Since 1775, the Marine Corps has been involved in some of the most epic battles in military history. From the flag raising at Iwo Jima to kicking down doors in Fallujah, it’s pretty much a guarantee that a Navy Corpsman was right next to his brothers during the action.
The bond between U.S. Marines and their Corpsmen is nearly unbreakable.
Richard Linklater sheds a charismatic light on this tight brotherhood in 2017’s “Last Flag Flying,” starring Steve Carell, Bryan Cranston, and Laurence Fishburne.
What many people don’t know is that the Marine Corps doesn’t have an independent medical section. Since the Corps falls under the Department of the Navy, the majority of the medical treatment Marines get in the field is through the Naval Hospital Corps — except for reservists, who have different options.
Navy Corpsmen have fought with their Marine brothers and sisters in “every clime and place” since their creation. They train with their Marines in nearly every single aspect of warfare. The experiences — and hardships — they go through together builds a tight-knit bond of respect that lasts well beyond their service together.
HM2 Lamonte Hammond and HM3 Simon Trujillo from Bravo Company, 1st Battalion, 5th Marines treat a wounded Marine during a firefight in the Helmand province, Afghanistan. (Source: Cpl. Artur Shvartsberg)
On multiple occasions, the “Docs” have run into harm’s way to render care to their wounded brothers — that tradition and heroism carries on to this day.
The Geneva Convention states that Corpsmen are technically non-combatants and are only supposed to discharge their firearms to protect their patient — but that’s no fun.
In the film Last Flag Flying, Larry “Doc” Shepherd (Steve Carrell), is a former Navy Corpsman and Vietnam veteran who loses his only son during the Iraq war.
Faced with tragedy, Shepard looks to reunite with his former Marine brothers for their most crucial mission yet: To bury Shepherd’s son and ultimately reconnect the brotherhood they shared 30 years ago.
It’s safe to say that the vast majority of troops and veterans today have seen the 1997 film, Starship Troopers. It’s an expertly crafted film and its tasteful use of special effects (for late 90s, anyway) was beyond astounding.
The film is terrific in its own right, but Robert A. Heinlein’s novel, upon which the movie is (loosely) based, elevated the science fiction genre and has a place on nearly every single required reading list created by the United States military. If you’re a young private in the Marines or a battalion commander in the Army, you will be asked to read this classic — and this is why.
In case you were wondering, these were the Skinnies. 10,000 of them were killed with only one human death.
Technically speaking, the film was originally based off an unrelated script for a film called Bug Hunt at Outpost Nine until the production team realized that it only had a passing resemblance to the novel. This lead to many of the significant differences between the two and a drastic change of tone.
The adaptation of the original script to film lead to more of a statement on how propaganda affects the troops fighting in a war in a satirical manner. The novel, however, uses the Bugs as a stand-in character for some nameless enemy to focus in on the novel’s theme of the mindset of a soldier fighting a seemingly unstoppable force.
This is immediately made clear in the first paragraph of the novel.
“I always get the shakes before a drop. I’ve had the injections, of course, and hypnotic preparation, and
it stands to reason that I can’t really be afraid. The ship’s psychiatrist has checked my brain waves and
asked me silly questions while I was asleep and he tells me that it isn’t fear, it isn’t anything important —
it’s just like the trembling of an eager race horse in the starting gate.
I couldn’t say about that; I’ve never been a race horse. But the fact is: I’m scared silly, every time.”
Contrary to what you’d expect if you’ve only watched the film, they’re actually fighting a different alien than the Arachnids (at first.) The first enemies were called “skinnies” and were essentially just tall, lanky, human-like aliens that didn’t really cause a threat to the humans. Their entire Army is easily wiped out by just a single platoon but the prospect of war still frightened Johnny Rico, the stories protagonist.
Hate to break it to anyone expecting giant bug battles in the novel…but it’s fairly light on the fight scenes.
After the battle, the story flashes back to Rico’s time as a civilian before the Mobile Infantry. The idea of “service equals citizenship” had a different meaning in the novel. Despite the world being under the unified “Terran Federation,” the military and its veterans were treated as a higher caste than non-military people. You literally had to join the military to become a citizen.
This hyperbole was just as relevant in 1950’s society (as it is today in the military community). Despite the fact that signing up is a fantastic way to get benefits in our world, and definitely in the novel’s world, military service is often discouraged and looked down on — as demonstrated through Rico’s father.
The novel spends a lot of time in boot camp for the Mobile Infantry. It shows the deeper motivations about what it takes to be in the military — mainly the forced brotherhood, the “one team, one fight” mentality, and the loss of personal identity that comes with service. Which eventually leads to the “Bug War” when the Arachnids destroy Rico’s home city of Buenos Aires.
The novel also misattributes the quote “Come on, you ape, do you want to live forever” to an unknown platoon sergeant in 1918 — as if it wasn’t the greatest thing ever spoken by the greatest enlisted Marine of all time, Sgt. Maj. Dan Daly.
The troops are overzealous and believe they can handle it. Despite Rico being the only one personally affected by the attack, he’s also one of the only ones not to refer to the Arachnids as “bugs,” which was highly implied to have racial undertones. He instead keeps a level facade while remaining terrified. The first chapter happens around here. This is the exact mindset of many troops right before they’re sent to deploy.
When the Mobile Infantry arrives on Klendathu, it’s a complete disaster — the exact opposite of the battle with the skinnies. The Arachnids were massive and though the humans had the firepower, it was no match for the unstoppable numbers of their enemy.
Rico finally gets his chance to fight the Arachnids with the Rasczak’s Roughnecks. He and his men capture a Brain Bug and begin learning more about the “bug” society. It mirrored their own except the Warriors were the lowest caste fighting for an apathetic queen. Rico learns that aimlessly tossing troops at the problem would only result in more and more deaths.
The novel ends with a coda of the first chapter as Rico is about to make his drop onto Klendathu with confidence. He does this because he learned the value of military strategy — the one thing the Arachnids lacked.
Starship Troopers makes heavy parallels between the Mobile Infantry and Arachnids. It’s often incorrectly believed by casual readers, or those without knowledge of the military, that the novel promotes fascism and militarism — it doesn’t.
If anything, the novel explores the psyche of the troops as they head off into combat — it just utilizes an extreme science fiction setting to do it.
Project Blue Book is a mystery series about U.S. Air Force-sponsored investigations into UFOs from the early 1950s to the late 1960s. Dr. Allen Hynek teams up with Captain Michael Quinn to gather evidence to explain a plethora of phenomenons happening across the United States. I had the opportunity to sit down with the Creator of the series, David O’Leary, for an interview.
UFOs have been a lifelong passion for me, to be honest. I grew up in New York City and I remember going to E.C.E.T. as a little kid and leaving Reese’s Pieces on my window sill. When I was nine years old, I dragged my father to see this famous UFO encounter movie called Communion, [which is] a book that they turned into a movie starring Christopher Walken. I dragged my father to this scary, real-life abduction movie when the it came out in 1989.
Given the fact that, in many cases, people are embarrassed or reluctant to talk about [their experiences,] I very quickly came to assess, these are not attention-seekers looking a weird form of fame, but they genuinely encountered something strange and they’re trying to make sense of it.
My focus, initially, was sort of present day, what was happening with UFOs in the 80s and 90s — that’s when I really started to educate myself. America has this sort of strange and mysterious history in regards to this phenomenon. You can’t look at that without looking at the premier official investigation into UFOs, which was of course, Project Blue Book.
It baffled me that, for 17 years, between 1952 and 1969, the U.S. Air Force was officially looking into these matters and going out there and investigating cases. What baffled me even more was the fact that the chief scientific adviser of Project Blue Book, a civilian astrophysicist who is a complete UFO skeptic with a trained eye, tries explain what people are seeing in the sky and emerges on the other side as a believer. Not only in the notion that UFOs represent an intelligence in our skies that we have yet to understand, but also in the fact that Project Blue Book was, in part, a disinformation campaign.
He spent the rest of his life going out there and investigating cases and wrote several books on the subject.
I thought, what if we did a television show rooted in fact, where every week we looked into these different cases that happened and examine them just like Hynek examined them in Project Blue Book?
The cast includes many high-ranking officers who deny Hynek’s findings. How true-to-life are these responses from the military?
Very accurate. One of the people I was able to meet was the last living director of Project Blue Book, his name is Lt. Colonel Robert Frend. He was a Tuskegee Airman in World War II and he’s 98 years old. He worked with Hynek and Project Blue Book. He was instrumental in the information on a day-to-day basis — what did Project Blue Book look like? How did it function? How did they get reports? How did it work when they went to examine cases? How did cases come in?
He spoke to high-ranking men who could come and go as they please that would take their files, examine their files, and change their files. [On one hand,] there was the public face of Project Blue Book and then there were the generals who controlled Project Blue Book with their own agenda. Our main characters are the men stuck in the middle.
These sightings began at the start of the Cold War. Did our deadlock between the Soviet Union influence the decisions to keep the investigations classified?
Oh yeah, majorly. UFOs, even during World War II — they would call them “foo fighters” then — both sides of the conflict were seeing things in the sky. Each side was convinced that the other side had some sort of technology that would emerge once the war was over. The war ended and nobody claimed responsibility for what they were seeing. Certainly, as we move into the 50s, five or six years after World War II, most historians believe that that’s when the modern UFO era began — Roswell, Kenneth Arnold, “flying saucers” was coined, all that. It became again this notion of: Is what we’re seeing in our sky some sort of weaponry? Aircraft? Intelligence-gathering device that the other side has that we’ve miscategorized?
A lot of sightings would occur over military bases and weapons tests and that was a genuine fear. “Oh my gosh, the Russians have a technology that is surveying our bases!” UFO sightings were also happening in Russia, but they were not as well known. The U.S. Government was the only one that launched an official investigation into these matters, at least at first.
It became this idea that flying saucers might be man-made technology that we couldn’t fathom yet, and that they were built by our enemies. That was just as scary as anything. On the show, we tried to remain true to that aspect of it. Are we dealing with the Russians or not?
US Fighter Jets Encounter Unknown Flying Object [UFO] – With Pilots Audio
I’ve worked for the government before and it is incredibly hard for them to admit to investigations, even if they’re declassified. Were there any barriers in your way when you were gathering research for this project?
Fortunately, through the Freedom of Information Act, the Project Blue Book files are now in the National Archives and are searchable online. Although this was not always the case. It used to be, for many many years, the only way to access these files was to literally go to Washington D.C. and ask for them, one at a time.
Another barrier that I think is sort of interesting is that the official [statement] from our government is Project Blue Book. The official answer today is, “Listen, we’ve looked into this matter for 17 years, from 1952 to 1969, until Project Blue Book was closed after it was deemed that UFOs do not pose a threat to National Security.” The Truth is, that’s not when the government stopped investigating UFOs. The New York Times did this incredible piece on the -million-per-year program where they were researching UFOs. It became clear that the seriousness with which the military takes UFOs has never gone away, it’s just been removed from the public sphere all together.
Now they claim that that program is closed as well, but what can you believe if they said this matter was put to rest in 1969 and then you find out as recently as a couple of years ago, there’s another program looking into the matter, too. They were willing to spend million of taxpayer money researching this — and that’s just what we know about. I’m sure there are many others.
(Wright-Patterson Air Force Base)
There’s a good probability some of our audience may have had grandparents stationed on bases that appear during the show’s timeline. What locations can we expect to see in the arc of the show?
We go to Fargo, North Dakota, to look into a famous case that happened near a military base there. We to go to Texas, West Virginia… I don’t want to give them all away because I want people to be surprised by the cases we examined. Even if we give some of them away in the trailer, we still travel the country. We wanted to showcase the totality of this phenomenon across the country, and we go to Washington D.C. itself at one point.
What I think is nice about each episode is that they end up having a particular flavor to it. If we’re going into the South, you feel it. If we’re in the Pacific North West, you feel it. If we’re in the middle of the country or a big city like D.C., each episode has a different vibe.
Of course, Wright-Patterson Air Force Base, plays a huge role [because] that’s where Project Blue Book was based in Dayton, Ohio.
Do you personally believe that we are not alone in the universe?
I do, I 100% believe we are not alone in the universe. I think the fact that we’re one planet, orbiting in one solar system, amongst many solar systems, in one galaxy amongst many galaxies says enough. There is a line on the show that I wrote,
“The probability of us being alone in the universe is zero.”
That is something I certainly believe.
[However,] in regards to what UFO themselves are, I keep an open mind. I’m in the Dr. J. Allen Hynek camp of thought. I really do believe that UFOs are real and that they do represent an intelligence in our skies that we have yet to understand. I’m as open to [the idea] as he was, but he never explicitly said “aliens.”
He expresses an extraterrestrial hypothesis among others, such as inter-dimensional phenomenon, time travel, suggesting that UFOs are a life form that evolved on the planet that we are yet to understand, or extraterrestrial artificial intelligence. He lays out all these different theories.
Is there anything you’d like to say to our service members and veterans?
I’m so happy and feel so fortunate that we can talk to you guys as a military representation in film and media. There’s so much show content written [in that area], and I know our actors did a ton of research, especially Michael Malarkey, who plays the young Air Force Captain. He really wanted to understand what it was like being in the Air Force back then — he actually grew up in Ohio and had a friend stationed at Wright-Patterson Air Force Base. He asked if he could hop into a plane because he needed to know how it feels to really fly and be one of those guys.
I’ve gotten close with Michael Harney, who plays one of our generals on the show. His character was originally inspired by a few different generals and General Hoyt Vandenberg. He went down the rabbit hole: Who are these men? What is it like to be that high-ranking of an official? What kind of weight of the world do they hold?
To the viewers and the readers of We Are The Mighty, we really do make the effort to get the military aspects of the show correct. I’m sure there’s going to be something we failed at, but we did have military advisers.
There are plenty of skeptics, believers, and people in between. The show walks that fine line. Even if people say we went deep into X-Files territory or something like that from the trailer, they will be pleasantly surprised to see not everything is as it seems. There are always two answers to every story because the truth is, simply, we don’t know. The show tries to keep an open mind while rooted in real-life findings.
The third episode of the hit series, Project Blue Book, premieres on HISTORY on January 22 at 10PM PST, 9 central. Be sure to catch new episodes each week as they’re released!
It’s the classic battle between masters of the martial arts.
Snipers embody the best of stealth, reconnaissance and camouflage and are at the top of their game when it come to dispatching targets with precision from a great distance.
“One shot, one kill” is no joke.
And when it comes to the best way to combat an enemy sniper, there’s no better weapon than a good guy sniper.
But what happens when the bad guy turns the tables and the good guy becomes the hunted? That’s exactly what happens in the new film from Amazon Studios and Roadside Attractions titled “The Wall.”
Starring Aaron Taylor-Johnson and WWE superstar John Cena, “The Wall” depicts a sneak attack on a U.S. sniper team in Iraq by a diabolical enemy sharpshooter called “Juba,” played by Laith Nakli. The movie explores the psychological jiujitsu from each side as they try to outmaneuver one another in a battle where moving an inch in the wrong direction could mean certain death.
The enemy sniper from “The Wall” is loosely based on the infamous insurgent sharpshooter with the Juba nom de guerre in Iraq. The real Juba was reportedly killed by ISIS in 2013.
With the recent success of military genre films such as “American Sniper,” “Lone Survivor,” “Fury,” and a slate of more military movies and shows currently in production, Hollywood is becoming more veteran-friendly.
There are even organizations set up to support veterans pursuing careers in film and television and recent hiring initiatives by entertainment companies targeting vets. When pursuing careers in entertainment, many think of the high-profile careers such as acting, directing, and producing, but there are many ways to find success in the industry.
Here are 11 veterans who are finding success in entertainment with some of the coolest jobs in Hollywood.
1. RON MEYER – Studio Executive
Ron Meyer is a Marine Corps veteran who went to Hollywood shortly after his discharge. He became a talent agent who — along with four other agents — founded the Creative Artists Agency (CAA) in 1975. He represented top talent like Tom Cruise and others, and eventually built the agency in to the world’s top agency representing the top 1% of all talent in entertainment.
From 1995 to 2013 he served as President and COO at Universal Studios, and was the longest-serving chief of a major motion picture company in the history of Hollywood. He currently serves as the Vice Chairman of NBCUniversal.
2. Lt. Col. Steven Cole – U.S Army Liaison to Hollywood
As the Deputy Director of the U.S. Army Film and Television Liaison office, Lt. Col. Steven Cole is responsible for facilitating the accurate portrayal of the U.S. Armed Forces when studios and production companies request it. Some recent military portrayals his office was responsible for included work on the films “Man of Steel,” “Godzilla,” aircraft in “Lone Survivor,” and work on the television show “Nashville.”
3. Amy Gravitt – Senior Vice President of HBO Programming
Amy served in the U.S. Navy, and as the SVP of Programming at HBO, she is responsible for developing and overseeing the production of original comedy series. She oversees the shows “Silicon Valley” and “VEEP,” and oversaw the hit series “Eastbound and Down” as well as “Entourage,” “Extras,” “Flight of the Conchords” and “Summer Heights High.”
4. Mark Semos – Technical Advisor
As a former U.S. Navy SEAL, Mark has become one of Hollywood’s top technical advisors. He’s consulted on recent films “Lone Survivor,” “Captain America: The Winter Soldier,” and the upcoming “Man Down,” starring Shia LaBeouf. Pictured above is Mark on the set of “Lone Survivor,” consulting director Peter Berg and his production team.
5. Jackie Perez – Executive Assistant to Chief Innovation Officer at CAA
Jackie is a U.S. Navy reservist who works at Creative Artists Agency, the world’s leading talent agency — with a roster of talent that includes Jennifer Lawrence, Tom Hardy, and Scarlett Johansson. She handles all things pertaining to CAA culture and implements innovative programs agency-wide.
6. Fernando Rivero – Senior Writer/Producer, On Air Promotions for FX Networks
Fernando is a Navy reservist who works at FX Networks creating trailers to promote their original series productions. He has created trailers for many FX shows including “The Americans,” “Justified,” “Archer,” and “Sons of Anarchy.”
7. Tim Norman – Director, Human Resources at DreamWorks Animation
Tim is a U.S. Army veteran who has worked in recruiting at DreamWorks Animation since 2007. Dreamworks is responsible for highly successful films like “Shrek,” “Kung Fu Panda,” “The Croods,” and “How to Train Your Dragon.”
8. Michael Moriatis – International Cinematographers Guild Local 600 Set Photographer
Michael did a career in the armed forces serving in the Air Force and retiring from the Navy. He took his skills as a photographer in the military and applied them to film and television, working his way in to the coveted IATSE Local 600, which represents the most talented camera professionals in the world. As an in-demand unit stills photographer, he regularly takes stills on the sets of major Hollywood productions.
9. Mark August – President of The Society of Camera Operators
Mark is retired from the U.S. Navy and now works as a camera operator in film and television. His talents and hard work have earned him the position of President of the Society of Camera Operators, an organization dedicated to the advancement of the art and creative contributions of the Camera Operator in the Motion Picture and Television Industries.
10. Rock Grant – Producer/Editor – Marketing Promotions at American Forces Network (AFN)
A U.S. Air Force veteran, Rock now works at the American Forces Network. His work includes attending and overseeing many AFN productions including red carpet interviews with Hollywood’s biggest celebrities to be broadcast to over 1,000,000 U.S. Military and DoD Civilians serving in 175 countries.
11. James P. Connolly – Comedian / Host
Establishing himself as a quick witted funny man while serving in the Marine Corps, James was tasked with writing jokes for his commanding officer. He took his comedic skills to Hollywood and has found success performing on stage at The Comedy Store, The Improv, and has performed on Comedy Central, HBO, and VH1. He is one of the most-played comedians on Sirius XM Comedy Channels.
Fighting fires is hungry work. And since firefighters spend long hours, even days, at the fire station, it naturally falls to some schlub rookie to lace up an apron and put food on the table. That’s normally how it goes.
But Meals Ready To Eat doesn’t profile normal.
In South Philadelphia, there’s a fire station where things go down a bit differently. That’s because the members of Philly’s Fire Engine 60, Ladder 19 are lucky enough to count a gourmet chef among their ranks. In fact, he outranks most of them. He’s Lieutenant Bill Joerger, he’s a former Marine and this kitchen is his by right of mastery.
It is a little weird for a ranking officer to spend hours rustling the chow. It’s a little strange that he goes to such lengths to source ingredients for his culinary art. It’s a bit outlandish when those meals are complex enough to necessitate a demo plate.
But Bill Joerger doesn’t care about any of that. When not actively saving lives, he cares about honing his cooking skills, eating well, and creating — in the midst of a chaotic work environment — some small sacred space where everyone can relax and just be people together.
“You have the brotherhood in the Marine Corps, and it’s the same as being in the firehouse…it’s some satisfaction for me to know that I’m producing a good meal for these guys after the things that we deal with on a daily basis.”
Meals Ready to Eat host August Dannehl spent a day with Joerger at the firehouse, experiencing the often violent stop-and-start nature of a firefighter’s day and, in the down moments, sous-cheffing for the Lieutenant. The story of how Joerger found his way from the Marine Corps to a cookbook and then to the firehouse kitchen is a lesson in utilizing one’s passion to impose some order in the midst of life’s disarray.
Movies are badass! That’s why producers spend millions of dollars making them. Sometimes the films we watch are so freaking compelling audience members forget they watching a movie and believe everything they see.
We’re all guilty of falling for it.
Many moviegoers get sold on the narrative as the story unfolds across the big screen — even to the point where the performances feel real, and the delicate line between truth and fiction becomes too thin to spot.
3. Wearing dogs tags outside of your shirt is okay…especially in PT gear.
As much as we love the film “Black Hawk Down,” Sgt. Eversmann is technically out of military reg for wearing his ID tag that way.
Shame on you for setting a bad example.
4. “Military grade” crap doesn’t freakin’ exist.
Hollywood and commercial marketing love to use this term to make products sound more durable and reliable. The truth is, the techy term sounds super authentic, but unfortunately everything we use in the military can break under certain conditions.
Like they say, “You take care of your gear, your gear will take care of you.” Write that down.
We’re not saying troops don’t take life and death chances while in battle — they risk their lives all the time. But when someone consistently puts himself or others at risk, it’s time to get rid of them.
You have no idea what the hell they’re planning on doing when the bullets start flying — not someone you want to ride into battle with.
There’s no doubt about it. Steven Spielberg’s 1998 war epic, Saving Private Ryan, was a masterpiece in every aspect of filmmaking. It won five of the eleven Academy Awards for which it was nominated. The immense scale of the invasion of Normandy was expertly recreated for film in a way that hasn’t been replicated since — and likely never will be.
Despite the massive war that characterizes the film, the movie’s primary conflict wasn’t between warring nations, but rather between Tom Hanks’ character, Captain Miller, and his duty to return Pfc. Ryan (as played by Matt Damon), who refuses to leave behind the brothers with whom he’d fought so far.
The film, being the masterpiece that it is, wraps the story up nicely, leaving few loose ends, but there’s that ever-burning question in Hollywood — how do you make that special lightning strike twice? How can you create another story surrounding the incomparable D-Day and find just as much success?
The truth is, simply, that you can’t. The story has already been perfectly told by one of the finest filmmakers in Hollywood at just the right moment. But that doesn’t mean that the story has necessarily ended…
What made this scene so great wasn’t the million put into it — it was Tom Hank’s reaction to everything happening around him.
As stated by Jack Knight of War History Online, there is serious interest in following-up Saving Private Ryan by continuing the story of the Rangers at D-Day and the mission that occurred at Pointe du Hoc. What made the beach landing scene so spectacular wasn’t the battle itself, but rather how the battle was seen — through Capt. Miller’s eyes.
The audience felt the immense gravity of war in a truly human way. In one moment, we’re listening to a guy joke on the landing craft; one second later, his blood is splattered on Miller’s face. This is the essence of what made Saving Private Ryan so great. World War II was just the backdrop to a more personal story, but the sheer, raw horrors of war were still very much present.
The audience saw the enemy in the distance, but the focus was entirely on the Capt. Miller. Any spiritual successor (or direct sequels) should keep that in mind.
It’s a grim reality, but it’s comforting in it’s own way.
Such a sequel, a movie that follows someone’s personal life after a major conflict, has been dreamt up before. One film, known as “the greatest war film never made,” that was to explore this theme was to be called The Way Back.
The 1955 film To Hell and Back was an amazing anomaly. It was the World War II experience of Audie Murphy, based on the autobiography of the same name that was written by Audie Murphy and David McClure, starring Audie Murphy himself. But this wasn’t the only film the war hero wanted to make. Everyone wanted to see his heroic stand on the back of the Sherman, but he never got the finances for the script that told the story of what happened after he was bestowed the Medal of Honor.
He struggled daily with post-traumatic stress. His family life was, to put it lightly, troubled. He turned to drugs and alcohol to cope with the pain. He even famously locked himself in a dirty motel room to kick his morphine addiction. He was lost in a world that wanted “him,” but not the real him. But he knew countless children looked up to him, so he put one foot in front of the other with a forced smile on his face.
This movie, were it ever made, would’ve been a powerful piece. Audie Murphy, arguably the greatest soldier to ever don a uniform, would’ve told everyone that not everything is fine when the war’s over. There’s a pain there that nobody can see, but many of us feel.
It’s not like there are too many war films out there specifically made for Post 9/11 vets. The bar is set kinda low…
War films are a dime a dozen in Hollywood and rarely will they have any impact on the public because they’re just action scenes after action scenes until the credits roll. If Hollywood really wanted a powerful message to send to the world, they could make a grounded story following the life of one of the Rangers after D-Day. Use Saving Private Ryan’s personal approach and make it about one soldier. They could keep the action scenes, but make them a background to the story of just surviving. Then, as Act II rolls around, shift the story to show how a returning soldier survives this world he left behind to fight in D-Day.
Hollywood could have their cake and eat it to while also sending a powerful message to the countless returning veterans of the Post-9/11 wars, telling them that they’re not alone.
The Vietnam War was one of the most politically charged military campaigns in American history. Scores of brave, young men were drafted into service to fight against the spread of communism and a well-trained North Vietnamese Army.
Each man who fought in the war came away with their own personal story. Oftentimes, those stories feed the creative process and are adapted to resonate with a wider audience. The result is a huge assortment of stories, told through books, feature films, or television series.
But for every great piece of media, there are plenty of not-so-good Vietnam movies and TV shows that hit the shelves. So, we’ve put together a list of classics that won’t ever get old.
Created by John Young and William Broyles Jr., the show follows Army Nurse Colleen McMurphy while she works at an evacuation hospital and USO center during the Vietnam War. The show featured various storylines of troops rotating in and out of the war.
Plus, the show’s opening credits showcased one of the most famous songs from that era: Reflections, as performed by the Supremes.
Fun fact: The title of the show, China Beach, refers to the nickname of My Khe Beach in the city of Da Nang, Vietnam.
Created by Steve Duncan and L. Travis Clark, the show initially aired on CBS in 1987 and followed a group of Army soldiers as they moved through the unforgiving jungles of Vietnam. It was considered the first dramatic television show to regularly display combat events in a narrative setting. Tour of Duty was intended to be the spin-off to Oliver Stone’s Platoon.
The show only lasted three seasons, but many Vietnam vets were fans of this short-lived series.
Directed by Michael Camino, the 1978 classic follows three lifelong friends from a steel mill town in Pennsylvania as they experience the grim realities of POWs in Vietnam. The powerful acting performances and gruesome Russian Roulette scenes are why the film took home the Oscar for Best Picture that year.
Directed by the late Stanley Kubrick, Full Metal Jacket is considered one of the greatest war movies ever made. It showcases the journey of a recruit who makes his way through basic training and is thrust into the dangerous, combative pit known as Vietnam in the late 1960s.
With Platoon, critically acclaimed writer-director Oliver Stone pulls from his own experiences (an Army veteran) to take audiences directly into one of the most politically charged times in American history. Platoon follows a young soldier, Chris Taylor, who enters the war as a complete newbie and exits full of emotional scars.
Based on the real events, We Were Soldiers focuses on the heroism and outstanding leadership abilities of Lt. Colonel Harold G. Moore. This intense war epic displays both the vigors of war on the frontlines and the emotional strife endured by faithful Army spouses back home.
“If you think this has a happy ending, you haven’t been paying attention.”
This chilling line, spoken with gleeful malice by Ramsay Bolton in season 3 of Game of Thrones, always felt like the closest thing the HBO show had to a thesis statement. From the very beginning, Game of Thrones has made it abundantly clear that it was not in the business of pleasing its fans. Heroes like Ned and Robb Stark suffered brutal, shocking deaths that highlighted the cruel and chaotic nature of the world of Westeros. Oberyn, a man seeking vengeance for the death and rape of his sister, was instead killed by the very man who murdered his sister. A young girl was burnt alive by her own father seeking to further his claim to the throne.
Even George R.R. Martin made no efforts to hide the story’s unabashed acknowledgment of darkness, as he famously alluded to Game of Thrones ending as “bittersweet.” So naturally, heading into the final season, we all braced for the worst. Would the White Walkers end up on the throne? Would Arya’s bloodlust overcome her, sending her on a John Wick-esque killing spree of all the leaders of Westeros, including her siblings? The possibilities seemed endless, which is why it was such a surprise to see that season 8, episode 6, ‘The Iron Throne’ ended on such an uplifting and optimistic note.
If you think this has a happy ending, you haven’t been paying attention…
Of course, this is Game of Thrones, so obviously, its version of a happy ending is quite different than what you might expect from a rom-com or buddy comedy. Over the course of the final season, several beloved characters died, including Jaime, Cersei, Jorah, Lyanna, and, of course, Dany, who was stabbed by her lover-turned-nephew Jon Snow just as she finally reached the Iron Throne. And beyond characters that we knew, countless soldiers and innocent civilians were slaughtered during Dany’s takeover of King’s Landing. Death was always an essential part of the show’s DNA, so it should come as no surprise that it remained a core component in the final season.
However, once Drogon symbolically roasted the throne and headed off with Dany’s corpse, the show suddenly took a tonal shift that could almost be described as cheerful? Bran is chosen as the King of Six Kingdoms and absolves Tyrion’s treason charges by casually making him his Hand. As a result, Bronn, Brienne, Sam, and Davos are all appointed to the high council, despite some of their questionable qualifications. Whether or not these moments were earned is up for debate but what’s not up for debate is the fact that this is about the happiest ending Westeros could have hoped for.
Moving forward, the Six Kingdoms won’t be ruled by a drunken marauder like Robert Baratheon or a cruel psychopath like Joffrey Lannister; instead, they will get Bran, an emotionless, altruistic being who barely identifies as human but makes up for it by having the ability to see the present and the future. He’s basically a superhero who has no personal desires, making him the ideal ruler to an almost absurd degree. And on his high council sit a ragtag crew of the most beloved characters in the show, who joyfully trade barbs and witticisms as their King heads off to figure out if he can warg into a dragon.
And beyond the kingdom as a whole, the show protected the Starks with a sense of mercy that even Ned would have found excessive. In the early seasons, no family suffered more than the Starks, as each member of the family gets about as close to a happy ending as you could expect for them. Obviously, Bran is King but Sansa gets to remain Queen in the North, as Bran agrees to grant Winterfell independence. Jon might not be sitting on the throne but that’s never what he wanted. And thanks to Greyworm’s laughably bad negotiating skills, Jon’s “punishment” is abdicating his responsibility to join the free folk up north. Meanwhile, Arya ditches Westeros to explore the great unknown, for some reason.
For longtime Game of Thrones fans, the last half of “The Iron Throne” may have felt like a jarring shift of pace because we suddenly went from gritty realism to a conclusion that felt very much in line with Tolkien’s Return of the King, right down to the heartfelt goodbye at the docks. None of this is to say that a happy ending was impossible for Game of Thrones; it’s just the show needed to earn the pivot of hopefulness that feels out of step with so much of what we came to fundamentally understand about the Westeros. Was the answer really just let the Three-Eyed-Raven be king? If so, why hadn’t anyone thought of that before? Seems almost too obvious.
Perhaps in Martin’s books, the story will be told in a way that makes the bitter aspect of this bittersweet ending more clear but for now, it’s a finale that almost feels like it was pulled from a less nuanced fantasy series, where kings are impossibly noble and good men and women get to live the long and happy lives they deserve. We can’t help but wonder with such a happy ending, were creators David Benioff and Daniel Weiss the ones not paying attention?
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
If you want to wear a Jedi robe or a Stormtrooper helmet to Star Wars: Galaxy’s Edge, you’ll likely get tossed into the Sarlaac Pit. Disney has released dress code guidelines for guests attending Galaxy’s Edge, and you’re going to have to leave your blasters and Darth Vader helmets at home or in the hotel.
On June 10, 2019, the official Disney Parks blog released specific guidelines around what is okay to wear at Galaxy’s Edge and what will get you on an Order 66-style blacklist. Essentially, anything that presents a safety issue will not be allowed, which means no helmets, masks, or big flowing clothes of any kind. Blasters and blaster holsters are also outlawed as are “full body suits” so if you’re planning on coming dress as Jar Jar Binks, that little Gugan vest is cool, but the masks and bug-eyes are a NO.
Here’s some good news: Lightsabers are allowed, which, let’s face it, is pretty civilized.
(Disney Parks Blog)
In a small paradox, obviously some of the stuff you can’t wear inside Galaxy’s Edge can be purchased at Galaxy’s Edge. Plenty of the shops at Galaxy’s Edge sell helmets, masks, and blasters. But, the rule is you gotta keep that stuff in the package until you get back to your hotel room.
For any sane person, these rules totally make sense. Galaxy’s Edge might be a delightful hive of geek and nerdiness, but, in the end, Disneyland is for kids. And kids need to feel safe, even when they are traversing that lawless galaxy, far, far away.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
“The Finest Hours” depicts the events of Feb. 18, 1952, when a horrendous winter storm broke two large tankers in half. Coast Guardsmen operating out of the Chatham, Massachusetts lifeboat station managed to save 70 of the men from death by hypothermia or drowning.
The two tankers, both 520 feet long and carrying kerosene and heating oil, were called the Pendleton and the Fort Mercer. The Pendleton broke first, cracking in half near dawn in the middle of a nor’easter that created 60-foot waves and 70-knot winds.
The way the Pendleton broke resulted in a circuit tripping, cutting electricity to the front of the ship where the captain could have sent out an S.O.S. signal. The captain and seven other men in the front of the ship would die before anyone knew to rescue them.
In the bow of the Pendleton, 33 men were fighting for their survival. They struggled to keep their ship afloat and sound alarms while knowing they had only hours to live.
A short time later, the Fort Mercer was broken in half by the same storm. The Coast Guard first learned about the Fort Mercer and dispatched a motor boat from Chatham and a number of Coast Guard cutters and aircraft responded.
The rescue of the Fort Mercer crew was dramatic. Crew members tried to climb on ropes from their sinking vessel to a cutter, but were thrown around by the wind and waves. A particularly brave cutter captain ordered his vessel to make runs beneath the stern, allowing survivors to jump from one ship to another as the waves tried to crash them together.
38 men were eventually rescued from the Mercer. It was during this that a Coast Guard aircraft spotted a floating section of the Pendleton and reported that there were two broken ships out there.
So, a second motorboat was dispatched from Chatham station. It is this one that “The Finest Hours” seems to focus on. A small crew of 3 volunteers led by a young boatswain’s mate, Bernard Webber, set out into the storm to attempt the rescue.
En route, their 36-foot lifeboat was twice swamped by the waves. The first simply flipped the self-righting ship, while the second flipped it and broke out the windshield, threw Webber against the deck, and broke the small vessels compass. Webber and his men would complete the rest of the rescue without being sure of where they were going at any time.
When they made it to the Pendleton, the survivors lined the deck and waved their arms to get the Coast Guardsmen’s attention. A nearby cutter had also come to the aid of the Pendleton, but was unable to assist because the Pendleton stern section was crashing against an underwater bar that would destroy the cutter.
So the small motorboat, designed to hold just a few people, began taking on the crew of the Pendleton. It took twenty passes of the motorboat for the entire crew to make it off. For each man that jumped onto the motorboat, the vessel became harder to maneuver and more sluggish, a potentially lethal problem in the turbulent storm.
Finally, on the last pass, the Coast Guardsmen had taken on 32 of the 33 survivors from the Pendleton. But the final survivor dropped too early, crashing into the water between the ship’s stern and the Coast Guard boat. When he floated back to the surface, a wave pushed the vessels together and the man was crushed between them.
Though Webber was hurt by the loss of the man, he began the challenging process of getting his crew and the 32 remaining survivors back to safety. With no compass for guidance, he radioed the shore for help. As Chatham Lifeboat Station and a Coast Guard cutter argued about the best course of action, Webber got fed up and shut off his radio.
He headed in a direction that he thought would let him beach the craft, allowing men to scramble ashore. As he moved forward though, he spotted a navigational buoy and alerted Chatham Station that he was coming up to the pier with his survivors.
Other Coast Guardsmen and civilians from Chatham came out to meet the heroes and help the survivors. The next day, Coast Guard Rear Admiral H. G. Bradbury wrote a letter thanking the men for their heroism. Each member of the crew later received Gold Lifesaving Medals from the Treasury Department for their efforts.