In season two of History’s Six, Olivia Munn joins the cast as CIA officer Gina Cline. Walton Goggins returns as Richard “Rip” Taggart, who was dramatically rescued in the last season. Led by Barry Sloans’ Joe “Bear” Graves, the team will hit Eastern Europe (even as far as Chechnya) this season to track down a terror network.
Veterans are hard to please when it comes to depicting military life and veterans onscreen. We demand accuracy. We demand realism. Most of the time, we find ourselves disappointed. History’s Six will not disappoint you.
Suspend your disbelief for a moment, fellow veterans. To be perfectly fair, there’s a lot to like and a lot to overlook when it comes to Six — just like any other show on television. Not everyone is going to be a fan. But there is so much more to like from Six. Even the most discerning veteran will find that Six is better than they expected.
1. The realism is relative — and that’s okay
This is something vets have a hard time getting over. Every veteran knows Hollywood gets a lot wrong about the military. There are some egregious examples out there. Some of those make it look like they don’t even try — looking at you, Basic. There are some in which the producers take a few too many liberties for dramatic license, like Jarhead. Despite solid source material, there were just a few things that would never happen in the Marine Corps.
Last season, the show took on Boko Haram, the Sub-Saharan terror organization that was behind the Chibok School Girls Kidnapping (of “Bring Back Our Girls” infamy). The group continues its kidnapping and terror reign in the country to this day. One the show, the SEAL team’s leader was kidnapped by Boko Haram and they spent the season dealing with the aftermath and rescue of Walton Goggins’ character “Rip.”
This season takes the team to Eastern Europe to track a clandestine jihadist cell led by a mysterious figure known as “Michael.” If you haven’t been paying attention to the news, Eastern Europe is the front line to a new Cold War, where Russian and American intelligence agencies work to take down terrorist organizations like ISIS and a resurgent al-Qaeda. Russian security services have been fighting this battle for years. It was only a matter of time before American special operators got involved.
3. Olivia Munn’s character is a great addition
Look, I actually heard someone say, “SEAL Teams don’t have women.” And they don’t. Not yet. History isn’t depicting a female SEAL — she’s a CIA operative and there are many, many female CIA operatives in the real world. History’s SEAL Team Six is getting their “Maya.”
4. The cast were trained by SEALs
Remember that realism thing we were talking about? You are guaranteed to see some outstanding trigger discipline in the cast of Six. Actors Barry Sloane, Kyle Schmid, Edwin Hodge, Juan Pablo Raba, and the rest of the cast went through their own boot camp run by actual Navy SEALs.
The cast of Saving Private Ryan had to go through Capt. Dale Dye’s bootcamp just once, so you might think the cast of Six would only have to do it once, too. Nope. They’re going for every freaking season.
5. It’s about family
Most shows, at their cores, are about some kind of family. But what Six does well is that infuses the family drama that comes with being in a tight-knit family unit. Some media outlet somewhere said it was like a “soap opera,” but anyone who’s ever been in a large family — or a large military workcenter — knows that routinely going to work with people you live with is a soap opera in itself.
6. Action shows are awesome – when done well
I love a good action movie or TV show. I hate a bad one. There’s nothing worse than watching bad lines being read by some marginal actor only to be rewarded by thirty seconds of action maybe every twenty minutes (if you’re lucky). Go watch a recent Steven Seagal movie on Netflix and tell me I’m wrong.
The action in Six is really well-executed, the cast is pretty great, and the visuals are well-done, too.
Season two just started. You have plenty of time to catch up.
Hollywood has the ability to spark every veteran’s imagination and when the big screen explores what future militaries may become, it’s enough to make even the most content retiree dream of taking the oath all over again.
Let’s explore the fantastic armies any veteran would love to be a part of.
“Going to the war zones and visiting the troops . . . and being able to pat them on the back and support them . . . has been a great joy, a great personal reward because you can see that you’re providing a service for somebody who’s providing a service for us, and it’s lifting them us in some way,” Gary Sinise says. “I make my living as an actor and all of this is simply something I do with the resources . . . and time that I have.”
Sinise started working with working with wounded warriors primarily as a function of his portrayal of Lt. Dan in the movie “Forrest Gump,” a vet who lost both legs during the Vietnam War. “That movie came out in ’92,” Sinise explains. “Then we had September 11, that terrible event, and we started responding to that in Iraq and Afghanistan — deploying to those places — and our people started getting hurt. And we had this whole new generation of Lt. Dans coming back from those wars. I wanted to very much get behind them and support them in some way.”
That desire wound up manifesting itself in myriad ways including the Gary Sinise Foundation and the Lt. Dan Band, which got its name from the fact all the troops were calling Sinise “Lt. Dan” when he’d visit them in theater.
Sinise pushes back on the idea that he’s living out some sort of rock n’ roll fantasy at midlife by playing bass guitar in a touring rock band, pointing out that he was a rocker in high school, which is, ironically, the thing that got him into acting. “I was standing in a hallway with the band members and we were looking kind of raggedy, sort of grubby band guys, you know. And the drama teacher walked by, and she told us to audition for ‘West Side Story’ because we looked like gang members. Two of us ended up going, and I got in the play.”
The Sinise family has military heritage, most notably that of his uncle Jack who was a navigator aboard a B-17 in World War II. Sinise arranged for Jack to have a ride in a vintage B-17 almost 70 years after his final war sortie in 1945, and the event was made into a short documentary that premiered at the GI Film Festival a few years ago.
Watch Gary Sinese talk to actor and Navy veteran Jamie Kaler about his support of wounded vets and the Lt. Dan Band:
Don’t miss Gary Sinise and the Lt. Dan Band as they kick off the 10th annual GI Film Festival in Washington DC on May 21. Check out more information and get your tickets here.
Tolkien premieres today, a movie that looks at the horrors that legendary author John Ronald Reuel Tolkien endured in World War I and how it may have informed his writing of The Lord of the Rings and other fantasy novels. But while it’s easy to see some elements of World War I combat in the author’s novels, it’s pretty much certain that some elements won’t make it on to the big screen.
(Also, for what it’s worth, the Tolkien Estate has disavowed the movie ahead of its release, so go ahead and assume it’s not a terribly accurate picture of his life.)
Soldiers with the Royal Irish Rifles at Somme in 1916.
(Public domain, British Army)
Human waste overflowed and spread parasites
Yeah, Tolkien’s novels aren’t known for their graphic descriptions of waste management and disease prevention, so it’s unlikely the movie will have to address it much. But the sanitation challenges of trench warfare were overwhelming. Everyone poops, and millions of soldiers pooping in a line generates a lot of waste.
Soldiers in a shell hole receive a message from a dog in World War I.
(National Library of Scotland)
Buried under exploding dirt
Troops in the trenches were generally below the level of the surrounding terrain. (It’s the whole reason they dug those trenches.) That protected them from machine gun rounds and reduced the threat of artillery, but it also meant that large artillery shells could move tons of dirt onto them, burying soldiers.
World War I wounded leave the battlefield at Bernafay Wood in 1916.
(Ernest Brooks, Imperial War Museums)
Treating the wounded
Tolkien likely has the guts to show hospitals in World War I, but the author wasn’t a medic, and so there would be little reason to depict it. But World War I hospitals in the front were terrifying. They had rudimentary sanitation procedures in place and were often overwhelmed by the sheer number of casualties.
During major battles, like when Tolkien took part in the Battle of the Somme, medical personnel couldn’t keep up with the number of wounded. Harold Chapin was assigned night duty in May 1915, but as he described it, that had no real meaning. The medical personnel worked almost 24 hours a day and still couldn’t keep up. One bombardier described waiting three days to get the shrapnel in his leg treated, not an uncommon wait.
Mind-numbing boredom and spotty communications with home
That meant news of a sick relative in a letter might actually be already dead by the time the letter made it to the front. An overwhelmed lover lamenting the separation might have already written their Dear John follow up. And there was no guarantee that the soldier would be kept busy enough to prevent them from dwelling on potential catastrophes at home.
So, in addition to the horrors of battle, troops were left in a prison of their own mind, wondering what parts of their life back home survived.
A sergeant in a flooded out trench in World War I France. Floods like these spread disease.
(National Library of Scotland)
The movie might show a little water in the trenches, but most directors are happy with some wet ankles and splashes of mud. That is not what troops in World War I endured. No, they could be so wet for so long that their flesh rotted off. And the water could easily be a foot or more deep, too deep for soldiers to get dry just by dropping some wood into the trench or cutting a little shelf into the dirt walls.
In what is widely considered the best role of his acting career, legendary film and television star Louis Gossett Jr. plays Marine Corps Gunnery Sgt. Emil Foley, a hardcore drill instructor, in the 1982 film An Officer and a Gentleman.
Gossett Jr.’s portrayal of a no-nonsense DI in the film earned him the Academy Award for Best Supporting Actor. If you watch his performance, you’ll quickly see why Oscar came calling. The character is crude and tough on the group of would-be pilots attending a 13-week Naval Aviation Officer Candidate School where he serves as the primary instructor.
Like many great actors who have donned the campaign hat on the silver screen, as DI Foley, Louis Gossett Jr. imparts knowledge on how to survive the daily challenges of life in his own unique way.
Here’s what we can all learn from Gossett Jr.’s Oscar-worthy performance.
Some of the best and most memorable lines of the film come in the early scenes when new recruits line up to hear Gunnery Sergeant Foley talk about what they should expect in the next 13 weeks of training. Foley knocks each person down a couple of pegs by making them understand they are, in fact, not special.
When Foley asks one of the recruits named Della Serra if he was a “college boy,” the character quickly lists his academic accolades, saying he graduated in mathematics with honors.
Della Serra gets a rude awakening from Foley when the Marine shows him his cane with notches on it. Each notch represents each “college puke” who has dropped on request during his time in the program. Foley suggests Della Serra may be one of those notches and then tells the group that half of them will not make it through the training.
In this powerful scene, DI Foley lets all the recruits know that his authority outweighs their individualism.
Although Mayo has all the skills and physical traits to pass the course, Foley consistently questions Mayo’s strenght of character. Officer Candidate Mayo is an arrogant and self-centered individual only looking out for himself. He’s also quite the hustler, selling inspection-ready boots and belt buckles to his fellow recruits to make a quick buck.
After discovering Mayo’s little racket, Foley gives him a chance to straighten up his act during a weekend-long smoke session. Foley breaks Mayo down physically and emotionally. It’s during this sequence that the audience is treated to the film’s famous scene in which Gere’s character screams, “I got nowhere else to go!” This is the turning point. From here on out, we see a change in Mayo’s character and attitude.
The importance of teamwork
Mayo’s change of attitude is clear when instead of trying to achieve an individual obstacle course record, he goes back to encourage one of his fellow classmates, a young lady named Seeger, as she struggles to get over a 12-foot wall. Thanks to Foley, Mayo learns the true value of teamwork.
Quitting is not the answer
Tensions between the two main characters rise yet again toward the end of the movie. Following the death of his friend, Mayo wants to speak with Foley in private.
After Foley dismisses his request, telling him to get back to work, Mayo gives his DOR. Instead of accepting his resignation, Foley asks to meet Mayo a nearby hanger — where they fight it out. After fists fly, Foley tells Mayo that if he still wants to quit, he can. By that point, Foley knows the recruit has come too far to quit now.
At the end of the movie, the officer candidates earn the rank of ensign. Per tradition, each new officer receives his or her first salute from the instructor and, in turn, each officer hands Foley a silver dollar. When Mayo hands Foley his coin, the Marine places it in his right pocket instead of his left. This act symbolizes respect for Mayo as an exceptional candidate.
“I won’t ever forget you, sergeant,” Mayo says after the salute. You can see Foley start to choke up just a bit when he replies, “I know.” The mutual respect between the two is evident.
Although it’s only a movie, many veterans may have encountered someone in real life who reminds them of DI Foley.
Tell us who made an impact on your life during your time in the military in the comments.
Why are the Marvel movies so damn popular? Well, that might be the wrong question, because the more important question should be: how did the Marvel movies get to be so damn funny? What are the best jokes in the funniest Marvel movies?
From “Iron Man” in 2008 to “Avengers: Endgame” in 2019, one thing moviegoers have always been able to count on from these films is a one-liner quip machine even in the bleakest of installments. Figuring out all the funniest moments in all 22 installments of the official Marvel Cinematic Universe might seem like a task better suited to one of Tony Stark’s supercomputers, but since Jarvis and Friday aren’t real, you’ll have to deal with human bias. So, with that in mind, here are 18 of the best jokes from the entire Marvel Cinematic Universe. And to avoid saying any of these jokes are better or worse than others, we’re just listing these jokes in chronological order.
Warning: Joke spoilers for all Marvel movies ahead!
1. “Let’s face it, this is not the worst thing you’ve caught me doing.”
When Pepper Potts walks in on Tony messing with his Iron Man suit, this classic Stark comeback cannot be beaten.
2. “We have a Hulk.”
From the 2012 “Avengers,” Tony Stark’s rebuttal to Loki’s boast “I have an army” is “We have a Hulk.” This is made all the sweeter when you consider Loki himself says “We have a Hulk” when he stands-up to Thanos in “Infinity War.”
3. “Better clench up, Legolas.”
Tony Stark’s pop culture references are an artform. If you don’t know who Legolas is and why this is funny, I’m sorry that I have to explain this to you: Legolas is an elf archer from “Lord of the Rings.” Hawkeye is an archer. Okay. enough explaining.
4. “I’m a huge fan of the way you lose control and turn into an enormous green rage monster.”
This Tony Stark quip is preceded by him complimenting Bruce Banner on his scientific achievements, which of course, is totally overshadowed by his ability to Hulk-out.
5. “No hard feelings, Point Break.”
I’m not going to explain this reference. I’ll explain “Lord of the Rings” references, but not this one. Either you get it, or you don’t. (If you’re reading this website and you’re a dad, I’m guessing you get this.)
6. “I understood that reference!”
Steve Rogers is great when he gets super-earnest in subsequent Avengers flicks, but he’s pretty much the best when he’s struggling with 21st-century pop culture references. In the first “Avengers,” when Steve actually understands one of Nick Fury’s references to “The Wizard of Oz,” his reaction is pure gold.
7. “The city is flying. We’re fighting an army of robots. And I have a bow and arrow. None of this makes sense.”
One of the funniest meta-fictional lines in any Marvel movie. Hawkeye knows nothing about his role in these movies makes sense.
8. “Why would I put my finger on his throat?”
You could, in theory, do an entire list of just great jokes and funny moments from both “Guardians of the Galaxy” movies and their appearances in “Infinity War” and “Endgame.” I’ve tried to prevent too many “Guardians” jokes from dominating this list. But still, when Star-Lord is trying to reason with Drax in that prison, this visual gag where Drax doesn’t understand the pantomime for killing someone is hilarious.
9. “If I had a black light, this place would look like a Jackson Pollock painting”
A crass joke that flies over the head of kids and into the ears of knowing adults. Nice. Totally on-brand from Chris Pratt’s Star-Lord. Also, fun fact, this line was ad-libbed by Chris Pratt on the spot.
10. “He says he’s an a-hole, and I’m quoting him here, but he’s not 100 percent…a dick”
John C. Reilly’s small role in “Guardians of the Galaxy” is underrated. It just is.
11. “If you say one more word, I’ll feed you to my children! I’m kidding. We’re vegetarians.”
M’baku might not be as famous as T’Challa in the kingdom of Wakanda, but he’s pretty much the funniest person in “Black Panther.”
12. “He’s a friend from work!”
When Thor realizes he’s supposed to fight the Hulk in “Ragnarok,” he’s thrilled and relieved. This line is fantastic because it’s so relatable, but it’s made ten times sweeter when you know that a Make-A-Wish kid actually suggested the line in the first place. True story!
13. “Dude, you’re embarrassing me in front of the wizards.”
Tony Stark and Bruce Banner’s reunion in “Infinity War” is full of a lot of great moments, but this joke is easily the best.
14. “OH! we’re using our made-up names!”
The lovable innocence of Tom Holland’s Peter Parker is always great and when he understandably doesn’t understand that Dr. Strange’s real name is Dr. Strange, it’s one of the funniest moments in the entire series.
15. “Kick names. Take ass”
Mantis’ mangling of a pretty common cliche turns it into something very different thanks to her naivite — and impeccable timing.
16. “I get emails from a raccoon, so nothing sounds crazy.”
Black Widow is super tired in this “Avengers: Endgame” one-liner, but her workplace emails are certainly a little different than yours. Or are they?
17. “What’s up, regular-sized man?”
Rhodey gets in on the one-liner action, in one of the best jokes for “Endgame.” Picking on Ant-Man might not be nice, but it is hilarious.
18. “As far as I’m concerned, that is America’s ass.”
Paul Rudd, an actual comedic actor who found his way into the Marvel universe as Ant-Man, gets what is probably the very best line in “Avengers: Endgame.” This joke is so good, it gets repeated by Steve Rogers as he’s staring at former-him’s ass.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Mark Hamill remains one of the most beloved American actors of all time, partly because he played Luke Skywalker in the Star Wars films, but also because he’s such a genuinely self-deprecating person. Hamill just took his Skywalker charm to a new level; he’s roasting one of his original screen tests from roughly 1976. The result is equal parts hilarious and heartwarming.
This week, as part of a promotion for the charity group Omaze, Hamill is offering fans a chance to have dinner with him before “The Rise of Skywalker” hits theaters. All they have to do is donate to a good cause and they’ll be entered to win. To entice his fans, Hammill shot a short video that’s essentially what having dinner with Mark Hamill would be like. It seems freaking amazing.
“Why did I call him ‘Hans’ instead of ‘Han,'” Mark Hamill laughs as he watches the audition. This anachronism is just one of many interesting tidbits Star Wars die-hards will notice in the dialogue. In fact, the exchange between Hamill and Harrison Ford doesn’t really resemble any particular scene from the finished film, though it could be an early version of the scene in which Han and Luke argue about the best way to rescue Princess Leia from the Death Star.
“When I did this scene, I thought Han Solo was the lead character and I was the sidekick; I thought Harrison Ford was Captain America and I was Bucky!” Hamill says with deadpan honesty. He also points out that George Lucas was barely helpful when it came to figuring out the right tone to strike.
But the person Hamill is the hardest on is himself. “Show a little fire, Luke,” he says as his younger self gets sassy. For those of us who grew up with Luke, and saw ourselves in that character, this video feels like a weird bit of therapy. Because if Luke can laugh at himself this much, what are the rest of us stressed out about?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Well, the coronavirus got one of our favorites. Oscar winning actor, amazing fun guy and a man who has gone out of his way to bring amazing stories about our American heroes to the screen told us late Wednesday that he and his wife Rita came down with the COVID-19 bug while in Australia.
(Yes, we know there are a lot of stories that need to be covered, but we want to add a little levity too.)
We were putting out an article about the release of the trailer to his new movie Greyhound, which featured some amazing action scenes from the Battle of the Atlantic, and wanted to also give a shoutout to Tom by giving a ranking of his top 10 best films.
This was hard. There are too many good ones and a lot of great characters. Not everyone reading this will be happy. Don’t blame us! Blame Tom for making so many great movies. Before we do, we also have to shout out his great TV career before he even became a big movie star. He was on the Love Boat, had the great show Bosom Buddies, and even had a martial arts fight with Fonzie.
On the list of greats but just missing the cut are Sleepless in Seattle, Bachelor Party, That Thing You Do!, Turner & Hooch, Charlie Wilson’s War, Road to Perdition. All great with some awesome scenes, but as you will see the rest are hard to top.
**There are spoilers, so don’t get mad if you haven’t seen a movie yet and continue to read.**
When we were kids we all wanted to be grown up. When we grew up, we kinda wished we could be kids again. Arguably, no movie sums this up as well as Big. The great comedy from 1988 had Hanks as Josh Baskin, the kid that made a wish (Zoltar still creeps me out) and grew up overnight. He realized how good he had it and went back to being a kid, but not before giving everyone the two songs they must try to play whenever they see a keyboard.
“We never turn our back on it and we never ever allow ourselves the sin of losing track of time.”
The FedEx man who was all about time and efficiency, Hanks’ character Chuck Nolan has the misfortune of becoming a modern-day Robinson Crusoe. Stranded on a deserted island with his thoughts and a volleyball named Wilson, Nolan adapts to life alone before realizing he doesn’t want to die alone.
Also, extra props to FedEx for taking the movie and giving us one of the funniest Super Bowl commercials of all time.
Hanks is masterful as Paul Edgecomb, a death row prison guard who encounters a life-changing man in John Coffey. He initially is dismissive of Coffey and tries to ignore him, although he is still drawn to him. As he gets to know him, he realizes that a mistake has been made and now has to deal with the fallout of what he learned. An allegory of the story of Jesus, the movie has moved many to tears.
Captain Phillips get rescued by navy seals movie scene
The line gave birth to plenty of memes (especially for us military types) but the movie is pretty well done. Hanks plays the title character and delivers an amazing performance of a by-the-book guy that keeps as cool a head as he can when dealing with pirates. As cool as the Navy sniper who made that awesome shot.
Philadelphia (1/8) Movie CLIP – I Have A Case (1993) HD
For his role as Andrew Beckett, Hanks won his first Academy Award. Playing a man dying of AIDS who sues his employer for wrongful termination, Hanks gave a performance of a lifetime while educating the world at the time about the humanity of AIDS sufferers (especially in the LGBT community) in the early 90s. His transformation from a young vibrant man to a dying shell of his former self changed Hanks from the comedic actor of the 80s to the powerhouse thespian that he’s been for the rest of his career.
Playing Jim Lovell, Hanks teams up with Bill Paxton and Kevin Bacon to portray the almost disastrous Apollo 13 mission. The special effects and cinematography are amazing, it’s directed by Ron Howard so you know its good, and the rest of the cast back on Earth deliver amazing performances (failure is not an option, right?)—but Hanks is the rock of the movie. Showing steady leadership the entire time, from when things are great, to when the shit hits the fan, to when you just have to sit back and pray, Hanks brings it on home.
Jimmy Dugan yelling at poor Evelyn is the icing on the cake for probably the best comedic performances of his career. A drunk has-been, Dugan gets the chance at redemption managing a team of female ball players during World War II. The journey from uninterested drunk to cynical doubter to teetotalling motivational manager is pretty fun to watch until Dottie drops the ball.
In a movie that literally changed the way animation was done, Hanks gave us one of the most endearing and lovable animated characters of all time, and then three more times after that. Playing the favorite (until Buzz shows up) toy of Andy, Woody is the boss of his own toy universe. When we were kids, we all imagined how our toys would be if they came to life. We all imagined they would be like Woody. How much did we love him and his buddies… you know you just about lost it at that scene in Toy Story 3, don’t lie.
Bubba Goes Home – Forrest Gump (4/9) Movie CLIP (1994) HD
You can say Pulp Fiction should have won Best Picture that year. You can say Jenny is a truly evil person. You can say that the movie is overly sentimental. But who cares? It is still an amazing film that shows the journey of America through the life of a simpleton. Hanks is a ping pong player, runner, star football player, shrimp boat captain, and a whole bunch of other things.
But his portrayal of a soldier in Vietnam and his relationships with his friends Bubba and Lt. Dan resonates with every veteran. Holding one buddy in his arms as he dies and being there for another as he lives is a journey most of us can relate to.
That. Opening. Scene. There have been plenty of great war movies over the years, but this one made you feel as if you were there. The opening was so powerful some D-Day veterans had to take a step outside. In the midst of that opening, we are introduced to Captain John Miller. Miller is the guy we wish was our Commanding Officer and the guy we would follow into combat. Follow, because as a true Ranger, he led the way up until the very end. Hanks’ portrayal as the teacher turned warrior is his best performance to date.
He’s the new Capt. Kirk and won the affection of Diana Prince as the World War I airman and superspy Maj. Steve Trevor in the latest “Wonder Woman” blockbuster. He’s pretty funny and the ladies sure dig him.
And turns out he’s also a hell of a shot.
Chris Pine is the child of a Hollywood family of actors and filmmakers who really broke out onto the silver screen as the young James T. Kirk in 2009’s “Star Trek” prequel. His career has gone ballistic since then, with two more Star Trek movies and a stint as the Tom Clancy hero Jack Ryan.
But in what looks like a part of his preparation for “Wonder Woman,” Pine spent some time on the range with legendary 3-gun competitor and tactical trainer to the stars Taran Butler, plinking steel and punching paper like he’d just come off the stealth helo from Abbottabad.
With some ninja help from “Warrior” champ Jessie Graff, Pine double taps his race Glock like he was born to it. We’re particularly impressed with his prowess on the dueling tree with his AR — not an easy feat when you’re calculating sight over bore under time.
We all loved Keanu Reeves’ gunslinging for “John Wick,” and likewise here we’re prepared to dole out some respect to Capt. Kirk for his display of ballistic badassery.
1987’s Full Metal Jacket was much more than just a 2-hour, enrapturing story directed by the late Stanley Kubrick; it’s considered one of the greatest war movies ever recorded on film. It showcases the journey of a recruit as he makes his way through basic training and is thrust onto the dangerous, combative pit known as Vietnam in the late 1960s.
Although Full Metal Jacket has its fair share of inaccuracies, there are plenty of stories behind the stories that most film fans aren’t familiar with — until now.
Before landing the role, talented actor Vincent D’Onofrio was working as a bouncer at one of the Hard Rock Cafes when he ran into Matthew Modine. Modine told D’Onofrio about his role in Kubrick’s new film and how there just happened to be a part available for him.
After D’Onofrio earned the part of “Pyle,” the young actor had to put on some weight to play the clumsy recruit. So, that’s just what D’Onofrio did. He ended up putting on 80 pounds of fat for the role.
(Warner Brothers’ Full Metal Jacket)
2. The role of Gunny Hartman was recast
Initially, the door gunner (Tim Colceri), who liked to kill women and children with his M60 from high above, was supposed to play the famous role of the Gunny Hartman. Kubrick had originally called on Marine veteran R. Lee Ermey to be the film’s technical advisor.
Once Ermey showed up to teach the group of young actors the basics of being a U.S. Marine, he ended up earning the role — and the rest is cinematic history.
3. R. Lee Ermey came up with his legendary insults on the spot
Once Ermey stepped into his polished shoes, his days of serving in the Corps flooded right back — and so did the way he spoke to the recruits he trained while serving a drill instructor at Parris Island.
“It looks like to me, the best part of you ran down the crack of your momma’s ass and ended up as a brown stain on the mattress.” — Gunny Hartman/R. Lee Ermey
4. The Vietnam set was 10 minutes from Kubrick’s East London home.
Filming a Vietnam war movie in London sounded off at the time. However, Kubrick wanted to shoot the war scenes in an abandoned gasworks in Beckton, London. The location had French architecture similar that of Hue City in the late 1960s. The film’s production design crew had palm trees flown in to decorate the area.
While searching for a place to film a scene, Kubrick, his wife, and R. Lee Ermey were driving in a brand-new SUV.
Kubrick was known for having a one-track mind and drove the SUV off the road and into a ditch while talking about the scene he wanted to film. After the accident, Kubrick climbed out of the vehicle and moved to the roof of the vehicle, all while continuing to discuss the scene.
6. It took a long, long time to film
Since Kubrick was known for being an absolute perfectionist. Many of the crew members were hired for an 18-week shoot — but they stayed a lot longer than that.
The film took approximately 14-months to shoot. Seeing as it’s one of the most iconic films in history, we’d say it was worth it.
Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.”
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
The city of Gotham has a new hero: and he comes in the form of Robert Pattinson. On May 16, 2019, Variety reported that the Twilight star will play the Dark Knight in Matt Reeves’ upcoming superhero film The Batman.
According to the media outlet, “while sources say it’s not yet a done deal, Pattinson is the top choice and it’s expected to close shortly.” With rumors that Nicholas Hoult may also still be in the running, Warner Bros has yet to confirm the casting.
At 33 years old, Pattinson will be the second-youngest Batman ever, behind Christian Bale who was 31 when he played the caped crusader in Batman Begins in 2005. And while some question whether Pattinson — who started his career in Harry Potter and the Goblet of Fire before becoming a teen heartthrob in Twilight — can handle such a dark role, others argue that his leading role in Christopher Nolan’s upcoming action film is proof that he can.
The debate over who would be the next to hold the Batman title has been going on ever since Matt Reeves, who’s best known for Planet of the Apes, took over as director for the new Batman flick following Ben Affleck’s departure from the franchise in 2017.
“I have loved the Batman story since I was a child,” Reeves told Polygon. “He is such an iconic and compelling character, and one that resonates with me deeply.” The director also explained to Gizmodo that his take on the comic will be a bit different: “It’s very much a point of view-driven, noir Batman tale… I hope it’s going to be a story that will be thrilling but also emotional. It’s more Batman in his detective mode than we’ve seen in the films.”
Unsurprisingly, Bat-fans have already started voicing their opinions, both for and against the all-but-confirmed casting of Pattinson as Bruce Wayne/Batman. For longtime fans of Batman, this kind of backlash, defense, and general snarkiness is old hat.
The reality is, that every single time a new big-screen Batman is a cast, there will always be a vocal group of villains yelling about it. But, Michael Keaton was a great Batman in 1989, despite Warner Bros and DC Comics getting death threats over that casting. If anything, this role — not Cedric Diggory or Edward Cullen — could define Pattinson for years to come.
The Batman is set to be released in theaters nationwide on June 25, 2021.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.