer suggests that she’s going to have to slowly piece together knowledge of her previous life on Earth before eventually becoming the hero the Marvel Cinematic Universe needs in Avengers 4.
That’s right. The Coasties may be getting a big screen superhero adaptation before the sailors do.
From the little bits shown in the trailer, we can see she was stationed at Nellis Air Force Base, Nevada, and has Test Pilot School patches on her uniform. Earlier this year, Brie Larson, who plays Danvers in the film, took a trip to Nellisa AFB to get inspiration for her character from the real-life Brig. Gen. Jeannie Leavitt, who is the 57th Wing commander, the first female fighter pilot, and the inspiration for this new take on Captain Marvel. It’s no coincidence that Brig. Gen. Leavitt flew an F-15C, just as Carol Danvers will in the film.
Another awesome Easter Egg is her wingman, Lt. Maria “Photo” Rambeau. In the comics, Rambeau isn’t too noteworthy of a character. In the trailer, we see her taking on the moniker that her daughter, Monica, has as a callsign. Monica Rambeau later becomes an Avenger (more commonly known as Spectrum) and serves in the Coast Guard before becoming a superhero. Since this film is set in 1995, that leaves more than enough time for Monica to grow up and become a superhero by the time Avengers 4 takes place.
If you watch carefully, you’ll notice Carol’s cat is named Goose, a subtle nod to Top Gun. In the comics, the cat is actually named Chewie and is actually a demonic alien that can go through pocket dimensions that tries to kill Rocket Racoon at every occasion. In the film, the kitty just seems to be a regular cat with a name fitting of everyone trying to become a pilot in the late 80s and early 90s.
The main trailer for ‘Dunkirk’ is out, and it seems that Christopher Nolan will be telling the amazing story of Operation Dynamo from all angles as weekend sailors, Royal Air Force pilots, nurses, fishermen, and others appear in the footage.
Operation Dynamo, often called “The Miracle at Dunkirk,” was the evacuation of nearly 400,000 British and allied troops from the coast of France in 1940 after the German blitzkrieg cut through Allied defenses much faster than anyone anticipated.
The German invasion was expected to take months, but Nazi forces slashed a corridor through France to the English Channel in just over two weeks before they halted their advance. But the Nazis hadn’t been stopped by force of arms.
Rather, the high command decided that they didn’t want to risk panzers in pitched fighting near Dunkirk. So the German army kept the expeditionary force pinned down on the beach and sent the Luftwaffe to kill British ships in the English channel and strafe and bomb survivors on the beaches.
On May 26, the British launched Operation Dynamo, a Hail Mary attempt to rescue those dying troops through Royal Navy assets and, when those proved to be too few, hundreds of small fishing and pleasure boats piloted by civilians. Nearly 340,000 troops were evacuated from May 26 to June 4.
Previous trailers for Nolan’s movie about the event have focused on the plight of soldiers on the beach who waited for days, sometimes in shoulder-deep water while under fire from the Luftwaffe, for rescue. The new trailer shows them, but it also spends a lot of time on a father crossing the channel with his sons, as well as the nurses and pilots who made the mission possible.
It looks like World War II buffs may get to see one of the war’s most miraculous moments played out on the screen through perspectives of everyone who made it possible. Many of the troops rescued from the beaches went on to fight in North Africa, the D-Day landings, and on to Berlin.