Articles

Here are the five finalists competing to design the World War I Memorial

The World War One Centennial Commission was created in January 2013 and is responsible for planning, developing, and executing programs to commemorate the centennial of World War I, including a national memorial to the soldiers who fought the war.


Unfortunately, none of the veterans of the Great War are alive today to see their honor, but despite bad weather, the Centennial Commission will formally announce the winning design team for the national World War I Memorial design competition on January 26, 2016.

Below are the five finalists for the memorial competition. Just click on the photo to get a closer look of the full-size proposal. The designs are open to public comment. Contact the World War I Centennial Commission here.

Concept 1: Plaza to the Forgotten War

Submitted by the design team of Brian Johnsen, AIA; Sebastian Schmaling, AIA, LEEP AP; and Andrew Cesarz, at Johnsen Schmaling Architects, in Milwaukee, Wisconsin.

Situated on a seam between the National Mall and the dense urbanity of downtown DC, the Plaza to the Forgotten War commemorates the service of World War I American Forces by creating a place that devotedly holds onto the memory of the tragic losses endured by the United States. The concept is simple, elegant and open with a strong and integrated form and meaning that reveals itself in layers. The memorial message is clear and there is great potential for the creation of an outstanding park. The field of lights presents a technological challenge that will need to be resolved and the Pershing Statue and walls will need to be integrated into the evolving design.

Concept 2: Grotto of Remembrance

Submitted by Devin Kimmel, Principal at Kimmel Studio, LLC in Annapolis, Maryland

The style of the monument is inspired by the time of the Great War. It is neoclassical in form and concept, the space and elements combine to create a narrative about the current condition and the historic precedent of monuments. The plan develops a strong park concept and includes a number of elements that add interest and focus. The challenge in evolving the design will be creating a sense of openness balanced against the enclosure of the central space, a continued evaluation of the scale of the elements, and relationships of non-traditional elements (like the grotto) with memorable historic forms.

Concept 3: The Weight of Sacrifice

Submitted Joseph Weishaar of Chicago, Illinois

A simple intervention of a platform into the existing landscape of Pershing Park provides a quietly elegant place within the park. Relocation of the walls and statue of the Pershing complex give new meaning to the individual elements. The result is an integral expression of park and memorial. The subtleness and art of the sculpted relief walls will enhance the narrative of the place—utilizing art as architecture. To execute a memorial and park that maintains the inherent elegance of the concept, a strong collaboration between designer and artist will be the key.

Concept 4: An American Family Portrait

Submitted by STL Architects in Chicago, Illinois

The design concept is founded on paying tribute to the American men and women who participated in World War I through a memorial collage of photographs integrated into the park design. By seamlessly blending framed memories into the landscape, it provides an experience that is both park and memorial, open and inviting exploration. The park is organized by a northwest-southeast axis visually connecting it to the Capitol. While this concept has the potential of a truly unique park, the thematic, technical, and curatorial issues of the story boxes will require resolution. The statuary design, scale, and execution will need to be an integral part of the interpretive and memorial experience.

Concept 5: Heroes' Green

Submitted by Maria Counts of Counts Studio in Brooklyn, New York

The concept seamlessly blends memorial, park and garden into a new type of public space. There is a strong sense of movement through the space, balancing park-like qualities with memorial episodes and providing opportunities for integration of art as an integral part of the memorial experience. The sculptural landscape in itself is symbolic and will provide a welcome respite to the visitor. The inherent potential of "inventing" a new typology of civic space that works well as a memorial is the challenge.

History

This pilot shot down an enemy fighter at Pearl Harbor in his pajamas

Comfort is important when doing a hard job. If it's hot on the work site, it's important to stay cool. If it's hazardous, proper protection needs to be worn. And comfort is apparently key when the Japanese sneak attack the Navy. Just ask Lt. Phil Rasmussen, who was one of four pilots who managed to get off the ground to fight the Japanese in the air.

Rasmussen, like many other American GIs in Hawaii that day, was still asleep when the Japanese launched the attack at 0755. The Army Air Forces 2nd Lieutenant was still groggy and in his pajamas when the attacking wave of enemy fighters swarmed Wheeler Field and destroyed many of the Army's aircraft on the ground.

Damaged aircraft on Hickam Field, Hawaii, after the surprise Japanese attack on Pearl Harbor.

There were still a number of outdated Curtiss P-36A Hawk fighters that were relatively untouched by the attack. Lieutenant Rasmussen strapped on a .45 pistol and ran out to the flightline, still in his pajamas, determined to meet the sucker-punching Japanese onslaught.

By the time the attack ended, Wheeler and Hickam Fields were both devastated. Bellows Field also took a lot of damage, its living quarters, mess halls, and chapels strafed by Japanese Zeros. American troops threw back everything they could muster – from anti-aircraft guns to their sidearms. But Rasmussen and a handful of other daring American pilots managed to get in the air, ready to take the fight right back to Japan in the Hawks if they had to. They took off under fire, but were still airborne.

Pearl Harbor pilots Harry Brown, Phil Rasmussen, Ken Taylor, George Welch, and Lewis Sanders.

They made it as far as Kaneohe Bay.

The four brave pilots were led by radio to Kaneohe, where they engaged 11 enemy fighters in a vicious dogfight. Even in his obsolete old fighter, Rasmussen proved that technology is no match for good ol' martial skills and courage under fire. He managed to shoot down one of the 11, but was double-teamed by two attacking Zeros.

Gunfire and 20mm shells shattered his canopy, destroyed his radio, and took out his hydraulic lines and rudder cables. He was forced out of the fighting, escaping into nearby clouds and making his way back to Wheeler Field. When he landed, he did it without brakes, a rudder, or a tailwheel.

There were 500 bullet holes in the P-36A's fuselage.

Skillz.

Lieutenant Rasmussen earned the Silver Star for his boldness and would survive the war, getting his second kill in 1943. He retired from the U.S. Air Force in 1965, but will live on in the Museum of the United States Air Force, forever immortalized as he hops into an outdated aircraft in his pajamas.

(U.S. Air Force photo)

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