If the E-4 mafia, those pesky 2LTs, and the old Command Sergeant Major were wrestlers, what would their gimmick be? It’s difficult for longtime wrestling fans to avoid comparing their fellow servicemembers and veterans to wrestling personalities.
Each rank, be it officer or enlisted, comes with a group of qualities that perfectly fit in the world of pro wrestling/sports entertainment. WWE is such an advocate for the military (and vice versa), and with Wrestlemania kicking off in Dallas this weekend, it seems fitting to use WWE superstars to describe your pay grade.
Young Enlisted (E-1 to E-3)
The Ultimate Warrior
Active and rambunctious, the Ultimate Warrior was known for his signature face paint, ring entrance, and infectious energy as he performed in front of thousands of fans around the world. Coming out of initial training, many young service members are full of energy, fit to fight, and looking to take on the world. Young privates feel they can accomplish anything thrown their way. Although, much like the Ultimate Warrior’s interviews and promos, they can also speak a lot of nonsense.
Specialists/Senior Airmen (E-4)
Jake “the Snake” Roberts
With the wisdom of a sergeant but the responsibilities of a private, members of the E-4 mafia are cerebral and hypnotic as they slither their way out of details and play mind games with authority figures. Like a good E-4, Roberts had the smarts to avoid the dirty work, but the skills to achieve greatness when he wanted to.
Junior NCOs (E-5 to E-6)
“Stone Cold” Steve Austin
The Texas Rattlesnake was confident, brash and would stomp a mud hole on anyone who crossed him. Those new stripes make young NCOs feel like the baddest SOB in the command. They have a sense of confidence and even stand up to authority just like Stone Cold would do to WWF owner Vince McMahon by giving him the Stone Cold Stunner. Junior NCOs are also masters at double fisting beer cans. Give them a hell yeah!
Senior NCOs (E-7 to E-8)
The first thing senior NCOs have in common with Mick Foley is the split personalities: Nice one minute, intense the next. Whether he was Cactus Jack, Dude Love, or Mankind, Mrs. Foley’s baby boy is one of wrestling’s most iconic figures. He put his body on the line every night for 20 years and just like Senior NCOs, his body has taken a pounding over the years.
They may have throbbing knees, sore backs, and carry a few extra pounds with age, but they are still tough to take the pain and keep fighting. Watch 1998’s King of the Ring “Hell in a Cell” match to see the legend of Mick Foley.
CSM/Senior Master Chief (E-9)
“Nature Boy” Ric Flair
“To be the man, you have to beat the man” WOOO! The CSM is styling and profiling as the guardian of the colors. Our E-9s have put in many years of hard work and service. It’s ok to flaunt a little bit now like the Nature Boy. And believe me those $600 alligator-skinned shoes are staying off the grass.
Dwayne “The Rock” Johnson
Before he was one of Hollywood’s A-listers, The Rock was a rank-and file wrestler working his way to the top of the card as “Rocky Maivia” when he debuted in 1996. Before they were Warrants Officers, they were enlisted Soldiers and NCOs paying their dues.Today, The Rock only returns to the ring when it is time for ‘Mania. He is rarely seen and only shows up before a big event. Sounds like our lovable warrants.
Lieutenants/Captains (O-1 to O-3)
Roman Reigns thinks he is ready for increased responsibilities. Roman has the look, the tools and the family lineage to make him a great wrestler. However, he lacks the experience and hasn’t paid his dues. Our L-Ts are groomed for greatness, and they may great one day, but are not ready to be the main event. L-Ts still have much to learn.
Field Grade Officers (O4 to O5)
John Cena lives by the slogan “Hustle, Loyalty, and Respect.” This is the motto of field grade officers. After 15 years, they are at the top of their game. Just as Cena is either loved or hated by wrestling fans, with field grade officers,Some people love them and some people hate them.
Except for maybe Hulk Hogan, the Undertaker may well be the most legendary wrestler of all-time. His presence is menacing as he looms in the shadows only to appear when we least expect it. The mere sight of that full bird brings a level of intimidation among the formation. With that eagle comes great power.
The Undertaker also had his unsettling manager Paul Bearer, who carried an urn to the ring, at his side at all times. The Colonel makes sure his Executive Officer or Aide is present at all times carrying the powerful OD green notebook.
Generals (O-7 to O-10)
Vince is the chairman and CEO of the WWE. He is the boss, the general. Bad idea to cross him. That’ll get you fired.
“Roswell: The First Witness” takes an unconventional look at the iconic 1947 Roswell, New Mexico crash with new evidence and a secret diary left by the first person to investigate the wreckage, Major Jesse Marcel. The investigation, led by former CIA operative Ben Smith, follows the grandchildren of Major Marcel and artifacts he left behind that may reveal what really happened at Roswell. Through the use of new advanced technologies, personal stories and expert witness interviews, the Marcel family and our decorated team of investigators hope to cement the truth about this mysterious site of intrigue once and for all.
WATM:How did you first become interested in extra-terrestrials?
I think pretty much everyone at this point is interested in UFOs, especially with the release of all the classified footage from the Navy pilots. In the 80’s and 90’s when paranormal activities had a celebrated cultural moment. It always fascinated me and when I Left the CIA I thought ‘You know what? Let me use my skills to answer some questions; what is out there? Have they been here?’ I wanted to use my skills to tackle some of those big universal questions.
WATM: During the initial coverup at Roswell the government’s official stance was that aliens do not exist. However, now the government’s stance is the opposite. What is your opinion on the government’s stance on aliens?
I personally have not had any firsthand accounts myself. I have met people who claim they have seen UFOs and they have survivor groups trying to figure out what is going. I think the universe is big enough for all kinds of intelligent life out there. I think the technical hurdles to get here are, in time for us to know about it, are difficult but not insurmountable. I wouldn’t call myself an agnostic, I would say I’m open minded. I think it is totally possible. We need hard evidence. My training as an intelligence officer instilled in me says ‘we need hard evidence; we need to validate the information of what we have.’
As far as the government cover up, that’s what makes the Roswell case so interesting. It was the only time in history that the government claimed it had debris of a crashed UFO. It’s pretty interesting and there was debris. They collected something in a field in New Mexico. It makes me feel like ‘well, what was it?
The government is not officially claiming that there were aliens at Roswell. Well, the government takes all kinds of stances to protect the country’s national security. Sometimes they turn out to be true and sometimes not. That’s why I’m diving right in. I worked for the government for a number of years, I know how it functions, why it functions the way that it does. I’m not totally convinced, and I don’t buy it all the time either. This is a big question I’m hoping to answer for myself as well as for the viewers.
WATM: In the show, Major Jesse Marcel’s personal journal was discovered by his family. How did that document help in the investigation?
As a former intelligence officer, we always look for first-hand documentation. We want something from the source and in this case we have a diary that belonged to and was in the possession of Jesse Marcel Sr. when he passed. Talking to his grandchildren it came to them and they didn’t have a chance to talk to their grandfather about it before he passed. It was an enigma, when I crack it open I think, ‘There is a strong possibility that there is all kinds of information here.’
I was trained to protect information in plain sight and maybe that’s what he may be doing here. That was really the basis of our investigation. We have this new piece of evidence and let’s see where it leads us. It can change the established narrative about Rosewell and Marcel senior. Working with his family was a total privilege. They’re levelheaded, great, normal – for lack of a better word – normal people. They answered questions about their family history.
I found out about [the diary] through a production company, a new production circulating around with potential new evidence. I thought to myself ‘well, I got to be a part of it.’ I lobbied pretty hard to get involved with HISTORY and the Marcel family it worked out and we clicked. We had the same vision, the same process information and discovery, and it turned into a successful and productive relationship.
WATM: What was your favorite behind the scenes moment while working on this project?
This whole thing has been a real trip! Getting to know the ins and outs of the UFO research community, the Marcel family, to be out in that debris field is a special experience. It really connects you to American history, world history, in a way I haven’t anticipated. I have not been to New Mexico before but to stand out in the middle of the steppe, the grazing lands of New Mexico at 5,000/6,000 feet, in the middle of January. It kind of really drives home the rugged nature, the rugged experience of cowboy life.
These are real people who lived out here on the edge, homegrown, homey, honest and they saw something strange. To be up there and be part of the wonder was really magical for me. I really enjoyed it, I loved New Mexico. I hope this season is a success and the audience enjoys it so we can go back and keep digging. It’s really cool to be out there and be part of history.
WATM: Is there anything you would like to say to the military community?
It was really cool learning about the Marcel family’s connection to the military. Jesse Sr. retired as a colonel, his son Jesse Jr. as well, and John was a former Army mechanic. This is a family with a rich military history. They served their country, and in many ways did their duty to protect and serve. The military audience is really going to connect with some of the experience – that they experience themselves. The frustrations of national security and protecting our nation. Also, they’ll see some wonderful and strange things and connect with the Marcel’s experience.
WATM: Our readers would never forgive me if I didn’t ask, what is it like to be a CIA operative?
Being a CIA intelligence officer you get a lot of practice dealing with nefarious, criminal, underground, terrorists, foreign intelligence and US intelligence officers to even just random US citizens. You get to hear these fantastic stories and the challenge is to sift through all the information and report it back to Washington D.C. back to the President. That’s kind of the approach I took with this investigation. This is a real lead, I‘m treating it like a real intelligence lead, where does it go? Can I make a final conclusion? That kind of approach is great for this mysterious topic. It’s been out there for so long but never had a resolution.
That’s my goal and your audience members, many of whom work in intelligence who have a duty to report truthful information, I think they’re going to connect with this investigation.
Professional pain-factory John Wick (Keanu Reeves) is back for a sequel, and once again, there’s a whole cadre of well-dressed people who want him dead.
But if this trailer is any indication, they don’t stand a chance.
The star made waves online earlier this year when a video was released showing Reeves practicing his three-gun skills with tactical shooting master Taran Butler. The hard work appears to have paid off, as the trailer shows Wick aerating assailants in a variety of creative styles.
Reeves’ is joined by fellow Matrix star Laurence Fishburne, as well as Common, Bridget Moynahan, John Leguizamo, and Ian McShane.
‘John Wick: Chapter 2’ hits theaters everywhere on February 10th, 2017.
Former Marine Mike Farrell has enjoyed a long career in the movie industry much attributed to his work ethic, abilities and the values learned in the Marines. Farrell joined the Corps in 1957 and served initially in the infantry as a rifleman. He then transitioned over to acting post his time in the Marines where he found success across many famous TV shows at the time such as Lassie, The Monkees, Combat!, Bonanza and Bannacek. His career took off with the role of Captain B.J. Hunnicutt on M*A*S*H starting in season four of the show. He continued working in TV and eventually formed a production company with producer Marvin Minoff to make motion pictures. One of Farrell-Minoff’s most known productions is Patch Adams, starring Robin Williams.
Farrell was born in Minnesota, but his family moved to Los Angeles when he was a child. He grew up in West Hollywood in the 40s and 50s. He shared, “It was an interesting place to grow up at the time.” Farrell said he is “a fortunate recipient of things other kids may not have had, including a mother and a father at home.” His father was a big, tough man who worked hard to support the family. Though he has fond memories of childhood, he also recognizes that he was a “frightened child,” due to his father’s rough manner and hard drinking, which weighed on the family.
When asked his values, Farrell said, “You told the truth and you stay out of trouble by minding the rules, whatever they are.” He said, “…if you pay attention and don’t cross any forbidden lines then you were fine. I was very careful about where the lines were.” His parents were strict Catholics and took the family to Mass every Sunday. He attended public school where he and his brother mixed with people of other belief systems, which was good, he said, for them. He recalled, “Being good was defined by others to me, and I was trying to figure how to stay within the lines.” Frustrated, he found difficulty growing emotionally given the strictures at home.
He became a Marine for two reasons. He was “smitten” with the Marines from a very young age. And so was Pat, his best friend from grade school through high school and into married life. So they joined together. Farrell remembers, “I was alive during World War II, but it was a distant reality for me. I remember coming home, getting out of my Dad’s car in 1945 when we heard on the radio the war was over.” He recalled, “…my mother having plastic coupon-coins to go shopping during the war…we were told we couldn’t get bubble gum because rubber needed to be saved for the war effort,” and laughed at the memory.
He mowed lawns to earn money and delivered papers after purchasing a used bike. He sold papers on the corner. He always had to chip in so the family had enough to get by on. His mother took him and his brother to buy clothes at the “old store” which was probably a Good Will or a Salvation Army store. He was ashamed and embarrassed at having to wear used clothes. He remembers selling papers on the corner in Beverly Hills “…when a girl from high school drove by with her mother and saw me. Boy, was I embarrassed.”
Farrell described his father as “John Wayne” and shared he was, “big, handsome, popular, smart and I now know he was frustrated because he didn’t have an education, but he was a really smart man.” He believes his father’s tough manner stemmed from his lack of education. He describes his parents as distant and “tough” people made so by their experience of The Great Depression. He stated, “There was not a lot of touching or embracing in our family.”
He said, “My friend Pat became close to our family because he didn’t have much of a connection to his family. He bonded with us and went to church with us.” Farrell touches on his admiration for the Corps with, “Pat and I thought the Marines were just the best. We thought the Marines were the toughest, the most elite and we looked up to John Wayne in the Sands of Iwo Jima.” He didn’t understand the politics of the 40s and 50s and he shared, “We just loved the Marines.” He and Pat went to see the Jack Webb film The D.I. in the 50s as well. Once graduated from high school, they both knew they were going to be drafted so they decided to join the Corps. He stated, “We both went down and signed up at the (Marine) reserve unit in Chavez Ravine.” This unit is now gone and the reserve unit building is used for training by the LAFD.
Farrell stated, “Unfortunately, we thought we would stay together. We went in together but were put in separate platoons at MCRD. We didn’t see a lot of each other during Bootcamp.” They then came out into different units in Infantry Training Regiment (ITR). Pat had signed up for a six-month program and Farrell signed up for a two-year program. Farrell had three DIs: Technical Sergeant Kelly (E-7 at the time) was the senior DI and SSg Reyes and Cpl Stark were the other two instructors. Farrell believes Kelley identified with him and Reyes favored another recruit named Moreno.
During Bootcamp, Farrell became ill with the flu and was sent to the infirmary. This was at a critical time in boot camp. He thought he would be set back and not get the chance to graduate with his platoon. He was afraid of leaving Platoon 374 and being placed back in a later platoon of recruits. He said, “I was miserable about the idea of being set back.” Then he was awakened one morning in the infirmary by Corporal Stark, who said, “How are you doing? Kelly wants you back.” Farrell was thrilled “beyond words to hear that.” He described Kelly, “He saw something in me that made him not want to lose me and that made me want to try harder to be the Marine that he (Kelly) thought I could be.” He considers this a great lesson from the Corps.
While at MCRD Farrell went to Camp Matthews for rifle training, which was before the Corps started taking recruits to Camp Pendleton to qualify on the rifle. After that, Farrell said a fellow recruit, who was known to be rough around the edges, threatened his life. Farrell stated, “I had been in fights before and when someone says they are ‘going to kill you, you take it as talk.” But the next morning during a snap inspection live rounds were found in that recruit’s footlocker. He had stolen them from Camp Matthews. The inspection thankfully stopped anything from happening, but the incident stays with Farrell and opened his eyes to the world.
Boot camp continued. Increasingly, Farrell and Moreno, the platoon’s left and right guide, were pitted against each other. The two were being considered to be named the Honor Man of the platoon. Ultimately, Farrell got lucky, he said and was named the Honor Man of the platoon. He stated of graduating as Honor Man, “Marching in my dress blues was quite a thing.”
Farrell confided, “I wanted to be stationed in Camp Pendleton so I said I wanted to just be a rifleman. I thought I could outsmart them.” He thought if he was a grunt at Camp Pendleton, he could go home on weekends and, “strut around in my uniform.” But after the Infantry Training Regiment (ITR) he was surprised to be assigned to the 3D Marine Division in Okinawa.
Aboard the USS Gaffney on the way to Okinawa, he recalls an alert came in to prepare to go to a different station. He shared, “We had to wait for a possible change in orders and a change in destination. We stood guard on ship and periodically swabbed the deck as well.” An all-clear was sent and they continued to Okinawa. He was glad, he said because he later learned they had almost been sent to French Indochina, later known to America as Vietnam.
In Okinawa, he was sent to typing school by the Corps to become the company clerk for an Ontos Battalion at Camp Hansen, then a tent camp. He stated, “I am sure things have changed at the camp by now. But then it was like living in ‘the swamp’,” where “the swamp” is the nickname for the camp he later served at 20th Century Fox for the show M*A*S*H.
On liberty in Okinawa, he went to the Kadena Air Base because “The Air Force had everything on base. They had a malt shop, a motion picture theater. It was surprising how well the flyboys had it over there.” We laughed at the luxuries of the Air Force when compared to the thriftiness of the Corps.
Farrell said, “I had developed an issue with my foot during ITR and got orders to go from Okinawa to the US Naval Hospital in Yokosuka, Japan.” He fondly recalls his time in Yokosuka where he spent time with a fellow Marine. He and the Marine went out on liberty and traveled around the country. But he talks about his return, “When we got back to the ward there was tension that I could sense. I later understood that the issue had to do with my friend Tyus, a black man. In 1957/58 our friendship was not looked upon happily. This even though President Truman had desegregated the military ten years prior.” It troubled him that there was still a sense of it being inappropriate for a black and a white Marine to spend time together.
The Corps then decided to send him back to the Naval Hospital at Coronado to work guard detail. His final place was being sent back to MCRD for discharge for having “flat feet”.
Farrell states, “There is a sense of pride attached to being a Marine…you can’t avoid having that sense of pride because they just beat the crap out of you in order to make you what you need to be.” He was invited by a Force Recon Marine while on the way to Okinawa to join their unit. He declined the offer after thinking about it for a couple of days. He states, “I wonder about that Marine and you hear about all of the special ops these days where Force Recon is still a part of the Corps.” He does touch on how he became lifelong friends with fellow Marines, one of which was stationed at MCAS El Toro that he met at the US Naval Hospital Balboa. “I have made some lifelong friends through the Corps because of the shared experience.” Farrell helped fellow veterans as well when he took a car to a friend from Los Angeles that was stationed in the Army at Fort Bragg, NC. The soldier’s parents wanted Farrell to take it to NC, so he did. On the trip he drove along a southern route through the US in 1959 where he witnessed, “real nasty segregation….that was a mind-blowing experience.”
Farrell still has high praise of his service. “My proudest achievement of my time in the Corps was graduating as the Honor Man of my platoon. I still have the Dress Blues hanging in my closet. I weigh the same as when I got out of bootcamp so I probably can still fit in them.” He further elaborated, “Completing the Marine Corps boot camp itself is a hell of an accomplishment.”
He is grateful to have had such a great career in Hollywood where he has worked with many storied actors. Farrell hears from people every day from autograph requests to even more deeply meaningful connections. Some people talk about the inspiration they got from the show and its meaning. He said, “It is really thrilling to hear from people and how deeply they are touched by the shows.” He is proud of having worked with the great actor Anthony Quinn for a year on the TV show The Man and the City. Farrell has high praise for having worked with Broderick Crawford on The Interns as well. Crawford was an Oscar-winning actor and known for his talents; however, he had an alcohol problem.
A few years before working together on The Interns, Farrell had been working with a halfway house in LA that dealt with people living with various issues. On the show he confronted Crawford. “I confronted him about his drinking and said ‘you are not doing the show any good or yourself any good. We need to find a way to temper it if not control it so we can get the work done.’” Farrell shared that, “He was phenomenal… he thanked me…we did the show for a year and every New Year’s Day after that until he passed away he called and thanked me.” He was deeply touched by Crawford’s continued contact. .
Farrell has been a part of many Human Rights campaigns. He is deeply grateful for the opportunities his association with M*A*S*H has provided.
Farrell met the famous Dr. Hunter “Patch” Adams on a person-to-person diplomacy trip to the Soviet Union in the mid-1980s. The group initially stopped in Helsinki, Finland, for orientation before going into the USSR. He saw a man wearing a clown suit and a rubber nose at the meeting. He initially thought the man was from “Pluto”. A woman in the group made a show of her belief in the power of crystals. She stood at the front with a bag of them and urged people to take a crystal that resonated with them, suggesting they hold it near their heart and find someone in the Soviet Union to give it to. Farrell said it sounded to him a bit looney. The clown-suited man then got up, said he was a doctor and said, “he believed in clowning and that laughter is the best medicine.” The man then took out a bag and did what the woman had done, saying he believed in the power of rubber noses. He held out a bag of rubber noses and urged everyone to pick a rubber nose they resonated with. The “clown” turned out to be Dr. Patch Adams. Farrell said, “I fell in love with the man and we became great friends.”
On their way to the Soviet Union our train was stopped by Russian troops. The train was searched by armed men from the USSR. Outside of the train he saw Patch Adams giving rubber noses to the Russian troops. Farrell laughed and stated, “I knew that this guy was going to change the world.” Farrell and Adams became very close friends while in the USSR. A few years later Adams contacted Farrell about how he had written a book and movie studio executives were looking to make his book into a film. Adams wanted Farrell to produce the film because he trusted him. Through a Hollywood connection Farrell took on the project and went to a studio with it. Farrell is happy that the film made a lot of people laugh and helped get Patch Adams noticed, however he wishes it would have had more depth and focused on Adams’ heart. Patch was grateful to Farrell and thanked him for his work on the film. Farrell is appreciative of Robin Williams’ work as Patch and considers him a, “wonderfully talented person and…a really deeply sweet, good man.”
Farrell believes deeply in the inherent decency of all people. He learned discipline and a lot about life through his experience in the Corps. He said, “The Marines gave me the sense of capability that comes from surviving the circumstances they put you in.” He believes stories like those shown in An Officer and Gentleman in which Louis Gossett Jr. plays the part of a DI should be top of the list for veterans and Marines. These stories touch on the camaraderie, discipline and merits of service. Farrell shared he, “…is most proud of his children. And he’s happy his career has given him the ability to touch people’s hearts.”
We sometimes overlook the accurate and fantastic portrayals of veterans and troops in fiction, instead criticizing Hollywood’s typical depiction of us as hyper-macho, high-speed ass-kicking machines or broken and fragile husks of human beings.
For a good portion of the armed services, this is far from the truth. This isn’t a grunt versus POG (Person Other than Grunt) thing. It’s a symptom of the civilian-military divide.
There seems to be a perpetual cycle of fiction blowing real military service out of proportion. Civilians who never interacted with service members often believe that fictional portrayal.
Let’s be honest. Veterans are combating the stigma, but it’s an uphill battle.
Hell, most of the stories we tell at bars aren’t helping.
This one goes out to the creators, writers, directors, and actors that gave the world a veteran and stayed away from the stigma. Either intentionally or not, these characters either embody what it was truly like in the service or have exceptional moments that can overlook some of the more silly moments.
If you can think of any others left out, leave them in the comment section.
1. Sgt. Bill Dauterive – “King of the Hill”
Though the 022 MOS doesn’t exist anymore, Bill from “King of the Hill” was a U.S. Army Barber. There are several episodes dedicated to his military service. The 2007 episode “Bill, Bulk and the Body Buddies” even revolved around him trying to get in shape to pass his APFT.
How he manages to go on all the adventures in the show and not be considered AWOL is also a plot point.
2. Capt. Frank Castle, aka “The Punisher” – Marvel Comics
Not every superhero gets their powers from a science experiment, being an alien, or just being super rich.
Frank Castle, The Punisher, learned his skills in the Marine Corps. Sure. He’s an extreme representation of a veteran. But The Punisher earns his spot on this list because of Jon Bernthal’s monologue in Season 2 of “Daredevil.” His performance and his story about his return from a deployment hits close to home for many people.
3. King Robert Baratheon – A Song of Fire and Ice, “Game of Thrones”
Let’s take away medieval fantasy elements of “Game of Thrones” and recognize that Robert Baratheon used to be a proud, respected, and feared soldier on the front lines.
Ever since putting his service behind him, he got fat, grew a glorious beard, spent his time drinking, hunting, and talking about his glory days. Sound like anyone you know from your old unit?
4. Pfc. Donny Novitski and his band — “Bandstand”
A Tony Award winning musical may seem an unlikely place to find a true to life depiction of a WWII veteran, but it’s the only Broadway musical with an official “Got Your 6” certification.
The musical is about a group of young vets returning home who form a band to try to reach stardom (the same half thought out plan we all had while we were downrange).
The lead character, Donny, spends most of the story showing his bandmates and the world their sacrifice and talents.
Veterans who’ve seen the show praise it. At the end of every show, they thank the troops around the world and dedicate each performance to a different veteran.
5. Capt. Benjamin Franklin “Hawkeye” Pierce – “M*A*S*H”
The Capt. Hawkeye character is beloved by many for its accuracy. He was drafted right after his medical residency to deploy to the Korean War. Everything about his character was a fresh change to the ordinary war hero cliche.
He resented the Army for drafting him. Each loss of life affected him as the series progressed. He used humor to help cope with the daily stress of combat.
In the 1978 episode “Commander Pierce,” Hawkeye is temporarily in charge of the 4077th. For one episode, he drastically made the very real change to become the leader that his soldiers needed before reverting back to fit the semi-episodic formula.
6. Capt. Kathryn Janeway – “Star Trek: Voyager”
While on the topic of the burdens of leadership, the character that best exemplifies this is the commander of the USS Voyager. Many of the ongoing struggles in the series revolve around how Capt. Kathryn Janeway deals with the safety of the crew, the dream of returning home, and hiding her internal doubt.
Oh, and she always drinks coffee, and she always drinks it black.
The senile grandpa of the Simpson family is often the butt of many jokes. His long term memory is hazy and his short term memory isn’t any better.
But then there’s the 1996 “Flying Hellfish” episode. Art and story-wise, this episode is vastly different from most, and is regarded as one of the best in the series.
Grandpa Abe and Bart go on an adventure to reclaim the treasure Abe found back in World War II. Back in the day, Grandpa was a very competent and tactful leader.
When his unit, which also included series antagonist Mr. Burns, discover a fortune in stolen Nazi paintings, they place a life bet on who keeps them.
While Mr. Burns is willing to kill for the prize, Abe still holds onto his honor and loyalty to his unit after all those years. At the end, when the paintings are confiscated by police, Abe tells his grandson why he went after the paintings. “It was to show you that I wasn’t always a pathetic old kook,” he said.
8. Sgt. Donald Duck – Disney
The sailor suit he always wears isn’t just for show or stolen valor, Donald Duck legitimately was in the Navy and Army Air Force (hence why, in 1984, he was officially given the rank of sergeant and discharge by the real world Army on his 50th anniversary).
Hear me out on this.
In World War I, Walt Disney attempted to join the U.S. Army but was rejected for being too young. He then forged documents to join the Red Cross.
In France, the cartoons he sketched grabbed the attention of Stars and Stripes, later becoming the icon we all know today. In WWII, his love of country and understanding of how propaganda worked lead Disney to use Donald Duck to help the troops.
The “Buck Sergeant Duck” was used in counter-propoganda cartoons and recruitment shorts, even winning an Oscar for “Der Feuhrer’s Face.”
His time in both the Army and Navy is well depicted in many forms — from cartoons to comics. In “DuckTales,” Donald leaves his nephews because he’s being shipped out, which starts the series. The cartoon “Donald Gets Drafted” shows Donald learning (in an exaggerated manner) that recruiters sometimes tell fibs to get bodies in the door.
Even his short temper, aggression, loud voice, cynical attitude, and unprovoked tantrums aren’t a concept lost on veterans.
After finishing off Avengers: Endgame with a definitive and decidedly sweet ending, the next big Marvel movie — Spider-Man: Far From Home — will return to Marvel’s diabolic plans to get you to sit through the credits for extra scenes. Are there post-credits scenes for Spider-Man: Far From Home and do that matter? The answer is a big yes.
No spoilers ahead.
It’s hard to know which of these facts feels more surreal:
Tom Holland has been in five Marvel movies as Spider-Man at this point
It’s only been five years since Andrew Garfield was in his second Spider-Man movie; which also starred Jamie Foxx getting bitten by electric eels.
2019 marks twelve years since Tobey Maguire did his emo-Spider-Man dance routine in Spider-Man 3.
Feeling old yet? If so, there’s some very good news about Spider-Man: Far From Home. The post-credits scene is basically made for olds. If you remember seeing the first Tobey Maguire Spidey-flick like the same year you were able to legally buy alcohol for the first time (or maybe even before) then this post-credits scene is for you.
We aren’t going to spoil what it is exactly yet, but let’s just put it this way: There are two post-credits scenes for Spider-Man: Far From Home, and the first one is the one you’ve got to see. Technically, this is what the pros call a “mid-credits” scene because it happens pretty quickly after the movie “ends.” (These movies never end.)
Will this scene make everyone happy? Yes. Does it set-up great things for the next big phase of Marvel movies. Big yes.
So, word of warning, between now and July 2, 2019, avoid spoilers as much as you can. This might not as Endgame-level as some thought, but if you’re of a certain age, it’s going to be very, very cool.
Spider-Man: Far From Home is out in theaters on July 2, 2019, which is, friendly reminder, a freaking Tuesday.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Airborne soldiers have some particular fears that most other troops don’t have to worry about. Total malfunctions of the parachute like a “cigarette roll” can cause them to hurtle into the earth at terminal velocity while mid-air entanglements can leave them with broken bones or worse.
One of their most unique fears is that of becoming a “towed jumper,” something that happens when their chute fails to separate from their static line and they are literally towed behind the plane like the pet dog from “National Lampoon’s Vacation.”
(Younger readers should not Google that reference. Instead, just imagine the worst possible version of parasailing.)
For Army Ranger Spc. Brian Hanson, the nightmare became a reality during a training jump under the stars of Fort Benning, Georgia. He and the rest of his company were under strict orders to conduct the perfect nighttime jump, to include not losing any gear.
But Hanson’s chute failed to separate and he became a towed jumper.
This left Hanson flying through the night sky as he fervently tried to keep all of his gear as close as possible despite the wind rushing over him while he dangled 1,200 feet above the surface of Benning. Watch the video above to learn how he made peace with these developments as well as the moment when he realized he was truly screwed.
One of if not the most dramatic moments in Avengers: Endgame is the scene in which a shieldless Captain America wields Mjolnir, Thor’s hammer that Odin enchanted so that only the worthy are able to lift it. There’s an entire scene in Age of Ultron showing the other Avengers trying and failing to pick it up. Or at least that’s what we thought was happening.
In a new interview, Endgame directors Joe and Anthony Russo were asked why Cap is able to pick up Mjolnir in Endgame but not in Age of Ultron. What changed between the two films, about nine years of Marvel Cinematic Universe time?
Anthony replied: “In our heads, he was able to wield it. He didn’t know that until that moment in Ultron when he tried to pick it up. But Cap’s sense of character and humility and, out of deference to Thor’s ego, Cap, in that moment realizing he can move the hammer, decides not to.”
Avengers: Age of Ultron – Lifting Thor’s Hammer – Movie CLIP HD
There is a brief moment in that Ultron scene in which the hammer appears to move ever so slightly and a look of panic flashes across Thor’s face, so it’s not as though Russo’s explanation comes completely out of left-field. The problem is simply that his version is just not as interesting as the prevailing theory.
Many thought that in Ultron, Cap couldn’t quite pick up the hammer because he was keeping a huge secret from Tony. In Captain America: Civil War he was forced to admit that Bucky was the one who killed the Starks. So by the time that scene in Endgame rolls around, he is worthy of wielding Mjolnir. It’s a nice arc that makes narrative sense and puts adherence to a moral code, the foundation of any good superhero story, at the forefront.
And now the Russos have deflated it. Because as nice as it is to be humble and not show up your friends, it’s not nearly as interesting as telling your friend that you’ve been keeping the identity of his parents’ murderers a secret.
J.K. Rowling learned the hard way that fans don’t particularly like it when architects of elaborate fictional worlds make statements outside of their work that alters their experience.
So while theorizing about this stuff is fun, creators have to know that when they do it comes from a place of authority that can have the effect of erasing fan speculation. That robs fans of the fun of speculating themselves and, as in this case, it can provide a less interesting “answer” to the most exciting questions the work in question raises.
This article originally appeared on Fatherly. Follow @FatherlyHQ on Twitter.
Well, the coronavirus got one of our favorites. Oscar winning actor, amazing fun guy and a man who has gone out of his way to bring amazing stories about our American heroes to the screen told us late Wednesday that he and his wife Rita came down with the COVID-19 bug while in Australia.
(Yes, we know there are a lot of stories that need to be covered, but we want to add a little levity too.)
We were putting out an article about the release of the trailer to his new movie Greyhound, which featured some amazing action scenes from the Battle of the Atlantic, and wanted to also give a shoutout to Tom by giving a ranking of his top 10 best films.
This was hard. There are too many good ones and a lot of great characters. Not everyone reading this will be happy. Don’t blame us! Blame Tom for making so many great movies. Before we do, we also have to shout out his great TV career before he even became a big movie star. He was on the Love Boat, had the great show Bosom Buddies, and even had a martial arts fight with Fonzie.
On the list of greats but just missing the cut are Sleepless in Seattle, Bachelor Party, That Thing You Do!, Turner & Hooch, Charlie Wilson’s War, Road to Perdition. All great with some awesome scenes, but as you will see the rest are hard to top.
**There are spoilers, so don’t get mad if you haven’t seen a movie yet and continue to read.**
When we were kids we all wanted to be grown up. When we grew up, we kinda wished we could be kids again. Arguably, no movie sums this up as well as Big. The great comedy from 1988 had Hanks as Josh Baskin, the kid that made a wish (Zoltar still creeps me out) and grew up overnight. He realized how good he had it and went back to being a kid, but not before giving everyone the two songs they must try to play whenever they see a keyboard.
“We never turn our back on it and we never ever allow ourselves the sin of losing track of time.”
The FedEx man who was all about time and efficiency, Hanks’ character Chuck Nolan has the misfortune of becoming a modern-day Robinson Crusoe. Stranded on a deserted island with his thoughts and a volleyball named Wilson, Nolan adapts to life alone before realizing he doesn’t want to die alone.
Also, extra props to FedEx for taking the movie and giving us one of the funniest Super Bowl commercials of all time.
Hanks is masterful as Paul Edgecomb, a death row prison guard who encounters a life-changing man in John Coffey. He initially is dismissive of Coffey and tries to ignore him, although he is still drawn to him. As he gets to know him, he realizes that a mistake has been made and now has to deal with the fallout of what he learned. An allegory of the story of Jesus, the movie has moved many to tears.
Captain Phillips get rescued by navy seals movie scene
The line gave birth to plenty of memes (especially for us military types) but the movie is pretty well done. Hanks plays the title character and delivers an amazing performance of a by-the-book guy that keeps as cool a head as he can when dealing with pirates. As cool as the Navy sniper who made that awesome shot.
Philadelphia (1/8) Movie CLIP – I Have A Case (1993) HD
For his role as Andrew Beckett, Hanks won his first Academy Award. Playing a man dying of AIDS who sues his employer for wrongful termination, Hanks gave a performance of a lifetime while educating the world at the time about the humanity of AIDS sufferers (especially in the LGBT community) in the early 90s. His transformation from a young vibrant man to a dying shell of his former self changed Hanks from the comedic actor of the 80s to the powerhouse thespian that he’s been for the rest of his career.
Playing Jim Lovell, Hanks teams up with Bill Paxton and Kevin Bacon to portray the almost disastrous Apollo 13 mission. The special effects and cinematography are amazing, it’s directed by Ron Howard so you know its good, and the rest of the cast back on Earth deliver amazing performances (failure is not an option, right?)—but Hanks is the rock of the movie. Showing steady leadership the entire time, from when things are great, to when the shit hits the fan, to when you just have to sit back and pray, Hanks brings it on home.
Jimmy Dugan yelling at poor Evelyn is the icing on the cake for probably the best comedic performances of his career. A drunk has-been, Dugan gets the chance at redemption managing a team of female ball players during World War II. The journey from uninterested drunk to cynical doubter to teetotalling motivational manager is pretty fun to watch until Dottie drops the ball.
In a movie that literally changed the way animation was done, Hanks gave us one of the most endearing and lovable animated characters of all time, and then three more times after that. Playing the favorite (until Buzz shows up) toy of Andy, Woody is the boss of his own toy universe. When we were kids, we all imagined how our toys would be if they came to life. We all imagined they would be like Woody. How much did we love him and his buddies… you know you just about lost it at that scene in Toy Story 3, don’t lie.
Bubba Goes Home – Forrest Gump (4/9) Movie CLIP (1994) HD
You can say Pulp Fiction should have won Best Picture that year. You can say Jenny is a truly evil person. You can say that the movie is overly sentimental. But who cares? It is still an amazing film that shows the journey of America through the life of a simpleton. Hanks is a ping pong player, runner, star football player, shrimp boat captain, and a whole bunch of other things.
But his portrayal of a soldier in Vietnam and his relationships with his friends Bubba and Lt. Dan resonates with every veteran. Holding one buddy in his arms as he dies and being there for another as he lives is a journey most of us can relate to.
That. Opening. Scene. There have been plenty of great war movies over the years, but this one made you feel as if you were there. The opening was so powerful some D-Day veterans had to take a step outside. In the midst of that opening, we are introduced to Captain John Miller. Miller is the guy we wish was our Commanding Officer and the guy we would follow into combat. Follow, because as a true Ranger, he led the way up until the very end. Hanks’ portrayal as the teacher turned warrior is his best performance to date.
But a lot will change for the MCU after this year.
Disney, which owns Marvel, will own the film rights to the X-Men and the Fantastic Four after merging with Fox. The producer Kevin Feige has said he expects that to happen within the first six months of 2019, at which point he’ll get the green light to develop projects with those characters.
It comes at a good time, as “Endgame” marks the end of this era for the MCU, and veteran actors like Chris Evans (who plays Captain America) are expected to retire from their roles.
But before the MCU faces a big shakeup, we ranked all 21 movies — including “Captain Marvel” — from worst to best.
Here’s every Marvel Cinematic Universe movie, ranked:
The MCU has since become a well-oiled machine that knows how to balance it all. But in 2010, it was still working on that.
20. “Thor” (2011)
Directed by Kenneth Branagh
There’s nothing particularly horrible about “Thor,” but there’s nothing memorable either. It’s impressive that the movie works at all, considering that Thor, an alien god with daddy issues, was such a little-known character at the time, and Chris Hemsworth was not the superstar he is now. But James Gunn managed to turn even lesser-known and weirder characters into MCU standouts in “Guardians of the Galaxy.” It would take a while for Thor to really come into his own.
We now know Mark Ruffalo as Bruce Banner/Hulk, but in the second MCU movie, Edward Norton was in the role.
Out of all the MCU movies, “The Incredible Hulk” feels the least connected to the universe. Liv Tyler’s Betty Ross, Banner’s love interest, has never appeared again, and neither has Tim Blake Nelson, who was teased as the Hulk’s archnemesis, the Leader.
But even with that tease, a sequel never happened, and the only character besides the Hulk to have any meaningful connection to the MCU has been General “Thunderbolt” Ross, played by William Hurt, who popped up again in 2016’s “Captain America: Civil War.”
(Disney / Marvel)
18. “Thor: The Dark World” (2013)
Directed by Alan Taylor
It’s almost pointless to compare the first two “Thor” movies, as they’re both toward the bottom of the MCU barrel. But “The Dark World” is a tad more fun than “Thor,” and it’s integral in introducing one of the Infinity Stones (the Reality Stone) that Thanos ends up using to destroy half of humanity.
But Marvel still hadn’t realized that Hemsworth’s best attribute in the role is his humor, and the character — and the first two movies — suffer because of it.
17. “Doctor Strange” (2016)
Directed by Scott Derrickson
“Doctor Strange” is the most overrated movie in the MCU. By 2016, movies like the Russos’ “Captain America: The Winter Soldier” and “Civil War” had progressed the MCU into new territory, but “Doctor Strange” felt like a step back. Sure, the magic was cool, but it also relied on a formulaic plot with a forgettable love interest. (How do you not give Rachel McAdams more to do?!)
16. “Avengers: Age of Ultron” (2015)
Directed by Joss Whedon
This “Avengers” sequel made the same mistake as “Iron Man 2”: cramming too much into its plot to serve the future of the franchise.
The movie features some cool action sequences, notably the Iron Man-Hulk battle. But it fails to distinguish Ultron, the Avengers’ biggest enemy in the comics, from other two-dimensional MCU villains, and it spends too much time setting up future movies. (What exactly is Thor doing?)
15. “Ant-Man” (2015)
Directed by Peyton Reed
“Ant-Man” is a fun little Marvel movie, but not much else. Paul Rudd is charming in the lead role, and Evangeline Lilly is more than just a love interest as Hope van Dyne (the future Wasp). But the movie still falls into familiar territory, including a lackluster villain in Corey Stoll’s Yellowjacket.
(Disney / Marvel)
14. “Captain America: The First Avenger” (2011)
Directed by Joe Johnston
“The First Avenger” is arguably the first movie that “mattered” in the MCU. While “Iron Man” is better, “The First Avenger” sets up “The Avengers” better than “Iron Man,” which basically acts as a prequel to the big team-up movie.
“The First Avenger” would prove essential to the movies that came after — even “Infinity War” with the unexpected return of a character thought to be dead.
13. “Iron Man 3” (2013)
Directed by Shane Black
“Iron Man 3” is the most divisive movie in the MCU, and for good reason. It takes some wacky turns, with a major twist that ruined the movie for plenty of people. But I admire that Black just went for it with this movie and delivered something that fans still argue over.
12. “Ant-Man and the Wasp” (2018)
Directed by Peyton Reed
While it’s not necessarily an “essential” MCU movie, it improves on the first “Ant-Man” in nearly every way, with plenty of heart and humor.
Reed came back to direct after replacing Edgar Wright at the last minute on the first movie, and “Ant-Man and the Wasp” feels as if he was more adjusted to the job, with some well-polished action sequences and a great handle on the characters.
11. “Captain Marvel” (2019)
Directed by Anna Boden and Ryan Fleck
Maybe in time “Captain Marvel” will inch higher on this list. But for now, it’s a solid entry into the MCU, but not a fantastic one.
Boden and Fleck are at their best in the character-driven aspects of the movie. Unfortunately, it’s the action the movie is lacking, which hurts it by the end.
Brie Larson is perfect in the title role, though, and her chemistry with Samuel L. Jackson’s Nick Fury makes the movie. There are also some surprising twists that elicited plenty of reactions from theater audiences. If anything, this is a worthy appetizer for “Avengers: Endgame.”
10. “Spider-Man: Homecoming” (2017)
Directed by Jon Watts
I didn’t have a strong positive reaction to “Homecoming” when I first saw it, but it’s grown on me. Peter Parker’s motivations throughout the movie to be a hero — impressing Tony Stark — rubbed me the wrong way at first. But it’s hard not to like Tom Holland’s spot-on portrayal of the character, and the movie knows exactly what it wants to be: high-school ’80s classic meets modern superhero flick. And Michael Keaton is truly menacing as Adrian Toomes/Vulture in what began a hot streak for villains in the MCU.
9. “Guardians of the Galaxy Vol. 2” (2017)
Directed by James Gunn
Though “Guardians of the Galaxy Vol. 2” is a step back from the first movie, it’s still the most underrated MCU movie. The “Guardians” movies are unique entries in the franchise, and it’s a shame Gunn was given the boot from the third movie, which is in limbo.
8. “Iron Man” (2008)
Directed by Jon Favreau
The first movie — and still among the best — “Iron Man” kicked off what has become the most lucrative movie franchise of all time. But in 2008, it was just a fun superhero origin movie that defied the odds.
Robert Downey Jr. is Tony Stark, and it’s hard to think of anyone else who could have embodied the role with so much of the necessary charisma to sell a character who casual audiences hadn’t cared about.
7. “The Avengers” (2012)
Directed by Joss Whedon
Four years after “Iron Man,” “The Avengers” proved that Marvel had what it takes to pull off a connected universe of movies. It’s even more impressive considering that the early MCU movies, like “Thor,” “Iron Man 2,” and “The Incredible Hulk,” are some of the worst in the franchise. But “The Avengers” course-corrected, delivering a bona fide blockbuster that hadn’t been achieved before.
(Disney / Marvel)
6. “Captain America: The Winter Soldier” (2014)
Directed by Joe and Anthony Russo
2014 marks the point when the MCU really got it together. There have been minimal low points since, and it’s because Kevin Feige and crew finally had the machine running smoothly with low-profile directors who could deliver surprising superhero movies.
Among those filmmakers were the Russos, who have become somewhat of the architects of the universe. After “The Winter Soldier,” an expertly crafted espionage thriller posing as a superhero movie, they went on to direct “Civil War,” “Infinity War,” and “Endgame.”
(Disney / Marvel Studios)
6. “Thor: Ragnarok” (2017)
Directed by Taika Waititi
“Thor: Ragnarok” is the most absurd movie in the MCU, but that’s only part of what makes it so good. This is when Marvel finally realized that Chris Hemsworth is an extremely funny guy with loads of charm and built a movie around that.
It’s also probably the closest thing we’ll get to another Hulk movie in the MCU.
4. “Captain America: Civil War” (2016)
Directed by Joe and Anthony Russo
“Civil War” is loosely based on a 2007 comic-book event of the same name that pits Marvel’s superheroes against one another over the ethics of a registration act making it illegal for any superpowered person to not register their identities with the government.
The MCU version is obviously more contained, but that’s what makes it so good. It takes a huge storyline and successfully tells it through Captain America’s perspective, making it even more personal.
(Walt Disney Studios Motion Pictures)
3. “Black Panther” (2018)
Directed by Ryan Coogler
“Black Panther” is a lot of firsts: the first superhero movie to be nominated for best picture, the first movie to win Oscars for Marvel Studios, the first superhero movie with a predominantly black cast.
It was more than just an MCU movie — it was a cultural event. And its box office reflects that. It was the highest-grossing movie in the US in 2018, breaking barriers and riding its success all the way to Oscar gold.
2. “Avengers: Infinity War” (2018)
Directed by Joe and Anthony Russo
“Infinity War” is an order of magnitude bigger than “Avengers” or “Civil War.” With a cast of over 20 characters, “Infinity War” is the culmination of 10 years of universe-building.
The Russos pulled it off, and they’re not done yet. After the most shocking ending in an MCU movie, the story will continue in “Endgame.”
But on its own, “Infinity War” is an impressive balancing act, and Josh Brolin’s Thanos lives up to the hype.
1. “Guardians of the Galaxy” (2014)
Directed by James Gunn
“Guardians of the Galaxy” was the first MCU movie that really felt disconnected from the rest of the universe, but not in a negative way like “The Incredible Hulk.” It’s an important entry in the franchise from a story standpoint — but it’s also just a hilarious, fun, self-contained movie that turned an unknown group of characters into fan favorites.
It’s the most rewatchable movie in the MCU, with a brilliant soundtrack, but it’s the characters that really make it, from the dynamic between Rocket and Groot to the oblivious Drax. They don’t like each other at first, but the audience loves them as soon as they’re introduced.
This article originally appeared on Business Insider. Follow @BusinessInsider on Twitter.
It has been said that all men are created equal. If you have spent any time in uniform, then you know that just simply isn’t true. Some of us are just better, faster, smarter, stronger individuals.
Such is the case with August O’Neil. Not only is he one of the world’s elite as an Air Force Pararescueman, he has multiple gold medals from multiple international events that he won after he lost a limb in Afghanistan.
His life is the stuff that movies are made about, literally. Here are the top five reasons you should know August O’Neil.
August O’Neil joined the Air Force in 2005 and graduated from his pipeline training in 2008. If you aren’t aware of the level of elite physical ability and mental capacity you need to become a PJ, here’s a quick rundown:
First, you have to pass what was once known as the Indoctrination Course. Indoc alone has a fail rate north of 80% and that is just the door to get through to more training. That ‘more training’ equates to literal years spent learning the job.
4. First amputee to return to USAF
After suffering such an injury, many of us would go to some dark places. O’Neil has made it his complete life’s mission to get back to his team.
As of late 2017, he was medically cleared and re-certified on many of his required tasks. O’Neil will likely be the first amputee ever to return to active duty in the Air Force.
Yes, that’s correct. With one functional leg and the other having been through 20 surgeries, he won five different medals.
For added sh*ts and giggles, O’Neil also won gold for Kayaking at the Valor Games in 2013.
2. Invictus Games
The Invictus games are right up there with the Paralympic Games and were created by Prince Harry. They are coming up on their third games this year and you can be certain that amazing things will happen there, too.
The games are aimed directly at the global injured veteran community, so it should be no surprise that O’Neil participates.
A feature film, That Others May Live, about O’Neil’s life from the moment he was injured to the present, has begun to gain some real traction. It is currently in pre-production with Paramount Pictures attached.
“Game of Thrones” composer Ramin Djawadi has been a central craftsmen of HBO’s iconic series since the very first episode. For the coming final season, he’s keeping the secrets of the score close to his chest.
“I don’t know if I should … or what I can even say at this point,” Djawadi told INSIDER at the season eight premiere in New York City last week when asked if there are any new instruments we’ll hear on season eight. “I can say there are new themes, definitely, and there are plenty of the existing themes as well, with new iterations.”
Djawadi says the experience of producing this final season has been “bittersweet.”
“It’s obviously super exciting but writing this final season was definitely very emotional for me,” Djawadi said. “I went through all the ups and downs all by myself.”
He was sent the final season’s episodes earlier this year, but had to watch them by himself in order to maintain the secrecy of how the show ends.
“Obviously it’s so under wraps that even my direct team can’t have access to my studio,” Djawadi said. “So it was just me and nobody else, all the doors were locked. It was quite emotional.”
The music you hear on “Game of Thrones” isn’t just written by Djawadi; he plays most of the instruments himself and then assembles the individual layers into one cohesive piece for the score.
Djawadi told INSIDER he watched all six episodes “straight through” before he started writing any music.
“Then I re-watched them countless times,” Djawadi said. “Like hundreds and hundreds of times.”
One theme INSIDER is eager to hear on the coming official soundtrack is the music which plays during Jaime Lannister’s signature moments, including the memorable bathtub monologue on season three and when Jaime goes to treat with the Blackfish on season six.
Neither of those pieces of score were put on the official released compilations fans can buy or stream. But Djawadi says he hopes to get Jaime’s theme onto the released season eight soundtrack.
“Yes, definitely,” Djawadi said. “A lot of people have approached me [about that]. It’s interesting, when I get stuff ready for the soundtrack I sometimes think, ‘Oh this piece is too short,’ and then all these people ask why it’s not on there.”
“I feel like I should go back and look through all the unreleased material and do something with it,” Djawadi said.
We suggested he release a bonus soundtrack after the series finale.
“Yeah, I think we have to,” Djawadi replied.
“Game of Thrones” premieres Sunday, April 14, 2019, at 9 p.m. ET. Tune in to hear if any of those new themes teased by Djawadi makes it into the first episode of season eight.
This article originally appeared on Insider. Follow @thisisinsider on Twitter.
We regularly read about wars both past and present. Yet there are few of us who truly know what it’s like to be there. The accounts below are told by the brave men and women who fought on the front lines, as well as those intrepid reporters who documented war in person. From World War II to the battlefields of Vietnam, these seven works provide insight into the triumphs and terrors of armed conflict.
7. We Were Soldiers Once… and Young
We Were Soldiers Once… and Young examines Ia Drang, one of the most significant and brutal battles of the Vietnam War. Written by Lt. Col. Harold Moore, with the help of journalist Joseph L. Galloway—the only journalist on the ground at la Drang—the book tells the harrowing tale of the American soldiers who never gave up, despite the devastation that surrounded them.
6. This Kind of War
The book that Defense Secretary James Mattis recently recommended in response to rising tensions in North Korea, This Kind of War analyzes the Korean War—as told by a man who was there. Often referred to as “the forgotten war,” Fehrenbach, who served as a U.S. Army officer during the war, provides a powerful reflection on its destruction and how unpreparedness led to the loss of so many lives.
5. Valor in Vietnam
Looking at the Vietnam War through the lens of those who were there, Valor in Vietnam offers 19 different stories of triumph and tragedy. Presented in chronological order, the accounts are emotional, intense, and personal.
4. Goodbye Vietnam
William Broyles’ memoir covers his life from the time he was a college student—hoping not to be drafted—to his service in Vietnam and his return to the country years later, in an attempt to come to terms with the bloody war. Though he was enrolled at Oxford when the Vietnam War began, Broyles realized he could not let his class or education stand in the way of his civic duty. He subsequently enrolled in the marines. And while he survived, he wasn’t able to move on until he confronted his past and returned to the former battlefields of Vietnam.
3. Eyewitness to World War II
This military bundle includes three books from Richard Tregaskis, a World War II reporter who bridged the gap between the soldiers on the front lines and those waiting at home. Including Guadalcanal Diary, Invasion Diary, and, John F. Kennedy and PT-109, Tregaskis, who travelled with the Allies during WWII, recounts the bravery and sacrifice he witnessed.
2. Special Ops
Orr Kelly, a journalist who served as a war correspondent in Vietnam, tells the stories of the military’s elite forces. The bundle includes Brave Men, Dark Waters; Never Fight Fair!; Hornet; and, From a Dark Sky. From the Navy SEALs to the US Air Force Special Operations, Kelly details the courage and resilience of these unique fighters. In Never Fight Fair!, the Navy SEALs tell us, in their own words, about the history of their special force and what it takes to be one of the elite.
1. In Pharaoh’s Army
A National Book Award finalist, In Pharaoh’s Army chronicles Tobias Wolff’s experiences as an army officer in the Vietnam War. Present during the Tet Offensive, one of the largest military campaigns that took place during the war, Wolff tells his story and how it has affected him both in and out of Vietnam.