In season two of History’s Six, Olivia Munn joins the cast as CIA officer Gina Cline. Walton Goggins returns as Richard “Rip” Taggart, who was dramatically rescued in the last season. Led by Barry Sloans’ Joe “Bear” Graves, the team will hit Eastern Europe (even as far as Chechnya) this season to track down a terror network.
Veterans are hard to please when it comes to depicting military life and veterans onscreen. We demand accuracy. We demand realism. Most of the time, we find ourselves disappointed. History’s Six will not disappoint you.
Suspend your disbelief for a moment, fellow veterans. To be perfectly fair, there’s a lot to like and a lot to overlook when it comes to Six — just like any other show on television. Not everyone is going to be a fan. But there is so much more to like from Six. Even the most discerning veteran will find that Six is better than they expected.
1. The realism is relative — and that’s okay
This is something vets have a hard time getting over. Every veteran knows Hollywood gets a lot wrong about the military. There are some egregious examples out there. Some of those make it look like they don’t even try — looking at you, Basic. There are some in which the producers take a few too many liberties for dramatic license, like Jarhead. Despite solid source material, there were just a few things that would never happen in the Marine Corps.
Last season, the show took on Boko Haram, the Sub-Saharan terror organization that was behind the Chibok School Girls Kidnapping (of “Bring Back Our Girls” infamy). The group continues its kidnapping and terror reign in the country to this day. One the show, the SEAL team’s leader was kidnapped by Boko Haram and they spent the season dealing with the aftermath and rescue of Walton Goggins’ character “Rip.”
This season takes the team to Eastern Europe to track a clandestine jihadist cell led by a mysterious figure known as “Michael.” If you haven’t been paying attention to the news, Eastern Europe is the front line to a new Cold War, where Russian and American intelligence agencies work to take down terrorist organizations like ISIS and a resurgent al-Qaeda. Russian security services have been fighting this battle for years. It was only a matter of time before American special operators got involved.
3. Olivia Munn’s character is a great addition
Look, I actually heard someone say, “SEAL Teams don’t have women.” And they don’t. Not yet. History isn’t depicting a female SEAL — she’s a CIA operative and there are many, many female CIA operatives in the real world. History’s SEAL Team Six is getting their “Maya.”
4. The cast were trained by SEALs
Remember that realism thing we were talking about? You are guaranteed to see some outstanding trigger discipline in the cast of Six. Actors Barry Sloane, Kyle Schmid, Edwin Hodge, Juan Pablo Raba, and the rest of the cast went through their own boot camp run by actual Navy SEALs.
The cast of Saving Private Ryan had to go through Capt. Dale Dye’s bootcamp just once, so you might think the cast of Six would only have to do it once, too. Nope. They’re going for every freaking season.
5. It’s about family
Most shows, at their cores, are about some kind of family. But what Six does well is that infuses the family drama that comes with being in a tight-knit family unit. Some media outlet somewhere said it was like a “soap opera,” but anyone who’s ever been in a large family — or a large military workcenter — knows that routinely going to work with people you live with is a soap opera in itself.
6. Action shows are awesome – when done well
I love a good action movie or TV show. I hate a bad one. There’s nothing worse than watching bad lines being read by some marginal actor only to be rewarded by thirty seconds of action maybe every twenty minutes (if you’re lucky). Go watch a recent Steven Seagal movie on Netflix and tell me I’m wrong.
The action in Six is really well-executed, the cast is pretty great, and the visuals are well-done, too.
Season two just started. You have plenty of time to catch up.
UrselD: How did the Stan Lee cameo in the Marvel movies thing start?
Born Stanley Martin Lieber almost a century ago in 1922, the man who would become far better known by his pen name, Stan Lee, was born into a family of very modest means with Stan, his brother, and Romanian immigrant parents sharing a single room apartment in New York during the 1930s.
As Lee would recall, “I grew up in New York City during the Depression. My earliest recollections were of my parents, Jack and Celia Lieber, talking about what they would do if they didn’t have the rent money. Luckily, we were never evicted. But my father was unemployed most of the time. He had been a dress cutter, and during the Depression, there wasn’t much need for dress cutters. So I started working when I was still in high school. I was an office boy, I was an usher, I wrote obituaries for celebrities while they were still alive. Lots of jobs.”
Showing an interest in writing from his teens, Lee’s mother was his #1 fan at that time, “She thought I was the greatest thing on two feet. I’d come home with a little composition I had written at school and she’d look at it and say, “It’s wonderful! You’re another Shakespeare!” I always assumed I could do anything. It really is amazing how much that has to do with your attitude.”
Stan Lee in “Ant-Man and the Wasp.”
In 1939 at the age of 17, Lee landed a job with a company owned by his cousin, Jean Goodman’s, husband, Martin Goodman. The company was called Timely Publications. While the pay wasn’t much, a mere per week (about 7 today), it was potentially a path to a professional writing gig, though not quite the one he originally envisioned for himself.
When I got there, I found out that the opening was in the comic book department. Apparently, I was the only guy who had applied for the job. I figured it might be fun. So I became a gofer — there were only two guys, Joe Simon, the editor, and Jack Kirby, the artist. They were the creators of Captain America, and that’s what they were working on at the time. I would fill the inkwells, go down and buy lunch, and erase pages and proofread.
Two years into the job, he was finally granted a chance to write filler text in the 1941 Captain America #3 comic. Called, Captain America Foils the Traitor’s Revenge, the story, along with being warmly received by fans, introduced the idea of Captain America being able to throw and ricochet his trademark shield, now a defining aspect of the character. It was also the first comic in which Lieber, as he was then known, wrote under the pseudonym Stan Lee. According to Lee, he chose not to write under his then real name since he still hoped to one day write “proper literature” and had dreams of writing the “great American novel”. Thus, he didn’t want his name to be sullied by his work in comics.
Plans changed, however, when he randomly got a promotion to head editor of the comic department at just 19 years old.
[Simon and Kirby] were fired for some reason. Martin had no one to run the department. He said to me, “Can you do it?” I was . When you’re , what do you know? I said, “Sure, I can do it.” Martin must have forgotten about me, because he just left me there. I loved it. I was so young, it was sometimes embarrassing. Someone would come into the office and see me there and say, “Hey, kid, can I see the editor?”
At this point, in order to give the illusion of a large staff, Lee took to using a variety of other pseudonyms as well.
In 1942, a temporary editor was hired while Lee served in the US Army with the Signal Corps. He never saw combat, instead working at repairing communications equipment and later writing field manuals and military slogans as a part of the Training Film Division. Also in that division were the likes of Frank Capra, Theodor Geisel (Dr. Seuss), and the creator of The Addam’s Family, Charles Addams.
Despite being in the army, Lee still kept up with his work at Timely as best he could from afar, with weekly letters mailed to him explaining exactly what he needed to produce content for that week. Once he was done, he’d mail it back.
Lee’s service ended in 1945 and he went back to Timely full time.
It was two years later that Lee, with an awkwardness befitting a man who would come to create the characters nerds the world over would grow to love, Lee met and wooed his future wife.
There are conflicting accounts on whether one of Lee’s friends dared him to ask out some red headed model or his cousin set him up on a blind date with said model. Either way, Lee went to her office to see about that date. However, when he arrived and knocked at the door of the modeling agency, the woman who answered was someone completely different — a hat model from England by the name of Joan Boocock. Joan had come to America after marrying one Sanford Dorf, who had been serving in the UK during the war.
Stan Lee in “Doctor Strange.”
Stunned when he saw her, rather than play it cool, instead Lee apparently almost immediately professed his undying love for her, and then followed this awkward exchange up by telling her he’d had her face in his mind and been drawing it since he was a kid… (According to Lee, this wasn’t any sort of cheesy line, but the absolute truth.)
Rather than finding any of this weird or creepy, despite being married at the time, Joan agreed to go out on a date with Lee. As to why, despite by her own admission being in a happy marriage, she found it completely boring. (I guess as you’d expect from marrying someone named Sanford Dorf.)
But Stan Lee, she states, “He wore a marvelous floppy hat and scarf and spouted Omar Khayyam [an 11th/12th century Persian poet] when he took me for a hamburger at Prexy’s. He reminded me of that beautiful man, [British actor] Leslie Howard.”
As for Lee, he said he knew right on his first date he wanted to marry Joan. Two weeks later, not caring in the slightest that she was already married, he proposed and she said yes.
The problem was that she now needed a divorce, which was prohibitively difficult in New York at the time. Where there is a will, there’s a way, however, and she simply moved to Reno temporarily. You see, in Reno, you only needed to live there six weeks before you could file for divorce in the area, and the judges there were much more accepting of such.
However, during her time in Reno, being a beautiful young model and all, suitors flocked to her like the salmon of Capistrano. With Lee back in New York and their relationship not exactly built on a firm foundation, Lee said at one point he got a letter from Joan with the implication being she was thinking of breaking off their whirlwind courtship.
Not going to give her up without a fight, Lee took a trip to Reno and convinced her he was the love of her life and she his. The two then got married in Reno on the same day she got a divorce, and by the same judge who granted it, mere minutes after the divorce papers were signed.
While you might think such a relationship was doomed to end in failure. In fact, the couple spent the next 69 years together, before Joan’s death in 2017 at the age of 95.
Stan Lee in “The Amazing Spider-Man.”
Said Lee of Joan in their twilight years together, “My wife and I are really so close. And yet, I’m not sure if she’s ever read a story I wrote. She’s not into comics at all.”
Going back to Stan Lee’s career, as for Timely’s strategy in those days, it was essentially just copy whatever the competition was doing.
Martin was one of the great imitators of all time. If he found that a company had Western magazines that were selling, he would say, “Stan, come up with some Westerns.” Horror stories, war stories, crime stories, whatever. Whatever other people were selling, we would do the same thing. I would have liked to come up with my own stuff, but I was getting paid.
This all changed, ironically, from copying someone again–
Martin mentioned that he had noticed one of the titles published by National Comics seemed to be selling better than most. It was a book called Justice League of America and it was composed of a team of superheroes… “If the Justice League is selling, he spoke, “Why don’t we put out a comic book that features a team of superhereos?”
At this point in his career, Lee had grown weary of writing comics, seeing the medium as stagnant and devoid of interesting characters. He was, in fact, planning on quitting.
That’s when Joan told him he should take the opportunity in trying to copy the Justice League concept to create the character’s he’d find interesting. Lee says she stated, “Why not write one book the way you’d like to, instead of the way Martin wants you to? Get it out of your system. The worst thing that will happen is he’ll fire you — but you want to quit anyway.”
Simultaneously, Lee states, “[My wife] Joan was commenting about the fact that after 20 years of producing comics I was still writing television material, advertising copy, and newspaper features in my spare time. She wondered why I didn’t put as much effort and creativity into the comics as I seemed to be putting into my other freelance endeavors… [Her] little dissertation made me suddenly realize that it was time to start concentrating on what I was doing — to carve a real career for myself in the nowhere world of comic books.”
Lee then decided,
For just this once, I would do the type of story I myself would enjoy reading…. And the characters would be the kind of characters I could personally relate to: they’d be flesh and blood, they’d have their faults and foibles, they’d be fallible and feisty, and — most important of all — inside their colorful, costumed booties they’d still have feet of clay.
While this might all seem pretty normal today, at the time in the superhero genre it was groundbreaking. Said Lee, “That’s what any story should have, but comics didn’t have until that point. They were all cardboard figures….”
The product of this was The Fantastic Four. The results surpassed his wildest expectations.
We had never gotten fan mail up until that point… Sometimes we might get a letter from a reader that would say, “I bought one of your books and there’s a staple missing. I want my dime back.” And that was it. We’d put that up on the bulletin board and say, “Look! A fan letter!” Suddenly, with Fantastic Four, we really started getting mail…”We like this… We don’t like that… We want to see more of this.” That was exciting! So I didn’t quit… After that, Martin asked me to come up with some other superheroes… And we stopped being a company that imitated.
With business booming, Lee states, “[We] realized we were onto something. I figured we needed a new name, because we were not the same company we had been. I remembered the first book Martin published when I started there was called Marvel Comics. It had the Human Torch and the Sub-Mariner, and it was very successful. Why don’t we call the company Marvel? There are so many ways you can use that word in advertising. I came up with catch phrases like ‘Make mine Marvel’ and ‘Marvel marches on!'”
At this point while Martin was open to giving Lee fairly free rein, he still had his limits, which was a problem for Spider-Man, who Lee dreamed up as follows:
The most important thing in those days was the cover. All these books were on the newsstand, and you had to hope your cover would compel somebody to buy the book. And everything depended on the name. A character like Hurricane was a guy who ran very fast. Later on, when I was looking for new superheroes, it occurred to me that somebody crawling on walls would be interesting. I thought, Mosquito Man? It didn’t sound very glamorous. Fly Man? I went down the list and came to Spider-Man. That was it.
The concept of Spider-Man, however, was a little too far out.
Stan Lee in “Spider-Man.”
[Martin] didn’t want me to do it. He said I was way off base. He said, “First of all, you can’t call a hero Spider-Man, because people hate spiders.’ I had also told him I wanted the hero, Peter Parker, to be a teenager, and he said, “A teenager can’t be the hero… teenagers can just be sidekicks” Then when I said I wanted Spider-Man to have a lot of financial problems and family worries and all kinds of hang-ups, he said, “Stan, don’t you know what a hero is? That’s no way to do a heroic book!” So he wouldn’t let me publish it.Later, we had a book that we were going to cancel. We were going to do the last issue and then drop it. When you’re doing the last issue of a book, nobody cares what you put into it, so — just to get it off my chest- I threw Spider-Man into the book and I featured him on the cover. A couple of months later when we got our sales figures, that had been the best-selling book we’d had in months. So Martin came in to me and said, ‘Do you remember that Spider-Man character of yours that we both liked? Why don’t you do a series with him” After that, it was much easier… Whatever I came up with, he okayed. After that, came The X-Men and Daredevil and Thor and Dr. Strange… and the rest. The books did so well that I just gave up all thoughts of quitting.
With business booming, Martin decided to sell the company, with Perfect Film and Chemical aquiring Marvel in the late 1960s. Not long after that, Lee got a promotion,
[They] made me the president and even chairman. But I was never a businessman. I remember when the board asked me to come up with a three-year plan for the company. I said, “Guys, I don’t know how to predict where we’ll be in three years. I don’t even know what I’m going to have for breakfast tomorrow.” I resigned as president after about a year. I mean, I can add and subtract, but I hate to read sheets of numbers. I like to write stories.
This brings us finally to the cameos and how that whole thing got started.
His first cameo of sorts was text only, occurring in an All-Winners comic in 1941 where various characters petition Lee to add more characters. Next up, Wayne Boring and Hank Chapman decided to put their boss in the 1951 Astonishing #4.
Where the cameos really became a thing though started in 1963, when Lee and his long-time collaborator, Jack Kirby, appeared in The Fantastic Four #10 in which the pair are featured on the cover, as well as inside. On the cover, it shows the duo with Lee saying, “How’s this for a twist Jack? We’ve got Doctor Doom as one of the Fantastic Four!!” With Kirby adding, “And Mister Fantastic himself as the villain!! Our fans oughtta flip over this yarn!!”
Stan Lee in “Captain America: The Winter Soldier.”
Beside them, it also states, “In this epic issue surprise follows surprise as you actually meet Lee and Kirby in the story!! Plus a gorgeous pin-up of the invisible girl!”
As for inside the issue, it has Doctor Doom demanding that Lee and Kirby get the Fantastic Four to walk into a trap, which they then do.
Said Lee of this sort of thing, “The artists back then would draw me in as a joke or just to have fun. And I would put some dialogue balloons there and it looked as if I intended it. I didn’t try to do cameos in those days.”
But fans loved it, as well as the chance to get to know the people behind the comics, which were featured in a section of their own as well. The point of all of this, along with the little quips and notes in various areas was, according to Lee, “[For] the reader to feel we were all friends, that we were sharing some private fun that the outside world wasn’t aware of.”
From here the occasional cameo caught on, with Lee stating, “Anything that seemed fun and anything that the readers seemed to enjoy we kept doing and those things brought in a lot of fan mail. And we weren’t doing movies or television, our whole existence depended on comic books, so if you see that something is interesting to the fans you stay with it.”
Since then Lee, and to a lesser extent Kirby (who was notably more camera shy), appeared numerous times across many forms of media. These cameos range from simple background characters in comics bearing Lee’s likeness to full on self-referential roles in Marvel’s numerous works. The most egregious example of the latter is arguably the 1990s Spider-Man cartoon in which Spider-Man is transported to the “real” world via magical comic shenanigans and meets Stan Lee, who reveals that he created Spider-Man and spends some time conversing with his creation before being left stranded on a roof.
Moving on to Lee’s first cameo in video form, this appeared in the 1989 The Trial of the Incredible Hulk where Lee appears in the jury at the trial.
Arguably Lee’s most unusual cameo is one in a property owned by Marvel’s single biggest rival, DC — Superman: The Animated Series. In the episode, Apokolips… Now! Part 2, Lee, along with characters who bear a striking resemblance to members of the Fantastic Four, appear in a brief crowd shot of the funeral of the character, Dan Turpin. Said character’s appearance was largely based on the aforementioned Jack Kirby, who’d sadly died the year earlier. Out of respect for his memory and his contribution to the world of comics, the animators for the episode snuck in a character who looked like Lee along with several other Marvel characters Kirby had helped create. The commitment to accuracy was such that the graveyard shown in the episode was modeled on the one Kirby is buried in, in real life and the crew hired an actual rabbi to read a kaddish that was included in the episode’s audio. Lee’s cameo was removed in the subsequent DVD release of the episode, but he can still be seen in the episode’s storyboards.
Speaking of cameos, a slightly lesser known fact is that Lee’s beloved wife, Joan, who was the inspiration for a few female characters in the Marvel universe, also did voice work for the 1990s Fantastic Four and Spider-Man animated series, as well as a cameo of her own in X-Men: Apocalypse where she appears alongside Stan Lee.
This all brings us to Stan Lee’s final cameo, where he appears as a de-aged hippie alongside a woman who is meant to be a de-aged Joan Lee — very fittingly for them both, this final cameo appeared in Marvel’s Endgame.
This article originally appeared on Today I Found Out. Follow @TodayIFoundOut on Twitter.
“Hail, Caesar!,” the latest movie from the Coen Brothers, hits theaters on Friday, February 5. Here’s a sneak peek at one of the military parts of the film (cause that’s how we roll at WATM), a song where Navy man Channing Tatum complains that there ain’t gonna be no dames on his upcoming deployment. The song also contains veiled sexual references using sealife (octopus and clams), which is in line with what audiences have come to expect from the Coen Brothers in terms of hilarity.
So the next time you complain about gender integration, think about this poor sailor with clams in his rack.
In order for a horror film to work, you need to have relatable characters. The more easily the audience can put themselves in the shoes of the cast, the more real the terror. That’s why, when a horror film is geared towards a younger crowd, the characters are primarily teenagers who are made to be as average and generic as possible.
Of course, while veterans come from every walk of life, one thing they all have in common is that they aren’t average. We’re generally brash, crude, and perform well in environments that would freeze your average horror film character.
And to be fair, there have been horror films that feature characters with military backgrounds, like Predator. The problem here is that troops and vets would easily turn any horror film into an action film. In fact, the 2018 sequel to the Schwarzenegger classic seems to be embracing this action/horror dynamic of “vets versus monster.”
But here’s why vets wouldn’t make the best fit in most horror flicks:
We’re not easily scared
Veterans often have a desensitized “fight or flight” reflex. When vets are spooked, it’s rare for them to freeze in place or scream like children. They’re conditioned to hop right into fight mode.
If a twig snaps, vets look in that direction. When someone screams off in the distance, they’re not just going to shrug it off and continue their party in the middle of the woods.
We would organize survivors
Veterans instinctively take control of situations when everyone stands around confused. It doesn’t need to be a life-or-death situation, either. At a kid’s birthday party, for example, vets expertly knifehand their way into getting balloons inflated and cake cut.
Vets would identify who’s useful and smack some sense into the idiots that say, “let’s split up!”
We could make due with few resources
In horror films, survivors often run around looking for supplies. Most would probably settle for finding a pair of safety scissors that they would then inexplicably throw at the unkillable monster.
Meanwhile, the veteran has fashioned a ghillie suit using mud, sticks, and leaves and they’ve found the sturdiest club they could get their hands on — and set it on fire.
We’d probably be carrying
Chances are, the veteran probably doesn’t need to scavenge. The moment the idiot who went skinny-dipping starts screaming bloody murder, a veteran would chamber a round.
Unless the vet is fighting some supernatural force, the credits would start rolling shortly after the knife-wielding clown starts rushing them.
We know how to actually run and start cars
From the most macho grunt to the wimpiest supply guy, everyone has done Land Nav enough times to not trip on their own feet every ten seconds while running through the forest.
If the monster couldn’t be shot to death, the vet probably wouldn’t even bother and, instead, leave. Especially if the monster just comes at them at a walking pace…
We’ve secretly been preparing for this forever
Ask any veteran why they stockpiled arms and supplies and they may joke that it’s for the zombie apocalypse. The moment an actual zombie apocalypse happens, that cache is definitely coming in handy.
We also have at least seven different plans on what to do in every situation. Catching us completely off-guard isn’t a realistic plot point.
*Bonus* The downside to being a veteran in a horror film
But realistically our f*ck-off attitude would get us killed. The masked killer would probably show up, covered in blood, and we’d mock them for whatever reason. That’s maybe not the best idea…
A huge battle featuring the Battletoads, Ninja Turtles, Ultraman, Mechagodzilla, a team of Spartans from Halo, and about a thousand other beloved pop-culture and childhood icons is something we sadly had to leave behind once all our action figures were cleaned up and mom called us down to dinner.
Kinda like that — but not at all.
Well, not anymore.
Hundreds of pop culture references from the 1970s, 1980s, 1990s, and recent years are featured heavily in Steven Speilberg’s new film, Ready Player One. It’s a film the director says was three years in the making and required the coordination of hundreds of artists and creatives the world over — including author Ernest Cline. Cline’s 2011 sci-fi novel of the same name was also filled with these great easter eggs.
The film is about the quest for such an “easter egg,” which, for the unfamiliar, is an inside joke, hidden message, or secret feature created by the designer of a work. Watching or reading Ready Player One is a lot like trying to get to the center of the world’s largest Matryoshka nesting doll of easter eggs.
Set in a poor area of Columbus, Ohio in the year 2045, film centers around Wade Watts, a young gamer inside the Oasis, an open, massively multiplayer, online world – essentially, it’s a video game that has supplanted the real world in popularity. The Oasis is populated primarily by other gamers and almost everyone has a customized avatar. Wade’s avatar is called “Parzival” and, in the Oasis, he’s on the quest for the greatest easter egg in history.
The Oasis’ late creator, James Halliday, left a series of clues to help people find hidden keys. Once all three keys are collected, the winner can claim the easter egg – Halliday’s fortune and ownership of the Oasis. Watts, in his quest, stumbles upon another gunter (or “egg hunter”), Samantha (also known as Art3mis) and three gamers he knows only through the Oasis: Aech (pronounced “H“), a samurai called Daito, and a ninja called Sho.
Together, as they unlock the secrets to finding the keys, they have to contend with billionaire businessman Nolan Sorrento, CEO of Innovative Online Industries. IOI’s corporate villain has seemingly unlimited resources, unlimited lives, and a vast army of digital slaves helping him wrest ownership of and monetize the Oasis, an idea anathema to the god-like Halliday’s vision.
By the time we get to the Battle of Castle Anorak (Anorak being the name of the late Halliday’s avatar), Parzival has rallied the entire Oasis – the entire world – to fight to keep their digital world pure. Rolling in the DeLorean time machine from Back to the Future, wielding crowd-pleasing weaponry, like Monty Python’s holy hand grenade, and fighting alongside horror movie legend, Chucky, Parzival and friends take on IOI’s respawning army of employees.
I know, it seems like a lot — even if you’ve already read the book. But look: If you’re a fan of the pop culture of the 1980s, this is the movie for you (listen up, Gen-Xers). The film loves the 1980s as much as you do. More than that, Ready Player One is a throwback to the popcorn-peddling, fun, thrill-ride of movies from the 80s.
Even if you don’t love video games or cheeky 80s references, there’s still something for everyone to love in Ready Player One. This is a movie for your inner pop-culture fan.
Just make sure you’ve seen The Shining before you go.
There’s nothing more irritating to troops and veterans than sitting down and watching a military film only to be distracted by inaccuracies. We’re not just talking about uniform infractions or other minor goofs — everyone makes mistakes. Sometimes, however, the scripts are just so fundamentally flawed that us veterans can’t help but start chucking things at the screen.
Thankfully, for every stinker that insists on ignoring the on-set military advisor, there’s a great film that gets it right.
The team here at We Are The Mighty recently got a chance to sit down with Gerard Butler, star and producer of the film Hunter Killer, to discuss the production crew’s commitment to portraying the lives of U.S. sailors as accurately as possible in the upcoming thriller.
The wardrobe department pulled off some outstanding attention to detail. From the bottom of our hearts at We Are The Mighty, BZ, ‘Hunter Killer’ wardrobe department! BZ!
There really isn’t any better way for filmmakers to faithfully capture the essence of military life than by deferring to those who serve — and that’s exactly what Gerard Butler and the crew of Hunter Killer did throughout pre-production and rehearsal.
Butler spent three days aboard a real Virginia-class submarine, carefully watching every detail and nuance of actual submariner life to better tell their story. Even the tiny details — like the order in which commands are given — were analyzed, written down, and implemented when it came time to shoot. And when they put theory into practice, the authenticity was immediately apparent.
That extra step helped put all the actors into the frame of mind they needed to truly portray submariners in the heat of combat. Butler told us,
“We actually wrote [the details of submariner life] into the script and we realized it was a whole other character in the story. And when we started — the difference that it made!”
Butler knows full-well that the devil’s in the details when it comes to military movies. He told us about his time aboard the USS Houston, when he sat down to watch a much-beloved naval film with the sailors. It was the eye-opener to say the least.
“When I sat to watch… with the submarine crew, and they’re all like taking ownership of the movie and they’re like, ‘that’s bullsh*t!’ while the captain is like, ‘That’s sh*t! You think that’s good, but that’s bullsh*t! He’d never wear that hat! What are those stripes? He wouldn’t say that!'”
Needless to say, Butler and the rest of the Hunter Killer crew recognized how important these details are for us and our community.
Be sure to check out Hunter Killer when it’s released on October 26th.
The 1997 science fiction classic, Starship Troopers, is a futuristic thrill ride filled with larger-than-life characters and heart-pounding situations. What separates this cinematic masterpiece, however, is the source material.
The directorial prowess of Paul Verhoeven and the military advising of the legendary Dale Dye (who also plays “General”) combined to create what has become one of the most watched, influential, and beloved military movies of all time. Here’s what makes it so freakin’ motivating.
The Federation’s mobile infantry division is basically the Marine Corps of the future. There’s an uncanny parallel between the two services’ leadership values, extreme enforcement of standards, and emphasis on combat readiness.
6. Volunteer spirit.
The Federation’s military service is an all-volunteer organization that believes in attrition. In the book, there is no pursuit or punishment for those who do not show up to ship out for basic training.
Those who feel this new way of life is not for them can simply sign form 1248 and take a stroll down washout lane.
5. Hands-on instructional style.
Senior drill instructors may demand total dedication and effort from their recruits, but they also instruct, inform, and cultivate an atmosphere of learning.
4. Gender equality.
There are no males or females in the mobile infantry: only troopers. Everything is equal. This includes opportunities for leadership, responsibilities, occupations, and even billeting and rain rooms. (showers)
3. Inter-service relations and fraternization policies.
Services work together in harmony to accomplish the mission. Whether you’re an officer or enlisted, there is a standing open-door policy for venting concerns.
2. Community outreach.
The mobile infantry may be an armed force with a primary mission of fighting the human race’s enemies, but they also take the time to make an impact on the community and set a positive example for the youth.
The text that precedes every opening crawl for a “Star Wars” film reminds us that the events we are about to witness take place a long time ago in a galaxy far, far away, but that’s not entirely true. The fictional events may not have occurred recently or nearby, but the films were largely shot on location somewhere on Earth, which means that you can actually visit them in real life.
From national parks in the United States to islands off the coast of Ireland, here are some iconic Star Wars locations you should add to your travel bucket list.
There are even tours.
(Photo by Veronique Debord)
1. Tunisia is one of the most-prolific “Star Wars” locations.
Tunisia has served as the sand-covered backdrop to scenes in several “Star Wars films.” Shubiel Gorge, Chott el Jerid, Matmata, Djerba, and other areas in the north African country are the real-world stand-ins for the planet Tatooine where we were first introduced to Luke Skywalker in “A New Hope” (as well as his Aunt Beru, Uncle Owen, Old Ben Kenobi, and the Jawas).
The name of the fictional planet was borrowed from a real Tunisian town called Tataouine. There are tours that take you around abandoned sets and notable landmarks seen in the films, and there is even the option to stay in the former Owen/Beru Lars residence, now called Hotel Sidi Driss.
Death Valley National Park.
2. Death Valley has a few locations, too.
Some outdoor Tatooine scenes were also filmed in Death Valley, a US National Park situated in California and Nevada. The National Park Service website lists Golden Canyon, Dante’s View, Desolation Canyon, and other key areas for “A New Hope” fans venturing to stand where our heroes once stood.
3. Grizzly Creek Redwoods State Park is one of the many forests they filmed in.
Grizzly Creek Redwoods State Park in California is one of the lush filming locations used in “Return of the Jedi” as the Forest Moon of Endor. Fans of the saga will want to visit the park’s Owen R. Cheatham Grove in particular because it is where George Lucas and his crew shot the iconic speeder bike chase. Watch out for those completely stationary trees.
(Photo by Svein-Magne Tunli)
4. Reenact the Battle of Hoth in Finse, Norway.
Finse, Norway is the real, very cold, icy landscape that the filmmakers chose when they needed to shoot the fake, but still very cold and icy landscape surrounding the rebel base on the planet Hoth in “The Empire Strikes Back.”
According to Starwars.com, the pretty much the only way to reach the crevasses and plateaus of Finse is by train (4-5 hours) from Oslo or Bergen. The long, scenic route will give you plenty of time to plan the Battle of Hoth reenactment of your dreams.
5. You can live like Luke Skywalker on Skellig Michael.
Skellig Michael is an island off the coast of Kerry, Ireland where Rey and Chewbacca finally tracked down Luke Skywalker at the end of “The Force Awakens.” Called Ahch-To in that film and featured more prominently in “The Last Jedi,” the rocky island does not have a Jedi temple but you can climb the many stone steps up to the ruins of a real ancient monastery.
6. Laamu Atoll in the Maldives will remind you of “Rogue One.”
The islands of the Laamu Atoll in the Maldives are where the battle scenes on Scarif took place in “Rogue One: A Star Wars Story,” though the explosions were filmed in a studio in England. It may not be one of the episodic films, but that daring mission to get the Death Star plans and the devastating battle that ensued are what led to events of “A New Hope,” so seeing it in person is a must for hardcore fans.
7. Fans of the prequels will love Lake Como, Italy.
Are you a fan of the prequels? Lake Como, Italy has the distinction of being the real-world location used during the filming of “Attack of the Clones.” You and your significant other can pretend you’re Anakin and Padme on Naboo while viewing the lake from Villa del Balbianello or taking a stroll through the Tremezzo public gardens.
8. You may run across Jar Jar Binks in the Whippendell Woods.
Speaking of the prequels, the Whippendell Woods near Watford, England is where Qui-Gon Jinn and Obi-Wan Kenobi first met the controversial “Star Wars character” Jar Jar Binks, in “The Phantom Menace.” The odds of seeing a Gungan in the forest are slim, but you can snap selfies with the trees and quote a few lines of dialogue in Gunganese.
9. You can visit the fictional planet Crait in Bolivia.
The world’s largest salt flat, Salar de Uyuni in Bolivia, became the site for an abandoned rebel base in “The Last Jedi.” As the mineral planet Crait, the unique terrain was the stage for the film’s final battle between Kylo Ren and Luke Skywalker. There is no massive metal structure, ice foxes, or ski speeders to speak of, but the photo ops provided by the vast flat landscape is worth the price of the flight.
10. Rub’ al Khali makes up one of the franchise’s most iconic locations.
Rub’ al Khali is the desert in Abu Dhabi that Rey calls home (Jakku) in “The Force Awakens.” You’ll have to use your imagination if you want to see the Millennium Falcon parked in the sand, but for some fans just being there counts as a win.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
So a couple of California teenagers have taken it upon themselves to tell these stories before they’re lost.
Rishi Sharma of Agoura Hills, California, has set up the website Heroes of the Second World War. At the time of writing this article, he has interviewed, recorded, and published 360 interviews.
On his website, Rishi states “These men are my biggest heroes and my closest friends. I am just trying to get a better understanding of what they had to go through in order for me and so many others to be here today and to get a better appreciation for how good I have it.”
After just over 14 months, he has traveled all over the country and sits down with each WWII veteran for the interview. He sends the Library of Congress’ Veterans History Project some of the videos. With the veteran’s permission, he posts videos on Heroes of the Second World War’s Facebook page.
He doesn’t profit off the project, nor will he ever. He has a GoFundMe page that he uses to pay for the expenses of travel, maintaining the non-profit, and production costs. Currently, he is just shy of his initial goal.
Meanwhile in North Texas, Andy Fancher has launched a YouTube series to also share the stories of veterans.
In his video series “Andy Fancher Presents,” Andy has published many videos highlighting the life of the veteran. He goes in detail about their service, life after the military, and the impact of battle.
His series doesn’t focus specifically on World War II, but he does get into the mindset of the people he interviews. The stories get emotional. He told NBC5 Dallas-Fort Worth, “I realized that I didn’t have much of a strong stomach. I’ve teared up a lot behind the camera.”
“Ace Ventura: Pet Detective,” “The Mask,” and “The Santa Clause” were just a few of the hilarious movies that rocked theaters back in 1994.
But for veterans, one comedy stands out from the rest: “In The Army Now” starring former MTV Veejay Pauly Shore. It’s not known for being the most authentic military film ever, but it’s pretty freaking funny.
Shore, who plays “Bones,” is a complete slacker/electronics salesman who gets fired from his job and joins the Army reserves with his buddy specializing in water purification.
After doing sh*t ton of push ups in boot camp for being a goofball, the Glendale reservist gets called to action as a conflict breaks out in the African nation of Chad.
Peel back the layers and check out a few life lessons from the film that may reshape how you see this cult classic.
1. How to keep your retail job when the boss wants to fire you
Step 1: Humorously tell your boss why you can’t get fired.
He’s a crazy boy. (Images via Giphy)Step 2: Have one of your closest friends page you by name over the intercom system strictly for customer service reasons.
“Bones to the service floor. Bones to the service floor.” (Images via Giphy)Step 3: Sell an expensive product right in front of your boss.
Sell that sh*t. (Images via Giphy)Just don’t get busted like our friend Bones here.
Busted. (Images via Giphy)
2. Everything sounds great in the beginning
Joining the military is a life changing event. You should take more than just a few minutes to decide on the huge commitment. Have a buddy go with you to the recruiter’s office to play devil’s advocate on your behalf.
Wait! Think this through now. (Images via Giphy)
3. Embrace the new military you
Those who are blind heading into boot camp will be issued a pair BCGs. Let’s face it, you’re not going to get a date for Saturday night wearing them, but having a strong personality behind those thick frame glasses couldn’t hurt — you’ll stand out more.
Fashionable. (Images via Giphy)
4. Finish the fights you start
Don’t even think about dropping your guard or risk getting the sh*t kicked out of you.
He dropped his guard. (Images via Giphy)
5. Don’t piss off your fellow troops
They just may kidnap you, tie you up and put you on display.
You know that had to hurt. (Images via Giphy)
6. Mind over matter
Things always seem to appear worse than they are at times. Especially when someone thinks there’s a scorpion on their back. That’s just crazy talk.
Calm down. (Images via Giphy)There really was a scorpion on his back. Oops!
Oh, sh*t! (Images via Giphy)
That satisfying “Ping!” of bullets on target is as regular as a metronome when former Green Beret sniper, Aaron Barruga, is running tactical marksmanship drills on his home turf in Santa Clarita, CA. With his company, Guerrilla Approach, Barruga trains civilians, military, and law enforcement in proper and effective tactical firearm deployment.
The man does not miss.
“Oscar Mike” host Ryan Curtis paid a visit to Barruga’s training facility to bone up on his sharpshooting and found himself in good hands, drilling shoulder to shoulder with this veteran entrepreneurial success story. Barruga’s advice?
“I would definitely say that, if they have the opportunity, use that G.I. Bill. Get that piece of paper that says, “I’m smart and employable.” And just grind away, basically. You gotta hustle.”
As the day progresses, the sweat beading on Ryan’s brow is a testament to his hustle, if not his dead shot accuracy. And when he challenges Barruga to an Old West-style duel, our host quickly learns what high noon looks like at the Less-than-OK Corral.
Watch as Barruga makes plinking targets look easy, and Curtis proves his monkey is definitely the drunkest, in the video embedded at the top.
‘Sniper: Assassin’s End’ is now available on Blu-ray & Digital!
One of the most popular war movie characters ever created is back: Master Gunnery Sgt. Thomas Beckett. Tom Berenger will reprise his role as Beckett in the upcoming movie
Sniper: Assassin’s End — the eighth in the Sniper series. Now the series is a kind of “Fast & Furious” of war movies, bringing together a family of characters familiar to viewers and fun to watch.
Sniper was released in 1993, at a time when the United States had few enemies in the world. But what the original Sniper did was begin a series of films that were both true to the spirit of those who serve in the U.S. military while pointing out some of the biggest issues of our time.
Here are 8 things for anyone to love about the
1. ‘Sniper’ uses the same cast when they bring characters back
What’s unique about every subsequent Sniper film is that the original players come back to reprise their roles when called. They may not be in every Sniper movie, but there isn’t some low-rent version of Tom Berenger trying to be Beckett. Speaking of which, now 70 years old, Tom Berenger still rocks a ghillie suit.
Later in the series, Chad Michael Collins joins the family as Beckett’s son Brandon and Dennis “Allstate” Haysbert reprises his role as “The Colonel.” In Sniper: Assassin’s End, actor Lochlyn Munro joins the cast – but for how long?
2. The series depicts real-world sniper stories
In the original Sniper, Thomas Beckett takes down an enemy sniper tracking his team with a well-placed shot through the enemy shooter’s own scope. While this has been depicted on-screen in later movies, Sniper was the first.
This kill was originally scored in real life by sniper and Marine Corps legend Carlos Hathcock. Hathcock may not have the most confirmed kills or the longest shots, but he’s legendary for feats like this. While hitting a sniper through his own scope may sound unbelievable, Hathcock’s story has been confirmed by two others on the scene.
3. “Sniper” has love for the spotter
Unlike so many low-thought, low-effort movies, the Sniper series doesn’t depict a “lone wolf,” gung-ho type who’s fighting the entire world on his lonesome. Beckett is rarely seen without a spotter, and even acts as a spotter for other snipers.
4. Beckett struggles with PTSD
One of the recurring motifs throughout the Sniper series, is one that wasn’t really addressed way back when or even in time for Sniper 2 in 2002: post-traumatic stress disorder. In the first Sniper movie, Beckett and Miller talk about the emotional distress of killing on the battlefield. In the sequel, Beckett is recruited because his PTSD keeps him from living a normal civilian life.
They even use the word “transition” in 2002.
Beckett (also a Vietnam veteran), even finds some catharsis from a visit to Ho Chi Minh City (called “Saigon” during Beckett’s time there), a real thing Vietnam vets do to find some inner peace.
5. They fought real-world bad guys
In 1993, the snipers were on the front lines of the drug war, trying to keep the Panama Canal Zone (still American then) in good hands. Next, they took on ethnic cleansing in Bosnia, still fresh from the Balkan wars of the 1990s. From there, they took on Islamic terrorism, Congolese militias, ISIS, and organized crime syndicates.
6. There’s a lot of love for Marines
It features a Master Gunnery Sergeant. How many Master Gunnery Sergeants have you ever seen in war movies? Thomas Beckett was likely given that rank by the film’s creators because they wanted to establish just how extensive his knowledge is – and why he wouldn’t just revert to being a paper pusher later on.
Beckett also uses his Ka-Bar knife to good effect while hunting a sniper on his trail. If you’re an old-school Marine who misses the days of EGAs printed on woodland BDUs and tightly-bloused pants tucked into black-on-green jungle boots, strap in for some nostalgia.
7. The violence is uncharacteristic of other war movies
The original Sniper movie was designed to end the cartoonish depiction of war violence in action movies — meaning violent movies were supposed to depict violence on screen. Movies like Rambo III showed death and destruction, but even Rambo’s decimation of the Red Army in Afghanistan showed a surprising lack of blood.
Sniper didn’t have that problem. By design.
Subsequent iterations of the Sniper series have been fairly true to that vision, pulling no punches and attempting to show just how brutal and up-close violence can be.
8. Thomas Beckett reminds us of a really good NCO
There’s something comforting about a non-commissioned officer who’s genuinely interested in your success and is there to not only be a great leader and teacher but really wants to help you. We really like that Beckett is there to point out where other characters mess up but it’s really cool when he also praises them for what they do well – and he does it throughout the series.
More than that, he always shows up like a badass to take care of business and do things the right way. Thomas Beckett is always out of bubblegum.
Sniper: Assassin’s End OFFICIAL TRAILER – Available on Blu-ray & Digital 6/16
It’s just about here – the sequel aviation and military buffs have been patiently waiting for.
“Top Gun: Maverick” was supposed to fly onto the big screen in July but was pushed back to December due to COVID-19. The sequel with Tom Cruise returning in the starring role as hotshot naval aviator LT Pete “Maverick” Mitchell, a graduate of the US Navy’s elite TOPGUN school and a career fighter pilot flying the Grumman F-14 Tomcat.
Though not a whole lot of information about the new movie has been released just yet, it’s generally understood that Maverick will be an instructor or something similar, teaching the next generation of fighter pilots how to push themselves and their aircraft to the limit.
While a lot has changed in the three decades since Maverick first set foot on TOPGUN’s campus at NAS Miramar (now a Marine Corps base), one thing remains absolutely certain — Maverick really shouldn’t be anywhere near the school, especially as an instructor.
From his downright reckless flying to his cavalier attitude, this aviator is no example for new TOPGUN candidates, and he definitely shouldn’t be in a position to instruct them.
Here are four reasons why Maverick might actually be the worst possible choice to be a TOPGUN instructor in the sequel:
1. He wasn’t even the best pilot at Top Gun!
Far from it.
In fact, Maverick didn’t even come close to winning the top graduate award at the end of the program, losing his edge and competitiveness after his radar intercept officer, Lt. JG Nick “Goose” Bradshaw, died during a training exercise gone wrong.
In convincing him to return to the program, “Viper” — TOPGUN’s head honcho in the movie — lets the depressed soon-to-be washout know that he has enough points to graduate with the rest of his class… but certainly not enough to achieve the award for best pilot.
Instead, it’s Maverick’s classmate and fierce rival, Lt. Tom “Iceman” Kazanski who took the plaque for first place (and gains the option to return to TOPGUN as an instructor). If anything, being that the program is designed to mature the most capable of all Navy fighter pilots currently serving, shouldn’t they only learn from the best?
2. He’s definitely not a team player
“You never, never leave your wingman.” – Lt. Cmdr. Rick “Jester” Heatherly (Photo Top Gun Youtube screengrab)
This is alarmingly evident from the very beginning of the movie, when the young pilot and his backseater decide to leave a fellow Tomcat behind and completely exposed to do a little showboating.
Instead of covering his wingman, Maverick pulls his F-14 over an enemy MiG-28 for Goose to take vanity images with a Polaroid camera. Meanwhile, “Cougar” and “Merlin” — the two aircrew of the other F-14 — are mercilessly hounded by another MiG fighter, causing Cougar to lose his edge and turn in his wings after nearly crashing his jet.
Over at Miramar, Maverick once again draws the ire of his fellow classmates by leaving them behind during training exercises, choosing instead to selfishly pursue Viper while allowing his wingmen to take a hit.
3. He’s too reckless and narcissistic
Every time Maverick goes up, he flies dangerously.
It’s a chronic problem and he doesn’t know how to solve it. From buzzing control towers to his inverted encounter with the MiG-28 to his training sorties at TOPGUN, Maverick just doesn’t know how to turn off his recklessness.
At times, he’s even been known to disobey direct orders from commanding officers. His superiors call him out on it repeatedly, from his time in the fleet aboard the USS Enterprise to his antics at TOPGUN, darting below the “hard deck” to get a radar lock on one of his instructors.
Perhaps this is a result of his inherent narcissism… a trait unbecoming of a potential TOPGUN instructor pilot. The young naval aviator is frankly way too self-absorbed to be an instructor given his penchant for doing things that would ultimately give himself the glory.
4. He’s way too old to be an instructor anyways
Let’s do the math here — “Top Gun” was released in 1986, over 3 decades ago. By the time the sequel makes its appearance on the silver screen, 34 years will have elapsed since Maverick’s stint at the former NAS Miramar. Let’s add another four years to that, since Maverick was a lieutenant back when he first entered the TOPGUN program… which brings us to a grand total of 37 years.
The vast majority of military officers don’t even have careers that long! Given Maverick’s penchant for angering people in authority over him, it’s unlikely that he’d still be in the Navy, though it’s also possible that he got relegated to a desk job, ending his flying career, where he might remain today.
With that being said, fighter pilots also have a “shelf life.” There’s only so much wear and tear that their bodies can take from the physical and mental stress of flying high-performance fighter aircraft, and most tend to either leave the cockpit due to advancement, or out of a personal choice to accept a less-strenuous job elsewhere (within or outside the service) within 15-20 years.
OF COURSE we’re going to see the new “Top Gun” when it comes out. But we’ll be looking to make sure that if Maverick is indeed an instructor, he’s matured from his previously reckless ways.