Don’t let Star Wars and Marvel distract you. On Dec. 10, FX and Disney announced that a series based on Ridley Scott’s 1979 classic Alien is in the works. Helmed by Fargo and Legion creator Noah Hawley, and with Ridley Scott joining as Executive Producer, the series is set to take place on Earth.
Disney promised a “scary thrill ride set not too far in the future here on Earth” while Deadline reported a blend of “the timeless horror of the original 1979 movie and the non-stop action of the 1986 James Cameron-directed second.”
To date, the Alien franchise includes four films in the original series (Alien, Alien$ I mean Aliens, Aliens 3, and Alien Resurrection) and two films in the prequel series (Prometheus and Alien: Covenant). There are also a slew of short films that tied in with the releases of Prometheus and Alien: Covenant and a web series.
WATCH THIS VIDEO FOR A REFRESHER:
This isn’t the first time an earth-set Alien project has been pitched. Both Stuart Hazeldine and Joss Whedon had played with earthbound treatments that never quite managed to take off. It looks like something went well to get this series launched!
Be sure to check out this video above to catch yourself up on everything you need to know about the franchise before the next chapter begins!
“The Finest Hours” depicts the events of Feb. 18, 1952, when a horrendous winter storm broke two large tankers in half. Coast Guardsmen operating out of the Chatham, Massachusetts lifeboat station managed to save 70 of the men from death by hypothermia or drowning.
The two tankers, both 520 feet long and carrying kerosene and heating oil, were called the Pendleton and the Fort Mercer. The Pendleton broke first, cracking in half near dawn in the middle of a nor’easter that created 60-foot waves and 70-knot winds.
The way the Pendleton broke resulted in a circuit tripping, cutting electricity to the front of the ship where the captain could have sent out an S.O.S. signal. The captain and seven other men in the front of the ship would die before anyone knew to rescue them.
In the bow of the Pendleton, 33 men were fighting for their survival. They struggled to keep their ship afloat and sound alarms while knowing they had only hours to live.
A short time later, the Fort Mercer was broken in half by the same storm. The Coast Guard first learned about the Fort Mercer and dispatched a motor boat from Chatham and a number of Coast Guard cutters and aircraft responded.
The rescue of the Fort Mercer crew was dramatic. Crew members tried to climb on ropes from their sinking vessel to a cutter, but were thrown around by the wind and waves. A particularly brave cutter captain ordered his vessel to make runs beneath the stern, allowing survivors to jump from one ship to another as the waves tried to crash them together.
38 men were eventually rescued from the Mercer. It was during this that a Coast Guard aircraft spotted a floating section of the Pendleton and reported that there were two broken ships out there.
So, a second motorboat was dispatched from Chatham station. It is this one that “The Finest Hours” seems to focus on. A small crew of 3 volunteers led by a young boatswain’s mate, Bernard Webber, set out into the storm to attempt the rescue.
En route, their 36-foot lifeboat was twice swamped by the waves. The first simply flipped the self-righting ship, while the second flipped it and broke out the windshield, threw Webber against the deck, and broke the small vessels compass. Webber and his men would complete the rest of the rescue without being sure of where they were going at any time.
When they made it to the Pendleton, the survivors lined the deck and waved their arms to get the Coast Guardsmen’s attention. A nearby cutter had also come to the aid of the Pendleton, but was unable to assist because the Pendleton stern section was crashing against an underwater bar that would destroy the cutter.
So the small motorboat, designed to hold just a few people, began taking on the crew of the Pendleton. It took twenty passes of the motorboat for the entire crew to make it off. For each man that jumped onto the motorboat, the vessel became harder to maneuver and more sluggish, a potentially lethal problem in the turbulent storm.
Finally, on the last pass, the Coast Guardsmen had taken on 32 of the 33 survivors from the Pendleton. But the final survivor dropped too early, crashing into the water between the ship’s stern and the Coast Guard boat. When he floated back to the surface, a wave pushed the vessels together and the man was crushed between them.
Though Webber was hurt by the loss of the man, he began the challenging process of getting his crew and the 32 remaining survivors back to safety. With no compass for guidance, he radioed the shore for help. As Chatham Lifeboat Station and a Coast Guard cutter argued about the best course of action, Webber got fed up and shut off his radio.
He headed in a direction that he thought would let him beach the craft, allowing men to scramble ashore. As he moved forward though, he spotted a navigational buoy and alerted Chatham Station that he was coming up to the pier with his survivors.
Other Coast Guardsmen and civilians from Chatham came out to meet the heroes and help the survivors. The next day, Coast Guard Rear Admiral H. G. Bradbury wrote a letter thanking the men for their heroism. Each member of the crew later received Gold Lifesaving Medals from the Treasury Department for their efforts.
The submarine thriller “Hunter Killer” (out now on 4K UHD, Blu-ray, DVD and Digital) had a long and complicated journey from book to screen.
Based on the novel “Firing Point” by Navy veteran George Wallace and Don Keith, the Gerard Butler movie was days away from beginning production when Relativity Studios shut down.
After a delay, new director Donovan Marsh joined the project. They regrouped with Summit and made a movie with extensive support from the Pentagon, which envisioned the film as a “Top Gun” for submariners.
Gerard plays Capt. Joe Glass, a maverick who is given command of a sub even though he didn’t go to Annapolis. The Russian president gets kidnapped, and Glass must break the rules to save the world.
Hunter Killer (2018 Movie) Final Trailer – Gerard Butler, Gary Oldman, Common
“Hunter Killer” features an impressive cast that includes Gary Oldman, Common, Linda Cardellini, Toby Stephens and Michael Nyqvist from the original Swedish Lisbeth Salander/Millennium movies
Marsh made the well-regarded South African crime thriller “Avenged,” but “Hunter Killer” is his first big Hollywood movie. He told us about working with the Pentagon, how much of the movie was shot on real submarines, and how you make an action movie on a submarine.
You’re from South Africa, a country not known for its Navy. Did you have an interest in military movies or history growing up?
South Africa has two diesel submarines, but only crew for one. One is in dry dock, and they can’t afford to take the other one out. So if I couldn’t love my own Navy, I could love the navies of the movies. Enter “Das Boot,” “Crimson Tide” and “Hunt for Red October.” Three of my favorite films of all time.
Gerard Butler worked on this movie as a producer for many years before it got made. Tell us how you came on board as the director.
The film had a different director and was months from shooting with Relativity. When Relativity came apart, the film was looking for a new home and a new director. I pitched and won the job. When I came on board, Gerard, Oldman and Common were already part of the project.
The Pentagon has been unusually supportive of your “Hunter Killer,” even hosting a press conference with Gerard Butler. What was it like working with the Navy on the movie? Did they have input into the filming since they gave your production so much access to Navy subs?
The Navy was incredible. They welcomed us in Pearl Harbor, sent myself and Gerry out on a real nuclear sub for three days, and showed us behind the scenes in the way that few civilians ever get to see. They gave us access to Navy experts, captains and admirals every step of the way, many of whom were present during filming and who made sure we stayed as realistic as was dramatically possible (and without giving away anything classified!).
The submariners want to know. How much filming did you get to do on real submarines and how much did you recreate on sets?
I had one day in the USS Texas with the real crew They were amazing; I challenge you to pick them out from the actors. I had one afternoon with the Texas at sea for helicopter shots. We nearly crashed the chopper (metal in the transmission!), had to return the next morning to shoot the emergency blow. I had one take and only knew the point they were going to surface within 100 hundred meters. They surfaced in the edge of shot and I quickly reframed!
Michael Nyqvist and Gerard Butler star in “Hunter Killer.”
What roles did practical and CGI effects play in your production?
We had 900+ visual effects shots that took over a year to complete. It was the biggest challenge of my life, and I still feel they could have been much better. To simulate reality is very difficult, and only the most skilled VFX teams with months and months of time can do it.
A submarine commander once told me, “The Army plays rugby. I play chess.” How do you approach a battle movie when you’ve got to depend more on suspense than brute action?
I just flat out prefer suspense to brute action. It’s more interesting. It’s delicious. It’s dramatic. During brute action scenes, I always end up looking at my watch. I wanted HK to create as much tension and suspense as the audience could bear and then release that with action that was quick, sharp and believable.
Gary Oldman, Linda Cardellini and Common in “Hunter Killer.”
Even though the movie portrays American and Russian presidents who are nothing like the real leaders, “Hunter Killer” portrays a contentious relationship between the two countries that didn’t exist even five years ago. Did rising tensions between the U.S. and Russia help you get this movie made?
Tensions between the U.S. and Russian escalated leading up to this film, significantly adding to its relevance. A Russian MiG buzzed a destroyer, and Russian sub activity in American waters and vice versa was on the rise. This played in wonderfully to the plot of the film, which starts with two subs getting into it under the ice.
This article originally appeared on Military.com. Follow @militarydotcom on Twitter.
Maximilian Uriarte is the renowned creator of the popular Terminal Lance comics and New York Times Best Seller The White Donkey. Uriarte’s new graphic novel, Battle Born: Lapis Lazuli, lends a raw and compelling, modern voice to the combat veteran experience. But before he did all of that, he was a Marine.
Artistry and the Marine Corps aren’t words that you typically see put in the same sentence, but Uriarte himself defies any Marine stereotype. “I’ve been an artist my whole life. I was always the kid in school drawing in the back,” he said with a smile. “I joined the Marine Corps infantry to become a better artist. I viewed it as a soul enriching experience.” He’s well aware that most people don’t use those words as a reason to join what is thought of as the toughest branch of service.
When Uriarte joined the Corps in 2006, he was adamant about becoming an infantryman – even though his high ASVAB scores allowed him to pick almost any MOS. But he shared that he wanted to do something that would shape him as a person, making him better. So, with his recruiter shaking his head in bafflement in the background, Uriarte signed on at 19 years old to become a 0351 Assaultman.
It was a decision that took his family by complete surprise, especially with the Iraq war in full swing. Raised in Oregon, Uriarte hadn’t been around the military but always knew he wanted to do something to challenge himself — something he was confident the Marine Corps would do. The year after he joined, Uriarte was deployed to the Al Zaidan region of Iraq with the 3rd Battalion, 3rd Marines from 2007 to 2008.
Uriarte deployed to Iraq once again in 2009 and this time, had the chance to be a part of Combat Camera. It was here that he really started examining his experiences as a Marine and he began developing the now infamous Terminal Lance comic strip. He launched it in 2010, five months before his enlistment with the Corps was up.
“When I put it out [Terminal Lance] I really thought I was going to get into trouble,” Uriarte said with a laugh. What sparked its creation was being surrounded by positive Marine stories, told in what he describes as an ever-present “oorah” tone. “To me, it seemed not authentic to the experience I had as a Marine Corps infantryman going to Iraq twice. Everyone hated being in Iraq, no one wanted to go there.”
The Marines loved Terminal Lance. It wasn’t long before it became a cultural phenomenon throughout the military as a whole and Uriarte became known as a hero among young Marines.
Uriarte shared that he had always wanted to do a web comic and the Marine Corps was definitely an interesting subject matter for him to dissect. “In a way, it was cathartic. The experience isn’t something most humans go through. Doing it helped me move on in a healthy way,” he said. While authoring the comic strip, he earned his Bachelor of Fine Arts degree with a major in Animation through the California College of the Fine Arts.
In 2013, Uriarte self-published The White Donkey after a successful kickstarter, which raised 0,000 for the book. A few months after its release, it was so successful it was picked up by traditional publishing and went on to become a New York Times Best Seller. The gripping graphic novel pulls back the curtain to expose the raw cost of war, especially for Marines serving in combat.
Uriarte knew he wanted to keep going and this time, wanted to take his storytelling a bit further. It was his hope that he could create something focused on the importance of human connection. Through all of this, he created Battle Born.
“It’s a story of a platoon of Marines going to Afghanistan, to fight the Taliban over the gemstone economy…. But it’s really about Sergeant King and his emotional journey,” Uriarte explained. He shared that he really wanted the character to reflect a modern day Conan The Barbarian, who he feels would definitely be a Marine.
“It’s really a meditation on the history of Afghanistan in the shadow of western imperialism, colonialism and looking at the tragic history of Afghanistan,” Uriarte said. “What does it mean to be civilized, is really the central theme of the book.”
Uriarte’s main passion is creating good stories that he himself wanted to see. He had never seen anything like Battle Born before – a Marine infantryman story that was very human grounded. “I truly believe that representation matters. It’s a lens I don’t think we’ve seen a war movie through before – the eyes of a black main character,” he explained.
Hollywood agrees: The book is currently in film development to become a live action film.
The biggest piece of advice he hopes to impart on service members getting out of the military is to use their GI Bill and go to school when their enlistment is up. “Just go and figure yourself out. It is a very safe place to decompress,” he explained. “The Marine Corps is very good at making Marines, but it’s bad at unmaking them. It’s a hard thing come back to the world and not be a Marine or in the military anymore.”
The 2018 annual suicide report found that soldiers and Marines took their own lives at a significantly higher rate than the other branches.
Uriarte struggled himself when he got out, but he found that school and writing was therapeutic for him. “When you get out, the thing Marines struggle with the most is, ‘Who am I?’ We always say, ‘Once a Marine always a Marine,’ but I think that is unhealthy,” he said. “People wonder why we have such high veteran suicides and it’s because we turn them into something they aren’t going to be for the rest of their lives.”
When asked what he wants readers to take from his work, Uriarte was quick to answer. “These are really stories of human experiences; passion, love and loss. It’s just showing that people are human and that Marines, especially, are human,” he explained. Uriarte also feels that his latest full-color graphic novel will appeal not just to those who enjoy comics, but to a wide spectrum of readers through a beautiful visual journey.
Uriarte uniquely tackles the difficulty of being a Marine and serving in the military with raw honesty and creativity through all of his work. His newest book, Battle Born: Lapis Lazuli is a deeply compelling compilation of the human experiences that affect us all.
You can purchase Battle Born Lapis: Lazuli and his other work at your local Walmart, Target or online through Amazon by clicking here.
Mary Walker, the only woman to be issued a Medal of Honor, is about to get some prime-time coverage, thanks in part to a graphic novel series produced by the Association of the U.S. Army. The latest edition of “Medal of Honor,” shines a light on the bravery and valor of Mary Walker, the first woman in the U.S. to earn a medical degree and the only woman ever to receive the Medal of Honor.
Dr. Mary Walker attended Syracuse Medical College before the start of the Civil War. Her parents encouraged her to pursue her education, and she graduated in 1855 with a medical doctor degree – the first woman to do so in the almost 100-year-old United States.
She knew she wanted to serve her country, she just didn’t know how it would happen. Dr. Walker worked in private practice for a few years until the Civil War broke out in 1861. Despite her best efforts to join the Army, she was denied on the grounds of being a woman. And since she’d worked so hard to earn a medical doctorate, Dr. Walker was nonplussed at the suggestion that she join the Army as a nurse.
Instead, she decided to volunteer and work for free at a temporary hospital set up at the U.S. Patent Office in Washington, D.C. There, Dr. Walker continued to face discrimination, as the male surgeons refused to address her as “Dr.” and instead regulated her duties to that of an assistant.
By 1862, Dr. Walker was living in Virginia and working at field hospitals throughout the state. A year later, her medical credentials were finally accepted by the Army. This was only because of the recommendation of Maj. Gen. William Sherman and Maj. Gen. George Thomas. Without their letters of recommendation, it’s likely that Dr. Walker would have continued to work as an unpaid surgical assistant, despite being a highly trained doctor.
With her recommendation letters in hand in hand, Walker moved to Tennessee and was appointed as a War Department surgeon, which is equivalent to today’s rank of either a First Lieutenant or Captain. Her position in Tennessee was paid.
Dr. Walker quickly became well-known among the troops and units. She would routinely risk crossing enemy lines to tend to wounded personnel or civilians. It was during one of these forays into enemy territory that Dr. Walker was captured by Confederate forces. Dr. Walker was sent to the infamous Castle Thunder Camp, located in current-day Richmond, Virginia. She was held as a POW for about four months and was eventually exchanged in a POW swap for Confederate medical officers.
Castle Thunder was mainly used for civilian prisoners, not POWs, so it’s not entirely clear what Dr. Walker witnessed and experienced during her time as a POW, but it probably wasn’t pleasant. But, true to her nature, Dr. Walker saw an opportunity instead of internment. While imprisoned, she cared for the ill and the wounded at Castle Thunder. She is credited with having saved several lives while waiting for her own life to resume outside the prison walls.
After being released by the Confederate Army, Dr. Walker worked as a medical director at a hospital for women prisoners in Kentucky. She was routinely seen wearing men’s clothes and was arrested several times for impersonating a man, always stating that the “government” gave her permission to dress that way. She was awarded the Medal of Honor by President Andrew Johnson even though she’d never officially been commissioned as an officer. That’s why her medal was rescinded in 1917, just two years before she died. Dr. Walker refused to return the medal and wore it until she died.
Due in part to the efforts of her family, President Jimmy Carter restored her Medal of Honor in 1977. As part of the Army’s efforts to bring to light the courageous acts of service personnel, Dr. Walker’s story is now available in graphic novel form. Her story is the third installment of 2020. A final issue for 2020 will feature Holocaust survivor and Korean War veteran Cpl. Tibor Rubin. Read Dr. Walker’s graphic novel here.
The veteran, who performs under the name Craig Morgan, is releasing a new album but still finds plenty of times to go on USO tours and stop by military bases to visit troops, an activity he says is near and dear to his heart.
The tours can feel strange for him though, since he’s treated like a VIP while he still thinks of himself as a soldier. This is especially true when he visits his former duty stations like Fort Campbell or Fort Bragg.
“It’s super odd, even still to this day, many years later,” he told WATM. “I’m not a VIP, I’m a soldier. It’s emotional. I mean, I had children born on both of those bases.”
While Morgan is very proud of his veteran status and open about it, he’s surprised that many of his fans and peers in the industry don’t know that he served. His new album’s title track, “A Whole Lot More To Me,” is partially about the fact that he wasn’t always a performer.
“I find it amazing that having been in the music industry for this long, there are still people who don’t know I was in the military,” he said. “That’s crazy to me. That’s what this record is about. There’s a whole lot more to me than country music and pickup trucks.”
The music video for a new song on the album even includes shots of his time in uniform as well as video of Morgan visiting troops and conducting activities, like PT, with them.
While the new album contains direct references to Craig Morgan’s time in the military, he says that most of his songs have ties to the service.
“The music always reflects back, at some point for me, to my experiences in my life, and since most of my life was in the military, they all relate back to it.”
One standout hit has a surprise military connection. “Redneck Yacht Club,” a 2005 song about a bunch of country boys taking their boats onto the lake for a party, is tied to his time slipping away from the post during downtime in the Army.
“I remember being at Fort Bragg and going to the lake or to Louisiana to get on the water,” he said.
Morgan, who spent over six years in the Reserves after serving for nearly 10 on active duty, says that he still misses the military from time-to-time, especially after USO tours.
“When I come home I pout around a little bit because I feel like I should be back in the Army,” he said.
EDITOR’S NOTE: This op/ed by We Are The Mighty co-founder and CEO David Gale originally appeared on the Hollywood Reporter website on May 22, 2017.
In honor of National Military Appreciation Month in May, I decided to re-watch William Wyler’s 1946 film The Best Years of Our Lives, which follows three WWII servicemen facing the challenges of transitioning to civilian life. The film won seven Academy Awards, including best picture, and proves that a well-told, honest and authentic story is still the most powerful way to instill empathy and provide some understanding of even the most complex emotions and human experiences.
While our military is still a quintessential part of American culture, today’s Hollywood rarely gets it right, often resorting to stereotypes and common tropes to portray veterans as either dysfunctional misfits or larger-than-life heroes. Perhaps this misconception is an expected result when less than 1 percent of our population is currently in uniform. Those who come home to work in the entertainment industry, are more likely to be offered jobs making coffee and copying scripts, than to encounter an employer who authentically appreciates and values the leadership, skills and responsibilities of military service.
While there is a handful of successful vets in this business, most notably Ron Meyer, vice chairman of NBCU, in my 30 years in entertainment, I never met an executive who served in the military and who has responsibility for making important creative decisions. This, even though we have been at war for 16 years and millions of veterans have returned home. While some studios and networks have helpful veteran hiring programs, and nonprofits such as Veterans in Film and Television are there to support veterans who work in this industry, there are few clear paths for vets to move into the creative and executive ranks of the business.
On the contrary, the cast and crew of The Best Years of Our Lives had veterans in nearly every major creative position. Wyler, the director, served in the Army National Guard; actor Fredric March served in the Army; the author of the book on which the film was based, MacKinlay Kantor, was a war correspondent who flew on bombing missions over Europe; Robert Sherwood, the screenwriter, fought with the Royal Highlanders of Canada; and Daniel Mandell, the film’s Academy Award winning editor, served in the Marines. Gregg Toland, the film’s acclaimed cinematographer, was a lieutenant in the Navy’s camera department; he also co-directed with John Ford a documentary about the attack on Pearl Harbor. And, of course, Harold Russell, who won the best supporting actor Oscar, was a WWII veteran and double hand amputee.
War and homecoming are undoubtedly part of the American experience, yet according to a study conducted by the Institute for Veterans and Military Families at Syracuse University, 84 percent of post-9/11 veterans believe that the American public has no understanding of the difficulties facing this current generation of veterans and military families. While we cannot expect the average person to comprehend what it is like to serve in the military, we can expect the media to do more to find and empower the storytellers who have served. Making sure veterans have more opportunities to play meaningful roles in entertainment and media is the best way for us all to begin to have some understanding of our military community and the challenges they face. This will allow us to discover the kind of extraordinary talent this next great generation has to offer. Not only is this good for our veterans, it is good for business; The Best Years of Our Lives was a huge financial success. In a time of perpetual conflict, in which so few are asked to do so much for so many, getting veterans right is also good for our country.
Here’s a quick look at a few of our favorite stories of the week:
In early April 2016, U.S. Marine Corps veteran Charlie Linville departed the U.S. with The Heroes Project founder Tim Medvetz. Their destination was Nepal and their third attempt to reach the summit of Mount Everest, the top of the world. Semper Fi!
The Syrian Democratic Forces coalition launched a new campaign to advance toward the ISIS capital at Raqqa.
To say that Gurkhas are simply soldiers from Nepal would be a massive understatement. They are known for their exceptional bravery, ability, and heroism in the face of insurmountable odds. A great example is Dipprasad Pun, who singlehandedly held his post against more than 30 Taliban fighters.
Movies about sick cars doing impossible things was arguably perfected by the James Bond film franchise way before Paul Walker and Vin Diesel decided car chase movies were also about “family.” And the latest news from the set of the next 007 flick (and last Daniel Craig Bond) confirms a certain old-school iconic sports car is back. But, it’s not exactly the one you might guess.
On June 30, 2019, EON productions and the James Bond Twitter and YouTube pages released images and footage of Daniel Craig filming the as-yet-untitled “Bond 25” movie. And the car is driving is a throwback to 1987, specifically the movie The Living Daylights. (That’s the one where Bond dates a cello player and a-Ha does the theme song.)
The car is an ’87 V8 Aston Martin, which, in The Living Daylights sported lasers, a turbo-boost, and special retractable skis for, you know, snow driving. Though not as famous as Bond’s Aston Martin DB5 from the sixties movies like Goldfinger and Thunderball, the Aston Martin is, in some ways, probably closer to what a Bond car should be like in the cultural imagination; assuming, of course, the lasers and rocket-boost still comes standard on this particular car.
The Aston Martin V8 was driven by James Bond when Timothy Dalton played the role in his debut film. For Bond fans of a certain age, it’s very possible Timothy Dalton was the incumbent Bond when you were a little kid. (I know that was true for me!) Dalton only did two Bond movies; The Living Daylights and License To Kill, before a long Bond hiatus that resumed with Pierce Brosnan picking up the part in Goldeneye.
In Skyfall, Bond drives an Aston Martin DB5 that is exactly like the one Sean Connery drove in the sixties and jokes with M (Judi Dench) about an ejector’s seat. So, could the V8 Astin Martin Bond has in the new film also have all the old Timothy Dalton gadgets? Here’s hoping!
The 1981 film “Stripes” featured what is probably the worst group of movie soldiers ever to join the Army (that was kinda the point of the film). Bill Murray’s John Winger is a New York cab driver who loses his job, apartment, and girlfriend and decides to join the Army as a way to avoid being a total failure in life. He convinces his best friend Russell Ziskey (played by the late Harold Ramis) to join with him. Their drill sergeant, Sgt. Hulka (played by the late Warren Oates), is injured during mortar practice and the group has to finish basic training without instruction (suspend your disbelief for this comedy, troops).
In an effort to stay in the Army and graduate from Basic Training, Winger and his platoon stay up for an entire night (the whole night!) in order to put on the unconventional yet highly produced and coordinated routine. Uniform violations are everywhere, so if that’s the kind of thing that gives you seizures, try not to look too closely:
Scenes from the movie, including those on post and those in Czechoslovakia, were filmed on Fort Knox, so the film is close to hearts of the Fort Knox, Kentucky community. The movie celebrated its 35th anniversary in 2016. To help that celebration, an honor guard from the U.S. Army’s Human Resources Command performed the entire Stripes “Razzle Dazzle” graduation routine at Fort Knox (complete with uniform violations).
The idea of a macho-man being referred to as a “Rambo” is so ingrained in everyone’s brains that it’s hard to remember that there was actually a time before Rambo movies actually existed. But now, it looks like Sylvester Stallone’s alter-ego John Rambo is really going to be in his final movie titled I’m Getting Too Old For This Shit;Rambo: Last Blood.
Set to a slowed-down version of Lil’ Nas X’s “Old Town Road,” Rambo: Last Blood leaves no old-guy action-star cliche unturned, which is why it will probably be awesome. In a plot that looks kind of like a mash-up of the last 20 minutes of Skyfalland the final episode of Breaking Bad, it seems Rambo is going to set a bunch of boobytraps and kill a bunch of dudes who probably (maybe?) deal drugs. (Killing evil drug dealers is what badass old dudes do full time in action movies these days, just so we’re clear.)
Rambo: Last Blood (2019 Movie) Teaser Trailer— Sylvester Stallone
The only question that remains at this point relative to Last Blood is whether or not Sly will utter the greatest old-guy action movie battle cry of all time; will Sly actually say “I’m getting too old for this shit?” And if he doesn’t will it really be Last Blood, or could there be a sequel. It’s a bit of a paradox, to be honest. When someone says “I’m getting too old for this shit” in an action movie (usually Danny Glover), it almost certainly means there’s a sequel and they are, in fact, not too old for this, or any other shit.