This week, National Geographic will air the first episode of The Long Road Home. The miniseries is a scripted retelling of the beginning of the U.S. Army's fight in the Siege of Sadr City of April 2004. What began with an uprising against the U.S. occupation forces in the Shia neighborhood of the capital led to a long protracted siege spanning years.
Adapted from ABC News correspondent Martha Raddatz' book of the same name, the show meticulously created what might be the most accurate military story in film or television.
1. The show's military advisors were in Sadr City that day.
Any military show or movie with an interest in authenticity is going to have veteran technical advisors on hand to tell the director when things are wrong. But in The Long Road Home, you can expect more than infantry badges and rank to be in the right place. You can expect the people and vehicles to be in Sadr City in the right places too.
Showrunner Mikko Alanne hired two veterans from Black Sunday – Eric Bourquin and Aaron Fowler – to be the show's military advisors. If one of the actors needed to know how to wear a patrol cap, the two veterans could show him. But unlike most shows, if the director needed a minute-by-minute breakdown, he could ask the guys who were there.
"Personally, I like it," says Fowler. "Because I'm a retired Sergeant First Class, so I have the anal-retentive part down. I've got lots of notebooks, and I have access to all the guys. If one of the actors had a question, I could get my phone and hand them the person that did the action they had questions about."
"Eric [Bourquin] was in the platoon that was pinned down on the roof and Aaron [Fowler] was among the rescuers," says Alanne.
"I'm very proud to be a part of what happened and how it's been handled. I've struggled with having to open up, because having such a wide spotlight cast on a pretty intense part of my life," says Bourquin. "I learned things I didn't know transpired. Because the whole time, I was stuck on the roof for four hours. People were out there trying to come in, to get us, so I'd been exposed to a lot of things that I wasn't aware of and that was healing too. This is honoring them. Now everybody's gonna always know their story. With that being said, how could I not be involved?"
2. Raddatz' interviewed everyone close to the fighting.
You don't get to be the Chief Global Affairs Correspondent of a major network without being addicted to the facts. Martha Raddatz, who literally wrote the book on the events in Sadr City that day, was working for ABC News in Baghdad at the time when she heard about what happened. She ended up talking to everyone from 2-5 Cav that was still in country.
"This story came to me," she says. "I was covering politics and policy when a general told me about this battle. I had to go talk to these guys. We did pieces for ABC News, for Nightline... I was just so stricken by them. I come from a foreign affairs background and I see presidents make policy and then I went over and saw the effects of that policy."
She was introduced to the families through the soldiers who fought there that day.
"It will be with me forever," Raddatz says. "It felt like they could all be my neighbors. One day they're all in minivans with their kids, and in three days they're in the middle of a battle. These aren't a bunch of action figures, these are real human beings."
3. Mike Medavoy is an executive producer.
If the name of a film producer doesn't excite you, that's fine. An executive producer's name likely doesn't carry a lot of weight with most of America.
In the case of The Long Road Home, however, the addition of Medavoy puts the miniseries in the hands of a guy who helped make the legendary war movies Apocalypse Now, Platoon, and The Thin Red Line (not to mention non-military films Rocky, Raging Bull, and Terminator 2).
4. The Long Road Home's depiction of Army families is heartfelt and real.
When the cast arrived at Fort Hood and met the families of 2-5 Cav, they got just a taste of what living in a military family is like.
"I took away an incredible sense of community," says actress Katie Paxton, who plays Amber Aguero, wife to Lt. Shane Aguero. "You felt that community from the soldiers. When you're in war covering your sector, you're covering the guy to your left. You're covering the guy to your right. And those guys are your family. I never really understood that until I talked to soldiers."
"I grew up in the city as a city kid, and this totally dispelled all of my ideas of what the soldier was actually like," says actor Ian Quinlan, who plays Spc. Robert Arsiaga. "There was a very significant through line between these soldiers – a lot of these guys joined after 9/11. It blew me away because as a New Yorker I didn't know anyone in my immediate vicinity in New York who would ever think of that."
"Hearing their stories, you just feel the goosebumps," says Karina Ortiz, who plays one of the Gold Star Wives. "The soldiers leave and everything is fine at first, but then people start hearing things. Rumors. The waiting. The not knowing. I would get teary-eyed and just feel their pain. Or I'd feel their fear."
The experience of recreating the events of April 2004 even had an effect on its veterans.
"One of the Gold Star Wives came up to me after the Fort Hood premiere and told me thank you," Eric Bourquin says. "I don't know why. Her husband died trying to come rescue us guys that were stuck on the roof. But the more I thought about it I realized everyone watching is going to see what the families and everyone involved goes through when shit happens."
5. The showrunner's background is in documentary.
"I was very cognizant from the beginning that real life people were going to be watching this," says Mikko Alanne. "It was my hope that we would be able to use everyone's real name, and so Martha and I worked very closely on reaching out to all the families."
The two were very successful. The show originally premiered in Fort Hood's Abrams Gym. After the show's Los Angeles premiere, the veterans and Gold Star Families took the stage with their TV counterparts, to a standing ovation from an elite Hollywood audience. But the realism didn't stop with cooperation.
"So many of the families sent us their photographs, actual photographs used as props, or photographs of their homes for us to recreate," Alanne says. "And it was very important to me the cast reached out to their real-life counterparts. Bonds were formed between the actors and the real life families, and everyone became infused with the same mission that Martha really started; that these families and these experiences would not be lost to history."
6. The Fort Hood scenes are really Fort Hood.
When you see Fort Hood, Tex. depicted on screen, you can be sure that's what Fort Hood really looks like. The show was shot entirely at Fort Hood. The cast even lived in base housing. More important than that, however, is the exact recreation of Sadr City built on Fort Hood that took the veterans on the base back to April 2004.
"The smell was the only thing that wasn't exactly recreated," says Fowler. "We veterans and Gold Star Families got to walk back to the streets of Sadr City that we would never get to go. It was an incredibly healing experience. Exposure therapy plain and simple."
Eric Bourquin agrees.
"Being able to travel back to your battlespace without fear of being captured and ending up in a YouTube video is a gift that can't be put into words," he says. "Just like the guys that go back and visit France, or Korea, or Vietnam — it's become a reality."
The Long Road Home starts Tuesday Nov. 7 at 9pm on National Geographic.