Since 1775, the Marine Corps has been involved in some of the most epic battles in military history. From the flag raising at Iwo Jima to kicking down doors in Fallujah, it’s pretty much a guarantee that a Navy Corpsman was right next to his brothers during the action.
The bond between U.S. Marines and their Corpsmen is nearly unbreakable.
Richard Linklater sheds a charismatic light on this tight brotherhood in 2017’s “Last Flag Flying,” starring Steve Carell, Bryan Cranston, and Laurence Fishburne.
What many people don’t know is that the Marine Corps doesn’t have an independent medical section. Since the Corps falls under the Department of the Navy, the majority of the medical treatment Marines get in the field is through the Naval Hospital Corps — except for reservists, who have different options.
Navy Corpsmen have fought with their Marine brothers and sisters in “every clime and place” since their creation. They train with their Marines in nearly every single aspect of warfare. The experiences — and hardships — they go through together builds a tight-knit bond of respect that lasts well beyond their service together.
HM2 Lamonte Hammond and HM3 Simon Trujillo from Bravo Company, 1st Battalion, 5th Marines treat a wounded Marine during a firefight in the Helmand province, Afghanistan. (Source: Cpl. Artur Shvartsberg)
On multiple occasions, the “Docs” have run into harm’s way to render care to their wounded brothers — that tradition and heroism carries on to this day.
The Geneva Convention states that Corpsmen are technically non-combatants and are only supposed to discharge their firearms to protect their patient — but that’s no fun.
In the film Last Flag Flying, Larry “Doc” Shepherd (Steve Carrell), is a former Navy Corpsman and Vietnam veteran who loses his only son during the Iraq war.
Faced with tragedy, Shepard looks to reunite with his former Marine brothers for their most crucial mission yet: To bury Shepherd’s son and ultimately reconnect the brotherhood they shared 30 years ago.
Back in 2008, Samuel L. Jackson’s Nick Fury emerged from the shadows to talk to Tony Stark (Robert Downey Jr.) about “the Avengers initiative.” Now, 11 years and more than 20 films later, Marvel has released an alternate version of that famous post-credits scene, and it’s pretty surprising. Not only is the scene a bit longer than the 2008 release, but it also somehow teases both Spider-Man and the X-Men, even though neither was anywhere close to the MCU at that point in time.
On Sept. 14, 2019, at the Saturn Awards, Marvel boss Kevin Feige screened an alternate version of the famous Nick Fury post-credits scene. You can watch it right here.
In the scene, Nick Fury complains about “assorted mutants” and “radioactive bug bites” obvious references to both Spider-Man and the X-Men. At the time, in 2008, Iron Man was distributed by Paramount Pictures, and the umbrella term of “Marvel Studios” and the idea of the Marvel Cinematic Universe was still fairly new. Obviously, the rights issues to the X-Men were still owned by Fox at that point, and Spider-Man was still with Sony. Still, it seems like this scene cleverly got around those issues by not outright naming Spider-Man or the X-Men, specifically. (Though, it’s conceivable that the term “mutants” was maybe too far, in terms of legality at the time.)
The interesting thing is, that now, of course, Spider-Man has been a part of the MCU, and the X-Men are set to be incorporated into the new Marvel canon at some point in the future. But now, it’s almost like Marvel Studios is retroactively saying that the X-Men were always a part of these movies because, in a sense, Tony Stark and Nick Fury already had a conversation about them. We just didn’t see that conversation the first time around.
At this time, there’s been no official announcement about reboot X-Men films in the MCU. But, that could change any day now.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
If you’re looking to make a movie about the Afghanistan War, it should be obvious that you’re not going to be filming in Afghanistan itself. We’re coming up on the 19th anniversary of the war’s beginning, and things are still far too violent in the country to allow a movie crew to work safely.
That hasn’t stopped Hollywood from making films about the war, and they’ve tried multiple locations around the world in an attempt to capture that unique Hindu Kush vibe.
Movies like “Rock the Kasbah” have traveled to Morocco, a country that has also been a stand-in for Iraq (“American Sniper”), Libya (“13 Hours”) and Somalia (“Black Hawk Down”). The Gen. David Petraeus-inspired satire “War Machine” filmed in Abu Dhabi.
Most recently, “The Outpost” was filmed in Bulgaria, a Balkan nation with mountains that did a convincing job of subbing for Kamdesh, Afghanistan. Director Rod Lurie told Page Six that he originally wanted to film in Morocco, but local rules made that impossible.
“Places to film were Bulgaria or Morocco, but Morocco wouldn’t allow us to bring weapons. Soldiers need weapons. Morocco needed to know how many blanks we’d fire. So we went to Bulgaria. Great equipment, crews, props, makeup people. We stayed in a castle in Sofia.”
Things certainly have changed in Morocco since Ridley Scott made “Black Hawk Down” in the African country back in 2000.
Morocco, Bulgaria, Abu Dhabi. They’re all far from home and expensive. What if there was a location that was a quick two-hour flight from Los Angeles, gave excellent tax credits to motion picture companies, and had killer cuisine based on a local variety of chiles?
New Mexico welcomes you. The state has a booming movie and television economy and has been home to television series like “Breaking Bad,” “Better Call Saul,” “The Night Shift,” “Longmire,” “Get Shorty” and “The Brave.”
It’s also been a location for movies like “The Avengers,” “Only the Brave,” “No Country for Old Men,” “Hostiles,” “Hell or High Water” and “Logan.”
New Mexico’s got the infrastructure and the crews, and it’s got the mountains and desert that have allowed three outstanding movies to tell stories about Afghanistan.
Let’s all hope that someday we get to see a great movie about Afghanistan that’s actually filmed there because the country has found peace and stability.
In the meantime, here are the best Afghanistan war movies shot in New Mexico.
Director Peter Berg and actor Mark Wahlberg began a long and fruitful collaboration with this movie based on Navy SEAL Markus Luttrell’s memoir about the 2005 Operation Red Wings mission to capture Taliban leader Ahmad Shah.
Luttrell was the only team member to survive the mission. Michael Murphy, Matthew Axelson and Danny Dietz lost their lives in an ambush after the team elected not to kill a young goat herder who stumbled across the mission.
The movie, nominated for two Oscars, proved there was an audience for well-made military films about our modern wars and kicked off a cycle of successful military films. Berg and Wahlberg have gone on to make “Deepwater Horizon,” “Patriots Day,” “Mile 22” and “Spenser Confidential.”
Whiskey Tango Foxtrot
Based on journalist Kim Barker’s Afghanistan War memoir “The Taliban Shuffle,” “Whiskey Tango Foxtrot” stars Tina Fey as “Kim Baker,” a television journalist who learns the war correspondent ropes from journalists played by Margot Robbie and Martin Freeman.
Billy Bob Thornton shines as Baker’s primary military contact, and Nicholas Braun (now famous as Cousin Greg on “Succession”) plays her cameraman.
It’s hard to believe that it took until 2018 for Hollywood to make a movie about the legendary “horse soldiers,” the Green Berets who landed in Afghanistan in early October 2001 to lay the groundwork for the overthrow of the nation’s Taliban government.
Maybe they were waiting for the war to be over. Maybe they were worried how to film the horseback riding battle scenes while working with unfamiliar animal handlers in a foreign country.
Whatever the reasons, Black Label Media stepped up and figured out that it could make the movie in New Mexico after working there to film “Sicario,” “Only the Brave” and the sequel “Sicario: Day of the Soldado.”
Chris Hemsworth, Michael Shannon and Michael Pena star as Green Berets based on the real men who led the critical mission that began our military response to 9/11.
“We’ve passed on all we know. A thousand generations live in you now. But this is your fight. We’ll always be with you. No one’s ever really gone.”
A few more surprise credits include Mark Hamill’s Luke Skywalker (who, in addition to providing great trailer voiceover, will return, I suspect, as a Force Ghost, which really is canonically what they’re called) and Carrie Fisher’s Leia Organa (via archived footage reportedly from filming The Force Awakens).
OG Force Ghosts from Return of the Jedi.
Since J.J. Abrams’ highly anticipated release of The Force Awakens, it’s been clear that this trilogy is designed to pass the torch to the next generation of characters, including Daisy Ridley’s Rey, John Boyega’s Finn, Oscar Isaac’s Poe Dameron, and of course, (U.S. Marine) Adam Driver’s Kylo Ren. Episode IX will close out the triptych.
According to Disney CEO Bob Iger, this film will also close out the Skywalker saga, prompting the franchise to take a little hiatus.
“We have not announced any specific plans for movies thereafter. There are movies in development, but we have not announced them. We will take a pause, some time, and reset because the Skywalker saga comes to an end with this ninth movie. There will be other Stars Wars movies, but there will be a bit of a hiatus,” Iger told Bloomberg.
Challenges for this film will be to provide a satisfying resolution to a storyline that has spanned 40 years with some of the most beloved characters ever created (and a fan base whose vitriol has the capacity to rival even the military community’s yes I am looking at you in the YouTube comment section of our Mighty Minutes…).
More than that, Episode IX will also have to resolve the battle raging in Kylo Ren, the trilogy’s main antagonist — who also happens to be the son of Leia and Han Solo. That’s a lot to ask of one movie, but no matter what happens, it’ll be fun to watch it play out.
I get the sense that her family background will actually be significant…
(Lucasfilm’s Star Wars: Episode IX)
Should someone tell these guys that Rey is taking on a TIE fighter (variant unknown).
(Lucasfilm’s Star Wars: Episode IX)
The look on Billy Dee Williams’ face when he finally got the call from Disney.
(Lucasfilm’s Star Wars: Episode IX)
Star Wars: Episode IX – The Rise of Skywalker will open on Dec. 20, 2019, and the good tickets will sell out so buy them early and maybe buy some extra to sell on ebay. You’re welcome. And may the Force be with you, obviously.
“Whiskey Tango Foxtrot” was an ambitious project for Tina Fey to undertake for a couple of reasons: First, it’s a drama and not a comedy. Second, she plays a journalist embedded with the U.S. military in Afghanistan, which means the movie tees up a lot of military details that Hollywood has a history of getting wrong — much to the chagrin of the military community.
But fortunately for Ms. Fey, the production team behind “Whiskey Tango Foxtrot” knew a few things about making a movie that deals with military subjects, not the least of which was understanding how to navigate the Pentagon’s approval process.
“Because of this script we had a need from the beginning to get the U.S. military to support the project,” producer Ian Bryce said. “The military does quite well to make these movies great.”
Bryce approached the Department of Defense’s director of entertainment media, Philip Strub, a guy he’d worked with before on other military-related movies. Strub had some reservations about whether “Whiskey Tango Foxtrot” ultimately presented the U.S. military in the right light.
“But we talked it through,” Bryce said.
Ultimately Bryce was able to convince Strub that “Whiskey Tango Foxtrot” was an accurate, positive portrayal of the American military experience, and so the effort got the green light from the Pentagon for direct U.S. military support. The crew wound up using Kirtland Air Force Base in New Mexico to replicate Bagram Air Force Base as well as the surrounding lands to replicate the wilds of Afghanistan.
The movie features Air Force pararescue airmen and their assets including H-60 helicopters and CV-22 tiltrotors. And although access to the real people and machinery made the shoot easier (and provided a greater guarantee of accuracy), Bryce pointed out that it still took a great deal of coordination to get the job done while honoring the fact that making movies wasn’t the U.S. Air Force’s primary duty.
“We recognized and embraced the fact that we were guests on a military facility,” Bryce said. “They are doing much more serious stuff.”
The digital HD version of “Whiskey Tango Foxtrot” has just been released and contains special features including an interview with the author of the original book, in-depth looks at life in Afghanistan and how war correspondents cope with stress, and deleted scenes. Look for the Blu-Ray version on June 28.
Check out more about “Whiskey Tango Foxtrot” here and here.
What if the Allies lost World War II and the United States was invaded by Japan on the Pacific Coast and the Nazis on the Atlantic? The Amazon Studios show “The Man in the High Castle” premiered in November 2015 to answer just that question. The second season of the show drops on Amazon on Dec. 16, 2016.
The show is based on the novel of the same name, penned by sci-fi legend Philip K. Dick. “The Man in the High Castle” is in good company; Dick’s other films and short stories include “Blade Runner,” “Minority Report,” and “Total Recall.” The Amazon Studios show does not perfectly follow the book, but stands tall on its own.
If you haven’t seen the first season, be advised: there are some minor spoilers ahead.
“The Man in the High Castle” is more than just an alternative history story. The science fiction element stems from the show’ namesake. Someone known as the titular “Man in the High Castle” is looking for films that appear to depict multiple timelines, including one in which the Japanese Pacific States and the American Greater Nazi Reich never exist.
The films are newsreels that show U.S., British, and Soviet forces defeating the Nazis. What’s more, one even shows the destruction of Japanese cities by an American superweapon. Now the Japanese and the Nazis are in an arms race as each try to capture as many of the films as possible. Resistance fighters are also looking for the films as the rest of what used to be America struggles under the boot of occupation.
Here are a few things we loved about the first season and some things we’re looking forward to for the next.
1. Seeing Juliana’s face as she watched a film for the first time.
When Juliana first discovered the films, she watched it (over and over) in her apartment. The film showed D-Day, the Japanese Surrender, the liberation of Paris, V-J Day, and the fall of Berlin. The look on her face was everything.
2. Googling Canon City to see if it’s a real place (it is).
In the show, there is a sort of neutral zone between the two Axis powers, and it looks like it encompasses the Rocky Mountains. Basically an ungoverned space, it’s the place to go for anyone seeking to leave the heavy-handed brutality of the Reich or the Japanese States. Canon City is what’s left of the former United States.
Everyone’s favorite movie friend is in the cast too, playing Juliana and Frank’s friend (duh), Ed McCarthy. Ed does everything he can to keep Frank out of trouble and help Juliana escape capture by the Kempeitai. Now that Inspector Kido think’s he’s the would-be assassin of the Crown Prince, what will Frank do?
5. Obergruppenführer John Smith is an awesome villain.
Cold, calculating, and murderous, the great thing about Obergruppenführer Smith is that he honestly believes he’s on the right side and will do anything to further Hitler’s Reich. Plus, he throws unsuspecting people off of buildings. It will be interesting to see if there’s any weakness in his resolve now that he has to kill his son.
We also like saying the word “Obergruppenführer”. (Amazon Studios)
6. There’s a Cold War coming.
It’s 1962 and Hitler is close to death. Everyone seems to think that the fragile peace between the two Axis powers is only because Hitler is still alive. Once he dies, everyone predicts a coming war. To stave off impending conflicts, the Japanese “acquire” a superweapon from a Nazi turncoat. Now both sides have the ability to destroy each other and the world.
7. Trade Minister Tagomi tasted freedom.
Tagomi, who never seemed to be fully into the full-on oppressive occupation of America, suddenly ended up in the alternative history (that is, the real history as we know it, where America won WWII) and stepped into 1960’s San Francisco. It’s probably likely this experience significantly changed his character.
“Transpecos,” winner of the SXSW Film Festival’s Audience Award, deals with what happens to a Border Patrol agent when he gets dragged to the other side by a drug cartel. It’s an impressive directorial debut from independent filmmaker Greg Kwedar.
Kwedar, whose work includes commercials, documentaries, and short films, took six years to make “Transpecos.” To research the film, he worked with the U.S. Border Patrol, an agency that’s reluctant to share its methods – for good reason. Their mission isn’t just keeping illegal immigrants out of the United States, they’re also fighting a massive, brutal enemy with unlimited funding and firepower, and no rules.
“Transpecos” is the story of three Border Patrol agents, a rookie named Davis (played by Johnny Simmons), a seasoned professional, Flores (Gabriel Luna), and salty veteran Hobbs (Clifton Collins, Jr.). They man a remote checkpoint somewhere near the U.S.-Mexican border. When one stop goes from routine to nightmarish, all three end up fighting for their lives.
“There’s this famous Western line: ‘silver or lead?,'” says Greg Kwedar, the director who co-wrote the script with Clint Bentley. “Money’s not a vulnerability for everyone. They [Border Patrol] have higher standards to live by. The leverage can be their own personal safety or that of their family. If an agent can rise above that then the cartel might say, “Who do you care about? We’ll use them.”
That’s exactly what happens in the film. Drug cartels use an agent’s family to force him to allow shipments of cocaine across the border. The Border Patrol agents find themselves torn between duty and family, between fulfilling their mission and protecting their own.
(Samuel Goldwyn Films)
To get access to the real Border Patrol agents Kwedar and his team went out into the desert and got lost (or pretended to be) in the hopes of finding agents who were on the job — a highly unorthodox and potentially dangerous process.
“Once they realized we weren’t antagonistic, that we really wanted to know more about them and their work, they really opened up to us,” Kwedar says. “They invited us into their world and from that we found real friendships, running the gamut from grabbing a beer in a one-stoplight town to sitting down with their families at dinner.”
The characters – Davis, Flores, and Hobbs – are the heart of the film. The Border Patrol depicted in “Transpecos” could just as well be any military checkpoint or remote combat outpost anywhere in the world. It’s hot and desolate. The guys manning the checkpoint can be just as bored as any troops on deployment at any given time. They even have to go out on foot patrols.
“It was 110 degrees Fahrenheit on some of those days,” says Johnny Simmons, who portrays the green Agent Davis. “Our boots were melting, we were covered in sweat at the end of the day when we took off our Kevlar. My brother is a Marine and working on this film brought me a little closer to what it must be like for him … only he and so many others do it every day.”
The credit for this realism goes to the film’s technical advisor, Sam Sadler. Sadler is a retired Border Patrol agent who joined the service at age 17. Before he retired, he was the second in command at Deming Station, New Mexico, the area where “Transpecos” was filmed. He rode ATVs; he rode horseback. He tracked people through the desert by their footprints, the way Native American tribes used to – a practice still in use by agents today. By the end of his 25 years on the border, Sadler was the go-to guy.
“[Kwedar and Sadler] gave us a great roadmap to the script,” said Clifton Collins, Jr., who plays the experienced, by-the-book Agent Hobbs. “They took us off the leash in regards to the research and I really brought a lot of that to the table.”
At heart, Kwedar made the film for Border Patrol agents and their families. Sadler taught the actors the protocol and search methods to make sure they got the details right.
“These guys are so isolated, and it takes a special person to be able to do that,” Gabriel Luna, who plays Agent Flores, said. “Working on this film really cleared up my view of the Border Patrol. These men and women are just regular people. They’re human, they’re doing this job day in and day out, and it’s such an incredible thing.”
“Transpecos” is now available nationwide on demand and digital including Comcast, DirecTV and iTunes. It will be released on DVD September 27, 2016.
Meet Spoiled.io — the bane of all your friends who love “Game of Thrones.”
For just $0.99 per episode, Spoiled.io will automatically and anonymously send out a text to any phone number that ruins the newest episode of the hit HBO fantasy series. The messages will be sent after each episode airs, so it’s perfect to use for those friends who watch “Game of Thrones” after it first airs on TV.
Spoiled.io charges $0.99 per spoiler, or $4.99 to send out spoilers for all of the six episodes in the upcoming season. Season 8 airs on HBO on Sundays starting April 14, 2019, and is the final season of “Game of Thrones.”
“For just .99 USD, Spoiled will anonymously and ruthlessly text spoilers to your unsuspecting friends after each new episode airs,” Spoiled.io says on its website. “Afterwards, sit back, relax, and view your friends’ responses.”
The spoiling texts service first emerged in June 2016 before the final episode of the sixth season of “Game of Thrones.” Spoiled.io published to Twitter the responses it got from unsuspecting people who had the episode spoiled for them by the texting service.
The developers of Spoiled.io, Spoiled Rotten, told Business Insider back in 2016 that the texting service was only ever supposed to be a simple side-project. But they quickly amassed “a couple hundred” users.
“I don’t think we’ll be quitting our day jobs anytime soon, but the response has far exceeded our exceptions and made us question ways we could expand,” Spoiled Rotten told Business Insider.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
Netflix dropped its latest British TV series on March 29, a spy thriller set at the end of World World II.
“Traitors” is streaming globally exclusively on Netflix outside of the UK and Ireland, and airs on the UK’s Channel 4 network. It stars “Call Me by Your Name” actor Michael Stuhlbarg, Emma Appleton, and Keeley Hawes.
Netflix describes the series like this: “As World War II ends, a young English woman agrees to help an enigmatic American agent root out Russian infiltration of the British government.”
Netflix has built a library of British shows in its effort to draw worldwide audiences, many of which are co-productions with UK networks. The strategy benefits both Netflix and British TV networks like the BBC, as the shows reach a wider audience and can reel in potential subscribers.
Other British shows Netflix has acquired include “The Last Kingdom,” which wasn’t a hit in the UK but found a worldwide audience; “The End of the F—ing World,” which Netflix renewed for a second season; and “Bodyguard,” which was nominated for the best drama series Golden Globe this year and won the Globe for best actor in a drama series for star Richard Madden.
From left to right: Luke Treadaway, Michael Stuhlbarg, Emma Appleton, Keeley Hawes, Brandon P. Bell.
(‘Traitors’ on Netflix)
Critics are mixed on “Traitors” but leaning positive. “Traitors” has a 71% Rotten Tomatoes critic score. Den of Geek called it a “satisfyingly grown-up spy thriller,” but others criticized how it takes historical liberties.
“I don’t usually mind this kind of revisionism; can appreciate, revel in its freshness, its new eyes, but this is in mild danger of being slathered on with a trowel,” Observer’s Euan Ferguson wrote. “It’s always heartily good to keep an open mind. Maybe not so open that your brains fall out.”
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
The final trailer for Joker debuted online Aug. 28, 2019, giving viewers more information about the plot, introducing several new characters (including Robert De Niro as a talk show host), and taking a deeper look into the mind of Arthur Fleck as he transforms into the titular villain. The trailer is already drumming up Oscar buzz for Joaquin Phoenix and is getting a positive response across the board. But there is still one thing fans may be asking after watching: Where is Batman?
Since the movie was first announced, people have wondered if it would be connected to the Batman universe or function as a standalone film just focusing on the Joker. Based on the final trailer, it initially seems Joker may be the latter, as there is no sign of the caped crusader.
However, while Bruce Wayne may be nowhere to be found, we do meet a character who has a clear connection to the crime-fighting billionaire: Bruce’s dad Thomas (played by Edward Cullen). He is only in the trailer for a brief moment but his screen time is memorable.
“Is this a joke to you?” Thomas asks a laughing Fleck before punching him in the face.
It’s an interesting choice to potentially have the Joker exist long before Batman because, in the comics and movies, the Joker is often depicted as a direct reaction to Batman. A destructive force of chaos that fights against Bruce Wayne’s never-ending fight for order and justice. Instead, the trailer implies that this version of the character emerges as a response to the bitter, cruel world that laughs at his miserable existence.
Or maybe the real twist will be that when Fleck finally reaches the point of no return, his first act as the Joker will be killing Thomas and Martha Wayne, unknowingly creating his future nemesis. It would be a clever callback to Tim Burton’s Batman movie and a nice way to set up a potential larger cinematic universe.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
The flawless Gal Gadot, a military veteran herself, returns as Diana of Themyscira, a warrior empowered by love. Wonder Woman 1984, directed by Patty Jenkins (the woman who helmed the highly successful 2017 film), also brings back Chris Pine’s Steve Trevor (who has been presumed dead since 1918).
This trailer also introduces Kristen Wiig and Pedro Pascal as classic DC villains Cheetah and Maxwell Lord respectively.
Set to a remix of New Order’s Blue Monday, the trailer gives us mystery, 80s glam, and plenty of badass Diana.
“Nothing good is born from lies and greatness is not what you think,” declares Diana, probably to Lord, a power-hungry businessman known for tampering with questionable technologies and powers.
He should probably listen to her because that lasso doesn’t just force people to tell the truth — it can literally Spider-Man her across lightning.
Looks like she’s also upgraded her armor. I can already see the cosplayers gathering up their gold…
The long-awaited trailer premiered at Brazil’s Comic Con Experience and the film will hit theaters June 5, 2020.
America’s favorite Gunny Sergeant, R. Lee Ermey was famous for his portrayal of Senior Drill Instructor Gunnery Sergeant Hartman in Full Metal Jacket. Ermey also went on to host a History Channel show called Mail Call, where he answered viewer questions about weapons, equipment, and military culture.
Lucky for us, the bloopers from Mail Call are available to watch — and they’re amazing. In Ermey’s own words,
“Now a SNAFU [Situation Normal: All F***ed Up] can come at any time at any size and at any shape and when things get screwed up, well, the Gunny just can’t hold his tongue… and that’s why you’re never gonna see this stuff during prime time!”
Check out this video to catch some incredible bloopers, in which Ermey somehow manages to make the f-bomb as wholesome as it is hilarious:
One of my favorite moments is at 2:20 when Ermey says, “Well, John, the answer to your damn, stupid-ass f***in’ question here…” before he dissolves into laughter.
The best thing about blooper reels is how they show the real personality of the actor — in this case, we get to see that Ermey had a great sense of humor in addition to abundant intelligence and a good nature. The video feels like hanging out with an old friend. Every time Ermey cracks up, I crack up.
At 17:35, he tackles a malfunctioning Browning Automatic Rifle and it’s glorious — he’s not even phased. “A little malfunction. Pull. Push. Aim.” The gun goes off and he cackles victoriously.
The man knew what he was talking about, and he had fun doing it.
Watching the video, I had fun, too. It’s a must see, so raise a toast to Ermey and enjoy.
(U.S. Marine Corps photo by Cpl. Patrick M. Johnson-Campbell)
“Almost overwhelming, the urge to say jack s***, you know? Isn’t it?”
If there’s any single artistic medium that draws in a remarkable amount of veterans, it’s comic books. Oftentimes, it takes the mind of someone who has served in the military to create a truly believable, relatable superhero.
It’s widely known that many of the godfathers of the comic book industry served in the U.S. military. Stan Lee, Jack Kirby, and Syd Shores, for example, all fought in the Western Front in WWII. But many of the other writers and artists served, too — like these 6 creative minds.
Jim Starlin — Navy
Many of Marvel’s space-themed comics come from the mind of Vietnam War photographer and Navy veteran Jim Starlin. After returning home to Detroit, he initially made a living working on cars. Eventually, he broke into the comic book industry with many originals and revisions to existing cosmic characters.
Drax the Destroyer, Gamora, and even Thanos were all co-created by him. The Marvel Cinematic Universe’s ultimate MacGuffins, the Infinity Stones, and the much of the basis for the latest blockbuster, Avengers: Infinity War, come from Starlin’s storylines.
Humbly enough, she never wrote herself into a comic… even though she kinda earned it.
Alice Marble — OSS
Before becoming one of the first women to play a prominent role in comic books, Alice Marble lived an insane life. Not only was she a world-class tennis player but, during World War II, she served as a spy for the American government. She recovered from being shot in the back by a German agent and started to share her life through the adventures of Wonder Woman.
She served as the associate editor for Wonder Woman and was the creator of the Wonder Women of History strips. These shorts were page-long bookends attached to the end of each Wonder Woman issue that showcased the badassery of one woman per issue.
He’s also responsible for making superheroes jacked as hell under their spandex.
(Photo by Alan Light)
Curt Swan — Army
DC’s most respected artist of the Silver Age served in the Minnesota National Guard during WWII. Curt Swan was activated and deployed to Europe when his peers discovered his amazing gift for drawing. He was immediately reassigned by his superiors to make comics for Stars and Stripes.
After falling in love with a Red Cross worker (who he would eventually marry), Swan got a job at DC Comics, drawing Superman from 1948 until 1986. His ability to convey frenetic superpowers in print, like the iconic wooshings that show speed or the powerful impact bubbles that denote heavy punches, was heavily imitated.
He worked on ‘The ‘Nam’ with the next entry on this list…
Doug Murray — Army
Doug Murray served in Vietnam and later crafted what is considered one of the truest depictions of the war through his series, The ‘Nam. Remarkably, Murray was clever enough to stay true to the horrors and ugly sides of war while also keeping the Comics Code Authority happy.
The ‘Nam wasn’t pretty and touched on many horrific truths of war, but it cleverly hid its punches to get approved for publication. Outside of The ‘Nam, Murray also wrote the Weapon X series, which gave Wolverine his definitive backstory.
The ‘G.I. Joe’ character Tunnel Rat is entirely based on him and his life.
Larry Hama — Army
After fighting in Vietnam as a combat engineer and “tunnel rat,” Larry Hama began a career in acting before coming back to his childhood passion, comic books.
Not only did he work on The Warlord, Wonder Woman, and Batman for DC, but he earned his place as one of the Marvel greats when he took over the G.I. Joe comics and turned it into the deep franchise fans love today instead of just a line of generic military toys. He also co-created The ‘Nam, Wolverine, Punisher: War Zone, and Venom.
Sgt. Rock’s service number was Kanigher’s in real life.
Bob Kanigher — Army
There was a drastic dip in comic book popularity in the 1950s that nearly destroyed the industry. Only kids and troops read comics — and kids started losing interest. The day was saved when an Army veteran by the name of Robert Kanigher burst onto the scene.
He took over Wonder Woman after William Moulton Marston’s death and ushered in the Silver Age of Comics. His works include nearly everything in DC that wasn’t created during the Golden Age. His artistic baby, however, is one of the military and veteran community’s favorite comics, Sgt. Rock.