“Throughout history different cultures all over the world reference a great tournament of champions. That dragon marking…I think it’s an invitation to fight for something known…as Mortal Kombat.”
In his feature film debut, director Simon McQuoid is rebooting Mortal Kombat and by the looks of this red band trailer (released simultaneously as the one approved for all audiences), he’s gonna be celebrating the over-the-top violence and gore the titular video games are known for.
MMA fighter Cole Young will join fellow defenders of Earthrealm Liu Kang, Sonya Blade, Jax Briggs, and more in a tournament against supernatural kombatants like Shang Tsung, Sub-Zero, and Mileena.
WATCH THE TRAILER:
Based on one of the most popular video game franchises of all time, Mortal Kombat will be the first live-action installment since 1995’s Mortal Kombat and 1997’s shall we say less popular Mortal Kombat: Annihilation. The film will be rated R and it will feature game-accurate Fatalities — in fact, you can watch Kano rip a heart out in the trailer above. “Kano wins.”
“The Fatalities were always in from the get-go, there was never any question from anyone at all. There was no resistance from the studio. They wanted them, I wanted them. There’s a Fatality from Kano; he ripped someone’s heart out. But what was important to me was that even when the Fatalities arrived, we couldn’t just do a Fatality and have it mean nothing. It actually becomes an important ingredient in the rhythm of the action scene.” — Director Simon McQuoid
(Mortal Kombat | Warner Bros.)
Starring Joe Taslim as Sub-Zero, Jessica McNamee as Sonya Blade, Sisi Stringer as Mileena, and Lewis Tan as newcomer Cole Young, the film teases many promising moments for fans, including a fight between Scorpion (played by Hiroyuki Sanada) and Sub-Zero. McQuoid opens his film with the face-off, which he describes as a “pretty brutal, nasty fight.”
If nothing else, viewers can expect an action-packed film with centuries worth of lore, easter eggs, and blood. Mortal Kombat will hit HBO Max and theaters simultaneously on April 16, 2021.
Sebastian Junger spent nearly twenty years writing about dangerous professions, most notably those surrounding war and other conflicts. Although he retired from war reporting after longtime collaborator Tim Hetherington was killed during the Libyan Civil War, he has a lot of experiences on which to reflect. In his new book, Tribe: On Homecoming and Belonging, he contextualizes a life spent close to death and danger and provides lessons for modern societies that have struggled with the fact that technological improvements and material wealth haven’t necessarily made their populations happier.
Tribe is the 54-year-old Junger’s own homecoming of sorts. He was a Vanity Fair contributor when he spent time in Afghanistan’s Korengal Valley, which was also his first collaboration with photographer Tim Hetherington. That collaboration led to three films based on the pair’s time in the valley: “Restrepo,” “Korengal,” and “The Last Patrol,” as well as Junger’s book, War. After Hetherington was killed in Misrata, Libya in 2011, Junger produced “Which Way is the Front Line From Here? The Life and Time of Tim Hetherington” for HBO documentary films.
Junger’s lifetime of covering conflict led him to write Tribe, the theme of which is how modern society has isolated individuals and marginalized the value of groups – a phenomenon to which returning warfighters can relate. Junger notes there are positive effects of war on mental health and long-term resilience, using examples of war trauma from Sri Lanka to Israel and Liberia to Cote d’Ivoire to illustrate the effects of war. He explains the utility of the “shared public meaning” and why it’s crucial for warriors to return to a society that understands them. He argues that “honoring” veterans at sporting events, letting uniformed service people board planes first, and formulaic phrases like “thank you for your service” only serve to deepen the divide between the military and civilians by highlighting the fact that some serve and some don’t.
Junger’s main discussion about combat veterans is that they require three things: a society that is egalitarian and gives them the chance to succeed, to not be seen as victims, and to feel as necessary and productive as they were on the battlefield. According to his findings, the U.S. ranks very low on all of these because there’s no cultural perception of any shared responsibility. The shared responsibility of the whole for the one is what Tribe is all about.
The book isn’t about just veterans or victims of conflict. The recurrence and spread of individualism have an effect on all of us. Junger delves into the history of the native tribes of the United States to illustrate his points: tribal societies were more socially progressive and conscious of the suffering of its members, especially those who went to war. Collective societies tended to be happier units because they cultivated collectivized happiness. Everyone in a tribe has a role to play, and everyone feels useful.
Sebastian Junger’s newest book isn’t about veterans, but Tribe is full of lessons all veterans should heed when seeking their tribes. More broadly, Tribe’s lessons should be heeded by the entire nation, especially during this election season that seems to be more divisive with each step in the process of finding those who would lead us in bringing us all together.
Rod Lurie on set with lead actor Caleb Landry Jones filming The Outpost on location in Bulgaria.
Rod Lurie is a West Point graduate and former Air Defense Artillery officer in the US Army. After his time in service he worked as an entertainment reporter and film critic. He then transitioned into film making by writing and directing his first feature film Deterrence, which is a political thriller. Rod also directed The Contender, The Last Castle, Nothing but the Truth, and Straw Dogs. Most recently, he directed The Outpost, the story of the 53 U.S. soldiers who battled a force of roughly 400 enemy insurgents in north-eastern Afghanistan during Operation Enduring Freedom.
James Mardsen, Hunter Lurie, Kate Bosworth, Rod, and Paige Lurie during the filming of Straw Dogs (2011)
Tell me about your family and your life growing up?
Currently I live in Studio City with my wife Kyra who is a New York Times bestselling novelist. I have one stepson Isaac and a daughter named Paige where we have a family dog named POTUS. My son Hunter passed away two years ago today. The Outpost is dedicated to him where since he died so young his passing to me relates to the young soldiers who died at the Battle of Kamdesh.
My family growing up consisted of my father, mother and three brothers. At age five, my family moved from Israel to Connecticut and then to Hawaii. My father is a military veteran of Israel and he worked as a political cartoonist, which includes illustrations for LIFE magazine where he is “the most widely syndicated political cartoonist in the world”, according to the Guinness Book of World Records. My mother Tamar is still the most successful real estate agent in Greenwich, Connecticut.
Rod at West Point during his plebe (first) year.
What is the most distinct memory of your mother and your father?
My father focused on two things for me: creativity and sticking up for myself and our Jewish heritage. He is a wildly creative person and he told us to never stop creating where he reminded us about how God had created in the Bible. My mother was a voracious athlete where she encouraged me and my sibling to really push ourselves athletically. She is truly kind, and she raised us with empathy as well.
A picture of Caleb Landry Jones as Medal of Honor recipient Specialist Ty Carter in The Outpost.
What challenges did you face at school and in the community?
The challenge for any Jewish person in that era and in that part of the world was anti-Semitism. We had immigrated from Israel where, of course, we never faced that within our own communities.
Rod Lurie interviewing acting and film legend Paul Newman.
What values were stressed at home?
Creativity, Righteousness and Athleticism. We had a strong sense of morality in our home where ethics are what society expects and morals are what we expect of ourselves.
Rod at his West Point Graduation in 1984.
What drew you to film and media while growing up?
Growing up I saw a movie on a little TV named Ben-Hur. I couldn’t believe my eyes because I did not even know movies were made where my understanding was that they were just kind of there. I was so thrilled with film I decided my goal was to be somehow involved. Because of my lack of knowledge of the film making process I was most impressed with film critics. Roger Ebert and Pauline Kael were my idols where I wrote to them and they wrote me back. In the end, no motivation was greater than for me than to be a filmmaker. One of my beliefs is that you shouldn’t go to film school where you should go to study what you want to make movies about. The USMA is a place of leadership, which is what I want to make films on. My dream one day is to make a movie about West Point where I made a deal with Universal to make such a movie on the academy titled Heart of a Soldier with Paul Walker and Jessica Alba. Unfortunately, the film fell apart once the Iraq War broke out.
Scott Eastwood as Medal of Honor recipient SSGT Clint Romesha in The Outpost
What made you want to attend West Point and is the best lesson you learned while there at the academy?
My political awareness from an early age because of my father’s political cartoonist work influenced me to go to West Point where it seemed like a natural fit for me. The best thing I learned from West Point; when you think you have exhausted everything you have you really have only used 10% of your capabilities. This was said to me before I went in to SERE (Survival, Evasion, Resistance, Escape) school.
Orlando Bloom, Cory Hardrict, Jacob Scipio, Bobby Lockwood, Alexander Arnold, Scott Eastwood, Caleb Landry Jones, James Jagger, Celina Sinden, Jack Kesy, Taylor John Smith, and Milo Gibson in The Outpost.
What did you enjoy most about your service as an Army officer?
What I enjoyed most about my time in service were the friendships and comradery of the people I served with. The best friendships I have had in my life were from West Point and from the service where nothing will ever top that. Another enjoyable part about my time in the Army came from the confidence generated in the team-based atmosphere. Many people think the most stressful time of a cadet is when you are going through Beast Barracks when in reality the toughest time is when you are taking your exams. I am on my own when taking those tests. When going through things with your fellow troops you are going through it together. There is something about the concept of if we all work together, then we can succeed. It creates a quiet calmness.
Rod as a cadet at West Point.
What leadership lessons in life and from the service that have helped you the most in your career in Hollywood?
Problem solving and Teamwork. The film was an exceedingly difficult movie to put together because of budget and time constraints. On The Outpost, as the boss and being a military veteran we had some actors that were veterans where I insisted on having them for a couple of reasons. One is that for all of us who have worn the uniform we can always say I have been in a tougher scrape than this. No matter what we come across we know we can solve this problem. Another part of having veterans as part of the production was realism where I had several vets that were also Technical Advisors. Because of the calm problem-solving skills and real-life team-based experiences, we functioned as military veterans; smoothly and without panic. We stayed grounded and focused unlike how it may have been on other sets where anxiety and fear set in due to such tight restrictions.
Taylor John Smith as Distinguished Service Cross recipient First Lieutenant Andrew Bunderman and Orlando Bloom as Bronze Star recipient First Lieutenant Benjamin D. Keating in The Outpost.
What did you enjoy most about filming The Outpost?
There is a great satisfaction in knowing that we are doing good on this film. There are many families that lost their loved ones in the Battle of Kamdesh which were sons, brothers, and fathers. The fact that we can give to these people and families, not just closure, but a promise that their loved ones will have their names repeated and spoken forevermore is very satisfying. When my son died, I realized the obligation we had to these families. The friendships and comradery on set were amazing because of this shared mission. The crew all got so close on the film because of its importance, especially since it was something we were going through together in a tough situation.
Scott Eastwood as SSGT Clint Romesha in The Outpost.
What is the main message you want people to remember about The Outpost?
My goal is to get people to daily remember the military currently serving abroad. The service members need to be remembered where I believe that people just don’t think ever about the soldiers that are serving overseas right now. In previous wars like WWII, Korea, and Vietnam they were on our minds and now we don’t give it a second thought. In WWII, every soldier also had the same mission; we are going to stop Hitler. Today the answer is most likely mixed with why we are there in the Middle East, which makes their service even tougher. It is just not cool that soldiers currently in the fight today are forgotten. People must understand what these soldiers went through and that their sacrifices matter.
We knew the members of the 4077th Mobile Army Surgical Hospital (M*A*S*H) were well-equipped to handle any situation, but this new hybrid from five episodes of the popular 1970s series is showing us how to handle COVID-19 as well.
While the sun may have set after 11 seasons on the beloved characters stationed in South Korea during the Korean War, their advice on everything from how to wash your hands, hoarding in a time of toilet paper shortage and social distancing seems almost prophetic.
In the M*A*S*H montage put together by Frank Vaccariello, we see unbelievably timely themes: How to wash your hands from the episode, “Fade In, Fade Out,” social distancing from the episode,”Cowboy,” don’t touch your face from the episode, “War of Nerves,” working from home from the episode, “Hepatitis,” and yes, even a toilet paper shortage from the episode,”Crisis.”
When asked what prompted his creativity, Vaccariello said that he started comparing the guidance the nation is receiving on protecting ourselves from COVID-19, to scenes from M*A*S*H in his head. “I have been a M*A*S*H fan since the days it originally aired,” he said in an interview with WATM. “I loved the show, the writing and the acting. I can actually be said to be more of a M*A*S*H freak,” he admitted. “I had intended just to make a couple memes, but then last Saturday morning I woke up and decided to create the video.”
“[Directing has] been a dream of mine for as long as I can remember,” shared Tyler Grey, who self-declares on Instagram as “a geeky kid trapped in the body of a nerdy adult.” For those who know his story, however, he’s got a pretty respectable warrior side, too.
A former Delta Force operator and sniper-qualified Army Ranger, Grey’s military career came to an end when he was “blown up in Sadr City” (his words, not mine), resulting in a medical retirement. His right arm still bears the scars from that attack — but he hasn’t let it keep him from actively supporting the military community.
For the past few years, that has meant portraying Trent Sawyer in front of the camera on SEAL Team while helping to produce and act as a military consultant behind the scenes. With Unbecoming an Officer (Season 3 Episode 10), he finally puts on a very coveted hat: director.
[instagram https://www.instagram.com/p/B5vyuZ1n41t/ expand=1]Tyler Grey on Instagram: “So the episode I directed airs next Wednesday 12/11! Here is a promo for it and excuse me right now for the fact that I will post about it…”
Most veterans agree that watching shows and films about military service can feel frustrating. It’s hard to get the nuances of military culture right — especially when storytellers are focused on either placing heroes on a pedestal or exposing their trauma.
SEAL Team has been a show actively committed to getting it right by hiring veterans as architects for the story. Grey is not the only service member CBS has brought on board. In a particularly poignant Season 2 episode, the show explored veteran suicide, a tragic issue that hits the military community at too-high a rate. The episode was written by former frogman Mark Semos.
[instagram https://www.instagram.com/p/B56ANDwngdU/ expand=1]Tyler Grey on Instagram: “He is another clip from tomorrow nights episode. Sadly it won’t let me post more than a minute but you get the idea. The guy at the…”
Grey’s leadership qualities are clear even from a distance. He’s quick to give his team credit for successes (and quick to accept blame for any shortcomings — even in jest).
He’s also great at balancing the line between Hollywood and reality.
“95% of the time if there is something technically wrong on the show there is a TV or dramatic reason for it,” he clarified in advance of the, I’m sure, flood of comments about unused NODS in an episode.
[instagram https://www.instagram.com/p/B3skAiRn-hP/ expand=1]Tyler Grey on Instagram: “Episode 3 airing tonight at 9/8c. So one thing I’ll mention here that I get asked a lot about in reference to the show is why things aren’t…”
To be clear, directing for television is a highly competitive gig. Throw in stunts, battle scenes, smoke, and special effects and you’ve got a major learning curve for a first-timer.
This is where military training really does bring excellence to the surface. A good leader knows who to turn to for guidance (the NCO or SNCO, always…), how to identify and utilize the strengths of the team, when to be definitive, and when to ask for help.
“On a serious note I hope those who watch it enjoy — a lot of people worked really hard to help this come together,” he shared.
[instagram https://www.instagram.com/p/B50yidLHIrc/ expand=1]Tyler Grey on Instagram: “No idea what I was talking about looking at this picture but I probably didn’t know then either.. Thanks again to the crew, the cast and…”
It’s great to see a huge network recognizing the capabilities of veterans in the filmmaking industry — especially in military terrain. Service members give up years of their creative careers while their civilian colleagues build resumes. During that time, however, vets rack up some marketable skills and experiences that benefit a set.
SEAL Team is one show that is really paving the way for veterans to show what they’re made of. It’s an opportunity, not a right, and the professionals know it. When they do step up, however, it makes the series stronger.
Grey isn’t the only veteran who has directed for the show. U.S. Marine Michael Watkins, who has an impressive television resume that includes The Blacklist, Quantum Leap, and Prison Break, has also taken the helm.
[instagram https://www.instagram.com/p/B5Y6jdAnTGg/ expand=1]Tyler Grey on Instagram: “Tonight’s episode directed by Marine Veteran Michael Watkins. So this one was rough as we lost our location that all the action was based…”
From its consultants to its writers and directors to its cast and, yes, even down to its three-line co-stars, SEAL Team gives members of the military community the opportunity to excel after service.
[instagram https://www.instagram.com/p/B4vYabMHtdo/ expand=1]Tyler Grey on Instagram: “Define irony: Working on a military show, as a veteran, on Veterans Day. Just kidding I appreciate the opportunity and truly love this…”
If your battle buddy fought in 17 major battles, saved an entire regiment from a chemical attack, and then pulled everyone out of an artillery barrage before he went back to find the missing and wounded, you’d probably feel pretty good about having him as your battle.
No wonder he was the only dog to ever receive a combat promotion.
Yes, the aforementioned heroic NCO that saved upwards of a thousand American GIs on World War I’s Western Front was a bull terrier mutt named Sgt. Stubby (there’s even a new movie about him from Fun Academy coming in April 2018… just in time for Stubby’s 100th anniversary of becoming a soldier):
A private in the U.S. Army’s 102nd Infantry, 26th Yankee Division named J. Robert Conroy smuggled Stubby to Europe along with the rest of the American Expeditionary Forces in 1918. Though not specifically trained to fight the Germans, Stubby was like any other soldier. He learned the bugle calls, the drills, and even a sort of pup-salute when called to attention.
Stubby was more than a mascot. His unit fought in four major offensives that are now enshrined in history books as pivotal battles of World War I: Aisne-Marne, Champagne-Marne, Saint-Mihiel, and Meuse-Argonne. With 17 battles total, Stubby and the 102nd fought for a total of 210 days – more than any other American division during the war.
He was able to sniff out mustard gas before it became a danger to his fellow troops – especially when they were sleeping. He earned his first combat promotion to Private First Class for just such an action. He even had his own gas mask when needed. Not to spoil the ending, but Stubby survived the war. That doesn’t mean he escaped unharmed.
At St. Mihiel, Stubby was wounded by shrapnel after an artillery barrage decimated the 102nd. He wasn’t out of the fight for long. During the Meuse-Argonne Offensive, he chased down a German spy hiding in nearby bushes and dragged the man back to the American lines. For his effort, his fellow soldiers awarded Stubby the Iron Cross – removed from his captured prisoner’s uniform.
After the war ended, Stubby was a hero. He was invited to the White House many times and met three Presidents: Woodrow Wilson, Warren G. Harding, and Calvin Coolidge. As a soldier, however, his greatest honor was the gold medal awarded to him and his fellow soldiers from the 102nd from Gen. John J. Pershing himself.
Since Stubby was a stray, no one really knows how old he lived to be. But he died in Conroy’s arms in 1926, a life member of the American Legion, YMCA, and the Red Cross. After he died, his body was preserved by a taxidermist and sent to the Smithsonian Institution. You can see the actual Stubby at the Smithsonian in Washington, D.C., in uniform – along with all his medals and awards.
Watch the trailer below, and let us know what you think.
Cartoonist E.C. Segar created Popeye the Sailor in 1919 after taking a correspondence course on drawing from a guy in Cleveland. Segar’s hometown of Chester, Ill. was chock full of characters that Segar easily adapted to print. Dora Paskel, the owner of a local general store, was unusually tall and thin, wearing her hair in a loose bun at the nape of her neck. J. William Schuchert was the local theater owner who had a voracious appetite for hamburgers.
And Frank Fiegel was a one-eyed, pipe-smoking brawler who never turned down a fight.
Frank Fiegel died in 1947 and was originally buried in an unmarked grave. Popeye fans rectified this in 1996.
Fiegel was more likely to down a few bourbons instead of a can of spinach to get his super fighting prowess, but the rest of his caricature fit the Sailor Man to a T. He had the same jutting chin, built frame, and trademark pipe as his cartoon counterpart. But kids were rather scared of Olive Oyl’s real-world inspiration, as she was more apt to stay inside her store. Wimpy’s rotund figure was based on Popeye creator E.C. Segar’s old boss at the local theater. When Segar wasn’t lighting lamps, he was sent out to pick up burgers for the owner.
Popeye’s real-life inspiration is sometimes attributed to a photo of an old sailor who really does resemble Popeye the Sailor Man, but this is just internet folklore.
(Imperial War Museum)
The sailor in the above photo is really a sailor, but he’s a British sailor. His name is lost to history, but the Imperial War Museum lists him as “A Leading Stoker nicknamed ‘Popeye,'” with 21 years in service and fighting aboard the HMS Rodney in 1940. Fiegel would have been at least 70 years old when this photo of the battleship sailor was taken.
Frank “Rocky” Fiegel was actually a bartender and not any kind of sailor, but he did love the kids around Chester, and they used to love to play pranks on the old barfly. Fiegel would impress them with his feats of strength as well as his telltale corncob pipe – something young Segar would never forget. “Popeye” was an homage to an unforgettable man who lived to know his image was soon in 500 newspapers nationwide, the symbol of sticking up for the little guy.
At some point in our military life, most of us pick up a nickname. Most of the time, that nickname is hilarious…to everyone else. How we came by it is a story for the ages. But that seems to be the way it’s been in any armed force for a long time.
After Vikings raiding villages during the Middle Ages, they would then write their exploits in great sagas that detailed their deeds and combat adventures.
But the problem with that was they didn’t have name tapes on their raiding gear. And if they did, a LOT of them would read “OLAF.” How do you tell the story of what two (or more) Olafs did on a single Viking raid, when none of them have last names?
Like military nicknames and callsigns, they came from stories of the person in real life or descriptions of the Viking in question – like “Hálfdan the Generous and the Stingy with Food.”
But they are a critical piece to the warrior’s story and even influence the plot. For example, “Ǫlvir the Friend of Children” earned his nickname because he wouldn’t catch children on spears, which was a custom of the time. That could be a critical piece of literary characterization.
Times have definitely changed since “Þórir Leather Neck” earned his nickname. Today, Marines wear that title with pride, but Þórir was being made fun of for the goofy cowhide armor he tried to make.
And then there are the less family-friendly nicknames.
Like you and your buddy who nicknamed someone “Fartbox” and made it stick, the Vikings of yesteryear were no more mature. Nicknames included Kolbeinn Butter Penis, Herjólfr Shriveled Testicle, Skagi the Ruler of Sh*t, and Hlif the Castrator of Horses.
And then there were the badass nicknames like Ásgeirr the Terror of the Norwegians, Þorfinnr the Splitter of Skulls, and Tjǫrvi the Ridiculer.
The Medievalists tells us that the best source for Viking nicknames comes from the saga that details the colonization of Iceland in the 9th and 10th Centuries.
It’s been well over six months since Star Wars: The Last Jedi came out and audiences have gone through the full cycle of liking it on opening night and disliking it the longer they spend thinking about it. Now, it’s been released for viewing in homes across America and leaking potential spoilers is no longer a crime punishable by death.
That being said, this is your official spoiler alert. We are going to talk about Star Wars: The Last Jedi ahead.
And my personal question: If that was such an effective tactic, why not just attach hyperspace drives onto asteroids and use them to bombard enemies?
Still with us? Okay, here we go.
In the second act of the film, the First Order has the Resistance cornered. Vice Admiral Haldo orders her people to board the transport ships and evacuate to the nearby planet, Crait. She then pilots the Raddus and aims it right at the First Order fleet and their flagship, the Supremacy.
She floors the Raddus into near hyperspeed and smacks right into the bad guys in what was one of the coolest moments of the film. Pieces of the shattered Supremacy then domino-effect outward, into the other ships, destroying them as well.
As awesome as this moment was, it opens up many questions for the fans that could be better understood with some science. Like, is that even possible? What kind of force (not that kind) would be required to pull that off?
Everything always comes back to science.
The filmmakers behind the Star Wars universe have taken many creative liberties with the franchise, telling elaborate storiesat the expense of scientific reasoning— and that’s fine.The series is literally about magical space samurai that befriend countless alien species without translators and everyone seems to be just fine walking on random planets without wearing space suits.
In this one particular instance — the hyperspace Kamikaze move — everything seems to be perfectly in order. This all comes down to Albert Einstein’s famous mass-energy equivalency formula, otherwise known as E = mc2.
Even though many people see that formula and think it’s just some smart guy’s way of proving he’s smart, it’s actually the fundamentals of energy. It means, in basic terms, that energy and mass are interchangeable.
Cut the movie some slack. It’s far more interesting than reading science textbooks.
With a little algebra, however, this same formula can be rearranged to explain that achieving the speed of light would be nearly impossible because everything within the universe with mass would require a incalculable amount of energy to achieve such a speed. It’s challenging to send even a single atom at a fraction of light speed, let alone a massive frigate.
In the real world, achieving hyperspeed is near impossible for anything other than massless photons. But this is the universe with tiny green muppets teaching farmboys how to move rocks with their minds. Let’s pretend that the hyper-drives hand wave that all away and moving faster than the speed of light is possible and it can be achieved by things with mass.
It’s basically the idea behind the “Rod from God” that never happened.
Thankfully for the audience, the next scientific laws that apply to this scene are also very well-known: Newton’s First and Second Laws of Motion. The first says that every object in a state of uniform motion will remain in that state of motion unless an external force is applied to it. The second states that the rate of change of momentum of a body is directly proportional to the force applied, and this change in momentum takes place in the direction of the applied force.
In normal-people words, this means that since the Raddus was extremely massive and was working up to light speed (which meant that it still had mass at that point), it had an unfathomable amount of energy behind it’s punch that could, theoretically, shred through anything with ease.
This is a magnified version of a rail gun on planet Earth. You take something heavy, use magnets to send it extremely high speeds, and crash it into something. Boom. No more enemy.
Then again, this could also explain why two missiles could destroy a Death Star and a couple of laser blasts destroy the second one.
The real question is why don’t they use it more often in the Star Wars universe? We’ve accepted that, for the sake of storytelling, that hyper-drives really work, but this Kamikaze strategy hinges on how the fictional hyper-drive works. If achieves immense speeds by reducing a spacecraft’s mass to zero — similar to that of a photon — then the spacecraft couldn’t destroy something unless it was in the process of picking up speed. This version is more in line with the destruction we saw in the film.
The problem with this option is that if the ship doesn’t have enough speed, it’ll simply bump off the target’s shields. If it has too little mass, it’ll simply squash like a fly on a windshield. The conditions would have to be near perfect to make a serious impact.
The other way a hyper-drive could work is if it creates the insane amount of energy required to bring an object past light speed. If that’s the case, then the hyper-drive would be destroyed with the collision. For scale, the energy needed to send a Ford Mustang into hyper-speed would be more than a star going supernova. When a spacecraft containing an entire military crashes and the hyper-drive that powers it blows it, it’d let off enough energy to snuff out the entire galaxy in an instant. So, it probably wasn’t that.
Get ready for two minutes and fifty-six seconds of glory because the latest trailer from the ‘Fast and Furious’ franchise just dropped. This is why The Rock wakes up at 4:00 to work out while the rest of us sleep like lazy jerks. Hobbs & Shaw looks like it will be completely ridiculous — and that’s why it’s going to be perfection.
Hobbs Shaw will be the 9th film in the Fast Furious franchise and just like its predecessors, it’s completely bonkers. But it knows that it’s bonkers — and that’s why it’s brilliant.
The franchise started out in 2001 with street racing, thieves, and an undercover cop (played by the late and very much missed Paul Walker), and since then it has exploded into a billion franchise that burns physics like NOS. In the latest film, they’re upping the ante and throwing in super powers.
No complaints here.
“I am human evolutionary change. Bullet proof. Super human,” purrs Idris Elba, the self-proclaimed “bad guy” of the film. According to The Rock, Elba plays a “cyber-genetically enhanced anarchist [who] gains control of an insidious bio-threat that could alter humanity forever,” and former nemeses Luke Hobbs (Dwayne “The Rock” Johnson) and Deckard Shaw (Jason Statham) must team up together to stop him.
Even though they hate each other but actually share similar ideals. So silly.
Vanessa Kirby plays a rogue M16 agent in there somewhere, too, and I’ll be watching with my Bechdel checklist…
This is the party I signed up for.
Johnson has made a career out of over-the-top roles that he absolutely pulls off. He’s not making dark action flicks — he’s making films designed to give the viewer some fun. Hobbs Shaw looks like it will be no exception. The creative team doubled down on action thriller endorphins by playing up that ol’ “the enemy of my enemy is my friend” trope — and they did it because it works.
The trailer reveals a peek at what we can expect from the film: car chases, explosions, destroyed buildings, and dudes who have spent a lotta hours in the gym beating each other up.
And a girl. Somewhere. Getting captured it looks like. So probably also rescued. She better have some of her own agency is what I’m saying. We can talk about it later, writing duo Chris Morgan and Gary Scott Thompson…
Ultimately, my bet is that the trailer is advertising the exact film it represents: an action-packed, fun-filled, no brainer experience, which is perfect.
Mark Bowden is one of the greatest investigative reporters of our age.
“Black Hawk Down,” his exhaustive work on the experience of U.S. troops in Mogadishu, brought renewed attention to the oft-forgotten story. It also resulted in the film, which remains a favorite of the military-veteran community.
His most recent book, “Hué 1968: A Turning Point of the American War in Vietnam,” is just as exhaustive and compelling. The book is a master work, five years in the making.
The Battle of Hué was the longest and costliest fight of the entire Tet Offensive. On the morning of Jan. 31, 1968, a coordinated attack from 8,000 North Vietnamese Army Regulars, Viet Cong infiltrators, and Vietnamese civilians quickly captured much of the city in a single night.
American and South Vietnamese troops were woefully outnumbered in Hué. Facing the Communist forces there were the ARVN 1st Infantry Division and 200 of their American and Australian advisors at the MACV compound. By the time the sun came up that day, the Communists controlled the city south of the Huong River – except the MACV compound.
A view from a Marine machine gun position on the outer Citadel wall of Hué City during the 1968 Tet Offensive.
The Marines from MACV would have to go on the offensive, fighting their way across the river to rescue the brilliant and highly-respected ARVN General Ngô Quang Truong and what remained of his 1st Infantry. Then they had to expel the Communists from the area.
Hué would become a case study in urban combat, the first time since the Korean War the Marines would fight in a city like that. The battle lasted almost a month, turning 40 percent of the city’s buildings to rubble and costing the lives of 380 ARVN troops, 147 Marines, 74 U.S. Army soldiers, 8,000 Communists, and more than 5,800 civilians.
It was also the turning point in American popular support for the war.
Bowden’s book covers the history of the war until that point, especially from 30,000-foot view from the White House and General William Westmoreland’s MACV Headquarters. What’s truly unique and fascinating about Bowden’s style is the personal narratives that drive the history of the story.
“Hué 1968” is a gripping tapestry of nonfiction storytelling, with personal stories of people on the ground woven into the history and politics of the war. The enemy is no longer a nameless, faceless mass of targets; the NVA and VC are characters in the story of the war in Vietnam, with names, families, and lives. With these stories comes the understanding of why the McNamara doctrine of “limited warfare” would never have worked against the Vietnamese.
The book gives the eyewitness account of a young Vietnamese girl who turns on the southern regime and becomes a Viet Cong operative just as much as it follows the junior enlisted Marine radio operator Jim Coolican, who was stationed at the MACV compound. Personal narratives from every side of the conflict continue like this throughout the book.
Bowden traces the details of a young VC as he traverses the Ho Chi Minh trail and moves to infiltrate the city. He even painstakingly documents the “logistics miracle” – as one U.S. Navy captain called it – of the Tet Offensive’s movement of men and weapons into South Vietnam.
NVA and VC soldiers assault the city of Hué in South Vietnam, January 1968.
If you know the history of the Vietnam War, you know what’s coming in the Tet Offensive and it keeps you turning pages. No matter how familiar you are, you get to see the war from all sides – the NVA, the VC, ARVN leadership, American troops, American leadership, even Ho Chi Minh and North Vietnamese General Vo Nguyen Giap’s points of view are covered in remarkable detail.
The fall of Hué was the most successful attack of the entire Tet Offensive and even then the city was retaken by Feb. 24. Both sides bought into their own propaganda. The Communists believed that the South was ready to rise against the despotic Thieu regime and expel the Americans — they just needed a hand to get started.
Viet Cong forces climb on an abandoned U.S.-built Marine Armored Vehicle during the Battle of Hué.
The north came to depend on that uprising for the long-term success of the Offensive. The Americans and South Vietnamese were caught off guard because they thought the enemy was weak and could not launch an attack on that scale, let alone capture a city like Hué.
Until the Tet Offensive, a majority of Americans believed the war was going well and believed government officials who used statistics and body counts to insist that American involvement could soon come to an end. Body counts weren’t the metric used by the Communists. For the north, their success was defined by killing or wounding as many Americans as possible, destroying the ARVN, and inciting a popular uprising in the South.
Marines hold a Viet Cong flag they ripped down from the provincial headquarters in Hué.
The United States claimed a military victory in Hué but Hanoi would never be intimidated by a limited war. The prolonged violence and media bias against the war after the Tet Offensive eroded public support for it as well.
The U.S. began a strategic withdrawal from Vietnam the next year and left completely in 1973. South Vietnam fell to the Communists just two years later. Hué was just the beginning of the end.
Mark Bowden is an award-winning author and correspondent for The Atlantic. He is also a contributing editor for Vanity Fair. Filmmakers Michael Mann and Michael De Luca (who produced the 1995 heist movie “Heat”) purchased the rights to “Hué 1968” and plan to turn the book into a miniseries.
If 2020’s stay-at-home order told us one thing, it’s how much we rely on entertainers to keep us sane. Music, movies and online entertainment have been our lifeline to the outside world. Many of the celebrities who have kept us amused have also spoken out about the importance of recognizing the achievements of Black Americans — and that includes veterans!
Over 160,000 Black people are currently in the United States military, serving a critical role in keeping our country safe, and they’ve been doing so for a long, long time. In fact, many of the Black celebrities you know and love are veterans! Keep reading to learn about 10 of the most famous Black veterans…you might be surprised!
Born in 1956, Montel Brian Anthony Williams is best known for his work as a TV host and motivational speaker. His show, The Montel Williams Show, ran for 17 years, but that’s not his only claim to fame. Williams served in both the U.S. Marine Corps and the U.S. Navy. After enlisting in 1974, he attended a four-year officer training program, graduating with a degree in general engineering and a minor in international security affairs.
After completing Naval Cryptologic Officer training, he spent 18 months as a cryptologic officer in Guam. He later became supervising cryptologic officer at Fort Meade, eventually leaving the navy after achieving the rank of Lieutenant Commander.
He earned several awards including the Meritorious Service Medal, the Navy Commendation Medal and the Navy Achievement Medal.
Food Network personality Sunny Anderson grew up as an Army brat. Her family’s ongoing travels and her parents’ love of food gave her a chance to explore international cuisines, inspiring her future career. After graduating high school in 1993, she joined the United States Air Force, where she earned the rank of Senior Airman. She also worked as a military radio host in Seoul, South Korea, going on to work for the Air Force News Agency radio and television in San Antonio from 1993 to 1997.
Stanley Kirk Burrell, better known as MC Hammer, is one of the most well known American rappers of the late 80s. He rose to fame quickly both as a rapper, dancer and record producer, coming out with hits like “U Can’t Touch This” and “2 Legit 2 Quit.” In addition to creating the famous “Hammer pants” and his successful entertainment career, Burrell served in the Navy for three years as a Petty Officer Third Class Aviation Store Keeper until his honorable discharge.
Tracy Lauren Marrow, AKA Ice-T, is a multi-talented entertainer with a tumultuous background. He had more than one run-in with the law in his youth, but after his daughter was born he decided to join the Army. Marrow served a two year and two month tour in the 25th Infantry Division.
Military life wasn’t for him, however, and he used his status as a single father to leave the Army and begin his career as an underground rapper. Since then, he has made a name for himself as a musician, songwriter, actor, record producer and actor, starring as a detective on Law Order SVU and hosting a true-crime documentary on Oxygen.
Jamaican-American singer, songwriter, activist and actor, Harold George Bellanfanti Jr is no stranger to hard work. He enlisted in the Navy at the start of World War II while he was still finishing high school. After an honorable discharge two years later, he focused on his music career, bringing Caribbean-style music to the US. One of his first albums, “Calypso,” was the first million-selling LP by a single artist.
He was also a passionate supporter of the civil rights movement, going on to advocate for humanitarian causes throughout his life. Since 1987, he has been a UNICEF Goodwill Ambassador and currently acts as the American Civil Liberties Union celebrity ambassador for juvenile justice issues.
Ever heard of Orville Richard Burrell? Don’t worry, I hadn’t either, but you probably know his stage name: Shaggy. Burrell was born in Kingston, Jamaica, in 1968. He began taking voice lessons in the early 80s, filling the streets with music. His talent was apparent early on, but in 1988 he joined the Marine Corps, serving with the Field Artillery Battery in the 10th Marine Regiment during the Persian Gulf War. He achieved the rank of lance corporal, and continued to sing while he did it. He went on to earn seven Grammy nominations, winning twice for Best Reggae Album.
James, better known as Jimi, Hendrix, began playing guitar in his hometown of Seattle at just 15 years of age. After enlisting for a short time in the Army and training as a paratrooper in the 101st Airborne Division, he continued his music career to become one of the most renowned guitarists of all time. His music career, much like his military career, was brief, but powerful. He earned a spot in the Rock and Roll Hall of Fame, which describes him as “the greatest instrumentalist in the history of rock music.”
Berry Gordy Jr
American record, film, and tv producer and songwriter Berry Gordy Jr didn’t get his start in the music industry. He dropped out of high school to become a professional boxer, which he excelled at until he was drafted by the U.S. Army in 1950. He was first assigned to the 58th Field Artillery Bn., 3rd Inf. Div. in the Korean War, later playing the organ and driving a jeep as a chaplain’s assistant. When his tour was over in 1953, his music career took off.
He founded the Motown record label, which was the highest-earning African American business for several decades. Several of his songs topped the charts, and he’s known for helping budding artists like Marvin Gaye, Stevie Wonder and the Supremes achieve greatness.
2016 Invictus Opening Ceremony
Actor and film narrator Morgan Freeman is yet another famous veteran. He earned a partial drama scholarship from Jackson State University, but he turned it down to enlist in the U.S. Air Force. There, he served as an Automatic Tracking Radar Repairman, rising to the rank of Airman 1st Class.
After being discharged four years later, he moved to Los Angeles and studied theatrical arts at the Pasadena Playhouse. Considering he has since won an Academy Award, a Golden Globe, a Screen Actors Guild Award and many Oscar nominations, it looks like his hard work paid off!
James Earl Jones
Few voices are as iconic and recognizable as that of American actor James Earl Jones. Before launching his acting career, Jones served in the military, receiving his Ranger tab and helping to establish a cold-weather training command at the former Camp Hale. During his time in the military, he was promoted to first lieutenant. Following his discharge, he served his country in a different way, with over seven decades of theatrical excellence. In addition to winning numerous Tonys, two Emmys and a Grammy, he was presented with the National Medal of the Arts by President George H.W. Bush in 1992. Nearly two decades later, President Barack Obama invited him to perform Shakespeare at the White House. Wow!
These Black veterans aren’t the only ones we should care about.
The history of African American military personnel is as old as our country itself. Countless Black Americans have made their mark on U.S. Military history, and they continue to do so today. Click here to explore the firsthand experiences of Black vets, or learn more about how to support them here.
Henry “Hank” Hughes is a Writer/Director, Army veteran and Academy Award nominee for his short film Day One. Day One received critical appraisal and earned him a Best Narrative (short) Gold Medal at 42nd Annual Student Film Awards, BAFTA US Student Award at 2016 BAFTA/LA Student Film Awards and Academy Award for Best Live Action Short Film nomination at 88th Academy Awards. His most recent work is where he co-produced The Outpost, which was released this past summer to positive reviews. The Outpost depicts the Battle of Kamdesh based on Jake Tapper’s book of the same name. Hughes served in the 173rd Airborne Brigade Combat Team while in the Army and deployed to Afghanistan twice during his service. He continues his creative work in Hollywood as a continued patriot, storyteller and American Film Institute graduate.
Can you share about your family and your life growing up?
We have been a military family since 1775. It’s kind of Lt. Dan (from Forrest Gump) situation where our oldest relative is a Quaker. He quit being a Quaker so he could fight in the Revolution. He was the scribe for the Declaration of Independence so its his handwriting on the document. His father had been an indentured servant from England and a Quaker. Since then we have all been in the Army through all of the American wars. So, I grew up with my dad having three siblings all in the Army. My mom, who is Italian-American, as soon as they got here her father joined the Army and her twin brother is in the Army. My parents met in the Army where they are loving and progressive people. My mom is a speech therapist and a special education teacher. She has a lot of empathy. A lot of spirituality comes from my father because he is a devout Catholic. They look for the meaning in things which led me toward storytelling.
My great grandfather was a spy for the US during the Cold War, and we had a relative that fought in the Civil War. He was in New Orleans as an occupier from the Union Army during the war where he met his wife there where she threw pee on him since he was from the North. I made a lot of skateboarding videos growing and love skateboarding. Watched a lot of Tony Hawk and Chad Muska, where Muska was a hero of mine. I picked up skating while in Germany where my dad was stationed in Heidelberg. That was me and my buddy’s identity in our early teen years. Germany is like a second home to me. My sophomore year of high school we moved to Fort Knox, KY where it was not as accessible as Heidelberg was with the mass transit.
What made you want to become a soldier and what was your experience like?
Family tradition. I always knew I was going to join the Army and I am Henry Hughes IV where all of the other Henrys had been in the Army. I knew I would only do it for a time not a career, especially as an officer. I liked the Captain and tactical and below level interesting. The higher parts were not as interesting to me. Being a Platoon Leader was amazing. I went to Boston University and studied Film and English. I was probably a mediocre cadet where I had other priorities at the time. I became an armor office because my dad was armor, so it seemed like the smart thing to do. I learned all this stuff on tanks and basically became an infantryman upon going to the 173rd. I did a bunch of the schools, Scout Leaders, Airborne and Ranger which took over a year. My unit was in Afghanistan and wrote my battalion commander about having Thanksgiving with my family and joining the unit afterwards in Afghanistan.
A friend from high school and neighbor during my skate boarder days in Heidelberg who I had lost touch with was in the same unit, the 173rd. I had planned on linking up with him once I got to my unit in Afghanistan. Upon graduating Ranger School my father informed me my friend had died during my first or second week of the schoolhouse. He had been killed in action. His name is Ben Hall and he was killed in action on August 3rd, 2007.Three or four lieutenants died there where the combat was pretty intense. The Battle of Wanat, and Battle of Ranch House took place when I was there, where they are similar to The Outpost. I did have a moment in college where I thought, “do I really want to go to war?” I decided if I was going to go, then go do it all the way.
I got to go twice to Afghanistan and the second time got to work with a specialty platoon that targeted bomb makers. We had Explosive Ordnance Disposal, Military Working Dogs and a Female Engagement Team, which made us like a CSI/SWAT mix where we gather evidence at bomb sites, link it to a bomb maker and then try to track down the bomb maker. It was much more personnel in my second deployment. My first deployment was fighting hillside to hillside where on the second one we were going into people’s homes at night which made it unpleasant at times. We disrupted them in their sleep and took their children to another room. Day One is about that idea of going into people’s lives.
On my second deployment I had a female interpreter where she became the genesis for Day One. She was such an incredible person so everything I did was through her. I had this woman’s voice for an entire year where I had never seen that in a war film. It was so particular to my experience. We had an instance where an Afghani man brought us his wife with a child sticking out of her where the Army medics had to help deliver her. I combined those two stories for Day One. I am very proud of my military heritage and where I come from. It is inescapable in many ways as I continue to grow as a person, I will forever be a part of that time. I don’t want to lose it and, in many ways, it was a second family. I can’t let down my friends from that time and that bond. I have more of a responsibility of me to them than of them to me.
What are you most proud of from your service in the Army?
I am most proud that my friends from that time reach out to me to talk to about things they are feeling. I did three or four years of therapy to understand my own feelings during that time. I am very proud to help other people I care about help navigate their feelings from that time.
I love being from 173rd and love that unit. I do love the Army but have a stupid attachment to the 173rd that I would call childlike for another person. There is something about being from that unit that I just adore. I would make stupid mistakes in defending its honor for some reason that wouldn’t matter. The Army is so big, and a machine where I felt like a shock trooper with 173rd, very close knit.
What values have you carried over from the Army into Hollywood?
Integrity. I found that lying gets you nowhere. It always comes out. I try to be very frank and try to maintain a dialogue similar to my time as a young leader. There is an openness and integrity that I learned from there that is avoidant behaviors that people partake in Hollywood. Ghosting is a simple way to look at it where if you avoid talking with someone or a problem it will go away. I think that makes it stew and creates other problems. What you see is what you get creates an actual better creative environment where there is no different understanding or subterfuge where I will be honest with them about their ideas. Whenever that I speak it is coming from a place of truth and knowledge. It gets the ego out of the way. Dishonesty and subterfuge can work in the short term where long term of strategy is not going to pan out. No one wants to work with someone they can’t trust.
What was one of the toughest lessons to learn coming from the service to Hollywood?
Failure in the military can be catastrophic. Failure in the civilian world or Hollywood might feel like it is, but it isn’t. I would sometimes take on a failure in the civilian world as it were the same as when my platoon sergeant got wounded where it was my fault. It is not true and only a feeling, so partially true. There was so much responsibility inside of being a platoon leader where I absolutely cared about my platoon sergeant. I would sometimes write a story or have interactions within the industry where I felt like I failed on the same level. Failure in the military is binary; you live, or you die. Out here it is a spectrum and failures are a place to learn from. I had to adjust my emotional relationship with failure.
What was it like working on projects such as Day One and The Outpost?
Very rewarding to me because I love having a product I worked hard on. I have even gotten into building stuff with wood where I have made four desks now. Day One involved more of my war time experience even though The Outpost is more autobiographical. I am thankful to explore those times from my life. The Outpost was very strange to me because that place doesn’t exist anymore. There is a distinction in my life from before I went to Camp Keating and after I went to Camp Keating. It’s like there is a big turn in my life. I was at Camp Keating in 2008, a year before the battle from The Outpost.
To be able to go back there in this surreal and make-believe way where they recreated The Outpost and it looks incredible was amazing. It was like walking into a memory and it felt exactly like I was there. It was just surreal to go back in this fantastic way. My mom came to set for the last three days. I got to show her where my bunk was and what the base looked like. I took her to the closest thing possible to show her what that was like in Afghanistan. I feel very fortunate that I get to do the things that have such meaning to me. I live a good life now where I get to work on things I like.
Daniel Rodriguez, veteran of the Army and the Battle of Kamdesh, acted in the movie as himself and wrote a great book called Rise: A Soldier, a Dream, and a Promise Kept. He has a music career now and is a great guy, so it was good working with him and fellow veterans on the film.
What leadership lessons in life and from the Army have helped you most in your career?
Knowing who is in charge and when. Working with EOD where when we got to the bomb site they were in charge. You may think you are always have the right answer as the Platoon Leader where you are not. You need to listen to and lean on the experience of your senior NCOs. I need to know what right sounds like and as a leader I need to be able to listen. Once you get everyone thinking then you can work like a well oiled machine. In Hollywood they say the best idea wins where a costume designer may have the best idea on part of the project, where you should listen to them and their expertise.
As a service member, how do we get more veteran stories told in the Hollywood arena?
There is a huge separation between the life of the soldier and the life of the civilian. We need to bridge that gap. There is a warrior class in our society and those that wouldn’t even think of joining the service. We need to tell more personal and authentic stories of our culture. We have had a fair number of outsiders of what they think the culture is about and the things that they find interesting we might find commonplace so there is a disconnect there. It is empowering people from our own culture to tell our stories. People will eventually be able to understand it to where it is not Hollywood blood and guts of it all. People would never think that my mom and dad in the Army. They were both soldiers. They don’t think about that part of it where they only think of the infantry stuff. We only see one small slice. Policing is not about guns and raids it is this whole community thing. We need to see the whole spectrum.
What would you like to do next in your career?
I would like to produce a feature film. I rewrote the script for The Outpost, was a co-producer and got the chance to act, which I never thought I would be an actor. I would love to be able to make my own movie. I did a feature version of Day One and am trying to get that made. I am writing some other scripts as well. I would like to make movies and TV shows from this culture I came from. Maybe one day I will do something that is not military related. Some people warn me about not being “pigeonholed,” which is a “champagne problem.” The military culture has not really been explored. I haven’t really seen it in movies in a way that I would like to dig into about my family.
What are you most proud of in life and your career?
The circle of people I keep around me with family and friends. I have a solid circle of love.