Robert Duvall has had a remarkable career. With iconic roles in The Godfather I and II, Lonesome Dove, The Apostle, Tender Mercies, To Kill a Mockingbird, Apocalypse Now, Days of Thunder, and many more, Duvall is best known for his roles on screen and as an accomplished filmmaker. Perhaps lesser known is that he served in the Army for two years during the 1950s and comes from a military family where his father was a Rear Admiral.
WATM had the opportunity to speak with Duvall to hear about his fascinating life, from growing up as an Admiral’s son to working with some of the greatest minds in entertainment of all time.
WATM: What was your family like and your life like growing up?
We moved a lot because of being in a military family. We lived in San Diego and then Annapolis, MD, at the Naval Academy. I remember seeing a movie when I was really young at Camp Pendleton for a dime back in the 1930s when we lived in Mission Hills in San Diego. Right before WWII started, my dad was transferred from Pacific Fleet to the Atlantic Fleet, which led to our move to Annapolis for eight straight years. My father’s first ship was in the Atlantic. My grandmother lived with us for a while as well back then. As a young boy, I watched athletic events at the Academy and became inundated with their sports as a kid. I remember watching Army and Navy games when Army players such as Doc Blanchard and Glenn Davis were on the field.
My father was a good line officer and had a solid war record where he retired as a Rear Admiral. His first command was in San Pedro which was the USS Clark, which was a minesweeper. He was with destroyers from Europe to North Africa where his last command was USS Juno, which was a light cruiser. My father served on the USS Indianapolis (famous for delivering parts for Little Boy and then being sunk by the Japanese losing a large percentage of the crew to sharks) and carried President Roosevelt’s bags for him while he was on the ship. My father kept quiet about his service in retirement and didn’t go out on ships once retired..
We prayed and did our bit at home while he was abroad fighting in the war. One funny thing was how my father stopped smoking during the war, so we sent him chewing gum instead. My father worked with the British Navy and enjoyed serving with them. He told us how the British Navy would toast the Queen but not the President of the U.S. After they would have dinner and wine, the British would have wrestling matches where it was best two out of three falls. My dad respected the British and Churchill. Thank God for Churchill as he was likely the greatest man in the 20th century.
The USS Indianapolis- U.S. Navy photo 80-G-425615
As a young teen, me and my siblings went out to our uncle Harold Prescott’s 40,000-acre cattle and sheep ranch in Montana for two summers in a row. This happened at the end of WWII. These memories and experiences at the ranch I’ll never forget; they embedded in me a certain culture. We would go there by train on the Empire Builder of the Great Northern. It would take us from Chicago where we took the Baltimore Ohio the first way and my aunt would pick us up when the Empire Builder would stop in the open fields.
We rode horses, cleaned out the chicken coop, went camping in the mountains and fly fishing with my uncle. I met Jimmy Morrison, a great veterinarian and immigrant from Scotland, while at the ranch and learned a lot about handling animals from him. He was just good to be around where we pitched horseshoes every night with him. Jimmy roped a baby coyote from his horse once and he raced full speed on his quarter horse and touched a galloping antelope on the neck.
They would have big dances there in Montana where if you asked the wrong woman to dance the whole place would turn into a gigantic fist fight, thereby ending the dance. My uncle even gave us a salary at the end of the summer for the work we did around the ranch. He told us, “With your father off fighting the war the least I can do is pay you boys something for your work around here.” My uncle Harold fought in WWI in the Battle of Belleau Wood as a Marine.
Empire Builder of the Great Northern. Credit: Great Northern Railway Historical Society.
I went into a small college, Principia College where my military family pushed me into acting. I changed my major to drama after my first A in an acting course and found myself.
WATM: What is the most distinct memory of your mother and your father?
My mother ran the home while my father was away. My father could be gone for eight months and we respected him for his service. He was a good man and taught us work ethic by example. My mother ran a cotillion for dancing as we grew up where we learned social graces and how to interact with people, especially women. She made for us a good and stable home life with great experiences.
The US Naval Academy in the 1940s. Credit:HipPostcard.com
WATM: What values were stressed at home?
We were taught to believe in God, do good for other people and to be patriotic. We were taught to keep positive thoughts even in hard times.
Norman Rockwell’s “Saying Grace” painting. Credit Norman Rockwell.
WATM: What influenced you to join the U.S. Army and what lessons did you take away from your service?
I was drafted and went in for two years where the Army was okay. I did a lot of imitations of people I met in the Army which was shared with my family and friends. One experience really stuck with me was with a fellow soldier nicknamed 3-D, who was like six feet six inches tall and could hardly see. We were marching one night and he disappeared as he had fallen into a fox hole. It struck me as strange that Mickey Mantle was 4F, but that 3-D was considered service worthy. How is a star center fielder for the Yankees not able to serve but this guy is?
I really brought away humor and the ability to tell stories from the Army and served my time. It served me later for playing military roles and allowed me to have a respect for the part. I have a respect for the military, so I played those parts with credence and professionalism.
President George W. Bush stands with recipients of the 2005 National Medal of Arts, from left: Leonard Garment, Louis Auchincloss, Paquito D’Rivera, James DePreist, Tina Ramirez, Robert Duvall, and Ollie Johnston. Credit: White House photo by Eric Draper – whitehouse.gov
WATM: What are the best lessons that Sanford Meisner taught you?
I trained with Sanford on the GI Bill where he taught me how to be as simple as possible in connecting with people. He showed us how to be basic and get to the core of communication. He taught me a legitimate and helpful shortcut in acting. Meisner once said he was easier to please than Lee Strasberg at the Actors Studio. Meisner was friends with Horton Foote, who gave me my first film in “To Kill a Mockingbird.” Horton had seen me in a play that Meisner had directed at the Neighborhood Playhouse and liked what they saw, so from that I got Boo Radley. It was a wonderful part to start off with and Horton really helped me a lot in my career.
A photo of a young Robert. Credit unknown.
WATM: What was it like transitioning from stage actor to Film/TV actor?
I started out in the theatre and did summer stock. The main difference is you just speak up a little more on stage than you do in film and TV. You are still believing in an imaginary set of circumstances and going into an imaginary world. It is you doing it yourself where you are appearing as you are becoming something else as we have only one set of emotions and psyche. One of my favorite stage parts ever, American Buffalo, I did on Broadway, which is the Mamet play, it was the best. You do eight shows a week which can wear you down. I would nap between shows and just get up and stumble on stage from that deep nap. Rest is very important.
And Robert Duvall in the “Miniature” episode of the “Twilight Zone.” Credit IMDB.com
WATM: What are some of your best memories from your early to mid-career working on great shows and films?
There were parts I was able to grow in and was able to get better as I got older. There are always some parts you do better than other parts for whatever reasons. Eastwood was good to work with and I liked working with John Wayne as well. The Duke was just neat to be around. He did some good work and stuck up for me on the set of “True Grit.” I was having struggles working with the director of the film where Duke chimed in to balance the odds.
Ulu Grosbard was a close friend and gave me a lot of help early in my career. He directed me in Broadway and Off-Broadway plays. If I needed something from him, he would help me right away. He was a great guy.
Brando was the great one to work with and was so innovative. A memorable story is where I met a great English stage actor that went to see a Streetcar Named Desire when Brando was in it on Broadway. The English actor got embarrassed because he thought a stagehand had wandered on stage by mistake. The “stagehand” was so natural, but it turned out that it was just Brando on stage. The English actor went to see it seven times. Gene Hackman, Dustin Hoffman and I would meet at Cromwell’s drug store two or three times a week for an hour. We mentioned Brando nearly every day in those conversations. Working with Brando was amazing; he turned the world upside down when he came around.
Jimmy Caan is super funny and an extremely quick wit. James has a lot of talent and is a wonderful actor where we stay in touch with each other. De Niro was wonderful and I did summer stock with Gene Hackman. One note on Gene, when I busted my pelvis on set a long time ago, he offered me his last 0. I didn’t take it but he is a great guy to be around. Gene Hackman was a Marine and played on the USMC Football team with Joe Bartos, a Naval Academy grad and professional football player for the Redskins. Gene also served in Korea and stood duty in the cold there. He used to tell me stories about his time in Korea. Dustin Hoffman was my roommate and was a character where he belongs in the business. I kept in touch with Wilford Brimley as well when he was a bodyguard for Howard Hughes and a Marine.
Robert in his first feature film “To Kill a Mockingbird.” Credit IMDB.com
Francis Ford Coppola, Robert, and Marlon Brando on set for “The Godfather.” Credit IMDB.com
Robert with George Lucas and Donald Pleasance working on “THX 1138.” Credit IMDB.com
Robert and Tommy Lee Jones in “Lonesome Dove.” Credit IMDB.com
Robert Duvall with Clint Eastwood while filming Joe Kidd. Credit IMDB.com
WATM: What was your experience like working on the military films “Apocalypse Now” and “The Great Santini?”
When I went in to read for “Apocalypse Now,” the initial writing for the character I played wasn’t written very well. Colonel Carnage was the original name for LtCol Kilgore and was made more of a caricature of the Army than a realistic portrayal. It was just too much for me. Coppola allowed me to adjust the LtCol for the film and to find the uniform and the hat for the character. Coppola always allowed me to find the character and was very instrumental in my career. He helped me a lot. Coppola and I were so close, we would have arguments on the phone about artistic points, but we had a mutual respect. I really like working for him.
When I did “The Great Santini,” I went down early to location to get settled in Beaufort, South Carolina. I found a place to live and went into a real estate office where they thought I was a Marine. One funny memory was when I went up to a beautiful house on the hill when looking for a place to rent. I went up to the door with the real estate people where this sweet, little southern lady opened it and I asked her if she would allow me to rent the home from her. She had the most honest and funniest response with her draw, “Well where would I go?” I thanked her for her time, and we left.
I would get up at 5:30 in the mornings and go hang out with the drill instructors at MCRD Parris Island. They seemed more beat up and tired than the recruits were. They were hoarse and exhausted from their work training them. I went to the officers and non-commissioned officers’ ball while on base where I had a great time with them. I always try to be as accurate as I can with military parts, especially in “The Great Santini.” Overall, working with the Marines was great! I love Marines!
As LtCol Kilgore in “Apocalypse Now.” Credit IMDB.com
Robert Duvall with Francis Ford Coppola on set of “Apocalypse Now.” Credit unknown.
Robert Duvall in The Great Santini. Credit IMDB.com.
WATM: What are your favorite moments from your mid-career to now on such films?
“Tender Mercies” comes to mind where I insisted on Wilford being in the film with me where he had my back in dealing with the director. Wilford helped with the common distance between a foreign director and a native actor, which was taking place in my situation. One of the best memories from that set is when the director, Bruce Beresford, told us to, “pick up the pace,” on set. Wilford responded with, “I didn’t know anybody dropped it.” . Wilford’s retort drew laughter from the cast and crew.
I once walked into the dining room on “Lonesome Dove” and told them, “We were making the Godfather of Westerns.” I really believe that and playing Gus is probably my most favorite part to play overall.
“Days of Thunder” was a lot of fun working with Tom Cruise. Tom Cruise is a good guy to work with and he bought me a ,000 jumping horse. He really is a terrific and very giving guy. It was great to be with him again on “Jack Reacher.” I played a retired Marine in that film with him.
Working on “Falling Down” with Rachel Ticotin was wonderful. She is a smart and fun actress to work with. We had a great time on set for the film.
“The Apostle” was a wonderful film to make. Miranda Richardson was so talented in the film and we had Farrah Fawcett, who was underrated, in it as well. I put my own money in that film and we got it back. Marlon Brando loved it and so did Billy Graham, so I got praise on both sides from the secular and religious. Brando wrote me a letter that is framed on my wall and it still means a lot to me what he wrote.
Hank Whitman is another talented professional to work with where we worked together on “Wild Horses” in 2015. He is a Texas Ranger and served in the Marines. He is a classy guy and a man of his word.
My favorite film to work on recently was “Get Low,” just loved the character. It was just a nice production to work on, especially with Lucas Black who I worked with on “Sling Blade.”
Robert with Tess Harper in “Tender Mercies,” which he won the Oscar for Best Actor in 1984. Credit IMDB.com.
Susan Rinnell, Robert Duvall, Glenn Close, Jason Presson, Gail Youngs and Wilford Brimley in “The Stone Boy.” Credit IMDB.com.
Robert working on “The Natural.” Credit IMDB.com.
Robert with Tom Cruise while filming “Days of Thunder.” Credit IMDB.com.
Robert and Gene Hackman in Geronimo: An American Legend. Credit IMDB.com.
Rachel Ticotin and Robert Duvall in “Falling Down.” Credit IMDB.com.
Robert wrote, directed, produced and starred in “The Apostle.” Credit IMDB.com.
Robert with Nic Cage filming “Gone in 60 Seconds.” Credit IMDB.com.
On set in “Get Low” with Bill Murray. Credit IMDB.com.
WATM: What are you most proud of in your life and career?
I am proud of my wife Luciana and we have a nice relationship. She is a great cook, she is going for her brown belt in Brazilian Jiu-Jitsu and is studying Kali which is Filipino knife training. She has a great family she comes from in Argentina where she is the granddaughter of Argentinian aviation pioneer Susana Ferrari Billinghurst. We love our dogs and they are like kids.
Picture of Robert with his wife Luciana at an event for “The Judge.” Credit IMDB.com.
The US Air Force used the results from a 2015 US Army test of commercial magazines to make its decision to replace Army magazines with Magpul’s Gen 3 PMAG, according to Air Force officials.
The Air Force put out guidance in July that all government-issued M16/M4 magazines – including the Army’s new Enhanced Performance Magazine – will be replaced by the Magpul PMAG. The announcement occurred in the “USAF AUTHORIZED SMALL ARMS and LIGHT WEAPONS ACCESSORIES (as of 28 July 17).”
Military.com asked the Air Force how it came to the decision to choose the PMAG, and it sent the following response:
“When pursuing any capability based requirement, and before conducting any tests, the Air Force will first work closely with our joint partners to see if they have conducted any testing,” said Vicki Stein, a spokeswoman for Air Force Installation and Mission Support Center.
“In this instance, we utilized the US Army Aberdeen Test Center’s M855A1 Conformance Testing on Commercial Magazines to make our decision.”
Military.com contacted Program Executive Office Soldier for comment on this but has not received a response yet.
In May, the Army announced it was planning to evaluate how well the service’s M4 and M4A1 carbines perform using a polymer magazine as part of a Solder Enhancement Program project that was approved in February, according to Army weapons officials at the NDIA’s Armaments Systems Forum.
What is interesting is that the Army test report on commercial magazines that the Air Force used to make its decision is dated Jan. 2015, according to Stein. US Army TACOM didn’t unveil its new Enhanced Performance Magazine until 2016.
The Air Force should be commended for using the Army’s existing test data rather than conducting a redundant test to make its decision.
The question that remains unanswered is why didn’t the Army come to the same conclusion as the Air Force and choose the PMAG when it appears that the service’s own test data shows the PMAG as the top performer.
Soldiers have used PMAGs in their weapons in combat for years because of their proven reliability.
Marine Corps Systems Command in December released a message which authorized the PMAG polymer magazine for use in the M27 infantry automatic rifle as well as in M16A4 rifle and M4 carbine.
Air Force officials did say that the Army Enhanced Magazine is also still authorized for use.
But the Air Force guidance on magazines states that 1005-01-615-5169 (Black) and 1005-01-659-7086 (Tan) Magpul – Gen 3 Polymer Magazine with window will replace 1005-01-630-9508 through attrition. The 1005-01-630-9508 is the Enhanced Performance Magazine (tan mag w/blue follower) the latest US Army magazine.
The PMAG will also replace 1005-01-561-7200 MAGAZINE, CARTRIDGE (tan follower) and 1005-00-921-5004 MAGAZINE, CARTRIDGE (green follower), the document states.
For five years, Muqtada al-Sadr’s personal insurgent army fought American troops during the Iraq War and commited heinous crimes against Iraq Sunni minorities. Now, a decade later, the Shia cleric’s Sairoon Alliance is leading Iraq’s parliamentary elections. His populist candidacy upset the U.S. favorite, incumbent Haider al-Abadi, and al-Sadr is set to be the kingmaker in Iraq.
In the years following his two uprisings against American forces, the “radical cleric” (as he was often called in Western media) continued his fight against the Baghdad government and against Sunni insurgent groups in Iraq. He eventually withdrew from public life until 2012, when he made a comeback, rebranding himself as a leader intent on bringing Sunnis and Shia together.
With the rise of the Islamic State in Iraq, al-Sadr also rebranded his Mahdi Army, forming the “Peace Companies,” intended to protect Shia believers from the strict form of Sunni Islam and personal violence inflicted upon Iraqis by ISIS. He continued his rebranding to become an anti-poverty, anti-corruption populist who rejects the outside influence of both Iran and the United States.
Al-Sadr’s stated purpose for Sairoon was clearing corruption, rejecting the sectarian quotas, and putting skilled thought leaders (aka technocrats) in key ministerial positions.
“The ascendancy of the list sponsored by al-Sadr shows that anti-establishment sentiment and anti-corruption have driven the choice of most voters,” said Rend al-Rahim, a former Iraqi ambassador to the United States. “None of the lists had an electoral program that outlined priorities and a plan of action. All used vague terms to lure voters. Many of the lists also used populist and demagogic tactics that played on the emotions of voters.”
Understandably, no one who fought the Mahdi Army or lost a friend in Sadr City wants him to wield legitimate political power in Iraq. But Al-Sadr didn’t launch a revolt in Iraq. He didn’t put a gun to Haider al-Abadi’s head to force him to step down. The cleric’s bloc was elected in a legitimate Iraqi election by the people of Iraq, none of whom were punished for not voting for Sairoon. The democracy we fought to establish in Iraq is functioning.
Sometimes the candidate you want to win doesn’t win, no matter who they might be running against.
The peaceful transfer of power is another hallmark of democracy, and we should credit Prime Minister al-Abadi when he implored the people of Iraq to accept this change.
“I call on Iraqis to respect the results of the elections,” he said.
Iraq has bigger things to worry about than the United States’ opinion on their domestic politics. This was the first election held since ISIS was pushed out of Iraq — after decimating Iraqi infrastructure. The country also faces rampant unemployment, one of the main triggers of domestic terrorism in the region.
American veterans of the Iraq War should see this as a major victory. In the first post-Saddam election of 2005, with the start of the Mahdi Army’s rise to power, did we ever believe we would see the radical cleric Muqtada al-Sadr with purple ink on his finger?
The biggest issue for the anti-Iran cleric will be integrating Iraq’s militia’s into its official armed forces and security structure — especially since most of those are backed by Iran. Iran has publicly stated it will not allow al-Sadr’s coalition to lead the government. Al-Sadr has made moves to align himself with the king of Saudi Arabia, Iran’s regional adversary, to push back against the Islamic Republic.
Al-Sadr’s fight for power is far from over. Despite having ties to Iran, the Islamic Republic is no fan of the cleric, who has resisted Iranian influence in Iraq since the days of the Iraq War. And al-Sadr will no longer be able to criticize the government from the sidelines. Instead, it will be on him and his Sairoon bloc to guide Iraq to the future he promised to desperate Iraqi voters.
From the beginning, heavy drinking was fairly commonplace among the cadets at the United States Military Academy at West Point (founded in 1802). In an attempt to stem this in 1826, the academy’s strict superintendent and the “Father of West Point,” General Sylvanus Thayer, began a crackdown by prohibiting alcohol on campus. As Christmas approached and the cadets realized that the prohibition would put a damper on their traditional Christmas Eve festivities that included consumption of a fair amount of eggnog, a bold few began to plan away around the problem.
Back then, eggnog was always an alcoholic beverage (see: What is Eggnog Made Of and Who Invented It?), often made with rum or whiskey. Luckily for the cadets, both liquors were plentiful near campus, being served by three taverns within easy travelling distance: Benny Haven, North’s Tavern and Martin’s Tavern, just across the Hudson River.
Determined to make their season bright, a small cadre of cadets set out to smuggle some liquor into the North Barracks and chose Martin’s Tavern across the river as their supplier. A few nights before Christmas, three cadets crossed the Hudson, drank a bit at the bar, then purchased three to four gallons of whiskey to go. They then ferried the contraband back across the river. Met at the dock by a guard, they reportedly bribed him with $0.35 ($7 today) to look the other way while they unloaded the loot and snuck it into their rooms where it lay hidden until Christmas Eve.
On the fateful night, the superintendent assigned only two officers to monitor the North Barracks: Lieutenant William A. Thorton and Captain Ethan Allen Hitchcock. Things were quiet at first, and Hitchcock and Thorton went to bed about midnight. At about 4 a.m., however, Hitchcock was awakened by noise coming from one of the cadets’ floors above him. Upon investigation, he discovered a small group of obviously drunk cadets and ordered them to return to their rooms.
No sooner had he dispersed that group than Hitchcock realized there was another party in an adjoining room. Crashing that one as well, Hitchcock found these cadets so inebriated that he later reported they attempting to hide under blankets, and one even thought he could avoid detection by stubbornly keeping his face behind his hat. Unlike the first party, however, things got heated in the second room, and after Hitchcock left, the drunk-mad cadets decided to arm themselves with their bayonets, pistols and dirks to attack, and perhaps even kill, Hitchcock.
Thus began the Eggnog Riot. While the drunken cadets were gathering their weaponry, it sounded to Thorton and Hitchcock a few floors below as if the parties had simply resumed. Returning to the cadets’ floors, Hitchcock met Jefferson Davis (yes, that Jefferson Davis), then a cadet who was also drunk. Vainly trying to help his friends, Davis burst into the party-room just ahead of Hitchcock shouting: “Put away the grog boys! Captain Hitchcock’s coming!” Hitchcock soon joined them and ordered Davis to his room, which likely saved him from later expulsion, since he missed out on the remainder of the riot. Had he been expelled, of course, his future in the military and politics, culminating in becoming the President of the Confederacy, likely wouldn’t have ever happened. (See: What Ever Happened to Confederate President Jefferson Davis?)
Other cadets who had already made preparations to attack began assaulting Hitchcock and now Thorton, who had joined the fray. Thorton was threatened with a sword and knocked down with a piece of wood, while another cadet actually shot at Hitchcock.
Realizing things were spiraling out of control, Hitchcock ordered a cadet sentinel (who apparently had not been invited to the party) to get “the ‘com,” meaning the Commandant of Cadets; however, in their drunken state the rioting cadets thought he had summoned regular army men from a nearby barracks to attack them. Seeking to defend the honor of the North Barracks, even more cadets armed themselves (in total including about one-third of all cadets at the academy), and, as is standard operating procedure in any proper riot, the mob began arbitrarily breaking anything in sight, including windows, furniture and other items.
Eventually, the ‘Com came, and since the cadets truly respected his authority, they finally regained a semblance of composure, and the so-called Eggnog Riot ended sometime Christmas day.
Over the next week, Inspector of the Academy and Chief Engineer of the Army, Major General Alexander Macomb, entered Orders No. 49 and 98, the latter of which placed 22 cadets under house arrest, and the former began a court of inquiry.
The investigation revealed that the riot caused $168.83 in damage (around $3,500 today), and identified 19 ringleaders who were subsequently court-martialed between January 26 and March 8, 1827. Cadets Aisquith, Berrien, Bomford, Burnley, Farrelly, Fitzgerald, Gard, Guion, Humphreys, Johnson, Lewis, Mercer, Murdock, Norvelle, Roberts, Screven, Stocker, Swords, and Thompson stood trial, and other cadets, including both Jefferson Davis (who was among the 22 originally under house arrest, but otherwise went unpunished) and Robert E. Lee testified for the defenses. Eleven of the group (Berrien, Bomford, Burnley, Farrelly, Fitzgerald, Guion, Humphreys, Johnson, Lewis, Roberts and Stocker) were dismissed, and the remainder were allowed to stay, although Gard, Murdock and Norvelle chose to leave the academy anyway.
As a result of the riot, in the 1840s when new barracks were constructed, they were designed so that the cadets had to actually go outside to move between floors in an attempt to prevent another mob uprising.
Here’s George Washington’s (yes, that George Washington) eggnog recipe (not verbatim):
Mix together well:
1 pint brandy
1 cup rye whiskey
1 cup rum
½ cup sherry
Separately, separate the yolks and whites of one dozen eggs. Then beat with the yolks:
¾ cup sugar
Add the liquor into the sugar-egg mixture, slowly at first, beating constantly so it fully incorporates.
Then add, again beating together slowly:
1 quart cream
1 quart milk
Separately, beat the whites stiff and gently fold those into the mixture. When incorporated, let it set in a cool place for several days, and as George said, “taste frequently.”
Here’s when you know you’re probably an infantryman in the Army or Marine Corps, better known as a grunt.
#1: Whether it’s on the ground, in a bed, or in a helicopter, you can pass out ANYWHERE.
#2: You survive on this stuff, because it’s an amazing grunt power source.
#3: You have eaten way more of these than you’d care to remember.
#4: You wear camouflage uniforms so much, you wonder why they even issued you those dress uniforms that just sit in a wall locker.
#5: The aging of your body accelerates beyond what you imagined was possible.
#6: This is “the field,” and it’s your office.
#7: The guys in your fire team/squad/platoon know more about you than your own family. They are also willing to do anything for you.
#8: You have probably heard some crusty old enlisted guy say “all this and a paycheck too!”
#9: Your day often starts with a “death run” or a “fun run.” It is never actually fun.
#10: You watch “moto” videos of grunts in combat and get pumped up.
#11: A port-a-john in Iraq or Afghanistan (or anywhere really) has three purposes, not just “going #1 or #2.”
#12: If you are pumped up to deploy, you remember Iraq or Afghanistan is usually way more boring than people think, and the last time you went, your entire platoon watched “The O.C.” or some other show during free time.
It seems like it’s been a long time since there was a decent World War II shooter-game, but Battalion 1944 may put an end to that.
This multiplayer World War 2 shooter is in the works for PlayStation 4, Xbox One, and PC. And from the looks of the official announcement trailer (see above), it looks promising.
Players can fight in real world locations such as the streets of Carentan, the forests of Bastogne and many more in what a company release calls “a spiritual successor to the great multiplayer shooters of the past.”
Bulkhead Interactive reports, “In short, Battalion 1944 is an infantry based first person shooter with an emphasis on raw skill. No grinding, no ‘exosuits’, just you and your skill as a player. Battalion 1944 utilizes the most advanced industry technology to create a visceral and heart-thumping multiplayer experience that has been crafted by the designers who have grown up playing Medal of Honor and Call of Duty 2.”
Bulkhead Interactive was seeking $145,000 in crowdfunding on Kickstarter to get the project off the ground. The goal was reached after only two days.
The military has very talented photographers in the ranks, and they constantly attempt to capture what life as a service member is like during training and at war. Here are the best military photos of the week:
Dave Chappelle (right) and Donnell Rawlings, actors and comedians, stand in front of a C-17 Globemaster III Feb. 2, 2017, at Joint Base Charleston, S.C. Chappelle was in town for his stand-up comedy show when he made the visit to see service members and federal civilians at the base.
Four B-1B Lancers assigned to the 9th Expeditionary Bomb Squadron, deployed from Dyess Air Force Base, Texas, arrive Feb. 6, 2017, at Andersen AFB, Guam. The 9th EBS is taking over U.S. Pacific Command’s continuous bomber presence operations from the 34th EBS, assigned to Ellsworth AFB, S.D. The B-1B’s speed and superior handling characteristics allow it to seamlessly integrate in mixed force packages. While deployed at Guam the B-1Bs will continue conducting flight operations where international law permit.
An F-16 Fighting Falcon pilot, assigned to Detachment 1, 138th Fighter Wing, dons his helmet in preparation of a barnstorming performance for reporters, Feb. 1, 2017, in Houston.
CV-22 Osprey assigned to the 8th Special Operations Squadron at Hurlburt Field, Fla., and the 20th SOS at Cannon Air Force Base, N.M., fly in formation over Hurlburt Field Feb. 3, 2017. This training mission was the first time in Air Force history that 10 CV-22s flew in formation simultaneously.
Senior Airman Austin Boyd, of the 138th Fighter Wing, attaches a hose containing liquid oxygen to an F-16 Fighting Falcon, Feb. 1, 2017.
Airman 1st Class Joseph Humphrey (left), an Air Force fire protection specialist, and Airman 1st Class Tyler Parmelee conduct ice water rescue training at Joint Base Elmendorf-Richardson, Alaska, Feb. 4, 2017. The training taught the JB Elmendorf-Richardson firefighters self-rescue techniques, victim recovery and certified them as ice water rescue technicians. Humphrey and Parmelee, natives of Ridgecrest, Calif., and Ashburn, Va., are assigned to the 673rd Civil Engineer Squadron.
173rd Airborne Brigade paratroopers conduct a security halt during a foot patrol at the 7th Army Training Command’s Grafenwoehr Training Area, Germany, Jan. 28, 2017.
A U.S. Army drill sergeant corrects a recruit during her first day of training at Fort Leonard Wood, Mo., Jan. 31, 2017. Referred to as “Day Zero” this marks the beginning of the recruit’s journey through Basic Combat Training, where she will transition from a civilian to a Soldier.
SEA OF JAPAN (Feb. 03, 2017) Sailors assigned to the forward-deployed Arleigh Burke-class guided-missile destroyer USS McCampbell (DDG 85) clear the ship’s forecastle of snow and ice. McCampbell is on patrol in the 7th Fleet area of operations in support of security and stability in the Indo-Asia-Pacific region.
OTARU, Japan (Feb. 3, 2017) Sailors assigned to the Arleigh Burke-class guided-missile destroyer USS McCampbell (DDG 85) man the rails as the ship pulls into Otaru, Japan. McCampbell is on patrol in the U.S. 7th Fleet area of operations in support of security and stability in the Indo-Asia-Pacific region.
A student in the Swedish Basic Winter Warfare Course waits for his FN Minimi light machine gun to cool during a field training exercise in Avidsjaur, Sweden, Jan. 30, 2016. Marines participated in the multi-national training that focused on winter-weather survival, performing infantry operations and leading small units in cold-weather conditions.
Cpl. Ramon Valenci, a dog handler with 1st Law Enforcement Battalion, assigned to 1st Battalion, 3rd Marine Regiment, orders his military working dog, Red, to search for improvised explosive devices during Integrated Training Exercise (ITX) 2-17, at Marine Corps Air Ground Combat Center, Twentynine Palms, California, Jan. 19, 2017. ITX is a combined-arms exercise which gives all elements of the Marine Air Ground Task Force an opportunity to utilize capabilities during large scale missions to become a more ready fighting force.
Thank you to the PA’s who offered me the opportunity to take over the USCG account for the past week. Loved showing everyone Air Station Kodiak Alaska. I hope I represented the Coast Guard aviation world well. Thank you, everyone, who sent me all of your great shots and videos, wouldn’t have happened without you.
Hercules C-130 fixed wing looking great on the ramp.
America is hooked on true crime stories. One of the most engrossing among those true crime stories is “Forensic Files,” the true stories of murder and intrigue solved by scientific professionals who think of creative ways to link a crime with its perpetrator.
For decades, forensic investigators have used everything from DNA analysis to gas chromatography to determine who killed who and where and with what – like a giant, real-world game of Clue.
Military scientists have been at the same game for around the same amount of time. The only trouble is that these scientists know who killed the dead men and how they died. In the military, they don’t know who the dead men are. For Americans and the U.S. military, that’s the most important puzzle to solve.
In the days of wars past, the quest to identify America’s honored dead was limited by the technology of the times. This is why the United States has Unknown Soldiers from World War I, World War II and Korea. Only the Unknown Soldier of the Vietnam War could be identified.
But new forensic technology offers hope to scientists who spend their days trying to identify soldiers, sailors, airmen and Marines, despite the lack of evidence.
Advanced forensic technology used to catch serial killers along with the rise of publicly available DNA ancestry databases has given them new methods of finding clues that could lead to more positive identifications – even if the dead were killed 70 years ago.
As the New York Times reported in April of 2021, traditional methods used by the POW/MIA Accounting Agency usually use DNA samples from found remains and try to match them with a known relative. But if there are no known relatives from which to draw a sample, the case quickly runs cold. The agency can’t even exhume remains of unknown war dead unless there is a 50% chance of identification.
This means they have to have a known relative to compare the sample. IF there is no known relative, the remains are unlikely to ever be identified.
So some analysts believe all the remains should be exhumed, DNA samples taken, and run through every available DNA database, including those used by the public for ancestry identification.
While this sounds like a good idea, it could also be a massive invasion of privacy. Genetic testing open to the public has done a lot of good, such as finding the true identity of the Golden State Killer. It has also led to the inadvertent discovery of deeply hidden family secrets, such as extra-marital affairs, children who didn’t know they were adopted, and so on.
In World War II alone, more than 73,000 American service members were unaccounted for by the end of the war. An estimated 41,000 of those are considered to be lost at sea. In the years since, researchers at the POW/MIA Accounting Agency have been able to find and identify 280,000 of the 400,000 who died during World War II.
There are also more than 7,800 missing from the Korean War, 1,626 missing from the Vietnam War, 126 from the Cold War and six from conflicts fought since 1991. As technology advances, so does the likelihood of finding and identifying the remains of the missing, but there’s still more work to do for those who gave their lives in the great power conflicts of America’s past.
In keeping with Navy Secretary Ray Mabus’ recent initiatives aimed at pushing gender integration as far as possible across the entire fleet, the U.S. Naval Academy’s Commandant of Midshipmen announced a few nights ago that this year’s female graduates will wear trousers to the graduation ceremony instead of the traditional skirts.
This decision comes on the heels of Mabus ordering a review of job titles across the Navy with an eye on eliminating those that use the word “man” in them. He has also told the Navy SEALs to prepare to accept female candidates into the rigorous training program.
USNA spokesman Cmdr. John Schofield told The Baltimore Sun that the new dress policy will reinforce the idea of “shipmate before self.”
“The graduation and commissioning ceremony at the US Naval Academy is not about individuals,” he said. “It’s about the academy writ large. It’s about the brigade writ large.”
Mabus introduced his gender-neutral uniform initiative during an address at Annapolis last year.
“Rather than highlighting differences in our ranks, we will incorporate everyone as full participants,” he told the Brigade of Midshipmen. “In the Navy and in the Marine Corps, we are trending towards uniforms that don’t divide us as male or female, but rather unite us as sailors or Marines.”
Female cadets at the Air Force Academy are allowed to choose whether to wear trousers or a skirt to graduation, and the entire Corps of Cadets at West Point has worn trousers to the ceremony for years.
By 2020, the U.S. Air Force expects to have “directed energy combat weapons pods” on its jets. During the Air Force Association Air Space conference, the Air Force General with the most Air Force name ever, Gen. Hawk Carlisle, said “I believe we’ll have a directed energy pod we can put on a fighter plane very soon. That day is a lot closer than I think a lot of people think it is.”
The lasers will be a weapon against unmanned aerial vehicles (drones), missiles, and other aircraft, according to Gen. Carlisle. The Army, Marine Corps, and the Navy, thinks of lasers as a defensive weapon. The Army, Navy, and Marines’ laser weapons are designed shoot down incoming artillery shells, rockets, and drones, their objective is developing a defensive weapon to shoot down incoming high-speed ballistic and cruise missiles.
The Air Force’s ideas for laser tactics is actually much more aggressive then Gen. Carlisle would lead us to believe. Since directed energy weapons can shoot multiple shots at the speed of light on a single gallon of gas, the Air Force sees a nearly unlimited weapon, capable of taking out not only incoming missiles, but also their source.
“My customer is the enemy. I deliver violence,” Air Force Lt Gen. Brad Heithold, head of Air Force Special Operations Command, told an audience at a directed energy conference in August 2015. Heithold wants the chance to mount such a laser onto one of AC-130 gunships.
Laser weapons are becoming much more compact and capable of being mounted on aircraft as small as a Predator drone. Portability is what makes the difference in battlefield development. Such a laser used to be the size of a passenger jet. The previous restrictively large sizes were based on their cooling methods. Liquid lasers that have large cooling systems can fire continuous beams, while solid state laser beams are more intense but must be fired in pulses to stop them from overheating.
Now, General Atomics is field testing a DARPA-funded weapon it calls “High Energy Liquid Laser Area Defense System” (or HELLADS), which is roughly five feet long.
The actual HELLADS system doesn’t have video of tests yet but here’s a similar American-Israeli system being tested to take out incoming mortar rounds.
In World War I, Germany invented and debuted the world’s first weapons of mass destruction — poison gas artillery shells and pressurized tanks that wafted the deadly toxins over the battlefield. They killed and wounded thousands.
That gas attack took place at Ypres, Belgium, where German troops released hundreds of tons of chlorine gas through buried pipes across a four-mile front. Over 1,000 Allied soldiers were killed and another 7,000 were injured.
And that was the opening of Pandora’s Box. The British military responded with its own chlorine attack in September 1915 at the Battle of Loos. The Germans introduced mustard gas into the fighting in 1917 and America joined the war — and chemical warfare — in 1918.
Hours after the Islamic State (IS) group released a video threatening to behead two Japanese hostages, Japanese Twitter users were defying the militant’s threats by creating and sharing images mocking the militants.
In a January 20 video, a British militant believed to be the infamous “Jihadi John” demands that Tokyo pay $200 million within 72 hours to spare the lives of the two hostages.
If the Japanese public does not pressure the government to pay the $200 million ransom, the militant warns, then “this knife will become your nightmare,” referring to the serrated weapon he brandishes in the video, and with which he is believed to have beheaded several Western hostages.
It is reasonable to assume that “Jihadi John” was not expecting that the “Japanese public” (or at least Japanese social-media users) would react to his threats in quite the way they have — with a Photoshop contest.
Using a Twitter hashtag that translates roughly as “ISIS crappy photoshop grand prix,” the Japanese Twitter meme has gone viral, with hundreds of images being shared. On January 20, there were around 40,000 mentions of the hashtag on Twitter.
Some of the photoshopped images poke fun at what is now an all-too familiar image — that of the black-clad “Jihadi John” flanked by hostages dressed in bright orange jumpsuits designed to evoke images of Guantanamo Bay inmates.
Some images mock “Jihadi John” directly, such as this photoshopped picture that shows the British militant using his knife to make a kebab:
Some of the images shared under the hashtag can be seen as a subversion of a trend popular among IS supporters on social media — that of using Photoshop to create an imaginary and fantastical world in which IS militants and ideology are dominant.
Islamic State supporters have shared photoshopped images that show militants from the extremist group destroying key Western landmarks such as London’s Big Ben and riding victorious on white steeds.
In one image mocking this genre, IS militants — including “Jihadi John” — are photoshopped invading a city in spacecraft. One militant laughs as he holds aloft an IS flag:
While it is the largest and most popular phenomenon to date of using humor as a counter to the Islamic State group’s propaganda, the Japanese “Photoshop grand prix” is not the first case of its type.
A group of anonymous Russian Internet users have been mocking the Islamic State group — and Russian-speaking militants in Syria and Russia in general — for months via a parody group known as TV Jihad, which claims to be a “joint project of Kavkaz Center (the media wing of the North Caucasus militant group the Caucasus Emirate) and TV Rain (a liberal Russian TV channel).”
“We fight against infidels, apostates, polytheists, Shabiha (pro-Assad militia), harbis (non-Muslims who do not live under the conditions of the dhimma, i.e. those who have not surrendered by treaty to Muslim rule), hypocrites, and rafidis (a term used by Sunni militants to refer to Shi’ite Muslims),” the Twitter account says, parodying terms used frequently by Russian-speaking Islamic State and Caucasus Emirate militants.
This tweet shows an image of IS military commander Umar al-Shishani in the snow and asks, “Motorola?” — a reference to Arseny Pavlov, a pro-Russian separatist in the Donbas: