This article should probably start off with a spoiler warning. Then again, if you’re reading things about “Game of Thrones,” you are either caught up, have no intentions of watching the show, or don’t care about spoiler warnings.
If by some reason you aren’t any of those and wouldn’t want this week’s episodes spoiled, here’s an article about MREs.
The final shot of this week’s episode finished with Jon Snow, Gendry, Jorah, The Hound, Tormund, Beric, and Thoros all headed beyond the wall to capture a wight to prove that the dead are a threat.
One thing I noticed was how perfectly everyone in lined up with a modern unit composition.
Bear in mind, they are undermanned compared to an actual fire team, with only seven men out in the field, one garrisoned at Eastwatch, and another in Winterfell. A full SFOD-A team consists of twelve men on mission. Normally, there would also be two communications experts, a medical doc, and an engineering sergeant on the team.
In this exercise at least, all of the key positions are at least filled. Here’s how:
Detachment Commander (18A) — King Jon Snow
Every team needs a dedicated leader. A voice everyone can rally behind. Someone with a clear vision of what the objective is and how to achieve it.
Being King of the North and the one who brought them all together definitely qualifies Jon Snow as the leader of this team.
Assistant Detachment Commander (180A) — Lord Beric Dondarrion
The second in command needs to be a skilled warfighter. If the team separates, the second would step in to lead a group. They must also be willing to assume control of the whole unit if the worst happens to the commander.
Beric lead the Brotherhood Without Banners until they reached the Wall. If anything, he’s still in charge of both Thoros and The Hound.
Operations Sergeant (18Z) — Ser Davos Seaworth
The Operations Sergeant is responsible for the overall organization and functionality of the team. They are also the senior most enlisted advisor on the team.
Although Davos didn’t join them beyond the wall, he was still pivotal in assembling the team and advising Jon Snow on how to carry out the mission.
Assistant Operations and Intelligence Sergeant (18F) — Tormund Giantsbane
The Assistant Operations and Intelligence Sergeant ensures the team is war-fighting capable. They also gather and analyze all the mission-critical information.
Tormund lived his life Beyond the Wall. No one knows the area and the enemy better than him.
Weapons Sergeants (18B) — Sandor “The Hound” Clegane and Ser Jorah Mormont
Weapons Sergeants must be experts in a wide variety of weapon systems. Any weapon they get their hands on can and will be used.
Both Sandor and Jorah are some of the best fighters in Westeros. They have each proven to be lethal no matter what weapon they had — and in any arena.
Engineering Sergeant (18C) — Gendry
Engineering Sergeants are masters of construction and destruction. They can build a bridge just as flawlessly as they can destroy one.
Gendry trained many years under the greatest blacksmith in the series. If Valerian Steel weapons are needed to fight the dead, he’s ready. Afterall, he was trained under Mott (the guy that reforged Ned Stark’s sword into two more Valerian Steel swords.)
Medical Sergeant (18D) — Thoros of Myr
Special Operations Medical Sergeants are experts in treating battlefield trauma. They are tasked with providing life-saving aid to the team.
The Lord of Light has brought back the dead many times in the books, making Thoros a handy guy to have around in battle. It’s not perfect, with each resurrection taking a part of the person that dies, but it is invaluable to keeping his men in the fight.
Communications Sergeant (18E) — Lord Bran Stark the “Three-Eyed Raven”
The Communications Sergeant is the life blood between fire teams and command. They are required to maintain a constant flow of information between all troops.
In the show, Bran wasn’t seen joining the group. He’s still in Winterfell. But in the same episode the group was formed, he was flying around the enemy in raven form.
We may find out until next episode that he’ll be assisting Jon’s team.
All told, it was exciting to see this rag-tag group come together to go beyond the wall.
Star Wars: The Rise Of Skywalker | D23 Special Look
Of course, the most buzz-worthy scene is “Dark Rey” wielding a duel-bladed — and red — lightsaber. I don’t want to fansplain to you or anything, but red blades are of course associated with the Sith, who often preferred synthetic crystals energized by the dark side of the force.
Rey’s blade could mean a number of things. Maybe she nicked it? Maybe she turned to the dark side? Or probably maybe it’s just a vision. Rey hasn’t had a character flaw yet, but who knows? Maybe J.J. Abrams wants to throw us a curve ball.
(PS: Has anyone else noticed how dangerous these fancy lightsabers are? Like, how does Kylo Ren not chop his leg off any time he ignites his crossguard lightsaber?? The Force can only do so much…)
I just want to know that he attended his safety brief.
Anyway, back to Rey.
Twitter user Alan Johnson has a different theory about Dark Rey:
I still think Rey is a clone and the Sith version from the new The Rise of Skywalker trailer is a clone that has been activated and possessed by Emperor Palpatine. The vision she had in The Last Jedi screamed “clone” to me at the time.pic.twitter.com/ztoM5sqJmZ
Now that would be interesting to me. And I’m going full nerd to tell you why.
A brief history on clones in the Star Wars universe: they were bred to fight as soldiers under their Jedi commanders during the time of the Republic (think prequels). Under Supreme Chancellor Palpatine, the clone troopers fought the droid army of the Separatists during the Clone Wars.
But there was a hidden trigger implanted into every clone, and Palpatine (who of course we know was a Sith), issued Order 66, which named the Jedi Knights enemies of the Republic and called for their eradication. The clone militants purged the galaxy of the Jedi and gave Palpatine unchecked control of the Republic, allowing him to become the true antagonist of the original trilogy.
Emperor Palpatine was thrown into a deep shaft by Darth Vader during the Battle of Endor —presumably dead — and yet promo materials for the Rise of Skywalker have been teasing his return.
Could Palpatine have survived his fall? I’d say yes — any trained Force-user can levitate so it’s far-fetched for them to fall to their death. Theoretically he could have also hidden himself for all these years.
If he is alive, and Rey is a clone, that could pose many questions. Is Dark Rey also a clone? Could Palpatine “Order 66” her? Are there more versions of her? (I mean, I wouldn’t be unhappy with an Orphan Black situation…)
As a fan, it’s fun to consider the possibilities, which makes The Rise of Skywalker even more fun to look forward to.
Whether or not you agree with the popular theory that the 1988 action picture “Die Hard” is really a Christmas movie, you’ll have to admit that NYPD detective John McClane is Bruce Willis’ greatest role.
There have been four sequels of varying quality over the past decades, but it had been seven years since Willis had played the part. That changed over the weekend when a new “Die Hard” movie showed up on YouTube.
“Die Hard” 2020 is actually a commercial for DieHard, the iconic battery brand formerly owned by Sears and now sold by Advance Auto Parts. The spot brings back a pair of iconic characters from the original movie.
McClane’s car won’t start and he heads to an auto parts store for a new battery. He runs into the original movie’s computer hacker Theo (Clarence Gilyard Jr.), who’s still out for revenge 32 years later.
Theo sends a posse of musclebound thugs to finish off the detective, who crashes through the store window to buy his new battery. After escaping through the ventilation system, he runs into limousine driver Argyle (De’voreaux White), who’s finally paid off the same car he was driving in the first movie.
As they try to get back to McClane’s broken-down muscle car, Theo runs them down and crashes into the limo. The DieHard battery takes a bullet but still works when installed and they crank up the car for an escape.
Will Theo get his revenge or will McClane escape again with a few more scars but still in one piece? You’ll have to watch for the result.
If you’re shocked that Bruce was willing to play John McClane in a commercial, he’s got some thoughts for you.
“I’ve never done any sort of commercial with the John McClane character, but Advance Auto Parts brought an idea to integrate DieHard the battery into the ‘Die Hard’ story through a short film that’s authentic to McClane and both brands,” Willis said in a press release.
“Advance approached this like a motion picture — the script is clever, the production intense and the spot is entertaining,” he continued.” This is what ‘Die Hard’ fans expect. I think they will dig the DieHard –‘Die Hard’ mashup.”
Back in the day before its release, the movie title was a clever play on an iconic brand name. Over the years, the movie became a brand that’s probably bigger than the battery ever was. And now we’ve come full circle: A battery looks to get a boost from a movie that once got a boost from the battery.
Enjoy the spot and don’t get your back up. Bruce’s movie career got jump started by DieHard back in the day and now he’s returning the favor.
Here’s the classic DieHard battery commercial that the movie title was supposed to evoke for audiences back in 1988.
Diehard Battery Ad – Sears Roebuck Auto Center (1976)
Star Wars fans are going to have to wait a bit longer for the opening of the highly-anticipated “Rise of the Resistance” ride. The immersive experience is set to take over Disney World in Orlando on Dec. 5, 2019, (which also happens to be Walt Disney’s birthday), but won’t land in Anaheim’s Disneyland until Jan. 17, 2020.
The new addition to the parks’ Galaxy’s Edge was announced in May 2019 and initially expected to open by the end of 2019. Given that the Millennium Falcon: Smugglers Run space flight simulator is currently the only Star Wars themed ride open at Galaxy’s Edge, some park-goers are a tad disappointed. “These are not the dates we’re looking for,” a disgruntled fan cleverly wrote on Twitter.
Earlier this year, Galaxy’s Edge’s executive producer Jon Georges told ABC News, that the Rise of the Resistance ride will feature an “epic battle between the First Order and the Resistance and culminates in a face-to-face confrontation with Kylo Ren.” The experience promises to “blur the lines between fantasy and reality,” transporting guests from the “Ready Room” to the cockpit of a transport ship. As the ship begins to “fly”, the floors will shake to simulate the sensation of takeoff. Later, guests will be separated and thrown into “jail cells” for questioning. From there, it’s every man for himself to evade the First Order.
It’s easy to see why fans are eagerly anticipating the ride, which CEO Bob Iger also called “the most technologically advanced and immersive attraction” the park has ever seen. To stay updated on this and other rides, check out the Disney Parks blog.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
When “Black Hawk Down” hit theatres in 2001, it was marketed as a cast of ‘no names’. The real “stars” were the elite troops depicted onscreen: the Army Rangers, Delta Force soldiers and 160th SOAR pilots who made up Task Force Ranger in the fall of 1993 in Mogadishu, Somalia. The movie chronicles their 18-hour battle with Somali militias in which 18 Americans died.
But in the 15 years since, Black Hawk Down’s cast has turned into a roster of certified Hollywood A-listers or perennial movie “That Guys.” In fact, BHD’s alumni have made more big movies than any other military ensemble cast.
BoxOfficeMojo.com is a website that tracks career box office earnings of hundreds of actors. All told, the movies featuring Black Hawk Down alumni have been in have earned a staggering $12.6 billion – more than the combined career box office for the cast of Oceans 11.
The cast falls into three military groups:
The $B-Boys – Black Hawk Down actors who crossed the billion-dollar line (in the book, though less so in the movie, Delta Force is nicknamed “D-boys”)
The Regulars – you know their faces, if not their names
Asymmetric Warriors – Two roles – a Delta Force operator and a 24th Special Tactics Squadron pararescueman – were played by actors who now have massive careers, but not as traditional movie stars. We had to measure their careers differently (leave it to JSOC to be hard to pin down).
Orlando Bloom, “PFC Todd Blackburn”
Career Box Office: $2,815,831,431
You hardly recognize him when he’s not: an elf or a pirate.
The wispy, slightly-sour-faced Brit spends just a few minutes on screen and hardly speaks. But after five installments of “Lord of the Rings” and three “Pirates of the Caribbean,” movies starring Bloom have made more money than those starring George Clooney or Brad Pitt (whom Bloom starred with in “Troy”).
Ewan McGregor, “PFC John Grimes”
Career Box Office: $2,080,785,955
You hardly recognize him when he’s not: a Jedi; lusting for life.
He was a brash talking, un-Tabbed underachiever consigned to coffee duty until pushed outside the wire, but McGregor’s John Grimes – “Grimesy” – was the closest thing to an Everyman in the movie. But by the time Black Hawk Down hit screens, McGregor had already played Obi Wan Kenobi in the “Phantom Menace,” with two other mega Star Wars prequels just ahead. Together, they pulled in $1.1 Billion.
William Fichtner, “SFC Jeff Sanderson”
Estimated Box Office*: $1,495,000,000
You hardly recognize him when he’s not: getting killed.
Fichtner, one of the all-time That Guys in movie history, might be America’s answer to Sean Bean, the oft-murdered Englishman. Fichtner dies a lot. He’s met his on-screen fate on George Clooney’s doomed fishing boat (“The Perfect Storm”) and as an outlaw in Johnnie Depp’s wild west (“The Lone Ranger”), and only barely survived Bruce Willis’ doomed space shuttle (“Armageddon”). In Black Hawk Down, Fichtner’s fiction Delta soldier Sanderson is a battlefield Svengali, coaxing a team of scared, out-gunned Rangers through the day’s fight. He grows ever cooler as the fire gets heavier, dispensing tactical hints that also serve as deep life wisdom (“stay off the walls”).
*Fichtner, like several Black Hawk Down actors, doesn’t register on BoxOfficeMojo. So we added up only the giant hits you’ve almost definitely forgotten he was in.
Tom Hardy, “Pvt. Lance Twombly”
Box Office: $1,242,535,310
Oh, it’s the guy from: “driving for his life in a desert hell hole. But with girls.”
For 12 years after the movie’s release, Hardy wasn’t even the most famous actor among his small trio of Rangers separated from the main force. One of the soldiers, Nelson, is temporarily deaf, a condition played for laughs by Ewan Bremner, a.k.a. Spud from “Trainspotting.” But in 2012, he played Bane in “The Dark Knight Rises” and stole the summer of 2015 in “Mad Max: Fury Road.”
Jason Isaacs, “Cpt. Michael Steele”
Box office: $1,952,955,239
Oh, it’s the guy who is usually: a punchable, dickish authority figure. But in a wig.
Some guy you definitely don’t know has made two billion dollars – pretty funny, hooah? As one of many roles in a classic “That Guy” career, Isaacs plays Cpt. Steele, the uptight Ranger commander who spends most of the movie not getting along with Delta’s cool kids. His most famous moment is as the butt of Eric Bana’s classic joke, “this is my safety, sir.” Steele was right on type for Isaacs, who was also a total dick to Harry Potter as Lucius Malfoy and to 18th-century churchgoers in “The Patriot.”
Ioan Gruffudd, “Lt. John Beales”
Oh, I think he was in: A total disaster, probably (“San Andreas,” “Titanic”).
A career character actor, Gruffudd has played small-to-medium roles in almost 20 films that, combined, have brought in a little over $800 million. He also played a bit part in one of the biggest hits of all time, “Titanic.” The role was so small that BoxOfficeMojo doesn’t count it, but we’re giving it to him. Grufford plays 5th Officer Harold Lowe, who in both the movie and real life, was the only officer who went back to rescue survivors in the water. It’s Grufford who rescues Kate Winslet – and what is “Black Hawk Down” at heart if not a rescue mission? We’re counting it in Gruffudd’s total.
Eric Bana, “Sgt. 1st Class Norm ‘Hoot’ Gibson”
Box Office: $1,029,166,799
Oh, isn’t that the guy from: Tough one. You know you know Bana.
He’s definitely “a movie star.” But he’s never held top billing in a major hit. His fictionalized Delta operator Gibson – who bookends the movie with meditative soliloquies on combat and soldiering – might be Bana’s defining role. Still, Bana is a hell of a 2nd Chair, scoring 9-digit box office in “Troy,” “Star Trek,” and “Lone Survivor.” And as a sheer badass, he reached near-“Hoot” levels as an Israeli assassin in “Munich.”
Tom Sizemore, “Col. Danny McKnight”
Box Office*: $780,000,000
Oh, it’s that guy from: same character type, different war.
Sizemore’s career has been a string of grizzled combat leaders, including Sgt. Horvath in Saving Private Ryan, another NCO in Pearl Harbor and shoot-first detective Sgt. Jack Scagnetti (great name!) in Natural Born Killers. In BHD, when gunfire breaks out, he memorably orders a nervous Ranger: “shoot back.”
*Like Fichtner, we looked at Sizemore’s biggest hits and rounded up.
Josh Hartnett, “Sgt. Matt Eversmann”
Box Office: $678,425,308
Wait, was he in…: not much lately, tbh.
With all the future superstars and famous faces, it’s a little jarring to look back and realize that Hartnett was the guy featured on BHD’s original movie poster. Much of the movie tracks his trial by fire as a new Ranger team leader. But after BHD, Hartnett’s career stalled. He played the lead in Pearl Harbor, as bad a military movie as BHD is a good one, and hasn’t been in a big hit – or big poster – since.
Jeremy Piven, “CW3 Cliff ‘Elvis’ Walcott”
Box Office: $575,659,624
Hey, it’s: Ari!
Jeremy Piven has played in about 60 films but he’ll never escape being Ari Gold, the preening talent agent in HBO’s “Entourage.” Unfortunately, Piven plays his role as 160th pilot Walcott in full proto-Gold style, with cocky, hot-shot dialogue that sound more like “Top Gun” than 160th operators. Piven isn’t on BoxOfficeMojo, but he did make six movies with John Cusak, so we modified Cusak’s career box office total for Piven.
Tom Guiry, “Staff Sgt. Ed Yurek”
Box Office: $388,375*
Guiry is a chalk leader in BHD, where he’s unrecognizable from his only other well-known role, the kid-classic “The Sandlot.” I just hope that when he “fired” his weapon on set, his intended target always yelled, “You’re killing me, Smalls!”
(*the record price paid for a Babe Ruth autographed baseball)
Oh, it’s the guy who: hasn’t been funny since Season 2.
In late 1998, about when BHD came out as a book, I was a trainee at the Pararescue Indoctrination course in San Antonio – a ‘cone’ as you’re called before graduating – when Wilkinson visited. Our class knew Wilkinson as one of two Air Force PJs that fast-roped into the heart of the fighting. He gave our class a great pep talk about sticking together and, even more impressively, jumped into our training for a day. That night, our class went out for a team dinner at an Outback. Wilkinson and two of our instructors were there. After eating, we tried to sneak out but the instructors caught us and put us through several sets of feet-up pushups in the parking lot as confused diners looked on. As we knocked them out, I remember seeing Wilkinson with his arms folded, laughing his ass off.
I tell this story here to distract you from noticing that one of the most decorated PJs in history is played by the dad from “Modern Family.”
*guess-timate of Modern Family’s total ad and syndication revenue
Nikolaj Coster-Waldau, “SFC Gary Gordon”
Box Office: $560,000,000*
Oh, it’s: Cersei’s Bro With Benefits.
Waldau plays Gary Gordon, one of two Delta soldiers awarded the Medal of Honor for volunteering to be dropped on a crash site to defend an injured crew. Both were killed in the firefight. And now he’s the Kingslayer. That’s about as badass as a “That Guy” gets.
(*we used the total revenue Game of Thrones effect on HBO in subscriptions, DVD sales and rights fees).
When some renegade Navy SEALs discover the whereabouts of a treasure buried under 150 feet of water at the bottom of the Bosnian lake, they set out on a secret unauthorized mission to retrieve more than 300 million dollars of Nazi-stolen gold bars.
The text that precedes every opening crawl for a “Star Wars” film reminds us that the events we are about to witness take place a long time ago in a galaxy far, far away, but that’s not entirely true. The fictional events may not have occurred recently or nearby, but the films were largely shot on location somewhere on Earth, which means that you can actually visit them in real life.
From national parks in the United States to islands off the coast of Ireland, here are some iconic Star Wars locations you should add to your travel bucket list.
There are even tours.
(Photo by Veronique Debord)
1. Tunisia is one of the most-prolific “Star Wars” locations.
Tunisia has served as the sand-covered backdrop to scenes in several “Star Wars films.” Shubiel Gorge, Chott el Jerid, Matmata, Djerba, and other areas in the north African country are the real-world stand-ins for the planet Tatooine where we were first introduced to Luke Skywalker in “A New Hope” (as well as his Aunt Beru, Uncle Owen, Old Ben Kenobi, and the Jawas).
The name of the fictional planet was borrowed from a real Tunisian town called Tataouine. There are tours that take you around abandoned sets and notable landmarks seen in the films, and there is even the option to stay in the former Owen/Beru Lars residence, now called Hotel Sidi Driss.
Death Valley National Park.
2. Death Valley has a few locations, too.
Some outdoor Tatooine scenes were also filmed in Death Valley, a US National Park situated in California and Nevada. The National Park Service website lists Golden Canyon, Dante’s View, Desolation Canyon, and other key areas for “A New Hope” fans venturing to stand where our heroes once stood.
3. Grizzly Creek Redwoods State Park is one of the many forests they filmed in.
Grizzly Creek Redwoods State Park in California is one of the lush filming locations used in “Return of the Jedi” as the Forest Moon of Endor. Fans of the saga will want to visit the park’s Owen R. Cheatham Grove in particular because it is where George Lucas and his crew shot the iconic speeder bike chase. Watch out for those completely stationary trees.
(Photo by Svein-Magne Tunli)
4. Reenact the Battle of Hoth in Finse, Norway.
Finse, Norway is the real, very cold, icy landscape that the filmmakers chose when they needed to shoot the fake, but still very cold and icy landscape surrounding the rebel base on the planet Hoth in “The Empire Strikes Back.”
According to Starwars.com, the pretty much the only way to reach the crevasses and plateaus of Finse is by train (4-5 hours) from Oslo or Bergen. The long, scenic route will give you plenty of time to plan the Battle of Hoth reenactment of your dreams.
5. You can live like Luke Skywalker on Skellig Michael.
Skellig Michael is an island off the coast of Kerry, Ireland where Rey and Chewbacca finally tracked down Luke Skywalker at the end of “The Force Awakens.” Called Ahch-To in that film and featured more prominently in “The Last Jedi,” the rocky island does not have a Jedi temple but you can climb the many stone steps up to the ruins of a real ancient monastery.
6. Laamu Atoll in the Maldives will remind you of “Rogue One.”
The islands of the Laamu Atoll in the Maldives are where the battle scenes on Scarif took place in “Rogue One: A Star Wars Story,” though the explosions were filmed in a studio in England. It may not be one of the episodic films, but that daring mission to get the Death Star plans and the devastating battle that ensued are what led to events of “A New Hope,” so seeing it in person is a must for hardcore fans.
7. Fans of the prequels will love Lake Como, Italy.
Are you a fan of the prequels? Lake Como, Italy has the distinction of being the real-world location used during the filming of “Attack of the Clones.” You and your significant other can pretend you’re Anakin and Padme on Naboo while viewing the lake from Villa del Balbianello or taking a stroll through the Tremezzo public gardens.
8. You may run across Jar Jar Binks in the Whippendell Woods.
Speaking of the prequels, the Whippendell Woods near Watford, England is where Qui-Gon Jinn and Obi-Wan Kenobi first met the controversial “Star Wars character” Jar Jar Binks, in “The Phantom Menace.” The odds of seeing a Gungan in the forest are slim, but you can snap selfies with the trees and quote a few lines of dialogue in Gunganese.
9. You can visit the fictional planet Crait in Bolivia.
The world’s largest salt flat, Salar de Uyuni in Bolivia, became the site for an abandoned rebel base in “The Last Jedi.” As the mineral planet Crait, the unique terrain was the stage for the film’s final battle between Kylo Ren and Luke Skywalker. There is no massive metal structure, ice foxes, or ski speeders to speak of, but the photo ops provided by the vast flat landscape is worth the price of the flight.
10. Rub’ al Khali makes up one of the franchise’s most iconic locations.
Rub’ al Khali is the desert in Abu Dhabi that Rey calls home (Jakku) in “The Force Awakens.” You’ll have to use your imagination if you want to see the Millennium Falcon parked in the sand, but for some fans just being there counts as a win.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
From realistic portrayals of combat to comedic satire of thermonuclear warfare, some military-themed movies are a cut above the rest.
Since WATM is headquartered in Hollywood, California and run by military veterans, it makes sense that we would put together a ranking of the best military movies of all time. Whether they include great stories, very quotable lines, intense combat (or all of the above), these 16 movies are what we’d pick as the best military movies.
16. Jarhead (2005)
Plot: Based on former Marine Anthony Swofford’s best-selling 2003 book about his pre-Desert Storm experiences in Saudi Arabia and about his experiences fighting in Kuwait.
Reason to watch: While the main character is a less-than-stellar Marine who often gets in trouble, this film shines in realistically depicting infantry life. The camaraderie, the dumb games, and the sheer boredom grunts experience when they are in a combat zone but not seeing combat is what makes this worth watching.
15. Catch-22 (1970)
Plot: B-25 navigator stationed in North Africa during World War II wrestles with the tragedy, irony, and hypocrisy that surrounds him as the minimum mission requirement continues to rise.
Reason to watch: Early SNL alum Buck Henry adapted Joseph Heller’s classic WW2 novel for an American public that was at odds over the Vietnam War, evidence that it took nearly a decade and a half for the themes to resonate. In spite of the fact that parts of the story are over-the-top, the movie (and even more so the book) are prescriptive. Anyone who’s ever spent any time around the Air Force will recognize the personalities: Careerist buffoons, obtuse general officers, opportunistic (albeit very entrepreneurial) junior officers as well as the folks who are just trying to get the job done without going crazy are all here.
14. Tigerland (2000)
Plot: A group of recruits go through Advanced Infantry Training at Fort Polk, Louisiana’s infamous Tigerland, last stop before Vietnam for tens of thousands of young men in 1971.
Reason to watch: Colin Farrell gives a wonderful performance as Pvt. Roland Bozz, a misfit draftee soldier who spends most of his Army career getting into trouble. Set during the Vietnam war in 1971, the film is unique in that it never takes the viewer to Vietnam. Instead, the plot follows along with the training of young soldiers before they go overseas, and offers realistic portrayals of soldiers from Bozz, to the idealistic Pvt. Paxton (played by Matthew Davis), to the brutal instructor of Staff Sgt. Thomas (played by James McDonald).
13. Taking Chance (2009)
Plot: Based on real-life events, Lt. Col. Michael Strobl, a volunteer military escort officer, accompanies the body of 19-year-old Marine Chance Phelps back to his hometown of Dubois, Wyoming.
Reason to watch: While most military movies focus on battle scenes, “Taking Chance” focuses on the part often overlooked: What happens when troops lose their lives in combat. As people in the military know, the belongings are packed and shipped, the body is taken to Dover, and an escort brings them to their final resting place. Actor Kevin Bacon does a superb job of depicting the real-life story of one such escort duty, for Pfc. Chance Phelps.
12. A Few Good Men (1992)
Plot: Neo military lawyer Kaffee defends Marines accused of murder; they contend they were acting under orders.
Reason to watch: It’s a great courtroom drama which explores the question of what is a legal order. When two junior Marines are told to carry out a hazing ritual by their commander, should they have followed it? That’s what a court-martial is to decide, which ultimately ends in an epic shouting match between Navy Lt. Kaffee and Col. Jessup (played brilliantly by Jack Nicholson).
11. Patton (1970)
Plot: The World War II phase of the career of the controversial American general, George S. Patton.
Reason to watch: George C. Scott gives a masterful portrayal of the controversial Army general during World War II. The opening speech alone is worth watching, with Patton giving a rousing speech to troops that opens with the line, “Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.”
10. To Hell and Back (1955)
Plot: The true WWII story of Audie Murphy, the most decorated soldier in U.S. history. Based on the autobiography of Audie Murphy who stars as himself in the film.
Reason to watch: Instead of settling for actors trying to recreate battlefield heroics, why not watch the real-life soldier do it? That’s what you’ll see in “To Hell and Back,” the film that follows the life of Audie Murphy, the most-decorated soldier of World War II. Murphy stars as himself in this film, which kicked off a 21-year acting career after his Army service.
9. Das Boot (1981)
Plot: The claustrophobic world of a WWII German U-boat; boredom, filth, and sheer terror.
Reason to watch: Nominated for six Oscars, Wolfgang Petersen’s masterpiece film gives a rare look at the fight from the other side during World War II. Tasked with fighting the “Battle of the Atlantic,” the life of a German U-Boat crew is shown in depth here, with an especially brilliant portrayal of the ship’s captain by Jurgen Prochnow.
8. Platoon (1986)
Plot: A young recruit in Vietnam faces a moral crisis when confronted with the horrors of war and the duality of man.
Reason to watch: Told from the perspective of Chris Taylor (played by Charlie Sheen), “Platoon” gives an inside look at what it was like for a grunt on the ground in Vietnam. Besides showing infantry life and all its hardships, the film also boasts incredible performances from Willem Dafoe as Sgt. Elias, and Tom Berenger as Staff Sgt. Barnes. It’s also worth noting that this film had an extra level of realism to it, with its director (Oliver Stone) and military technical advisor (Dale Dye) both having served in Vietnam.
7. All Quiet on the Western Front (1930)
Plot: A young soldier faces profound disillusionment in the soul-destroying horror of World War I.
Reason to watch: Based on the classic book by Erich Maria Remarque, this masterpiece explores the extreme stress, discomfort, and horrors of war that soldiers faced fighting in the trenches of World War I. The film is on many “best film” lists, especially considering its realistic portrayal of warfare. In perhaps the most chilling scene of the movie, the main character of Paul stabs a French soldier, only to find himself trapped in the same hole with him as he dies.
“Why do they never tell us that you are just poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying, and the same agony,” he says. “Forgive me, comrade; how could you be my enemy?”
6. Flags of our Fathers (2006)
Plot: The life stories of the six men who raised the flag at The Battle of Iwo Jima, a turning point in WWII.
Reason to watch: While most people have seen the Pulitzer Prize-winning photo from the 1945 Battle of Iwo Jima, many don’t know the flag raising happened just days into the battle, when it was not yet clear when the Japanese would be defeated. Three of the six flag raisers would be killed later in the battle, while the remaining three would be brought back to the U.S. to help raise war bonds. This film, directed by Clint Eastwood, tells that story. (You should also check out Eastwood’s telling of the Japanese side, in “Letters from Iwo Jima”).
5. Dr. Strangelove (1964)
Plot: An insane general triggers a path to nuclear holocaust that a war room full of politicians and generals frantically try to stop.
Reason to watch: While Director Stanley Kubrick offers a hilarious and brutal satire of Cold War tensions, he also provides plenty of insight into political and military leaders and their thinking at the time. This one was years ahead of its time, and it also has some great B-52 crew coordination scenes.
“Mandrake, have you ever seen a Commie drink water?”
4. Black Hawk Down (2001)
Plot: 123 elite U.S. soldiers drop into Somalia to capture two top lieutenants of a renegade warlord and find themselves in a desperate battle with a large force of heavily-armed Somalis.
Reason to watch: Based on the book by journalist Mark Bowden (which is an absolute must-read), “Black Hawk Down” details the failed attempt to capture a Somali warlord — an operation that should have lasted 15 minutes — that unfortunately does not go according to plan. After two helicopters are shot down, soldiers are shown reacting and adapting to the changing events, often in heroic fashion. From depicting soldiers preparing for a mission, how they respond to irregular warfare, and the actions of Medal of Honor recipients Gary Gordon and Randy Shughart, this film is a must-see.
3. Full Metal Jacket (1987)
Plot: A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Reason to watch: “Full Metal Jacket” is really two films in one, with act one depicting a realistic look at Vietnam-era boot camp, and act two showing life for Marines in the battle of Hue City. The performance Marines love — and can perfectly quote — comes from R. Lee Ermey, who plays Drill Instructor Gunnery Sgt. Hartman, a seemingly never ending source of great zingers.
2. Saving Private Ryan (1998)
Plot: Following the Normandy Landings, a group of U.S. soldiers go behind enemy lines to retrieve a paratrooper whose brothers have been killed in action.
Reason to watch: Just the first ten minutes with the film’s incredible depiction of the Normandy landings on D-Day in 1944 make this a must-watch. After this sequence, however, there is plenty to stick around for: Tom Hanks wonderful portrayal of Capt. Miller, the banter of soldiers as they search the French countryside, and the heroic “last stand” at a bridge the troops need to keep the Germans away from.
1. We Were Soldiers (2002)
Plot: The story of the first major battle of the American phase of the Vietnam War and the soldiers on both sides that fought it.
Reason to watch: Mel Gibson brilliantly portrays then-Lt. Col. Hal Moore as he leads his unit in the first major battle of the Vietnam war. But there are so many great performances in this film (based on the book “We Were Soldiers Once… and Young”) which opens by saying that “every damn Hollywood movie got it wrong.” From the portrayal of the gruff combat veteran Sgt. Maj. Plumley and pilot and Medal of Honor recipient Bruce Crandall, to the hardship endured at home by the Army wives, this film gets it right.
A military caregiver is a family member, friend or acquaintance who provides care and assistance for a military servicemember over a wide range of physical and mental illnesses and injuries.
Sky Blossom salutes the children and millennials who are “going to school, holding down jobs, and living out their youth while at the same time looking after a veteran family member with serious medical conditions.
Journalist and director Richard Lui has firsthand experience as a caretaker. When his father was diagnosed with Alzheimer’s disease, he had to learn how to balance caregiving for his father while working full-time.
WATCH THE TRAILER:
“I wasn’t sure whether I’d be able to keep my job or not,” he said. According to AARP, Lui’s boss was a long-distance caregiver, too, and allowed him to provide care for his father during the week and maintain his job as a national news anchor on the weekends.
While adapting to his new role was challenging, Lui attests that it brought his family closer together and inspired the concept for Sky Blossom.
According to data from an AARP report, there are 24.5 million children and millennials who care for the nation’s disabled veterans and other adults. Lui’s film shares their experiences with an uplifting message — and a compelling one. Sky Blossom is on Variety’s short list of documentary features predicted to receive an Academy Award nomination.
The phrase “sky blossom” was used to describe paratroopers rushing to the aid of wounded troops, making it a fitting title for the caregivers who aid their wounded veterans, many of them silently. This film, especially if it does earn some award nominations, will open America’s eyes to the families, friends, and loved ones who support the troops in a very intimate and oftentimes all-encompassing way.
The production followed five families over the course of three years, documenting the teens and 20-somethings as they grew up “and grew into their roles as caregivers,” shared Lui.
“The interviews with each of the families were so honest and raw, unlike anything I’ve seen in my 25-year long career as a journalist,” said Lui in a statement. “I left each interview inspired by the courage of these teens and 20-somethings.”
The film premiered on Veteran’s Day 2020 at the Kennedy Center in Washington D.C. and audiences can expect to see it distributed more widely in 2021.
When the trailer for 13 Hours: The Secret Soldiers of Benghazi dropped, netizens were quick to dub it “Bayghazi,” a portmanteau of the location of the now-infamous embassy attack and the name of director Michael Bay. But the film deserves more credit than that for a number of reasons, but mostly because it manages to celebrate the human elements of an otherwise overly-politicized event.
“We all think we know Benghazi,” Bay says. “But we all only really know so much. There was a great human story in Benghazi that was never told. It’s an inspirational movie, even though it’s tragic.”
The movie is a faithful retelling of the events on the ground during that day in the Libyan port city, as written in journalist Mitchell Zuckoff’s book 13 Hours: The Inside Account of What Really Happened in Benghazi, which he co-authored with the surviving security contractors who were on the ground. The way Zuckoff writes the story in the book lends itself to Michael Bay’s directing style.
“The book, when I read it, it was an amazing human experience,” Michael Bay says. “It’s my most realistic movie. I think it opens eyes to what they really go through. It’s a collection of 36 Americans coming together, figuring out how the hell to survive. It starts at 9:42 and we follow the waves and the adrenaline and the ebbs and flows for 13 hours.”
The movie is rife with commentary, damning of the military’s failure to act in support of the CIA annex in any way. Fighter planes remain motionless on flightlines while bureaucrats make late night phones calls to plan meetings, but the movie is inspirational, thanks to its exceptional cast. With the help of the real military veterans-turned CIA security contractors who were on the ground in Benghazi that night, they all deliver exceptional performances.
“There’s such a responsibility in this particular story,” says John Krasinski, who plays Jack Silva, one of the CIA contractors and former Navy SEAL. “Not only because it’s so highly politicized, but also because it’s so intense and is a story not really being told. For me, there was a great responsibility to make sure we told it right, especially since it’s about these six guys who are the definition of heroes.”
The real-life defenders of the Americans in Benghazi, the members of the annex security team who were on the ground, are unanimous in what they hope audiences will take away from the film: The truth.
“They got it right,” says Marc “Oz” Geist, one of the contractors at Benghazi. “When you watch the movie, you’re seeing the guys, you’re seeing the team,” Kris “Tanto” Peronto adds. “They did an excellent job. That shows a lot of work.”
“You have a group of people who overcome what most would consider insurmountable odds,” Geist continues. “There are positives that comes from that. It’s not a negative thing. You’re gonna have troubles, you’re gonna have things go bad. We lost four people and that’s tragic, but that’s not the defining moment. The defining moment is that we never lost because we never quit.”
The film has all the hallmarks of its director’s signature style: slow shots of dialogue between characters contrast fast-paced action with explosions; a weak leader gets usurped when the “right thing to do” becomes apparent, even though it isn’t “by the book;” and what starts as a rescue turns out to be an epic battle for survival. Yet all of it is a faithful retelling of the Benghazi story, seconded by the guys who were there that night, right down to the funny one-liners of comic relief (called “Tantoisms” by the Benghazi team).
The portrayals of the team are realistic and intense. Anyone who’s ever met Navy SEALs, Marine Scout Snipers, Army Rangers, or any other special forces operators will recognize the personalities portrayed on screen by Krasinski, James Badge Dale (“Rone”), Pablo Schreiber (“Tanto”), David Denman (“Boon”), Max Martini (“Oz”), and Dominic Fumusa (“Tig”).
“It’s about the human spirit and the will to win,” the directors said. “No one ordered them to go. They volunteered and they volunteered at the drop of a hat. At a time when there’s so much crap going on in the world, you are appreciative that people like this exist.”
Francis Ford Coppola was originally worried his soon-to-be iconic Apocalypse Now would be “too weird” for audiences, so he made major cuts to his film. Now, you’ll be able to see it in all its wacky glory, including 300,173 restored frames of depth, detail, and napalm.
Turn on your sound and watch this epic trailer, people:
APOCALYPSE NOW FINAL CUT – 4K Restoration in Theaters 8/15 & on 4K Combo Pack 8/27!
If Walkürenritt or Ritt der Walküren Ride of the Valkyries doesn’t get your juices flowing, I don’t know what will.
On Aug. 27, 2019, in honor of the 40th anniversary of the film, Lionsgate will release Apocalypse Now on a 4K Ultra HD™ Combo Pack (4K disc, plus three Blu-ray discs and Digital copy) and on Digital 4K Ultra HD for the first time ever.
But more importantly, on Aug. 15, 2019, you can see it in select theaters.
This isn’t the first time Coppola has made changes to his film. In 2001, Coppola released Apocalypse Now Redux, which added an additional 49 minutes to the original film, and while Roger Ebert gave Redux 4 stars, Coppola still wasn’t satisfied. With Apocalypse Now: Final Cut, Coppola has finally released his vision (which will run 183 minutes, about a half hour longer than the original).
But it’s not just the visuals that are being remastered. Sound technology has advanced since 1979, allowing Coppola to achieve effects that weren’t available in the 70s, including low frequency sound design meant to create a visceral reaction during war scenes.
Make no mistake, this is a sensory theater experience fans of the original film should take advantage of.
The 38th Parallel between North and South Korea isn’t a place known for comedy, and lately it’s been even more un-funny than usual.
American General Curtis Scaparrotti, commander of U.S. forces in the country, recently said that tensions on the Korean Peninsula were at their highest level in more than 20 years. So Conan O’Brien took his late night show on the road to provide a little levity for the troops stationed along the DMZ.
They went to the Joint Security Area (JSA) on the border, the only place where North and South Korean troops stand face to face. The JSA is used to hold diplomatic engagements between the two countries who are still technically at war. They were startled to discover the North keeps a closed circuit television feed on the buildings in the JSA to monitor activity there.
While there, O’Brien and crew performed the first late night talk show ever performed in the Hermit Kingdom, albeit just a few feet across the border. His first guest was “The Walking Dead’s” Steven Yeun. Watch the whole segment below, then check out an outtake from the DMZ Gift Shop.
ProPublica senior reporter Sebastian Rotella, author of “Rip Crew,” lays out what popular TV shows and movies like “Narcos” and “Sicario” get right and wrong about Mexican drug cartels. Following is a transcript of the video.
Sebastian Rotella: I’m Sebastian Rotella. I’m the author of the novel Rip Crew and I’m a senior reporter at Propublica.
“Sicario” was a, was a good movie, and some of the things it portrayed were very accurate, for example that shootout at the border, if you remember in “Sicario” when they’re at the border crossing, stuck in traffic, that has happened, and something that I was very worried about when I was covering the border, because you know that is a sort of a prime vulnerability moment when you’re stuck in that traffic at the border.
There were other things in, for example, in “Sicario” that I thought pushed the envelope, the sort of gratuitous and casual torture taking place on US territory, that in my experience, you know, it happens very rarely, I’m really not aware of it. And that isn’t because there aren’t particularly Latin American law enforcement and intelligence and military units that work with the US that engage in that kind of activity, but it tends to happen precisely in those countries. You know, the idea that you would bring someone into the US to do that and expose yourself to all kinds of potential prosecution and scandal, that did not ring true, for example. So it really depends.
I think “Narcos” is quite well-researched. What happens is, and I’ve done this having written fiction, and having been involved in projects where you move this stuff to the big screen, things have to be simplified, they have to be made dramatic, they have, you lose nuance, and oftentimes, they’ll be things that happen in real life that I think would make for good, it would be good on, on a TV show or a movie, but they’re harder to portray because oftentimes they happen out of ineptitude.
Right, I mean the scary thing sometimes about this world is the combination of that, how lethal, but sometimes how inept or how unsophisticated some of these actors are, that factor that is hard to portray in the best series this question of ineptitude of the mix of sophistication and coincidence and sort of human flaws, I think when that is draw out in series, that is when they’re at their best, because I think that is very human and that is very real. There is still a sense of the drug lords in Mexico. You know people talk a lot about Chapo Guzman, who was just captured.
The thing about Chapo Guzman is he was kind of the last of the drug lords of his style, and one of the reasons that Mexico was so violent, and the drug violence and drug corruption has gotten so bad is precisely because the generation of drug lords like Chapo Guzman has kind of died out, and the people who run most of the cartels now, the cartels are adamized and fragmented for one thing. And the other thing is what you have is a phenomenon, is as the drug lords like Chapo Guzman have faded out, the trigger men, the gun men, who pretty much resolve everything through violence have risen.
So it’s not to say that Chapo Guzman and the Arellano-Felix brothers whom I covered in Tijuana years ago and others, weren’t violent. They were bloodthirsty and sadistic, but they also had a sense of when to corrupt, rather than kill, when to do packs, when to, how to, how to, how to approach this as a, as a business, as a violent business, but a business, none the less. Whereas the drug cartels like the Zetas, and some of the remnants of other cartels that have risen, the Zetas were former commandos in Mexico actually military men who took over and created their own cartel. Pretty much they resolve everything through violence, so people think about a drug lord sort of sitting on a throne somewhere and running this vast empire and it’s much more a series of smaller, very anarchic, dangerous, chaotic empires, that are, you know, that have been splintered and fractured and that unfortunately has created more violence and not less.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.