Most war movies aren’t complete without plenty of explosions, firefights, and of course a dramatic medical moment of some sort. And a dramatic injury requires an equally dramatic movie medic.
Although audience members might get squeamish when an American service member gets a nasty injury on the silver screen, they also root for the on-scene medical support to (hopefully) revive their fellow brother- or sister-in-arms.
Even though many war films may not nail all the medicinal science correctly, they manage to reveal the dynamic aspect of how important and well trained medics have to be in the field.
Every infantry squad wishes they have the most medically fluent “Doc” available.
Courtney B. Vance plays the field medic in 1987’s John Irvin directed “Hamburger Hill,” which told the story of one of the most brutal friendly fire accidents in history. Johnson managed to use his in-country experience to mentor the incoming combat replacements and save a few lives along the way.
2. John Bradley (non-fiction)
Ryan Phillippe plays the real-life World War II hero who was awarded the Navy Cross for Extraordinary Heroism. He served as a Hospital Corpsman and was one of the six flag raisers in the famous Iwo Jima picture.
Giovanni Ribisi filled the role as the steady hand T-4 Medic Wade in “Saving Private Ryan.” Wade’s quick thinking under fire earns him a spot on this list when he managed to stop a Battalion Surgeon’s arterial bleed during the Normandy invasion.
He also instructed his brothers how to render aid on his own person after suffering a fatal wound.
4. Danny Kelley
2003 brought us “Tears of the Sun,” where Special Ops Corpsman Doc Kelley (Paul Francis) helped suture wounded Nigerian men and women to quicken the evacuation of a medical doctor before dangerous rebels made it to their location.
5. Desmond Doss (non-fiction)
Andrew Garfield portrays the legendary combat medic and Medal of Honor winner who saved 75 of his brothers in a single night while battling his own wounds after refusing to carry a weapon into battle.
During the 1993 Mogadishu raid, two UH-60 Black Hawk helicopters were shot down, 18 Americans were killed, and 73 were wounded.
Although Sgt. 1st Class Kurt Schmid (played by Hugh Dancy) was a Delta medic, he was portrayed as a Ranger in the film “Black Hawk Down;” regardless of his service, his knowledge kept many of his soldiers alive for several hours as they waited for the convoy to arrive.
When Matthew Callahan was first introduced to the movie Top Gun at 2 years old, the film became an instant favorite.
So when the award-winning video producer for the Navy’s All Hands Magazine was tasked with producing a series of videos for Naval Air Station Oceana’s Virtual Air Show last month, Callahan drew inspiration from director Tony Scott’s Cold War classic.
“Top Gun was my first true love of cinema,” Callahan told Coffee or Die Magazine. “It’s a movie of its time — the late ’80s, when they were just overdoing everything — but the way it’s filmed is beautiful. I’ll never forget that opening scene with footage at sunrise or sunset on the ship. You don’t often see military personnel and equipment framed that way, where it’s kind of treated like a total spectacle, and I try and capture that same feeling with a lot of my stuff because it cuts through a lot of noise.”
Callahan was part of a three-man production team including All Hands video producer Jimmy Shea and Mass Communication Specialist 2nd Class Michael Jorge. Together, they spent five days producing eight videos for NAS Oceana’s virtual air show. Trying to convey the excitement and spectacle of an air show with a series of short videos is no easy task, but Callahan and his team worked hard to translate their own passion for viewers.
“We produced eight or nine video products in five days,” Callahan said. “The tempo was pretty nonstop. It was exhausting but also amazing.”
The Next Generation: VFA-106 Prepares F/A-18 Aircrew For Fleet
The standout production from the trip is a roughly three-minute video about NAS Oceana’s Strike Fighter Squadron (VFA) 106. The Virginia Beach-based training squadron prepares freshly minted F-18 aircrews for fleet service.
Callahan said for that video he supplemented the team’s production from Virginia with footage provided by the Navy’s advertising agency.
“I asked for cool, sexy carrier footage, and the ad agency really delivered,” Callahan said. “It seems like Top Gun really set a kind of visual precedent for filming jets on an aircraft carrier, and I wanted to produce something fast but serious in a brass-tacks kind of way.”
Callahan said that while he realizes most of his audience engages with his productions online or on mobile devices, he still tries to include some audio and visual treats for true cinephiles who might watch on a larger TV screen or with noise-canceling headphones.
“I’m always editing and creating soundscapes for that one person who might wanna watch these stories on a big display with a good sound system,” he said. “It’s almost never the case, with most folks engaging on mobile, but there’s always gonna be someone who does. I hope that there’s a payoff for those few who chose to watch that way.”
Robin Williams went on six separate USO tours from 2002 to 2013. Williams inspired countless other comedians and performers to pack their bags and head overseas to share their light with the world. There are hundreds of stories that surround the humanity of each and every visit Williams had.
For example, take the time on the 2007 USO Chairman’s Holiday Tour, where Williams saw a group of soldiers waving at him from behind a fence across a grassy berm. A wave and a loud joke across the field would’ve surely made those soldiers day… But according to USO VP of Entertainment Rachel Tischler, “… he jumped across the berm and went running over to them. Obviously, our security team completely freaked out. Again – height of the war here. But he didn’t care. He just wanted to go over and shake their hands and thank them. And that is what he was like.”
That’s the thing with Williams. He didn’t just go overseas and perform a couple of comedy sets and dip out. That, in and of itself, would still be a beautiful act of service. But that wasn’t enough for Williams. He jumped the berm in everything he did.
“What was great about him on tour was that he always took the time to sit down and talk to people about what they were going through, what life on the base was like, about personal experiences,” Tischler said. “And then he’d get on stage and he’d be telling a joke about Mexican Night in the [dining facility].”
Robin Williams as troops “Retreat” at Camp Arifjan, Kuwait
Williams wasn’t just a loose cannon of human decency on USO Tours, either. He was also a respectful observer of military tacit codes. Just watch this video of Williams’s set being cut short by Taps at Camp Arifjan, Kuwait.
At the first sound of the beagle, you can almost feel his gut lurching to make a joke. Every single time that Williams had gone on stage, he was a comedic amoeba, calling out things happening in the present moment. He had conditioned himself to make a joke there. But he resisted. He pulled against his greater impulses, and respectfully lowered his head.
You can tell it meant something to him, as he said “I’m never going to forget that.” And what happened next is quintessential Robin Williams— he made a joke about the present moment that unified the entire camp.
Holiday Tour, International Airport in Baghdad (2003)
(Mike Theiler. EPA.)
Unity is the central theme of Robin Williams USO tours, and that’s the legacy left behind. Every man and woman stationed who got to see him took a piece of Williams back with them. Williams loved it too, “There’s nothing I enjoy more than traveling with the USO and giving back to our troops in whatever way I can,” he said, “They work hard, sacrifice a lot and deserve to be treated like the heroes they are. The very least I can do is bring a smile to their faces.”
Many comedians have followed in his footsteps of unity since: Lewis Black, Louis CK, Ralphie May, and Stephen Colbert, just to name a few. As our country feels increasingly disjointed, it’s important to focus on the “Robin Williams” moments; we can reach across the aisle and truly connect with each other.
Whenever we feel distant from each other, we don’t have to shout from behind a fence. We can jump the berm.
Warning: Contains spoilers from the series finale of Game of Thrones
In the penultimate episode of Game of Thrones, Daenerys Targaryen unleashed her weapon of mass destruction dragon on the army of her enemy — as well as thousands of civilians in King’s Landing. She deliberately and extensively burned thousands of innocent women, children, and elderly civilians alive.
In the series finale, she justified her actions by saying that Cersei Lannister had intended to use those innocent lives as a shield. Instead, Daenerys Stormborn turned that shield to ash.
And then…all was well in the realm?
A few people closest to Daenerys decided not that she must be held accountable for her actions, but that she must actually be put down for them — so Jon Snow murdered her. We could spend a lot of time discussing the merits to bringing a war criminal to trial, but let’s just accept that Jon felt the only way he could truly end Dany’s war was to literally stab her in the heart after telling her he’d be loyal and kissing her and how could you do that to Khaleesi Jon she needed a therapist.
And then…it really was done.
Everyone left standing was so weary of bloodshed that they calmly gathered together, laid down their arms, and invented a new form of government.
Which, honestly, is the only way men actually end their wars (maybe not the new government part — although…sometimes that works too — and actually while we’re here can we re-examine Plato’s philosopher king theory it could be cool maybe?).
“Democracy is nothing more than mob rule.”
In war, we butcher the enemy until someone can’t take it anymore. It is unimaginable to comprehend the casualties from conflicts like the World Wars (in World War I alone, the estimate is around 40 million civilian and military personnel injured or killed — 40 million). In World War II, the estimate is double.
Millions and millions (and millions) of people were dying horrific deaths and yet the fighting continued.
The United States dropped an atomic bomb on a city of innocents and yet the fighting continued.
It wasn’t until the U.S. dropped a second bomb that Japan finally surrendered.
Eventually, men do lose their taste for war, which is the only way it can truly end. Unfortunately, humanity’s collective threshold for egregious harm, torture, and suffering is so high that it takes something like two atomic bombs — or a metaphorical dragon — to put an end to it all.
Which could explain why, after 17+ years, the United States is still fiddle f***ing around in Iraq and Afghanistan. It’s a mercy that no one is going nuclear in those AORs, but unfortunately, our own wheel keeps turning, delivering death by a thousand cuts.
In acknowledgement of veterans that have gone beyond their call of duty, the 3rd annual VETTY awards recognized marquee veterans that have exemplified ongoing public service and advocacy efforts, and who have demonstrated exceptional contribution and service to the veteran community in 2017.
Chief Washington Correspondent and CNN anchor journalist, Jake Tapper, hosted the event, held Jan. 20 at the Mayflower Hotel in Washington DC.
Tapper is known for his vocal advocacy of the veteran community and his book The Outpost: An Untold Story of American Valor debuted at number 10 on The New York Times Bestseller list.
His work reporting on veterans earned him the “Tex” McCrary Award for Excellence in Journalism from the Congressional Medal of Honor Society.
Esteemed speakers and presenters for the red carpet event included Marine Corps and Navy veteran Montel Williams of The Montel Williams Show, and actress Anne Heche, series lead of the hit NBC military drama, The Brave .
During Williams speech, he recognized what an honor it is to be a United States military veteran.
“I get the opportunity to travel around this country on a daily basis—and there is nothing prouder in my life—or world—than to be able to step up and say that I am a veteran.”
Williams also empathized with his fellow veterans about where some Americans choose to share their loyalty.
“It bothers me… but… last week another awards show had 25 million people watching—but none of those people would have the right to get an award without the people sitting in this room.”
His comments were met by a roar of applause—but how fitting his comments considering the audience.
Winners Of The 3rd Annual VETTY Awards
Mental Health: Guardian Angels Medical Service Dogs, Inc.
Education: Dustin Perkins | Director of Marketing | Student Veterans of America
Leadership: Sarah Verardo | Executive Director | The Independence Fund
Employment: Bunker Labs
Community: National Veterans Legal Services Program
Honorary VETTY: Steven D. Vincent | Senior Business Development Manager | tiag® (The Informatics Applications Group, Inc.)
Honorary VETTY: George A. Chewning, II | Director of Governmental Affairs | Global War on Terror Memorial Foundation
Among the VETTYs attendees were respected veterans and mil-spouse entrepreneurs that dedicate their lives to supporting a community—a community that is first to support our great nation—but reserved when is comes to applause.
Presenting at this year’s awards were not only celebrities like Emmy-winning actress Shohreh Aghdashloo and Mike Vogel of NBC’s The Brave , but also veterans such as Army veteran and former Seattle Seahawks long-snapper, Nate Boyer, and Air Force veteran and the CEO of Streetshares, Mark Rockefeller.
Another notable presenter was Navy SEAL, Shark Tank success story, and CEO of Bottle Breacher, Eli Crane—a man that has been vocal in his support of the United States and his veteran comrades through today’s troubling political environment.
The Academy of United States Veterans (AUSV) established the annual VETTY awards in 2015 to recognize the most impactful entities that contribute to the well-being of the veteran community.
The AUSV was founded with one principle in mind: the importance of public service.
They inspire veterans who have found their purpose in serving their country—and hopes to encourage a culture where caring for one another is not considered a duty, but a joy.
In respects to their principals, the AUSV has pledged to donate a portion of the evening’s profits to helping restore the livelihoods of our fellow citizens who have been affected by the devastation of Hurricanes 2017.
On Sept. 11, 2012, a retired SEAL sniper took a small team to Blackwater’s former facility in the swamps of Virginia where he shot at a target from 911 yards 79 times — once for every Naval Special Warfare casualty since 9-11, those killed in both combat and training.
Until It Hurts features the target with the 79 bullet holes highlighted in red. (Photo: Eric Wickham)
He sent the first round downrange at 8:46 AM, the time the first airliner hit the North Tower of the World Trade Center, in honor of Petty Officer First Class Neil Roberts — the first SEAL killed during the war in Afghanistan. The shot found the target, and the bullet hole was labeled with Roberts’ name by a volunteer spotter downrange.
“I’d take the shot, and they’d find the bullet hole,” the sniper recalled. “They’d write the name down next to the hole. I’d hand the brass to my wife who had the list of names and she’d label it. It was kind of a sacred process.”
Several days after the shoot, the SEAL sniper’s wife convinced him to show the target to one of the contractors working on their house who had a brother who supposedly did “target art.” The SEAL Googled him — Ellwood T. Risk — and realized the guy was the real deal.
The contractor called his brother on the spot, and without hesitation the artist said, “I’m in; I’ll do it for free.”
Risk had been saving military-related front pages of major newspapers since 9-11, waiting for just such an opportunity. The result is a powerful piece of art called Until It Hurts.
Until It Hurts features the target with the 79 bullet holes highlighted in red. The target is flanked by the front pages with headlines announcing the news of the wars over the years. At the bottom of the piece the 79 names of the fallen are listed in chronological order.
Former Navy SEAL Jason Redman, a well-known wounded warrior, author, and founder of Wounded Wear, a company that specializes in providing free clothing to wounded vets, heard about the artwork and contacted Norfolk-area businessman Todd Grubbs, who eventually bought the piece at auction for $10,000. That money was put towards clothing for wounded vets and the Navy SEAL Foundation, a non-profit that funds education for the dependents of fallen SEALs.
Redman and Grubbs see the sale of the piece as just the beginning of its utility.
“The art should be perceived as a celebration of life,” said Grubbs, who has no desire to let Until It Hurts languish on a wall in his home.
“My biggest fear is we give guys clothing and they kill themselves in it,” Redman said. “We’re not helping them find their purpose. The American people aren’t helping. You see nothing on the news anymore. Even those we’re still losing guys. We have to keep the discussion going, to contextualize the sacrifice for the entire country. This artwork helps.”
Among Grubbs’ business concerns is film production, so naturally he thought of turning the artwork and the events surrounding it into a film. He enlisted the help of director Scott Hanson and together they created Until It Hurts, which premiered in Norfolk, Virginia on Feb. 21.
“Doing this documentary gave me the chance to work with SEALs and learn more about their families and what they do,” Hanson said following the premiere. “It makes me way more appreciative that I can do what I do.”
“It hits everybody in different ways,” Redman said. “A wounded warrior sees one thing, a Gold Star family member sees something else, and a civilian sees something else. And that’s what’s so great about it.”
“This was the first showing to a civilian audience,” Jake Healy, son of Senior Chief Dan Healy who was killed when the Chinook attempting to extract four SEALs trapped on a mountain was hit by an RPG — a tragedy well-documented in Marcus Luttrell’s book Lone Survivor and the associated major motion picture. “Their response to the movie tonight was powerful and reassuring.”
“I hope it will…highlight the sacrifice of Americans who understand what it took to make this country.” Redman said.
You can watch the full documentary right here:
WATM field correspondent Briggs Carroll contributed to this article.
EDITOR’S NOTE: This op/ed by We Are The Mighty co-founder and CEO David Gale originally appeared on the Hollywood Reporter website on May 22, 2017.
In honor of National Military Appreciation Month in May, I decided to re-watch William Wyler’s 1946 film The Best Years of Our Lives, which follows three WWII servicemen facing the challenges of transitioning to civilian life. The film won seven Academy Awards, including best picture, and proves that a well-told, honest and authentic story is still the most powerful way to instill empathy and provide some understanding of even the most complex emotions and human experiences.
While our military is still a quintessential part of American culture, today’s Hollywood rarely gets it right, often resorting to stereotypes and common tropes to portray veterans as either dysfunctional misfits or larger-than-life heroes. Perhaps this misconception is an expected result when less than 1 percent of our population is currently in uniform. Those who come home to work in the entertainment industry, are more likely to be offered jobs making coffee and copying scripts, than to encounter an employer who authentically appreciates and values the leadership, skills and responsibilities of military service.
While there is a handful of successful vets in this business, most notably Ron Meyer, vice chairman of NBCU, in my 30 years in entertainment, I never met an executive who served in the military and who has responsibility for making important creative decisions. This, even though we have been at war for 16 years and millions of veterans have returned home. While some studios and networks have helpful veteran hiring programs, and nonprofits such as Veterans in Film and Television are there to support veterans who work in this industry, there are few clear paths for vets to move into the creative and executive ranks of the business.
On the contrary, the cast and crew of The Best Years of Our Lives had veterans in nearly every major creative position. Wyler, the director, served in the Army National Guard; actor Fredric March served in the Army; the author of the book on which the film was based, MacKinlay Kantor, was a war correspondent who flew on bombing missions over Europe; Robert Sherwood, the screenwriter, fought with the Royal Highlanders of Canada; and Daniel Mandell, the film’s Academy Award winning editor, served in the Marines. Gregg Toland, the film’s acclaimed cinematographer, was a lieutenant in the Navy’s camera department; he also co-directed with John Ford a documentary about the attack on Pearl Harbor. And, of course, Harold Russell, who won the best supporting actor Oscar, was a WWII veteran and double hand amputee.
War and homecoming are undoubtedly part of the American experience, yet according to a study conducted by the Institute for Veterans and Military Families at Syracuse University, 84 percent of post-9/11 veterans believe that the American public has no understanding of the difficulties facing this current generation of veterans and military families. While we cannot expect the average person to comprehend what it is like to serve in the military, we can expect the media to do more to find and empower the storytellers who have served. Making sure veterans have more opportunities to play meaningful roles in entertainment and media is the best way for us all to begin to have some understanding of our military community and the challenges they face. This will allow us to discover the kind of extraordinary talent this next great generation has to offer. Not only is this good for our veterans, it is good for business; The Best Years of Our Lives was a huge financial success. In a time of perpetual conflict, in which so few are asked to do so much for so many, getting veterans right is also good for our country.
Virginia Hall was one of the most successful espionage operatives of World War II, earning not only the contempt of the Gestapo, but also the Distinguished Service Cross — the only civilian woman to be so honored. As a spy, she organized agent networks, recruited the local population of occupied France to run safe houses, and aided in the escape of Allied prisoners of war.
Oh, and she did it all with a wooden leg named ‘Cuthbert.’
Hall’s story is coming to the big screen in the feature film A Call To Spy, written and produced by Sarah Megan Thomas, who also plays “the limping lady” herself alongside Stana Katic (Castle, Absentia) as Vera Atkins and Radhika Apte (Andhadhun) as Noor Inayat Khan.
A Call To Spy features the unsung spies of Winston Churchill’s Secret Army — including their personal sacrifices, particular challenges and dangers, and social barriers that still resonate today.
Watch the trailer right here:
Virginia Hall was recruited by British spymaster Vera Atkins to report on German troop movements and recruit members for the resistance in France. Posturing as an American news reporter, she encoded messages into news broadcasts and passed encrypted missives to her contacts.
She signed up with the U.S. Office of Strategic Service and in 1944 she organized missions to sabotage the Germans. She is credited with more jailbreaks, sabotage missions, and leaks of troop movements than any other spy in France.
In a conversation with Thomas, I asked why she was drawn to tell this particular story. “I loved James Bond. I loved Dunkirk and 1917. But by and large, if a woman is in a military film, the story involves a romance — and I know they have more significant roles than that,” she told me. “I studied World War II spies extensively and finally uncovered the women in Churchill’s Secret Army. For my film, I decided to concentrate on women who were part of the mission before it became a success.”
In studying women’s roles in particular during World War II, Thomas was surprised to discover just how many untold stories there actually are.
“In 1941, we were losing the war. Americans hadn’t yet joined the Allies. Women were recruited as an experiment. They were sent in because they were inconspicuous, they were unexpected. And it turned out they were very good spies,” Thomas observed.
“I was also surprised at how different the women were. Their only commonality was that they spoke French — but they came from all walks of life,” she explained. As women are featured more and more in stories previously centered on men, audiences are seeing the spectrum of personalities and strengths they have to offer.
A Call To Spy won the Audience Choice Award at Whistler Film Festival and the ADL Stand Up Award at the Santa Barbara International Film Festival. Thomas’ previous Sony Pictures Classic film Equity, a film about women on Wall Street, premiered at the 2016 Sundance Film Festival. Thomas created the concept, co-wrote the story, produced, and starred in the film alongside Anna Gunn.
“It’s important to tell all stories. It’s important to tell original stories. There are so many interesting stories yet to be told, and with the female lens we’re starting to see change happening. It’s exciting for diverse voices everywhere,” she told me.
A Call To Spy shares the 2020 challenge of being released during the COVID-19 pandemic. For an independent filmmaker, it came with a whole new host of challenges to solve. “We don’t have a $50 million press budget — we need word of mouth,” she explained. The film screened successfully and won awards at festivals before the pandemic, but afterwards Thomas and her team had to pivot.
She’s been following her own advice for emerging filmmakers: “Just do the work. It’s a difficult profession no matter what level you’re at — don’t let that be daunting. The right people will say yes at the right time.” Thomas is currently working on a mini-series that is a spin-off of the film.
“Audiences can expect a thrilling and entertaining spy film, but I also hope after they watch that there’s something to discuss on a personal level. How many people would put their lives on the line with such difficult odds? Right now we’re at a global crossroads — what sacrifices are we willing to make for each other?” she pondered.
Once in a blue moon, Hollywood pops out a really great military movie. Not only does the film have a compelling story, but it’s also rich in technical detail — so troops don’t have to sit through 90 minutes of “dubble yew-tee-eff” when looking at uniform inaccuracies or crazy plot-lines.
But we’re not talking about those movies here. We put our collective heads together to come up with the cheesiest military movies. These are the ones that made us wince, yell at the screen, or walk out of the theater to run to the nearest liquor store.
1. Navy SEALs
In between shooting terrorists, Navy SEALs play golf polo set to “The Boys are Back in Town.” And Charlie Sheen is a cocky jerk. So we guess it’s sort of realistic.
2. The Hurt Locker
Yes, it won an Oscar. It’s also completely terrible. Put on your freakin’ EOD suit when you’re defusing bombs there, Rambo. And last time we checked, it wasn’t a good idea to leave your base at night in Iraq wearing nothing but a hoodie.
3. The Marine
Words fall short.
4. Iron Eagle
Along with the help of a retired colonel, a teenage Air Force brat steals a couple of F-16 jets without anyone really noticing. Then they both manage to take on an (unnamed) Arab state’s air force and rescue his captured dad. But totally worth it just for the bad guy’s quote of “I want these pigs … destroyed.”
5. Act of Valor
To the film’s credit, the action scenes with Navy SEALs taking down houses and shooting the hell out of enemy vehicles were top-notch. But the acting from those same real-life Navy SEALs was (understandably) forced and cheesy. And we were a bit disappointed the bad guys never said, “I want these pigs … destroyed.” And are you looking for a drinking game idea? Take a shot every time one of the SEALs calls another one “bro.”
6. G.I. Jane
A woman gets picked to go through Navy SEAL training. Actually, the movie calls it “Combined Reconnaissance Training,” which isn’t even a thing. So besides getting the name of the training course wrong right out the gate, Lt. O’Neil (played by Demi Moore) goes through training, shaves her head, and does one-armed pushups. Then she saves the day when the trainees (yes, TRAINEES) participate in a rescue mission in Libya. O-kay. (Bonus points for the shower scene, though.)
7. Jarhead 2
While “Jarhead” is based on a book written by a Marine sniper and offered a fairly realistic depiction of infantry life and all its absurdities, “Jarhead 2” is a sequel that has nothing to do with the original, has a ridiculous plot, and follows around Marines who work in supply. Yes, SUPPLY.
BONUS: Jonn over at This Ain’t Hell pointed this one out to us: “Flesh Wounds,” which he called the absolutely worst military movie ever made. To quote Jonn: “If you’re ever sitting around with your military friends and you want to have a contest counting the mistakes in a war movie, this is the one you want (if they can still see the movie through tears from laughter).”
In what is widely considered the best role of his acting career, legendary film and television star Louis Gossett Jr. plays Marine Corps Gunnery Sgt. Emil Foley, a hardcore drill instructor, in the 1982 film An Officer and a Gentleman.
Gossett Jr.’s portrayal of a no-nonsense DI in the film earned him the Academy Award for Best Supporting Actor. If you watch his performance, you’ll quickly see why Oscar came calling. The character is crude and tough on the group of would-be pilots attending a 13-week Naval Aviation Officer Candidate School where he serves as the primary instructor.
Like many great actors who have donned the campaign hat on the silver screen, as DI Foley, Louis Gossett Jr. imparts knowledge on how to survive the daily challenges of life in his own unique way.
Here’s what we can all learn from Gossett Jr.’s Oscar-worthy performance.
Some of the best and most memorable lines of the film come in the early scenes when new recruits line up to hear Gunnery Sergeant Foley talk about what they should expect in the next 13 weeks of training. Foley knocks each person down a couple of pegs by making them understand they are, in fact, not special.
When Foley asks one of the recruits named Della Serra if he was a “college boy,” the character quickly lists his academic accolades, saying he graduated in mathematics with honors.
Della Serra gets a rude awakening from Foley when the Marine shows him his cane with notches on it. Each notch represents each “college puke” who has dropped on request during his time in the program. Foley suggests Della Serra may be one of those notches and then tells the group that half of them will not make it through the training.
In this powerful scene, DI Foley lets all the recruits know that his authority outweighs their individualism.
Although Mayo has all the skills and physical traits to pass the course, Foley consistently questions Mayo’s strenght of character. Officer Candidate Mayo is an arrogant and self-centered individual only looking out for himself. He’s also quite the hustler, selling inspection-ready boots and belt buckles to his fellow recruits to make a quick buck.
After discovering Mayo’s little racket, Foley gives him a chance to straighten up his act during a weekend-long smoke session. Foley breaks Mayo down physically and emotionally. It’s during this sequence that the audience is treated to the film’s famous scene in which Gere’s character screams, “I got nowhere else to go!” This is the turning point. From here on out, we see a change in Mayo’s character and attitude.
The importance of teamwork
Mayo’s change of attitude is clear when instead of trying to achieve an individual obstacle course record, he goes back to encourage one of his fellow classmates, a young lady named Seeger, as she struggles to get over a 12-foot wall. Thanks to Foley, Mayo learns the true value of teamwork.
Quitting is not the answer
Tensions between the two main characters rise yet again toward the end of the movie. Following the death of his friend, Mayo wants to speak with Foley in private.
After Foley dismisses his request, telling him to get back to work, Mayo gives his DOR. Instead of accepting his resignation, Foley asks to meet Mayo a nearby hanger — where they fight it out. After fists fly, Foley tells Mayo that if he still wants to quit, he can. By that point, Foley knows the recruit has come too far to quit now.
At the end of the movie, the officer candidates earn the rank of ensign. Per tradition, each new officer receives his or her first salute from the instructor and, in turn, each officer hands Foley a silver dollar. When Mayo hands Foley his coin, the Marine places it in his right pocket instead of his left. This act symbolizes respect for Mayo as an exceptional candidate.
“I won’t ever forget you, sergeant,” Mayo says after the salute. You can see Foley start to choke up just a bit when he replies, “I know.” The mutual respect between the two is evident.
Although it’s only a movie, many veterans may have encountered someone in real life who reminds them of DI Foley.
Tell us who made an impact on your life during your time in the military in the comments.
Patriotic rock band Madison Rising and the Navy SEAL Foundation announced a unique partnership with the release of Madison Rising’s new song, “Men of Steel.” Madison Rising is donating 50% of the proceeds from the song to the Foundation in support of its mission of service to the Naval Special Warfare (NSW) community.
“Men of Steel” is a new rock anthem that pays tribute to all those who serve.
The song is a special collaboration that started when Madison Rising approached the NSF in 2019 about a potential partnership. “I had always wanted to figure out a way to have music support our mission at the Foundation, and Madison Rising was an ideal partner to make that happen,” said Chris Irwin, Director of Partnerships for the NSF in a press release.
As a result, Madison Rising worked with the Navy SEAL Foundation to write a song about teamwork, camaraderie and the service member experience, that directly supports those it honors. “By donating half of all proceeds on this song to the Foundation, Madison Rising is committing itself to not only raising awareness about our mission, but also raising funds to help us execute that mission,” Irwin stated.
Madison Rising’s mission is to honor veterans, first responders, and active-duty military members by making great rock music that reinforces true American values. This collaboration with the Navy SEAL Foundation is the latest initiative in support of that mission. The band is led by Rio Hiett, a retired Master Sergeant who served in the Air Force, “Madison Rising is on a mission to honor our military however possible and we know this song will have an incredible impact on the community,” he said. The band is well known for hard-charging, patriotic performances at venues including NFL games, NASCAR, and other special events.
“I started singing back in high school with producer and friend, Andrew Lane, in Muscle Shoals, Alabama,” Hiett told WATM. “This is where the love of performing and creating was started and as he went on to become a Grammy Award winning part of Atlanta’s and L.A.’s R B movement, I chose the route of military service.
I spent 20 years as an Air Force AMMO troop, having served half on active duty and half in the air guard.” Hiett served in several operations, including Allied Force, Iraqi Freedom and Enduring Freedom. “I spent nearly 3 years deployed to the AOR and lost that time with my oldest son Dante’,” Hiett said. “I felt he endured the impact of the deployments far more than anyone else in the family. From the moment I became the frontman for Madison Rising, I had always wanted to have my son be a part of something meaningful. He plays the drums and this was an incredible opportunity to have him be a part of a song [Men of Steel], that has the potential to go a long way in the veteran community.”
Hiett continued, “We were able to team up with Chet Roberts of 3Doors Down and record the song down in their studio in Nashville at Rivergate Studios. SEAL Chris Irwin was also a huge part of the track as it was brought forth from his original idea as we collaborated, rearranged/rewrote, then recorded. So at this point in time, I am incredibly proud of this song, the meaning behind the song and how it was created, but mostly that my son is a huge part of something so amazing.”
Madison Rising has shared the stage with rock legends Aerosmith, Lynyrd Skynyrd, Toby Keith, Weezer and many others, and they have a large following among veterans and first responders.
About the Navy SEAL Foundation:
The Navy SEAL Foundation’s mission is to provide immediate and ongoing support and assistance to the Naval Special Warfare (NSW) community and its families. The Foundation stands behind these warriors and their families by providing a comprehensive set of programs specifically designed to improve health and welfare, build and enhance resiliency, empower and educate families, and provide critical support during times of illness, injury, or loss. Like the community it serves, the Navy SEAL Foundation is a high-performing organization committed to excellence. It has received eight consecutive 4-Star ratings from Charity Navigator and it is one of less than 70 charities, from among more than 9,000, to have earned a perfect score of 100 for financial health, accountability and transparency, placing it in the top 1% of all rated charities.
For more information, please visit: www.navySEALfoundation.org.
Service members have high standards for military movies — after all, they portray a life we led, and it’s not always easy to get it right. That won’t stop Hollywood from trying.
Nor should it. Films about the military inspire men and women to volunteer every day. They memorialize our heroes. And most importantly, they remind us of the horrors of war so we can, hopefully, pave a peaceful future for those who will serve after us.
Here are a few films on the slate for this year:
*Don’t be a hater — you know it’s 83% the reason why we have pilots
The Last Full Measure,2019,Sebastian Stan,Samuel L. Jackson,First Look
During the Vietnam War, an Air Force Pararescueman named William Pitsenbarger saved the lives of 60 soldiers and, when offered the chance to evacuate on a helicopter, he stayed behind to defend the lives of his men. 34 years later, he was posthumously awarded the Medal of Honor.
A World War II drama starring Tom Hanks, Greyhound is based on the C.S. Forester (ahem creator of Horatio Hornblower ahem) novel The Good Shepherd, in which a convoy of 37 Allied ships crosses the German U-boat infested Atlantic ocean. Hanks plays Ernest Krause, leader of the convoy and in command of his first ship, the Greyhound.
The screenplay is by Hanks himself and directed by Aaron Schneider. It is set to release on March 22, 2019,
Battle of Midway Tactical Overview – World War II | History
Operation Deadstick was the first engagement of D-Day but many people don’t know the awesome story of how a small group of British glider soldiers captured two bridges intact and held them against German counterattacks. Now, the epic fight is becoming a movie.
So, on Jun. 6, 1944, the men of D Company, 2nd Oxfordshire and Buckinghamshire Light Infantry crash-landed in gliders at only 16 minutes past midnight. A brilliant performance by pilots put the closest group of paratroopers only 47 yards from the first objective while avoiding anti-glider poles that were still being emplaced around the bridges.
The British commander had a fright when thought he had gone blind, but he realized the crash had dislodged his helmet and slid it over his eyes. He put it on right and led his men up the nearby embankment and onto the first bridge.
There, Lt. Den Brotheridge led First platoon across the Caen Canal Bridge, firing from the hip. Brotheridge gunned down a German soldier on the bridges who fired a flare, achieving the first ground kill of D-Day. Tragically, he himself was shot just moments later and became the first Allied casualty of the day.
Still, the company was able to complete the assault only 10 minutes after landing, grabbing both bridges before the Germans could detonate the explosives on them. Sappers immediately got to work cutting wires and fuses to make sure a German counterattack would not be able to easily destroy them.
It turns out, the reason the bridges weren’t destroyed was two-fold.
First, the German commander had ordered the bridge wired to explode, but that the actual charges be stored nearby so that French partisans or an accident could not destroy the bridges unnecessarily. He had reasoned that the explosives could be placed and destroyed faster than a paratrooper assault could capture the bridges. He was wrong.
Second, only he could order the charges put into place and the bridges destroyed and he was busy visiting his girlfriend in the nearby village. He was drinking wine and eating cheese with her when he heard all the gunfire coming from the direction of the bridges.
He decided to investigate the noises but apparently thought an attack was unlikely because he packed a picnic basket and tried to bring his girlfriend. He ended up dropping her off when she begged and cried, but he continued to the bridge with little caution.
His driver approached the bridge so fast that the two Germans actually blew past the British lines and were on the bridge before they realized that the German defenders had been killed. The British quickly captured both Germans and the picnic basket while the commander started crying about having let down his fuhrer.
The British then got ready for the inevitable counterattacks. The first came quickly as a German tank made its way to a nearby intersection in an attempt on the bridges. One of the glider troops engaged it with a Piat anti-tank grenade launcher, killing it with a single hit.
Luckily for the British, larger counterattacks wouldn’t come for some time. While Lt. Col. Hans von Luck, the Panzer commander who would lead the counter assault, had his entire formation ready to go by 3 a.m., he wasn’t allowed to move forward without Hitler’s say-so. And Hitler slept in on D-Day.
Von Luck sent his grenadiers, one of the few units he could move forward without authorization, to the bridges but the British had been reinforced with paratroopers by that point. The British were able to stop the grenadiers’ advance and the Germans dug in, sure that armored support would be coming soon.
Forward German units did come to assist and were able to begin pushing the British back. The British were picked at by snipers and German rocket fire and were slowly surrounded, but they managed to hold out until the afternoon despite dwindling ammo and a limited number of men.
In the early afternoon, reinforcements in the form of British commandos finally came and the combined force held off German armored attacks, killing 13 of 17 tanks and plenty of German soldiers. They also had to fight off a German gunboat that attacked from the river.
The successful capture and defense of the bridges is a major part of British airborne history. Both bridges were renamed in honor of the British. The Caen Canal Bridge was renamed Pegasus Bridge after the symbol of the British airborne soldiers. The nearby river bridge was renamed Horsa Bridge after the Horsa gliders the first troops rode in on.