There are few stories as truly amazing and inspiring as that of World War II hero and Medal of Honor recipient Desmond Doss.
The soldier saved 75 of his fellow troops during the hellish battle for Okinawa — under cover of darkness, avoiding roving Japanese patrols at every turn and lowering his brothers to safety down a cliff by hand … one at a time.
And he did it all without ever firing a shot.
The story of Pvt. Doss — a 7th Day Adventist and conscientious objector during World War II who despite his religious convictions enlisted to serve in the war as a medic — is portrayed in vivid and emotional detail in the upcoming film “Hacksaw Ridge.”
Directed by Mel Gibson and starring Andrew Garfield as Doss, Vince Vaughn as Sgt. Howell, Teresa Palmer as Doss’s eventual wife Dorothy and Sam Worthington as Capt. Glover, “Hacksaw Ridge” is as much a love story as it is a tale of gritty resolve and strength of character.
WATM sat down with some of the stars behind the film to find out what their motivations were for tackling a character as complex as Doss and to get a sense why those who’ve “been there and done that” should get to theaters and see the epic film themselves.
Director Mel Gibson and actor Andrew Garfield explain the difficulty of portraying a soldier as complex as Pvt. Desmond Doss:
Actors Vince Vaughn and Luke Bracey talk about how vets inspired them for their roles:
Actor Teresa Palmer gives an intimate look at the experience of her family during World War II:
Vigilance Elite just released footage from a training session with Reeves for John Wick: Chapter 3 – Parabellum, and you can see that he’s training like an operator, not just an actor. In the video below, trainer and former Navy SEAL Shawn Ryan walks Reeves through room clearing with a rifle — in particular, negotiating the “fatal funnel.”
This kind of dedicated training is just one reason why Reeves is highly respected and his films are so fun. Check out the video for a bit of Reeves-worship…but stay for the refresher in case you ever get into a sh*t sandwich.
Keanu Reeves Tactical Training for John Wick 3 with Vigilance Elite .MP4
“My character’s always in shit sandwiches,” jokes Reeves.
Reeves maintains a professional, respectful demeanor throughout the process, which is exactly the kind of attitude that bridges the divide between military and civilian audiences. Reeves is believable as an assassin because he puts in the work to understand weapons and tactics; military audiences can spot a phony a mile away and it ruins the cinematic experience.
Everyone knows that the primary offensive weapon of an aircraft carrier or a big-deck amphibious assault ship is the aircraft on board. But those planes gotta drop (or fire) something at targets on the ground. Those planes also need stuff to fire at enemy planes (or missiles), as they are also the primary defensive weapon of those ships.
But all that stuff that goes boom needs to be kept somewhere safe. Why? Because if that stuff goes off at the wrong time, the best case can be a very messy situation, like that on the aircraft carrier USS Forrestal (CV 59) off Vietnam.
It can get worse than the fire on the Forrestal. When the escort carrier USS Liscome Bay (CVE 56) was hit off Makin Island in 1943, ordnance blew up, sinking the ship in 23 minutes and killing 644 of her crew. Three of the Japanese carriers that were sunk at Midway, the Akagi, Kaga, and Soryu, all went down due to bombs for their planes going off after they were hit.
The United States learned from World War II. Today, the bomb magazines are kept deep inside carriers and amphibious assault ships. They carry a lot of bombs, missiles, and rockets. These weapons are prepared in the magazines, and then shipped up on special elevators to the flight deck where they can be loaded onto the planes.
People often describe carriers (as well as the amphibious assault ships) as an airport on top of a floating city. That’s not quite the truth. The carriers and amphibious assault ships are airports on top of floating forward operating bases – and they are mobile.
You can see some of the operations of the magazine on board the Wasp-class amphibious assault ship USS Essex (LHD 2) in the video below.
Just how many times has a nuclear bomb been detonated? The number is much higher than many people might guess.
The video below reveals a staggering total — and it is a subject that is out of mind, largely because all but two of the times that nuclear weapons have detonated were tests. Furthermore, the United States hasn’t even conducted a test since 1992.
To put that into perspective, in that year, Major League Baseball still had only 26 teams. The NFL was at only 28 teams, and Cleveland still had the original Cleveland Browns while the Los Angeles Rams were still three years away from their two-decade sojurn in St. Louis. Michael Jordan and the Bulls were two-thirds of the way through their first three-peat.
This video takes about three minutes — and after it, you should come away feeling sobered at just how many times the most powerful weapon in human history has exploded, and thankful that it has only been used in anger twice.
Russia is working on its own TV show about the Chernobyl nuclear disaster — but this version focuses on a conspiracy theory that a CIA agent sabotaged the reactor.
The Russian show, whose release date is not yet known, comes at the heels of HBO’s successful miniseries, “Chernobyl.”
The HBO show attributes the 1986 nuclear disaster to a combination of reckless decisions made by senior plant staff and Soviet state censorship, which resulted in the government hiding dangerous problems at the plant from the public, as well as other scientists and plant staff.
This portrayal is considered highly accurate. Many former Soviet, however, slammed it as inaccurate and slanderous of the Soviet Union.
Donald Sumpter on HBO’s “Chernobyl” miniseries.
The nuclear disaster propelled radioactive particles over 1,000 square miles of Ukraine and Belarus. The death toll remains unknown, but some studies say tens of thousands of people died as a result of the leak.
Moscow’s version of “Chernobyl” — which is produced by NTV, an arm of Russia’s majority state-owned Gazprom Media — is premised on the theory that CIA agents sabotaged the nuclear reactor, which ultimately led to the accident, NTV said in April 2018.
The idea for Russia’s version of “Chernobyl” is based from a popular conspiracy theory in the country, Muradov told The Moscow Times.
“One theory holds that Americans had infiltrated the Chernobyl nuclear power plant and many historians do not deny that, on the day of the explosion, an agent of the enemy’s intelligence services was present at the station,” he said.
The US and Soviet Union were in the midst of the Cold War at the time of the explosion, and espionage and mutual mistrust were high.
Digitalization of Chernobyl disaster.
Journalists from former Soviet countries have taken issue with HBO’s adaptation of the nuclear disaster.
One writer from Komsomolskaya Pravda, Russia’s most popular paper, said last month the series was designed to slander Rosatom, Russia’s nuclear energy company.
The same newspaper also ran the headline on a separate story, which said according to The Guardian: “Chernobyl did not show the most important part — our victory.”
“The Soviet cosmonaut has become the first to set foot on the moon.”
For All Mankind introduces the stakes right away — and they hit hard for anyone familiar with the iconic moon landing of 1969 and what it meant to Americans.
It’s a seductive concept, as proven by Amazon’s TheMan in the High Castle, a dystopian show depicting an alternate history where the Axis powers won World War II. The first season begins in 1962. The United States is divided between the Nazis and the Japanese but our heroes discover a film tape that shows Germany losing the war.
For those of you who are fans, you’ll want to check out For All Mankind, an upcoming series brought to you by the new streaming platform Apple TV+. The premise is simple: what if the Soviet Union were to win the space race of the Cold War?
First, here’s the trailer:
For All Mankind — Official First Look Trailer | Apple TV+
For All Mankind — Official First Look Trailer | Apple TV+
For All Mankind is created by Emmy® Award winner Ronald D. Moore (Outlander, Star Trek, Battlestar Galactica) and Matt Wolpert and Ben Nedivi (Fargo, The Umbrella Academy). Told through the lives of NASA astronauts, engineers, and their families, For All Mankind presents an aspirational world where NASA and the space program “remained a priority and a focal point of our hopes and dreams.”
Now, there were a lot of zany ideas going on during the actual Space Race of the Cold War, which would be marked by the desire for each side to prove its superiority. Military might and nuclear capabilities were growing, wars between Communist and Capitalist countries were escalating, and space exploration was rising. When the Soviets successfully launched the world’s first satellite into Earth’s orbit, American urgency rose.
It ended well for the U.S. when Neil Armstrong became the first man to walk on the moon. The glory was ours! Everyone could just calm down.
But…what if history had gone another way?
“Get back to work.”
“We thought it was just about being first. Turns out the stakes are much bigger than that,” announces a voice in the trailer.
For All Mankind explores building a base on the moon, which has water on it. “We’re going to Mars, Saturn, the stars, the galaxy.” The first look at the series gives weight to the Space Race in a new and imaginative way, including (to my immense relief), lady astronauts.
Here’s one way the Soviets actually did beat out the United States: Valentina Tereshkova was the first woman in space, whose mission Vostok 6 took place on June 16, 1963. The U.S. kept women out until Sally Ride’s first space flight on June 18, 1983. I’m biting my tongue here…
Props to For All Mankind for writing women into their alternate history in ways our own countrymen refused to do.
Apple TV+ is “a new streaming service where the most creative minds in TV and film tell the kinds of stories only they can. Featuring original shows and movies across every genre, Apple TV+ is coming this fall. Exclusively on the Apple TV app.”
The platform has already announced series like See, which places Jason Momoa and Alfre Woodard in a dystopian future where the survivors of a global virus are left blind; Amazing Stories, a Steven Spielberg-helmed fantasy anthology; and even an untitled Brie Larson CIA drama series.
With the third installment of the John Wick franchise continuing to see solid returns at the box office and a fourth installment already announced, it seems clear that the Keanu Reeves’ action vehicle is bringing something to the moviegoing audience that they’ve lacked in this era of high-budget blockbusters and CGI-infused epics. I’ve gone on record in the past saying that I believe the secret to Wick’s success is in its approach to violence; melding realism with whimsy in a uniquely American fashion and producing this nation’s first legitimate response to the Brit’s premiere assassin franchise, James Bond.
What makes Reeves’ Wick Bond-like where other successful American franchises have fallen short (culturally speaking) isn’t in its similarities to the spy-franchise, but rather in its willingness to depart so openly from it. While American heroes like Jason Bourne, Jack Ryan, and even Ethan Hunt seem to emulate Bond’s style and approach to varying degrees, Wick diverges from the expected and leans hard into a stylized alternate reality where firefights require grappling skills and the homeless man you gave your change to might actually be a trained assassin hiding his Rolex from your view.
Trained combatants masquerading as homeless men is a common urban legend that may have legitimate roots in some British SAS operations.
This departure from what we’ve come to expect could have been enough to make the Wick-flicks into a Matrix-like fantasy franchise, but it’s where and how these films choose to anchor themselves in reality that makes Wick’s fight scenes so jarring. Every time you start to think you’re watching another superhero movie, the Wick series brings you back to earth with a powerful thud, grounding its over-the-top violence in reality, even when the circumstances are anything but realistic.
One scene in “John Wick: Chapter 3 – Parabellum” perfectly captures this combination of gritty realism and seemingly surreal violence in a brief but dramatic fight between the titular Wick and one of the countless assassins he’s forced to dispatch along the path to redemption. As the two wrestle with one another, they fall into an indoor pool, creating separation and offering each an opportunity to level their weapons at one another.
About as effective as this.
(Marine Corps photo by Pfc. Levi Schultz)
With both Wick and his opponent still submerged under the water, the goon opens fire, releasing three rounds into the pool that, in any other film, would have hit Wick square in the chest. Instead, however, the rounds immediately begin to flutter off course, reacting to the dense water separating the two men in what is perhaps the most realistic example of water’s effect on traveling rounds I’ve ever seen depicted in film.
Wick then closes the distance between the two of them, pressing the muzzle of his weapon right into the neck of his opponent and firing, killing the bad guy and allowing Wick a precious moment to regroup.
John Wick Chapter 3 Underwater Gun Fight | John Wick Chapter 3
While movies may show bullets whizzing through the water (often with the hero dodging them as he swims away), the truth is, water is about 800 times denser than air and has a huge effect on the trajectory and energy of a round. As the bullet strikes the water, its kinetic energy immediately begins to dissipate against the resistance of the thicker medium, allowing that drag to send it fluttering off course, and usually, rendering the bullet near enough to inert to make it no threat to any nearby assassins.
“John Wick: Chapter 3” is the first movie I’ve ever seen so clearly demonstrate water’s effect on a bullet’s path without taking the time to handhold the audience to explain the physics behind it. Instead, Wick simply shows the action as it would unfold and moves on, respecting the viewer enough to assume that you’ll get it–even if it’s something you’ve never seen on screen before.
Fires weapon under water – with his own life on the line
As demonstrated by Mythbusters in an episode called “Bulletproof Water” that aired in July of 2005, just about anything you shoot at the water short of a .50 caliber round or a 12 gauge slug will disintegrate in less than three feet when fired into water. If you trust your math enough, you can even devise a rig that lets you shoot 5.56mm rounds at yourself like physicist Andreas Wahl did to prove the point, but I’m inclined to take Wick’s word for it on this one.
This past week saw We Are The Mighty at the 2015 Blue Angel Airshow at Naval Base Ventura County Point Mugu.
It was a full day of weaving in out of the crowds of people excited to see incredible planes, crazy stunt pilots, and (of course) the legendary Blue Angels performance. WATM managed to snag interviews with a couple of pilots, the executive officer of the VAW-112 Air Wing, and the crew of the gargantuan C-5M Super Galaxy (who let us take a peek inside!) before the Blue Angels took the skies in an impressive display of flying.
When considering the origins of legendary cocktails, it’s doubtful that Egypt is the first place to spring into anyone’s mind. Like many culinary innovations made during World War II, “The Suffering Bastard” is a concoction birthed from a world of limited supplies in which everyone had to make do with whatever they could get their hands on – and it shows.
The Suffering Bastard is a legendary beverage, created by a legendary barman, in time and place where new legends were born every day. The unlikely mixture is said to have turned the tides of the war against Erwin Rommel’s Afrika Corps in Egypt. True or not, it succeeded in its original mission: curing the hangovers of British troops so they could push Rommel back to Tunisia.
In 1941, World War II was not going well for the British Empire. Even though the previous year saw British and Imperial troops capture more than 100,000 Italian Axis troops in North Africa, Hitler soon sent in his vaunted Afrika Corps to bolster Axis forces in the region.
Field Marshal Erwin Rommel with staff in North Africa, 1942.
Crack German troops led by capable tank strategist and Field Marshal, Erwin Rommel, the British experienced a number of defeats in the early months of 1941. They were pushed out of Libya and the lines were within 150 miles of the Egyptian capital of Cairo. His goal was to capture the Suez Canal and cut the British Empire in two.
During the Battle of El-Alamein, Rommel was quoted as saying “I’ll be drinking champagne in the master suite at Shepheard’s soon,” referring to the world-famous Shepheard’s Hotel in Cairo. Inside the hotel was the well-known Long Bar and behind that bar was bartender, Joe Scialom, whose stories could rival anyone’s, from Ernest Hemingway to Ian Fleming.
Scialom behind the Long Bar in Cairo’s Shepheard’s Hotel.
Scialom was a Jewish Egyptian with Italian roots. Born in Egypt, he was a trained chemist who worked in Sudan in his formative years but soon found he enjoyed applying the principles of chemistry to making drinks. The chemist-turned-barman who spoke eight languages would eventually travel the world over, to Cairo, Havana, London, Paris, Rome, Istanbul, and Manhattan, drinking alongside folks like Winston Churchill and Conrad Hilton. Much of that would come later, however. In 1941, he was the barkeep at the Long Bar and he was faced with a unique problem.
The war made it very difficult to get good liquor in Egypt. British officers resorted to drinking liquor that wasn’t made of such high quality and soon began complaining about terrible hangovers. In an effort to do his part for the British, Scialom set out to make a drink that would give them the effect they wanted while curing their inevitable hangovers. He used an unlikely combination of bourbon and gin along with added lime, ginger ale, and bitters to create a drink that did the job perfectly.
Many variations on the original recipe exist, to include ingredients like pineapple syrup and rum, but the original Suffering Bastard used bourbon and gin as its base.
The first Battle of El Alamein in 1942 resulted in a stalemate. The Axis supply lines from Libya were stretched out to their breaking point and Rommel could not press on to Alexandria. Before the second Battle of El Alamein, the ranking British general, Claude Auchinleck, was replaced. His spot eventually taken by one General Bernard Montgomery. The next time the two sides met at El Alamein, Montgomery was in command and British hangovers were a thing of the past. Monty and the British Empire troops turned Rommel away and pushed him westward toward an eventual defeat.
Everyone knows “Die Hard” is the story of how a struggling New York cop made his way to Los Angeles to spend Christmas with his estranged family only to get caught up in a terrorist attack. Not everyone may be familiar with “Nothing Lasts Forever,” the book on which the movie was based.
If you haven’t read “Nothing Lasts Forever” and love the “Die Hard” series, you might be in for a real treat, like watching “Die Hard” for the first time.
The book is much like the movie, except the main character, Joe Leland, is flying to see his daughter, Leland actually knows who the lead terrorist is, and the terrorists aren’t just out to steal money. They’re trying to expose the Klaxon Corporation’s illegitimate dealings with an illegal government in South America. Leland tells the whole story to a stewardess he met on the way to LA, who is also his new girlfriend.
To not ruin the rest of the story, I’ll let you read the rest.
Joe Leland, like McClane, is a struggling NYPD cop. Unlike McClane, Leland is retired from the force and retired from the U.S. military. John Leland is a deeply disturbed ex-fighter pilot who never quite got over what happened to him in World War II and he still carries around a Browning Hi-Power pistol (even on the airplane).
As a former cop, Leland has a lot of experience with terrorists. He even attended a training seminar that discussed the work of “Little Tony” Gruber, the leader of the German terrorists taking over the Klaxon building.
Just like McClane, he escapes the initial hostage taking, exiting the company Christmas party while barefoot and armed. Joe Leland also crawls through the building’s HVAC ductwork, drops bombs down elevator shafts and takes enough damage to kill any normal human.
The producers of “Die Hard” didn’t intend for the film to be anything like the book, but it’s hard to fight awesome. Scenes like John McClane taping a gun to his back or jumping off a building with a firehose tied around his waist are just too good to pass up.
If “Die Hard” is the movie that changed action movies forever, then “Nothing Last Forever” is the book that changes action movies forever and it all started with a single disgruntled Air Force pilot.
See some of the best of John McClane in this clip from YouTube:
The Battlefield series has always been known for its breathtaking graphics and in-depth storytelling about real-life conflicts involving troops. These popular features seem to be continuing with their latest installment, Battlefield V, coming Oct. 19.
The new game will be set in World War 2 and have several modes. The single-player “War Stories” will be brought back from Battlefield 1, which gave each chapter of the story to a different soldier fighting in the war. This opened up many storytelling possibilities that could give each region and troop the respect they deserve.
The multiplayer is also looking just as in-depth. The series is known for its massive 64 versus 64 player matches and it’s being teased that those matches may be even bigger. This even branches off into the “Last Stand” mode where a player is given only one life and that’s it.
Another much welcomed return to video gaming is an extremely interesting co-op mode called “Combined Arms.” In it, a squad of four players will be paratroopers given a mission to sneak behind enemy lines to complete their objective. The squad-based multiplayer is the game’s focus, just as it was in the phenomenal Battlefield: Bad Company 2.
Everything in the game is destructible and players can interact with everything and even build their own fortifications. Not only is being able to clear out buildings standing between you and your opponent coming back, but there’s a return of minor details that make the game feel more realistic. A key example is grabbing a health pack; players have to actually apply it to heal (instead of the gaming norm of just walking over it and magically healing.)
This offers a much more difficult level of game play that is unparalleled — and very welcomed from gamers.
Another popular perk of the game is their discontinuation of a premium or season pass. Every bit of post-launch content will be free to all players. In similar fashion, EA Dice has filled previous content with enough things to do that nearly doubles the game-play content in a matter of months.
Check out the video below to watch the official trailer.
Warning: Major spoilers below. Do not read if you haven’t seen “Spider-Man: Far From Home.”
Director Jon Watts calls “Spider-Man: Far From Home” a “con movie,” and if you’ve seen it already, you know exactly why. The movie uses the audience’s collective knowledge of the Marvel Cinematic Universe to present a story that completely messes with their heads.
From the real motives of the movie’s villain, Quentin Beck (aka, Mysterio; played by Jake Gyllenhaal), to the surprise cameos, “Far From Home” is a rapid-fire series of twists, all the way to the post-credit scene.
And Watts said that sleight-of-hand feel was ingrained in the project from the development phase — which began just weeks after “Spider-Man: Homecoming” opened in theaters in 2017 — because of the movie’s villain.
“It was such a core concept because it’s Mysterio’s whole philosophy,” Watts told INSIDER. “When you’re dealing with a character who works in illusions and deception, that’s going to be one of the major themes.”
So Watts beefed up on his con movies, specifically spending a lot of time studying “The Sting” and “The Usual Suspects,” and embarked on telling a unique Marvel movie, one where almost everything is not what it seems.
Below, Watts gave INSIDER insight on 6 of the biggest spoilers in “Far From Home,” including stuff you may not catch until you see the movie again.
(Jay Maidment/Sony Pictures)
1. The moment Watts knew the bar scene, in which Peter Parker hands over the E.D.I.T.H. glasses to Mysterio, would work.
Halfway through the movie — after Spider-Man (Tom Holland) and Mysterio defeat one of the Elementals — the two have a celebratory drink at a bar. The scene gradually becomes a dramatic moment in which Peter Parker questions if he has what it takes to be a superhero like his idol, Iron Man. He even doubts if he’s worthy to have the high-tech E.D.I.T.H. glasses that Tony Stark had Nick Fury give him earlier in the movie. By the end of the scene, Parker hands Mysterio the glasses, which have an AI embedded in them that can power all of Stark Industries’ weapons.
But once Parker walks out of the bar, it’s revealed that Mysterio played a huge trick on him. The bar was actually an illusion. Many of the patrons were working for Mysterio and the decor was all artificially projected by clones (they were actually sitting in an abandoned storefront). It was all a con job to get the glasses from Parker so Mysterio could have control of Stark’s high-tech weapons. Even the Elementals Spidey was battling was an illusion put together by Mysterio.
The ambitious scene was one Watts knew had to hit perfectly with the audience if the movie was going to work.
“The movie hinges on that scene,” Watts said. “It’s a culmination of Mysterio’s con. I anticipate that a lot of people will know that Mysterio is the villain, they aren’t just exactly sure how or why.”
Watts said there were not multiple versions of the scene shot. What you see in the movie is how the scene was scripted. And though he spent months with the screenwriters getting the scene to feel right, he wasn’t convinced it would work until Holland and Gyllenhaal got their hands on it.
“What’s great about working with actors like Tom and Jake is that they bring it to life,” he said. “They have to make sure that none of it feels false. I remember the first time we ran it, we tweaked a couple of lines but as soon as they started going through it between the two of them, it was a huge relief for me. It was one of those moments where you have talked about it a lot and prepared so much, but it has to come to life with the actors or the whole movie feels false.”
2. The bar scene is also filled with hidden messages to influence Peter Parker to give up the glasses.
The whole trick with the bar scene is Mysterio has to get the glasses without ever asking for them. Peter has to be the one who hands them over. Watts said to drive that home, along with watching how classic con movies from the past have done it, he also studied how deception is done on people in real life. And his major takeaway was visual persuasion.
“You may not have caught this, but all the things on the wall behind Quentin [in the bar scene] are things that feed into the idea that Peter would hand the glasses over to him,” Watts said. “So even the art direction is part of the con. There’s military medals, that sort of helps remind Peter what Quentin said about being a hero soldier. There’s a picture of glasses, again, embedding that idea. So there are all these things in the background of the bar in Peter’s eye line that will subconsciously motivate him to hand these glasses over.”
Did you catch any of those visuals? Keep an eye out for them in the bar scene next time you see the movie.
3. The origin of “The Blip” term.
One of the funniest moments in the opening of the movie is the reveal of the term “The Blip,” which refers to people who were affected by Thanos’ snap that happened in “Avengers: Infinity War” and then came back after the events in “Avengers: Endgame.”
Watts said it was something that they came up with while writing the movie.
“We had our own logic,” he said. “‘The Snap’ was what made everyone disappear, but for everyone who came back it was like no time had passed. So we felt, ‘It’s just like a blip to them.’ That’s just how we started talking about the passage of time. And we also felt it was just a funny phrase to refer to this devastating event.”
And thanks to the term, a running joke came out of it.
Though The Blip felt like just moments for people affected, they were actually gone for five years. So they came back five years older. It does wonders for one of Peter Parker’s high-school classmates, Brad (Remy Hii). Pre-blip he was a short geek, but in those five years, he hit puberty and post-blip he’s a hunky stud clashing with Parker for MJ’s (Zendaya) affection.
4. Quentin Beck is behind some of the most memorable Stark Industries tech, but never got the credit.
Another great thing about the bar scene is that it gives us Mysterio’s backstory. And it’s steeped in MCU lore.
It turns out he’s the one who created B.A.R.F., the binary augmented retro-framing tech Stark shows off in the beginning of “Captain America: Civil War” — though it was Stark who came up with the silly name (and took the credit).
Mysterio’s past in the movie is a little different than his origin in the comics. In the pages of “The Amazing Spider-Man,” Quentin Beck is a special-effects wiz and stunt man who turns to crime when his dreams of making it big in Hollywood fizzle out. But for the movie, Watts realized that Beck would fit perfectly in the MCU if he made him a bitter former employee at Stark Industries.
“The idea around that was we knew Quentin would have a relationship with Tony,” he said. “The illusion tech that Quentin uses, we’ve actually seen it in the Marvel universe from the beginning. Tony has always dealt with holographic tech, but it’s never been said who made it. And then it really comes to the fore in ‘Civil War.’ But Tony didn’t make it. He doesn’t build all the Stark tech on his own, there’s a whole organization that does it. So we thought that would be how Mysterio pulls this all off. Once that clicked, then we just decided he would have a team of disgruntled Stark Industries employees. We used that B.A.R.F. flashback as a jumping-off point.”
5. The return of J. Jonah Jameson.
The mid-credit scene in “Far From Home” is a fun moment for those who were fans of the Sam Raimi movies, as the beloved character J. Jonah Jameson makes a cameo. And like those movies from the early aughts, actor J.K. Simmons returned to play the role.
In the scene, Jameson is not the loud-mouthed editor of the Daily Bugle, but a loud-mouthed host of an Alex Jones-like TV show. In the middle of Manhattan, Jameson appears on a billboard and shows shocking footage of Mysterio, just before his death (which he doctored to make it look like Spider-Man killed him), revealing the true identity of Spider-Man: Peter Parker.
“It made so much sense in the context of the story we were telling,” Watts said of bringing back Jameson. “We knew we wanted Mysterio to be the one who revealed Peter’s identity and it had to be on the news, so we felt if it’s on the news it has to be the Daily Bugle, and if it’s going to be the Daily Bugle, it has to be J.K. Simmons. There was never any question about. And if he didn’t do it, we weren’t going to do it. We would have come up with something else.”
But why make Jameson a TV personality? Watts said putting him on TV instead of overseeing a newspaper was just commenting on the times we live in today.
“He’s still doing a very similar character to what he was doing in the Sam Raimi movies, but now there’s just a real-world comparison that there wasn’t before,” he said. “It’s less that he has changed and more that the world has changed.”
6. Nick Fury and Maria Hill were really Skrulls.
“You didn’t see that one coming, right?” Watts asked with a laugh.
We certainly did not. In the scene that immediately follows the end credits, we are given the movie’s biggest con: Nick Fury (Samuel L. Jackson) and fellow S.H.I.E.L.D. member Maria Hill (Cobie Smulders) were really Skrulls the entire movie. Yes, Skrulls, those shape-shifting beings we were introduced to in “Captain Marvel.”
It turns out Talos (Ben Mendelsohn) and one of his compatriots came to Earth with instructions from Fury (who we learn is lounging out in space on a big ship) to hand deliver the E.D.I.T.H. glasses to Peter Parker. Clearly things got a little complicated. But it is a fun coda for a movie that completely messes with the audience.
“Once you get into the vocabulary of a con man movie like this, I feel you have more leeway to just keep doing reversals like that,” Watts said. “Everyone is lying. Everyone is hiding something. No one is who they seem. It just made sense that at the end of it we would do this. As we were developing the story, there was always a lingering question of, ‘But, how could anyone fool Nick Fury? His super power is being skeptical.’ But we knew he needed to be fooled in order to make the story work. So as soon as I saw ‘Captain Marvel’ it became obvious how we do it.”
Watts added: “When you watch the movie again with this knowledge about the Skrulls there are some fun things you will catch, especially Fury’s dialogue.”
This article originally appeared on Insider. Follow @thisisinsider on Twitter.