There are lots of Fleet Weeks held around the country every year, but there’s only one New York City Fleet Week. And as Bill Murray’s character said in “Ghostbusters,” right before they flame-sprayed the Sta-Puff Marshmellow Man: “New York City knows how to take care of a sailor.”
One time, Jimmy Fallon filled his Late Night audience seats with troops from all branches, and then Adam Sandler and he serenaded them with this hilarious (and too true) version of “I’ve Got Friends in Low Places.”
While Solo: A Star Wars Storymay not exactly be crushing it in the box office, the film is an otherwise entertaining and world-building heist flick that hints to a bolder and bigger Star Wars Universe, one that includes characters who should be dead and intergalactic crime syndicates sparking the seeds of the resistance. Is it what hardcore fans wanted? No. Does it answer questions you never asked, such as why is Han’s last name Solo? Sure does. But you know what? It’s fun! It’s exciting! And, like every good Star Wars film, has its fair share of cool gadgets we want to see in real life. From Lando’s card-shooting wrist-holster and his many (many) cloaks to that amazing drink-pouring droid, here are six items from Solo: A Star Wars Story that we wish were real.
1. Lando’s Sabacc Bracelet
While Sabacc enthusiasts can buy card games “inspired” by the game of Sabacc online, perhaps the most fun part of watching the game unfold in Solo was the fact that Donald Glover’s Lando had a trick literally up his sleeve. He wears a bracelet in which he hides Sabacc trump card, so to speak, one that ensures he will always win the game, especially when laying his important property on the line, like, I don’t know, a certain spaceship. While he doesn’t get to use his trusted tool in the final game of Sabacc, it’s definitely a cool tool. It fits comfortably under the most flamboyant dress shirt. And, in typical Lando style, it’s also stylish. Let’s make this happen.
2. All of Lando’s Cloaks
One of the funnier gags in Solo is when Qi’ra steps away from the crew on the Millennium Falcon and finds herself in Lando’s closet, which is quite literally just full of cloaks. There are like at least 30 cloaks in there and Qi’ra plays dress up with all of them. There are royal blue cloaks. Deep red cloaks. Midnight black cloaks. Some of the cloaks are appropriate for battle. Qi’ra wears one on Kessel in anticipation of that battle, which comes in handy in a slightly-off screen moment where she dominates a security guard. She does a front-flip and looks super cool doing it! Also, the cloaks are flame retardants, as Qi’ra later ripped it off her body to put out a fire that started on the Falcon. Here, here, Disney: please make Lando’s many cloaks available. Halloween for kids, yes. But how about we get some adult versions from Atelier Lando?
3. Dryden Vos’ Spears
Gangster Dryden Vos, played by Paul Bettany, carries some badass weaponry: two matching, double-sided spears that he wears like brass knuckles and which have a red laser running across the blade-edge. Up there with Darth Maul’s red, double-bladed lightsaber and Kylo Ren’s Crossguard lightsaber, the weapon is one of the more creative hand-to-hand combat tools in the Star Wars universe. A Nerf-ized version of this weapon would be pretty sweet.
4. Han’s Gold Dice
One of the most surprising Easter eggs of Solo was seeing the origins of the twin golden dice that gained massive significance in the Star Wars sequels and in The Last Jedi. The twin dice, attached by a golden chain, were actually a good luck trinket for Solo that he often passed to his former lover, Qi’ra. Before she left his life for good by joining, what is ostensibly the dark side, she passed them back to him as a final wish of good luck. Later, we see the trinket being used by Han, Luke, and Leia to the same ends. Although the Gold Dice wouldn’t be so much of a toy but a collectible, their significance in the universe as an arbiter of good luck over 30 years is pretty cool. We’d hang ’em on the rearview mirrors of our personal Millenium Falcons, which are just mid-sized sedans and minivans but, whatever.
5. A Dejarik table
Although not a new addition to the Star Wars Universe, the Dejarik table on the Millennium Falcon got a lot of screen-time in Solo when Woody Harrelson’s Tobias Beckett explains the game to Chewie for the first time. Although many replicas of the game have hit the market, there has yet to be a fully operational version of the table that plays the game as it really exists in the Universe, where the “chess” pieces are holograms. Every time I see that damn game I just want to play it. It’s like Wizarding chess meets AR games. It wouldn’t take much to make this a reality. Sure there’s Hologrid: Monster Battle. But can’t we get Bethesda or someone to release a legit version?
6. That Robot That Pours Lando’s Drink
When Han and Lando meet for the first time, they play Sabacc. As they are sizing each other up, Lando lazily grabs his cup and a flying droid comes to fill it up with what I assume is some sort of delicious boozy cocktail made with space Bourbon. Lando doesn’t even say anything. No verbal commands, nothing. First of all, dope. Second of all, how do I get a drink-filling-droid in my office and home? Every time I want a glass of water in the middle of the night, you’re telling me the world could have flying droids that just fill cups up with the liquid of our choice on command? Amazon’s using droids to send packages. So can’t someone build a drink-serving droid? Let’s get this going, Bezos.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
With the recent success of military genre films such as “American Sniper,” “Lone Survivor,” “Fury,” and a slate of more military movies and shows currently in production, Hollywood is becoming more veteran-friendly.
There are even organizations set up to support veterans pursuing careers in film and television and recent hiring initiatives by entertainment companies targeting vets. When pursuing careers in entertainment, many think of the high-profile careers such as acting, directing, and producing, but there are many ways to find success in the industry.
Here are 11 veterans who are finding success in entertainment with some of the coolest jobs in Hollywood.
1. RON MEYER – Studio Executive
Ron Meyer is a Marine Corps veteran who went to Hollywood shortly after his discharge. He became a talent agent who — along with four other agents — founded the Creative Artists Agency (CAA) in 1975. He represented top talent like Tom Cruise and others, and eventually built the agency in to the world’s top agency representing the top 1% of all talent in entertainment.
From 1995 to 2013 he served as President and COO at Universal Studios, and was the longest-serving chief of a major motion picture company in the history of Hollywood. He currently serves as the Vice Chairman of NBCUniversal.
2. Lt. Col. Steven Cole – U.S Army Liaison to Hollywood
As the Deputy Director of the U.S. Army Film and Television Liaison office, Lt. Col. Steven Cole is responsible for facilitating the accurate portrayal of the U.S. Armed Forces when studios and production companies request it. Some recent military portrayals his office was responsible for included work on the films “Man of Steel,” “Godzilla,” aircraft in “Lone Survivor,” and work on the television show “Nashville.”
3. Amy Gravitt – Senior Vice President of HBO Programming
Amy served in the U.S. Navy, and as the SVP of Programming at HBO, she is responsible for developing and overseeing the production of original comedy series. She oversees the shows “Silicon Valley” and “VEEP,” and oversaw the hit series “Eastbound and Down” as well as “Entourage,” “Extras,” “Flight of the Conchords” and “Summer Heights High.”
4. Mark Semos – Technical Advisor
As a former U.S. Navy SEAL, Mark has become one of Hollywood’s top technical advisors. He’s consulted on recent films “Lone Survivor,” “Captain America: The Winter Soldier,” and the upcoming “Man Down,” starring Shia LaBeouf. Pictured above is Mark on the set of “Lone Survivor,” consulting director Peter Berg and his production team.
5. Jackie Perez – Executive Assistant to Chief Innovation Officer at CAA
Jackie is a U.S. Navy reservist who works at Creative Artists Agency, the world’s leading talent agency — with a roster of talent that includes Jennifer Lawrence, Tom Hardy, and Scarlett Johansson. She handles all things pertaining to CAA culture and implements innovative programs agency-wide.
6. Fernando Rivero – Senior Writer/Producer, On Air Promotions for FX Networks
Fernando is a Navy reservist who works at FX Networks creating trailers to promote their original series productions. He has created trailers for many FX shows including “The Americans,” “Justified,” “Archer,” and “Sons of Anarchy.”
7. Tim Norman – Director, Human Resources at DreamWorks Animation
Tim is a U.S. Army veteran who has worked in recruiting at DreamWorks Animation since 2007. Dreamworks is responsible for highly successful films like “Shrek,” “Kung Fu Panda,” “The Croods,” and “How to Train Your Dragon.”
8. Michael Moriatis – International Cinematographers Guild Local 600 Set Photographer
Michael did a career in the armed forces serving in the Air Force and retiring from the Navy. He took his skills as a photographer in the military and applied them to film and television, working his way in to the coveted IATSE Local 600, which represents the most talented camera professionals in the world. As an in-demand unit stills photographer, he regularly takes stills on the sets of major Hollywood productions.
9. Mark August – President of The Society of Camera Operators
Mark is retired from the U.S. Navy and now works as a camera operator in film and television. His talents and hard work have earned him the position of President of the Society of Camera Operators, an organization dedicated to the advancement of the art and creative contributions of the Camera Operator in the Motion Picture and Television Industries.
10. Rock Grant – Producer/Editor – Marketing Promotions at American Forces Network (AFN)
A U.S. Air Force veteran, Rock now works at the American Forces Network. His work includes attending and overseeing many AFN productions including red carpet interviews with Hollywood’s biggest celebrities to be broadcast to over 1,000,000 U.S. Military and DoD Civilians serving in 175 countries.
11. James P. Connolly – Comedian / Host
Establishing himself as a quick witted funny man while serving in the Marine Corps, James was tasked with writing jokes for his commanding officer. He took his comedic skills to Hollywood and has found success performing on stage at The Comedy Store, The Improv, and has performed on Comedy Central, HBO, and VH1. He is one of the most-played comedians on Sirius XM Comedy Channels.
U.S. Navy Surface Warfare officer, Jesse Iwuji, is a rising star in the NASCAR K&N Pro Series West. A veteran of two Arabian Gulf deployments, Jesse spends his time on land meticulously building each element of his pro racing career.
And of course, the bedrock of pro racing is the ability to move a ton of steel around a track at bone-rattling velocity.
“Jesse, let me know when it’s safe to unpucker.” (Go90 Oscar Mike screenshot)
As he related to Oscar Mike host Ryan Curtis when they met up at the Meridian Speedway in Boise, Idaho, success in life is all about finding the thing you’re passionate about and then making a firm decision to go and get it.
In Iwuji’s experience, hot pursuit starts with putting one foot in front of the other. He finished the 2016 season ranked Top 10 overall in points and entered the 2017 season newly partnered with three time NFL Pro Bowler Shawne Merriman as his car owner for Patriot Motorsports Group.
Curtis, of course, couldn’t wait for his chance to get behind the wheel.
“How about now?” “Just drive the car, man.” (Go90 Oscar Mike screenshot)
Watch as Iwuji pushes the K&N Pro Series stock car to it’s outer limits while Curtis makes the lamest joke in military history in the video embedded at the top.
We loved him 3,000 in Avengers: Endgame, and even gave him an extended tearful goodbye in Spider-Man: Far From Home, but now it looks like Tony Stark might already be back in the Marvel game.
On Sep. 5, 2019, news broke that actor Robert Downey Jr. is already in talks to return as Tony Stark/Iron Man for a new Disney+ TV series. If true, Tony would feature in a show called Iron Heart, based on the Marvel comic book series and character of the same name. In contemporary Marvel comics, “Iron Heart” is the alias for a new version of Iron Man, who is actually a woman named Riri Williams. In the series, Riri takes over the mantle of Iron Man from Tony Stark, who basically retires.
If this all sounds a little like the relationship between Tony and Peter Parker in Spider-Man: Homecoming and the past few Avengers movies, it should. But, because legal issues will likely prevent Spider-Man from crossing over with MCU films ever again, it’s telling that Iron Man may have another successor lined-up.
The only tricky part here, of course, is the simple fact that we all saw Tony Stark die in Avengers: Endgame. It feels pretty unlikely that Marvel would undo Tony’s meaningful sacrifice so soon, particularly if he wasn’t actually the star of a new Marvel film. After all, if an Iron Heart series happens, it will be Riri’s story about learning how to become the titular hero, not Tony’s.
The best bet? Maybe Robert Downey Jr. is coming back to play the voice of Tony Stark, and maybe Iron Heart is just one more installment of the upcoming animated What If? series, which specifically reimagines big Marvel heroes in a Sliding Doors kind-of-way. If that’s the case, then all of this makes sense. But, if Downey Jr. really is back, in the flesh, as Tony Stark, then Marvel has a lot of explaining to do. Plus, we’re going to bet that his daughter, Morgan Stark, is going to want to see him.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Peter with his platoon at Army boot camp. He is third row from bottom, far right. Photo credit Peter Markle.
Peter Markle grew up during a period of intense change for the country with the Civil Rights Movement and the Vietnam War etched into his mind. His father proudly served in WWII in the Pacific where he brought those hard-learned lessons and values back to the family, which greatly impacted Peter. After time in the U.S. Army Reserves and on the USA Hockey Team, Markle decided to become a filmmaker. He has directed many great films, especially military and historical ones, to include Bat 21, Faith of my Fathers, Flight 93, Saving Jessica Lynch, Nightbreaker and Youngblood. Markle has also directed numerous episodes for hit shows including the X-Files, CSI, Without a Trace, Life, NYPD Blue, Burn Notice, Rescue Me, ER and Homicide: Life on the Street.
WATM: Tell me about your family and your life growing up?
I was born in Danville, PA. in the Geisinger Hospital that my mother’s father started. We lived on a farm outside Hazelton, PA. I have vivid memories from my first years there. The barn and particularly the hay loft, the fresh fruit that was picked daily in season, the creek where one of the workers killed a water moccasin one day. In first grade we moved to Minneapolis where my father got a job at a bank and I was introduced to a real winter. And the rink directly across the street in the park where I discovered ice hockey.
When I grew up there was no social media and absolutely no restrictions what you did with your free time when not in school. We had a black lab that left the house in the morning with us, went on his own way when he got bored with our activities which included exploration, sports, fishing etc. My dad hung a huge bell that could be heard
a half a mile away which was rung for lunch and dinner. The dog was always the first one back. Times have changed. We had enormous freedom and there was no temptation to bury our faces in smart phones. All activity was self-created.
I distinctly remember being fascinated the movies and got completely lost in them at the local cinema which is still there today. One of my favorites was Shane with Alan Ladd. Years later his son, Alvan Ladd, Jr. greenlit one of my films (Youngblood).
Markle with Flint Generals (IHL). Photo credit PM.
I continued hockey throughout high school and my senior year was asked to join the Olympic Hockey development program which ran through the summer. I played at Yale, had a tryout after my senior year with Boston, played minor league hockey and then three years with the US National team participating in two World tournaments.
Markle with the USA team. First row second from the right. Photo credit PM.
WATM: What is the most distinct memory of your mother and your father?
My parents were very social and community involved. My dad was one of the founders the youth hockey program in our area which started with one team and expanded in a few years into 500 participants. My mother worked throughout her life for hospitals concentrating on rehabilitation. Her interest in health care no doubt emanated from her father who was first assistant surgeon to Will and Charlie Mayo and at one point in his career became President of the American College of Surgeons. They were both extremely social and the vast majority of their best friends served in some way during WW2, many as Naval pilots. My dad was interested in everyone he met. He was the best listener I’ve known. That did not imply he didn’t have a point of view. His advice was judicious and more than often accepted. My mother was a community organizer. That would include in her community as well as her hospital work. Her friends would call her in the morning for their marching orders for the day.
WATM:What values were stressed at home?
It was the traditional ‘Golden Rule’. It’s a timeless aphorism and sometimes hard to follow in a competitive world like film but being honest and empathetic wins out in the short and long run. My mother also told me that lying not only was reprehensible but far more difficult to keep track of than the truth. Both underscored that failure was the inevitable pathway to success. It all depends on how you react to it.
WATM: What influenced you to join the US Army, what was your experience and what lessons did you take away from your service?
I graduated from college at the height of the Vietnam conflict and joined the rest of my class in deciding what was the next move. A significant number of the class including myself applied for the Naval OCS (officer candidate school) in the language division which was in Monterey, Ca. The sample copy of the test which was based on a made-up language was circulated around the campus. I remember looking at it and getting the gist of the concept. Apparently, the other students there got the gist as not one of several hundred who took it missed a question. There was some sort of investigation by the Navy, but it was dropped. I did not attend OCS and assumed upon graduating I would be drafted. I was playing professional hockey when I was told to report to Fort Snelling where the Minnesota Army Reserve was located. I was with four other players at the end of a 200-person line when our names were called, and we were told to report to the front. We were all inducted into the Reserves and told that we would all get time off when playing for the US National hockey team including world tournaments. A month later I was in Stockholm.
Peter lining up for the action shot even before becoming a director. Photo credit PM.
I did basic training at Fort Leonard Wood in the middle of the summer. It was incredibly hot and humid. I made fast friends in my platoon and had a great drill sergeant. It was a lot like summer football camp but with longer hours. Up at 4am for a 5-mile run in army boots to lights out at 10pm. I was told that you had to learn how to stand in formation while asleep. Done. We had soldiers who gained 80 pounds (never had more than one meal a day) and others who lost 80 (never ran over 10 yards in their lives before). It was a very different mix from my fraternity in college where we had 4 Olympic Swimmers (including Don Schollander who won 5 gold medals and Calvin Hill who was All Pro in the NFL. As a footnote The President of the frat my sophomore year was Fred W. Smith, founder/CEO of FedEx and decorated US Marine in Vietnam, and for my senior year it was George W. Bush who also ended up in the Air Force Reserves.
The harassment was handed out pretty democratically until the PT contest. Parallel bars, low crawl, 100-yard man carry, the 6-minute mile in army boots, push ups etc. I scored the only perfect score in my company (200 men) and was given the weekend off. That would not have happened if my 98-pound roommate, Eddie Pragg, didn’t let me use him for the man carry.
I have to underscore that my boot camp experience on every level was positive. It was tough but extremely well organized. The officers were exacting but fair. The staff was totally professional. It ran like clockwork at a time when so many were going through the turnstile each day. There are some correlations to making a film where it demands a unified front and an ability to make quick adjustments according to the situation at hand. I was just a grunt in the machine but there were numerous examples among the staff on every level as well as my fellow platoon mates that have stayed with me my entire life.
No one knew other than a small handful of reservists as to whether they would end up in Vietnam. I did not have to confront the prospect of being shipped out. I realized that I was uniquely privileged. I did OJT (on the job training) at Fort Ord in Chicago before ending back in Minneapolis for weekend duty once a month at Fort Snelling. Motor pool, clerical work, city public projects. No riots or disasters to contend with. We did summer camp at Fort McCoy in Wisconsin and in addition to my normal duties and drills I was an editor of the camp newspaper distributed the last day. I decided to take a somewhat satirical angle on the experience and was surprised at the reception. There was laughter, soldiers reading bits out loud and fortunately no reprisals from the brass. I was encouraged to write by my freshman English professor in college and never took it seriously until listening to the reception of my version of ‘The Onion’ distributed around camp.
I would be remiss not to mention that it was my father who was the real soldier. He dropped out of the University of Pennsylvania to join the Navy. He got his pilot license at 17 and became one the youngest flight instructors in the armed forces during WW2. He was assigned to the USS Bataan, a light aircraft carrier, and fought in the last years in the Pacific through the surrender which he witnessed being docked next to the Missouri in Tokyo Bay. Because of his flight experience he was put in charge of the CIC (combat information center) directing planes when airborne, spotted bogies (enemy planes) and skunks (unidentified surface ships) basically directing aerial combat operations along with the brass. They were in the middle of the kamikaze blitz and had numerous close calls. He witnessed both the Bunker Hill and the Franklin take direct hits some less than 200 meters away with the loss of over 1000 sailors. During one Kamikaze attack a sister ship got hit and 19 soldiers were thrown overboard. Dad marked his ship’s position using the DTR (dead reckoning system) and he convinced the brass to take 8 ships after dark for a search. They implemented a staggered zig zag course for six hours and miraculously found the sailors within 10 minutes of the search stop order. To be noted as well, his brother, Alvan, landed on Omaha Beach, fought 5 major battles in the Bulge as an artillery captain and was honored the Chevalier of the Legion of Honneur by the French. He attended the 70th Anniversary of Normandy.
Peter’s father (Thomas) during WWII. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
Pictures from Peter’s father during his time in the Navy. Photo credit PM.
WATM: What values have you carried over from the Army into directing and writing?
It’s a tiresome analogy but it would be teamwork. I’ve been on series where one show had 4 stages in use at the same time. One devoted primarily to build sets designed for a particular episode, another three with sets for shooting a current episode, pickups from previous episodes and for the next one. Well over 100 people will be working to accomplish the same goal. Each department head is crucial to the mission (production; accounting; director and assistant directors; art; camera; casting; catering; construction; costume; lighting; grip; locations; makeup/hair; medic; post-production; property; publicity; research; script supervision; set dressing; sound; special effects; stand-ins; stunts; transportation; video playback; visual effects. The similarity to the chain of command in the military is obvious. Lots of departments. Lots of personnel. And all interdependent with one another. I guess the ‘weakest link in the chain’ is a prevalent dynamic in both film and the armed forces. I was shooting a film in Borneo (Bat 21) and the special effects department head had set a series of explosions along a path through the jungle Gene Hackman and Danny Glover would run by. This was primarily done using a nail-board which each nail represented an explosion. After going hot contacting the individual nails with metal (could be a screwdriver) set off the blast. The department head said that he was going to use a computer program instead of the old system, the ‘eyeball approach’. I questioned whether it made sense to switch now but he said it was safer. I called action and Danny and Gene started running along a riverbank. An explosion (representing a bomb) goes off so close to them that they both instinctively duck and cover their faces but continue running. The second explosion is closer, and we get the same reaction for the talent. I look over at effects and he is white as a ghost. The shot was incredible, but we almost lost two actors. Back to the nail board. We never told Gene or Danny.
WATM: What is the most fulfilling project you have done and why?
I guess it’s always the first one because you actually pulled off the impossible. It was a low budget comedy called The Personals where no one was paid. It got great reviews and a crazy learning experience. Bat 21 was up there for the subject matter, the location and working with Gene and Danny. Flight 93 was the first 9/11 film and it was done for AE TV. It was nominated for and won a bunch of Emmys. It was also a challenge to write because the majority of the account took place on the plane. The 9/11 Commission report had just come out and had a great deal of information that I was able to incorporate into the film. We covered not only the drama on the plane but also the families as well as the air traffic controllers and military involvement on the ground.
WATM: What was your experience like in working with such talents as Gene Hackman, Danny Glover, Senator John McCain, Kiefer Sutherland, Dennis Hopper, Daryl Hannah, Rob Lowe, Patrick Swayze, Keanu Reeves, Cynthia Gibb, John Candy, Jerry Reed, Joe Pantoliano, Ed Lauter and the like?
After a tryout with the New York Islanders and being assigned to a farm team I made the abrupt decision to become a filmmaker. A good friend of my parents told me something that I never forgot – ‘If you do something you love you increase the odds a hundred-fold that you will be happy and successful.’ I gave it a shot. I ended up doing several military related projects including Bat 21 with Gene Hackman, Faith of my Fathers with Scott Glenn and Shawn Hatosy, Saving Jessica Lynch, Flight 93 and Nightbreaker with Martin Sheen and Emilio Estevez.
All were based on true stories. Bat 21 chronicled the rescue of a 52-year-old Air Force Colonel who was flying a mission to identify through electronic surveillance SAM missile sites that would be knocked out by fighter jets prior to a B52 carpet bombing. His plane was hit by a SAM and he ended up in enemy territory with no ground combat experience. He was guided to his rescue by a spotter plane that flew daily missions tracking him. Gene Hackman played the Colonel and Danny Glover the pilot. Both actors were terrific to work with. Gene prepped at night and arrived early in the day to walk the ‘set’ (only locations in our case). I don’t think I ever did more than 3 takes with him in a scene. Danny is a natural and had great insights into his character. All day aerial shooting was done with him in the plane. It was 95 degrees, humid and our takes had to be limited to seconds in some cases. It was major hazard duty, but Danny embraced it. At times he had control of the stick and relied on our stunt pilot in the other seat to let him know when to bank away.
On the set of Bat 21 with Gene Hackman and Peter. Photo credit Peter.
Clayton Rohner and Danny Glover in Bat 21. Photo credit IMDB.com
Faith of my Fathers was based on John’s McCain’s early days at Annapolis through his release from the Hanoi Hilton where he was imprisoned for 5 years. Shawn Hatosy was remarkable as he had to age 20 years over the course of the film in portraying John. Scott Glenn was perfect, giving an understated yet powerful performance as his father who was commander of all U.S forces in the Vietnam theater. McCain himself visited the set in New Orleans where we reconstructed an abandoned brewery into the prison. One day I watched him walk over to a cell by himself and enter. I joined him and asked him what he thought. His reply, ‘it’s identical. But you know at times I actually miss it.’ Perplexed, I asked, ‘miss what?’ John replied, ‘being there. I made some great friends. It was one of those shared experiences that forms you for the rest of your life.’ That summed up John McCain for me.
Peter, Shawn Hatosy and Senator John McCain on the set of Faith of my Fathers. Photo credit Peter.
Saving Jessica Lynch was a jingoistic, short of the facts script when I received it. I did extensive research which included interviewing soldiers who were in Iraq and one we hired as an extra who was part of the actual rescue effort. The final product told the real story: A convoy consisting of essentially non-combat personnel (cooks and clerks) made a couple of bad decisions and ended up driving through a town inhabited by Fedayeen. The New York Times and other reputable news outlets broke stories that our film debunked. Lynch did not shoot back during the attack. Eleven American soldiers died. She was taken to a hospital and was on her back through her rescue. The Times wrote a retraction after the film aired praising the film for its authenticity.
Laura Regan in Saving Jessica Lynch. Photo credit IMDB.com
Pete and Laura on set. Photo credit PM.
A scene from Saving Jessica Lynch. Photo credit IMDB.com.
Peter directing a scene of Saving Jessica Lynch. Photo credit PM.
Just before filming starts on the set of Saving Jessica Lynch. Photo credit IMDB.com
An action sequence from Saving Jessica Lynch. Photo credit PM.
Nightbreaker was a pet project of Martin Sheen. It chronicled the use of army soldiers as guinea pigs to determine the short- and long-term effects of being exposed to a nuclear blast. This was a story from the 50s when nuclear proliferation was at its apex. Emilio plays Martin role as a young man during the actual tests. It tracks the character in middle age trying to come to terms with his involvement. Both actors were terrific to work with and inhabited the pervasive guilt from being involved in the malignant endeavor. Joey Pantoliano played a Sergeant who was in charge of a platoon of guinea pig soldiers and brought the entire range of conflicted emotions to his part.
Peter with Martin Sheen on the set of Nighbreaker. Photo credit Peter.
Joe Pantaliano, Peter and Emilio Estevez on set for Nightbreaker. Photo credit IMDB.com
Peter and Martin on set. Photo credit Peter.
Flight 93 was the first film about 9/11. Obviously, there was a military component as soon as it was discovered that it was a coordinated terrorist attack. I remember someone seeing the film and mentioning that it must have been harrowing to make. I noted that our fuselage (the real interior of a 757) was flying at an altitude of one meter, zero knots and within a 15 second walk to craft services (snacks). The best we could do would imagine how we would have reacted in the situation. Would we have been that heroic? Would we be at the head of the conga line attacking the cockpit or hiding in the bathroom in the back? Maybe somewhere in the middle? The coordination between the military and the civilian air services was impressive even though three of the four targets were hit. The passengers on 93 had more time to gather information and communicate with ground control so enable them to coordinate an attack.
Peter on the set of Flight 93. Photo credit IMDB.com
What the outside of the set looked like. Photo credit PM.
Peter working with the cast on Flight 93. Photo credit IMDB.com
More on set work for Flight 93. Photo credit IMDB.com
93 was an intense journey as are all films. Lots of moving parts, decisions, conflicts and compromises. But ultimately it is teamwork that wins out.
Rob Lowe, Pete and Patrick Swayze on set for Youngblood. Photo credit IMDB.com
Pete (bottom center) with the cast and some crew of Youngblood. Photo credit IMDB.com
Youngblood was a passion project and a blast to make. It was about a young hockey player from the US trying out for an elite Canadian junior team. Rob Lowe, Pat Swayze and Cindy Gibb were the leads. Keanu Reeves played a goalie and it was his first job in a film. Goalies are characters because it’s such an insane position and he was totally quirky in the audition. Rob was great to work with. He had no previous experience skating but progressed quickly enough for us to make it work. He had two doubles who filled in the action scenes who were both elite players.
Pat was a figure skater and quickly adjusted to hockey skates. Rob would agree with me that Pat was a force of nature. He’d be working on 10 other personal projects when not on the set. He composed the song ‘She’s like the Wind’ in his hotel room using a portable mixing setup. We had two scrimmages a week during prep with crew and our hockey extras. Our extras were elite players (two went into the NHL a month after wrap and had huge careers). An executive from MGM came up to make sure I wasn’t participating in the games for obvious reasons and was taken to the rink and just as he sat down, he saw me collide with another player. Pat who knew the exec was there skated over to me and said ‘stay down. He’ll have a heart attack.’
Rob, Peter, Ed Lauter and Ken James. Photo credit PM.
Pete on the ice with his DP Mark Irwin. Photo credit PM.
Tony Danza, Pete, Nick Tuturro and Samuel L. Jackson on the set of Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Frank Vincent, Tony Danza and Pete on Dead and Alive: The Race for Gus Farace. Photo credit IMDB.com
Danny Glover and Pete sharing a moment. Photo credit PM.
Dayton Callie, Michael Madsen, Pete and Dennis Hopper on the set of The Last Days of Frankie the Fly. Photo credit IMDB.com
Pete on the set of “The X-Files” with David Duchovny. Lily with the poncho, Pete, David and Melinda (Pete’s wife) Photo credit IMDB.com
Peter and Louis Gossett Jr. on the set of El Diablo. Photo credit IMDB.com
Pete and Daryl Hannah taking a break on The Last Days of Frankie the Fly. Photo credit IMDB.com
WATM: As a veteran, how do we get more veteran stories told in the Hollywood arena?
There are so many diverse stories that can be told. The multiple perspectives include what branch of service, when, the mission, the soldiers involved, fact or fiction etc. Like any project it depends on the strength of the narrative and its ability to attract the actors that help finance the project and the studio/production company to green light it. Personally, I think the number is infinite. All conflicts are different just like every individual is different.
Dennis Hopper, Pete and Kiefer Sutherland on The Last Days of Frankie the Fly. Photo credit IMDB.com
Gillian Anderson and Peter on the set of “The X-Files”. Photo credit IMDB.com
WATM: What are you most proud of in life and your career?
First would be having a family which I did at an advanced age. I met my wife, Melinda, while casting a television film. I guess you could call it an acceptable version of the casting couch. That is to say I wasn’t the only one in the room and it wasn’t at the Peninsula Hotel. She was the best actress for the part, and I was immediately attracted to her by her performance and presence. We laughed and argued (about the role) in the room. I knew she was going to be a challenge, but it has made our lives infinitely interesting. And, of course, I’m a guy and like most of our species have not progressed that much from the stone age. We have two kids, Lily and Lucas. As moms and dads know, when children make an appearance, life as you knew it evaporates. But in a good and challenging way. When they got into their teens, I learned so much. Such as I was a horrible dresser and not to yell at basketball or soccer officials. We taught them both to ski and the progression of literally carrying them down the hill to not being able to ski any of their favorite double black runs with them is humbling. You realize that you can give them some direction but that they are on their own paths and need to fumble and fall and learn to pick themselves up again.
Per career I think it would be not willing to quit. To keep trying. I never had a film gross 100 million and did not play one game in the NHL, but I was rewarded in countless ways for my efforts. I have met so many wonderful, dedicated, talented people along the way which is one of the most valid ways to judge one’s life. And I can say that my time spent in the Army was an integral part of the on-going journey.
“The measure of a man is how you react on a bad day.”
Powerful words that three-time World’s Strongest Man and Sports Hall-of-Famer Bill Kazmaier used to describe one of the newest Strongman competitors – Stevie Richardson – at the World’s Strongman competition in Ohio.
Richardson fulfilled a lifelong dream by serving his country in the Army but his service was cut short when an IED detonated in Afghanistan and took his legs. Soon after Richardson returned home and started his long road to recovery, he met a fellow vet, Royal Marines Commando and competitive Strongman, Kenny Simm, and was introduced to the world of Strongman competition.
IED – Improve Every Day – Official Trailer. BBC Scotland, Gravitas Ventures, TurnerGang Productions
The story of these two combat veterans and their journey to find purpose, camaraderie and pride after coming home from war is the basis for the new documentary IED: Improve Every Day. The film shows how a veteran’s bond is undying and that no injury, physical or psychological, can stand up to the strength forged by the military brotherhood.
Competing for Arnold in the World Strongman Championship is certainly a milestone event in the lives of these veterans but it also marks a new chapter for them on the road to recovery. Their journey of self-strengthening will be life-long but valuable lessons can be gleaned from the story told in Improve Every Day; that our strength can quite-often be measured by the comrades we keep around us and no matter how bad our days get, there is always a new, inspiring challenge waiting for us in the future.
Watch this multi-award nominated BBC documentary on Amazon Prime, Youtube, Google play and many other platforms. Search IED: Improve Every Day.
From the way people talk to product ideas, the civilian world has learned plenty from the military. That’s certainly true for some business mascots who have taken on military ranks.
For some businesses, like Kentucky Fried Chicken’s “Col. Sanders,” the title does indeed have military roots. For others however, it seems to be nothing more than clever marketing. So we thought it’d be fun to research the actual military records, or put together what their records may have been, if we were writing the history.
Here we go:
“Col. Sanders” — Kentucky Fried Chicken
Born Harland David Sanders, the future “Col. Sanders” first got into the restaurant business by selling chicken and other dishes out of a Kentucky gas station in 1930. His popular “Sunday dinner, seven days a week” would become the basis for what we now know as Kentucky Fried Chicken.
But was he actually a colonel? Well, as it turns out, Sanders did have a brief stint in the U.S. Army in 1906, when he forged documents at the age of 16 and enlisted. He was sent to Cuba, but served only three months before his honorable discharge, according to Today I Found Out.
So it’s pretty safe to assume that “Col. Sanders” was actually a U.S. Army private. It was only after his business success that he picked up his colonel rank in 1949 from Kentucky Gov. Lawrence Wetherby, who awarded him the honorary title of “Kentucky Colonel.“
Unfortunately, Sanders doesn’t have any cool Army stories or battlefield exploits, although he did shoot a guy working at a competing gas station once.
“Cap’n Crunch” — Quaker Oats
A much beloved cereal brand first introduced in 1963, “Cap’n Crunch” is the name of the cartoon character featured on the side of the box. But what’s the deal with the “Captain” claim? His full name is Cap’n Horatio Magellan Crunch and he apparently knows how to salute and wear a Navy uniform.
“We have no Cap’n Crunch in the personnel records – and we checked,” Lt. Commander Chris Servello, director of the U.S. Navy’s news desk at the Pentagon, told The Wall Street Journal. “We have notified NCIS and we’re looking into whether or not he’s impersonating a naval officer – and that’s a serious offense.”
“The General” — The General Automobile Insurance Services, Inc.
We looked far and wide for information on the cartoon mascot of “The General,” but came up short. According to the company’s website, The General Insurance was first started as Permanent General Insurance in 1963, but rebranded to its current form in 1997. It wasn’t until 2000 that the cartoon “General” made his first appearance.
A five-star general with a love for oversized cell phones, “The General” seems to have modeled himself after Gen. George S. Patton and has been seen wearing a similar outfit to the Army leader famous for his battlefield exploits during World War II.
Unfortunately, “The General” doesn’t seem to be legit. His mustache and eyebrows are way out of regulations, and the Army hasn’t awarded five star rank to anyone since Omar Bradley in 1950. That’s not to mention that the general’s uniform currently features a mixture of ribbons and a medal — a common problem seen among stolen valor types.
“Sergent Major” — Sergent Major clothing
Started by French entrepreneur Paul Zemmour, Sergent Major is a children’s boutique fashion chain with stores throughout Europe, though most are in France.
As far as we were able to ascertain, Zemmour doesn’t appear to have any military service, so it looks like “Sergent Major” is a brand that has nothing to do with the military. Still, it would be way more interesting if the store was created by a guy named Sgt. Paul Major. In addition to confusing Duty NCO’s when he called and announced himself as Sgt. Major, he served time with the French Foreign Legion and later opened a children’s clothing store that would help him forget the horrors of war.
But hey, that’s not the case.
“Sgt. Grit” — Sgt. Grit Marine Specialties
Sgt. Grit is a popular clothing and accessories brand based in Oklahoma, and it is the only company on this list that can claim its branding as 100% legitimate. It was started by Don Whitton in 1988, borrowing the nickname he earned in Vietnam while serving as a Marine Corps radio operator with 11th Marines.
“I’d like to say it was because of my John Wayne type persona, but unfortunately, it was only because I was from Oklahoma,” Whitton writes on his website. Though he started out as Pvt. Grit in 1969, he eventually was promoted to Sgt. and the nickname followed with it.
His business started as just himself in his basement, but Grit now has more 25 employees and operates out of a 22,500 sq. ft. warehouse.
For the defenders of a remote outpost in Afghanistan’s Nurestan Province, Oct. 3. 2009 was “A Day for Heroes.” Combat Outpost (COP) Keating was relentlessly attacked by 400 Taliban fighters and protected by 53 soldiers from Bravo Troop, 3rd Squadron, 61st Cavalry Regiment, 4th Infantry Division.
For 12 hours, Bravo Troop fought to keep the enemy from overrunning the base. The bloody fighting cost both sides dearly.
In the end, an estimated 200 Taliban fighters died trying to destroy the base. In all, eight American soldiers were killed and 27 were wounded. The defenders of COP Keating were awarded 27 Purple Hearts, 37 Army Commendation Medals for valor, 3 Bronze Stars, 18 Bronze Stars for valor, 7 Silver Stars, and 2 Distinguished Service Crosses. Staff Sgt. Justin Gallegos and 1st Lt. Andrew Bundermann’s Silver Stars were later upgraded to Distinguished Service Crosses. Staff Sgt. Clinton “Clint” Romesha and Spc.Ty Carter received the Medal of Honor for their actions that day.
The battle is the subject of the new movie, The Outpost, directed by Rod Lurie and starring Scott Eastwood, Caleb Landry Jones and Orlando Bloom, now in theaters and on demand. The film is based on CNN correspondent Jake Tapper’s book about the Battle of Kamdesh, “The Outpost: An Untold Story of American Valor.”
COP Keating was not a place the soldiers should have been in the first place. Their limited reach and manpower turned their counterinsurgency mission into a constant need to defend the base itself, according to the Army’s after-action report on the battle.
To make matters worse, defending that base was a nightmare. Positioned at “the bottom of a bowl,” it was surrounded by high mountains, ceding the high ground to the enemy. It made the base an “attractive target,” according to reports. The Taliban attacked COP Keating 47 times during the soldiers’ five-month deployment there.
Combat Outpost Keating from up high
(U.S. Army photo by 1st Lt. Brad Larson)
But they weren’t just randomly attacking the COP. Taliban fighters were probing the base, gathering information on key areas, and learning the soldiers’ defensive tactics in preparation for a larger strike.
Worse still, there was not much help that could come to their rescue in case of an attack. Intelligence, surveillance, and reconnaissance (ISR) assets were being used in the search for a missing soldier elsewhere. Other forces that could have been used to reinforce the defenders or speed up the closure of the base were being used on a mission for Afghan President Hamid Karzai. The soldiers soon became accustomed to the probing attacks.
Until the morning of Oct. 3, 2009, when the base became a Taliban shooting gallery.
Just before 6 a.m. local time, the soldiers woke up to a high volume of fire coming from the surrounding hills. Using the information from their probing attacks, Taliban fighters overran Keating’s 60mm and 120mm mortar support and began to hit COP Keating in force, taking the Army by surprise.
Incoming attacks from the surrounding mountains laid a punishing fire on the base and its defenders, the Taliban were closing in and the Army was losing ground. Soldiers defending the base withdrew into a tighter perimeter and began to call down close-air support from Air Force aircraft and AH-64 Apache helicopters, often inside the base’s original perimeter.
Things looked bleak, but there was still a lot of daylight left.
(Screen Media/’The Outpost’ Film)
By the afternoon, the Bravo Troop was angry and ready to hit back. Inside the TOC, the soldiers listened to the din of battle; explosions, bullet hits, and near-constant shouting from outside. According to Mark Seavey’s account of the battle for the American Legion, Staff Sgt. Clinton “Clint” Romesha suddenly spoke:
“‘Ro’ said in a very stern and demanding voice – just as there was a moment of odd but haunting silence – ‘I’ll tell you what we are going to do. We are going to take this f***ing COP back!'”
After enduring hours of withering fire and fighting off the invaders, the Army began to turn the tide. A quick-reaction force landed three kilometers to relieve the defenders of COP Keating. Even if the base was secured, they still had to focus on bringing the fight to the enemy outside of the valley using air support to neutralize Taliban positions in the nearby hills and villages, including a local police station.
The Taliban lost half of their attacking force and sustained scores of wounded. The base was still in American hands, but it was more clear than ever that it was in an unsustainable situation. Soon after the fight for COP Keating, the base was abandoned and destroyed by American aircraft to keep it from the enemy.
The soldiers from Bravo Troop displayed incredible heroism and valor in the face of an enemy onslaught that could have totally wiped them out and destroyed the base. Every medal citation from the Battle of Kamdesh reads like a Homeric epic.
To learn more about the Battle of Kamdesh or the story behind COP Keating, check out Jake Tapper’s exhaustively detailed book, The Outpost: An Untold Story of American Valor, and catch the new movie, The Outpost, in theaters and on demand now!
Oreo will release “Game of Thrones”-inspired cookies just in time for the series’ final season.
The limited-edition “Game of Thrones” Oreos, which taste like the original cookie, come emblazoned with one of four different decals inspired by the show. Three of the cookies feature the family sigils of the major houses vying for the Iron Throne, while the fourth cookie comes carved with a profile of the Night King.
The House Stark direwolf sigil is embossed on one version of the cookie.
House Stark Oreo.
The Mother of Dragons is represented with a House Targaryen-inspired cookie featuring the iconic three-headed dragon sigil.
House Targaryen Oreo.
Meanwhile, the famous “golden lion” of House Lannister makes an appearance on another version of the “Game of Thrones” Oreo cookies.
House Lannister Oreo.
Finally, the Night King represents the White Walker army with a cookie of his own.
The Night King Oreo.
Oreo is celebrating the collaboration by recreating the show’s title sequence with an animated landscape built entirely out of 2,750 Oreo cookies. Check out the video below:
Fans of the show can visit Oreo’s website or post on Facebook and Twitter using #GameofCookies or #FortheThrone to pledge their loyalty to any of the houses or the White Walker opposition. Oreo will then surprise some lucky participants with a special treat; the company has not yet disclosed what the treat will be.
The new “Game of Thrones” Oreos will hit shelves nationwide starting April 8, 2019, giving fans of the series plenty of time to stock up on the limited-edition snack prior to the hit show’s season eight debut on HBO April 14, 2019.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
After a full season of plunging into the high-octane, post-service worlds of veterans like Russell Davies, Mike Glover and Jacqueline Carrizosa, Oscar Mike host Ryan Curtis was feeling understandably uneasy about the state of his own manhood.
After all, over the span of 9 episodes, he’d been out-driven, out-paddled, out-shot, out-jumped, and, well, knocked out — not to mention the emotional pasting he took in Navy SEAL-turned actor David Meadow’s acting class.
Each of these vets has taken some slim notion of a civilian future, paired it with the skills and discipline he or she learned in the military, and then proceeded to kick ass with nary a backward glance.
Curtis, however, found himself in need of some help.
Luckily for him, he had a team of “Oscar Mike” vets ready and willing to support their brother, starting with Meadows. Of course, it didn’t go smoothly.
In the season one finale, Curtis learns the most important lesson of all: Lean on your mates. Be there for them to lean on you. Do that, and we’ll all be “oscar mike” together.
Watch him limp toward enlightenment in the video embedded at the top.
You’ve probably heard of the Memphis Belle, especially after the 1990 film starring Matthew Modine and Harry Connick, Jr.
That film took a lot of liberties with the story of the actual B-17 that was the subject of a documentary done during World War II, “Memphis Belle: The Story of a Flying Fortress.”
But history can also be very malleable, especially in the hands of Hollywood.
When Hollywood director William Wyler was doing a documentary for the U.S. government on the first Allied bomber crew to complete a 25-mission “tour” over Europe, he took some liberties. Why? Because it was World War II, and the bombing campaign over Europe was a bloody affair. In fact, the Directors Guild of America notes that during the filming of the documentary, cinematographer and World War I vet Harold J. Tannebaum was killed when the Nazis shot down the B-24 Liberator he was in.
According to the memoirs of Robert Morgan, the pilot of the Memphis Belle, Wyler had picked a different bomber for the feature film, a B-17 known as “Invasion 2nd.” That plane – and five others – were shot down on an April 17, 1943, mission to Bremen. The Memphis Belle was chosen to replace Invasion 2nd – Morgan related how he was told that another plane had a back-up film crew on a bomber called “Hell’s Angels” in case the Memphis Belle went down. Wyler actually filmed parts of multiple missions for the documentary – the mission portrayed on the film was actually the Memphis Belle’s 24th mission.
Of course, the Memphis Belle did complete the tour – and she got all the accolades of being the “first” to do so. The crew of Hell’s Angels, though, actually flew their 25th mission a week before the Memphis Belle flew her 25th mission. The documentary, though, became a classic.
Wyler went on to direct a documentary about the Republic P-47 Thunderbolt’s operations in Italy, titled, “Thunderbolt!” He was wounded by an exploding anti-aircraft shell, losing some of his hearing.
After the war, he went on to direct the classic films “The Best Years of Our Lives” — a movie about veterans who returned home that won nine Oscars, including Best Picture and Best Director — and “Ben Hur,” featuring former B-25 gunner Charlton Heston, which won 11 Oscars.
Today, “Memphis Belle: The Story of a Flying Fortress” is available via the Internet Archive and Netflix is also streaming the film. It is also on Youtube. Feel free to watch it below. The Memphis Belle is currently being restored at the National Museum of the United States Air Force at Wright-Patterson Air Force Base, near Dayton, Ohio.
Breaking into Hollywood is hard. We all know that behind every working writer, director or actor there is a lot of hard work, failure and luck. I should know; my path to booking the role of Gilly, an Afghan war veteran on FX’s Mayans, came from actually going to war and being lucky enough to survive.
In Gilly, I’ve tried to channel the pure joy that veterans feel when they are part of a pack, either in uniform or riding motorcycles. There is also the fierce loyalty to one another that can turn into a heated argument or a hug. But at the end of the day, there is reality.
(Courtesy of Vincent Vargas)
My reality as I was writing this was to stop to answer a call. It was a call I didn’t want to receive. I was being notified that one of my friends – a Marine combat veteran – had committed suicide. In an instant, his story was over. He wanted to be an actor. We were making plans to meet up in Los Angeles, so I could help him network and find his way into film and television. He had so much more to give this world… but now he’s gone. This Memorial Day, I will remember him, but more importantly, I will channel the hurt inside into my craft.
War and homecoming are some of the greatest highs and lows of the human experience. The thrill of combat, the isolation of coming home as an outsider and the pain of losing a friend are the basis for characters that would impress Miesner, Chekhov and even Stanislavski. So the question I ask myself this Memorial Day is, why aren’t more veterans working in Hollywood?
I can’t tell you why, but what I can tell you is that veterans working in the entertainment industry have the potential to change the way the world sees those who serve and to create some of the most iconic moments of our generation. Thankfully, history is on my side. Audie Murphy, a decorated WWII veteran and recipient of the Medal of Honor came to Hollywood and starred in over 40 films. His films, such as to Hell and Back, helped a nation come to terms after a massive world war. What most people don’t know is that James Cagney (yes that one) is the one who invited Murphy to Hollywood.
Seventy five years later, I am asking the Hollywood system to invite other veterans to join their ranks, as equals, just like I was embraced by the showrunners, cast and crew of the Mayans. In doing so, we have an opportunity to not only create amazing content but also harness some of the most captivating characters of our generation. Sadly, where we stand and who we are as veterans is not shown in the best light. That needs to change, and I intend to be a beacon for that change.
The common stereotype of combat veterans focuses on struggles with drinking, drugs, post-traumatic stress and even suicide while trying to find a sense of normalcy in society. Although there is truth in these experiences and I will never discount those who are hurting, it is a severe misrepresentation of who we are as a whole. The veteran community is filled with success stories — beautiful stories of courage, strength, and determination.
It wasn’t long ago when every gang member in a movie was portrayed as Hispanic or African American. Asians were depicted as liquor store owners who spoke broken English. Since that time, there has been a beautiful shift in the portrayal of other diversity groups, However, we still have a long way to go with regard to the portrayal of combat veterans.
(Courtesy of Vincent Vargas)
If there were more inspirational films with an honest narrative, would that have saved my friend? Would he have gravitated toward that inspiration and pulled himself from the darkness?
If we genuinely want to make a positive impact in the veteran community, we have to change the narrative! We have to tell stories about the ones who faced the hardships and adversity but continued to fight for their own success. We have to be more than they give us permission to be or expect us to be.
To my knowledge, out of the over 2.5 Million Americans who have deployed since 9/11, I am currently the only Iraq and Afghan war combat veteran to hold a recurring role on television series. I’m not sure why that is because there are so many talented veteran storytellers and actors out there. I don’t credit my success to any extensive training or some unbelievable skillset. It’s more of being at the “right place at the right time with the right look.” But since I am here, I’ve had the opportunity to see how Hollywood portrays us, and I am not exactly proud of how we are being represented.
What would make me proud is to see a massive influx of veterans working in the entertainment industry. Whether they’re onscreen or behind it, I want us to tell our own stories. And I want those stories to be genuine, successful and make us better people.
The world needs to know that we are more than just boots and weapons. The world needs to know that we have lives, families, accomplishments and goals long past the physical wars we fought.
If we want to see this change, we have to lead by example and become that change. Seeing the potential in ourselves and building up our brothers and sisters is literally a matter of life or death.