Growing up, my stepdad kept a series of paperback books high up on the shelf. They were novels by an author named John MacDonald with distinctive color-based titles like The Green Ripper and The Scarlet Ruse. They featured a unique sort of private investigator named Travis McGee. When I was old enough to reach them, they became my entry point into the mystery genre.
Travis McGee was a departure from the hardboiled detective stories of an earlier era. The classic noir private investigator was a world-weary gumshoe navigating dark streets and negotiating femme fatales, corrupt cops, and mobsters to close the case. Mcgee was different. Travis was a bon vivant and knight-errant, a handsome man who saw life as something to be enjoyed rather than endured as he cut a swath through both Florida’s prettiest women and its most colorful villains to close cases. Think 1980’s Magnum PI set in Fort Lauderdale and you get the picture.
All of this is my way of saying I was feeling a little bit of that MacDonald vibe when I read Peter Colt’s debut novel, The Off-Islander.
For sure, Colt’s Andy Roark is a different character than MacDonald’s McGee. Andy is a good bit rougher than McGee due to his military and cop background and as he describes himself, ‘doesn’t always conform to rules and regulations’. But Roark, much like McGee has a sensitive core with an appreciation for books and music, good food and drink, and a preference for educated women who appreciate art. He even partakes of marijuana though he rather stick to beer and bourbon.
The plot of the novel isn’t a complex one. It is a missing person case, which sees Andy travel through Boston and Nantucket Island looking for someone who obviously does not want to be found. Like most mystery novels, there are some complications as Andy works the case. Only some of those complications are resolved by the end of the novel but the loose strings do not otherwise affect the resolution of this procedural.
That is not to say I did not enjoy this novel. I enjoyed it very much. The plot is dripping with New England atmospherics. Where McGee’s novels were all Florida sun, Colt sets his story in the bleak windswept bogs and shores of Massachusetts. Andy’s investigation takes him from the gray environs of Boston to charming Cape Cod store fronts besieged by whipping rain and wind. It is the perfect setting for hard-edged people with secrets they’re willing to kill to keep. The book is also informed by Peter Colt’s real life experience as a veteran, police officer, and former resident of Nantucket Island. This lends the text an added layer of authenticity and intimacy in his description of the setting and Roark’s detective deductions.
In addition, notable in this book was Andy’s military past. Though McGee was also a veteran, MacDonald left McGee’s service ambiguous and it never really played much of a role in how portrayed his character. Colt on the other hand keeps coming back to Andy’s service in Vietnam in just about every chapter of the book. Roark is still clearly dealing with his unresolved feelings towards his service and in a melancholic touch, it seems to be the shadow that ruins his relationships with the women in his life. The title of the book, ‘The Off-Islander’ is not just descriptive of Andy’s alienation from the closed community of Nantucket Island – it also speaks to his personal post-war isolation from polite civil society.
Ultimately, this is a good debut novel which launches what I help to be a great series of adventures featuring an appealing private investigator. It was an easy afternoon and evening read set in the part of the country which I reside and love. I enjoyed my time sleuthing with Andy. I ended the novel hoping to see him get a Vietnam-free night of sleep, a good stiff drink, and a healthy relationship with a good woman in the second book.
Recently, we delved into the 5 best military movies of the 1990s, so it only seemed right that we give the 1980’s the same treatment, especially now that most of us are stuck in our houses without much else to do than take a trip down cinema’s memory lane.
Whenever you’re compiling a list of movies like this, it’s inevitable that you’ll miss some really good picks. In a decade like the 1980s, when there was a laundry list of great films depicting military service or a time of war, the chances that you’ll miss a doozy becomes that much more significant. After all, how do you choose between Clint Eastwood’s “Heartbreak Ridge,” and Robin Williams’ “Good Morning Vietnam?” Easy, I didn’t include either — and I’m sure that’ll ruffle some feathers.
That’s what’s so great about film and analyzing its value or impact. A movie that means the world to you may not have had any impact at all on the next guy. It’s value to you isn’t diminished by his opinion and it doesn’t have to be. Everybody can have their own favorites.
So with the understanding that this list won’t be exhaustive and will probably make some folks mad — here’s my list of the best military movies of the 1980s.
Right out of the gate, including this movie on the list requires a disclaimer: In order to be a good military movie, you don’t need to be realistic. “Iron Eagle” is a lot of things, but realistic isn’t one of them.
For those who haven’t seen it, “Iron Eagle” is the story of a young man named Doug Masters who aspires to be a pilot like his father, U.S. Air Force fighter pilot Col. Ted Masters. When Col. Masters is shot down over the fictional Arab nation of Bilya, Doug enlists the help of another fighter pilot, Colonel “Chappy” Sinclair. The two hatch a scheme to steal two F-16 Fighting Falcons and somehow fly them all the way to the Middle East, take on an entire Air Force, land on an enemy airstrip, and fly Doug’s dad home.
This movie is about as realistic as my chances of being elected president in 2020, but that doesn’t matter. This silly romp is a blast to watch, especially if you enjoy ironically watching ridiculous movies.
While it maybe a bit slow paced compared to high budget action movies of today, “Red Dawn” earns its spot on this list thanks to solid acting from its young cast (some of whom went on to successful careers in Hollywood) and its semi-serious approach to depicting an America that’s not only at war… but losing it.
“Red Dawn” can certainly be categorized as pro-American propaganda, but if you ask me, that just makes it all the more fun. Despite the fall of the Soviet Union, Russia remains one of America’s primary diplomatic opponents on the world’s stage, making it that much easier to revel in the Wolverine’s efforts to take back their town from the combined Cuban and Soviet occupational forces.
If you can watch this movie and not scream “Wolverines” at the top of your lungs, you’re a better movie-goer than I am.
What do you get when you take two future governors, a Hollywood script writer, and Apollo Creed and stick them in the jungle with a bunch of guns? You get what is perhaps the greatest piece of action satire of all time.
You might be surprised to hear me refer to “Predator” as a satire film, but when you take a step back and really look at the framework of this movie, you’ll realize that it is a pretty clever deconstruction of the big-budget action movies of the 80’s. It’s got all the same ingredients of an 80’s thrill ride, but delivered in a way that takes the wind right out our action hero’s sails. After using traditional action movie tactics to easily wipe out a village of bad guys, Dutch’s vaguely special operations crew are then faced with a far worthier opponent: a monster that doesn’t yield to the tropes of action movie heroes.
What follows is a rapid transition from action movie to slasher flick, and a movie that doesn’t just hold up over time, but offers an insightful critique of movie culture in general.
While “Top Gun” may take the number two spot on this list, it’s ranked number one in terms of recruiting. “Top Gun” offered many Americans their first glimpse into the world of Naval aviation, and in particular, the Navy’s very real Strike Fighter Tactics Instructor Program.
With a long awaited sequel slated to drop later this year, Top Gun’s appeal clearly stands the test of time, even if Maverick is admittedly a pretty bad pilot that has no place in the cockpit of an F-14 Tomcat. This movie led to a boon in Navy recruiting, with some recruiters setting up tables right outside cinema doors to engage with excited young aspiring pilots while their blood pressure was still high.
Once again, “Top Gun” proved that you don’t have to be realistic to be great. Here’s hoping the new one can do the same.
After the massive hit that was “Alien,” the much anticipated sequel somehow managed to add a platoon of Space Marines and still retain the chilling vibe the “Alien” universe is known for. Now, this movie may not take place in a fictional Arab nation or involve existing military branches, but who doesn’t love a story about Space Marines fighting alien monsters?
This movie might be the least “military” of the lot, but it’s also the most fun to re-watch again and again, which earns it a whole lot of extra credit in my book. For Marines like me, we may not want to associate with the cowardly yelps of Bill Paxton’s Pvt. Hudson, but let’s all be honest with ourselves… a few yelps are warranted when you’re being hunted by a slimy space monster with acid for blood.
That does it for my list of the best military movies of the 1980s, so the question is: what’s on your list?
Recently, Oliva Wilde shared that she is slated to direct a feature film for Sony Pictures that will take place in the Marvel Universe. While the details are being kept quiet, rumors are that the story will be about Spider-Woman.
Plus, Wilde tweeted a spider emoji and Sony doesn’t have rights to Black Widow, so…
Though recently, and exceptionally, depicted in Spider-Man: Into the Spider-Verse, Spider-Woman has yet to appear in her own film, despite decades of popularity. With Disney’s Marvel films continuing to lead the way in superhero box-office triumphs, it’s never been a better time for Spider-Woman to hit the silver screen.
And Olivia Wilde is the perfect person to lead the charge. Last year, her feature film debut Booksmart delighted audiences and critics alike, thrusting Wilde forward as a powerhouse in her own right. The Independent Spirit Award winning director joins Booksmart writer Katie Silberman and Spider-Man: Into the Spider-Verse producer Amy Pascal to create the highly-anticipated film.
Wilde will follow in the footsteps of female filmmakers finally getting long overdue opportunities to bring superheroes to life, including Patty Jenkins, Cathy Yan, Chloe Zhao, and Nia DaCosta — as a result, we probably don’t have to worry about another Spider-Woman butt-gate.
Controversial Spider-Woman #1 cover art. (Marvel)
Instead, Wilde and Silberman ought to give us a pretty good time. Whether Wilde’s Spider-Woman will be Gwen Stacy (as she was in Spider-Man: Into the Spider-Verse), Mary Jane Watson, or the OG Jessica Drew is unknown. And of course, it’s always possible the film could be about another character altogether. Sony had been slated to bring forth a Madame Webb film — and there’s always Silk, the Cindy Moon character who was bit by the same spider and on the same day as Peter Parker but who was then locked in a bunker as a result of her powers (dark, right)?
All we have to go on is a little emoji in a big Twitterverse. And if we think we might be getting any more hints anytime soon, we appear to be, sadly, mistaken.
My “one night in Da Lat” was a pleasant reprieve from the war and normal combat operations that we had been conducting. I’d heard of the city, but never believed all of the stories I’d heard. Stories about the beautiful architecture, the green and lush gardens, cool weather, and about the graceful people — certainly a Shangri-La such as this couldn’t exist in the Vietnam I’d come to know. But low and behold, it did.
In stark contrast to what I had come to expect, this beautiful city, now grown into a true metropolitan area filling much more of the mountain encircled bowl, represented a softer, subtler side of Vietnam.
Not found in Da Lat were the loud bars and crowds of rowdy people. In their place were quiet enclaves where people would meet, have a drink, and talk in a quiet atmosphere. Here couples and families would stroll down the wide boulevards and enjoy the fragrant air and quiet neighborhoods. Also included was the central market area where you could find virtually anything you needed, from sweaters to shoes to fast food.
40 years later and none of that has changed in Da Lat, it’s only gotten bigger and it was a pleasure to see that the city and people were as I remembered them.
I am the target demographic for this film, and I have been ever since my 8-year-old self cuddled up with nerdy/amazing hero novels, like The Rowan or The Song of the Lioness. I have been devouring epics featuring female heroes for as long as I can remember.
So have all the other women out there thirsting for heroes that look like them. Seeing representation on film and television empowers the people who are watching. This is why it’s so important and exciting to have women and people of color finally stepping into hero roles.
Full Metal Obsession.
2. I know the military world
I joined the military after 9/11 (probably as a result of the aforementioned hero literature). I wanted to literally fight evil. I was an Air Force captain, much like ol’ Captain Marvel herself. As a result, I’m very critical of how military women are portrayed in TV and film.
Edge of Tomorrow got it right. My list of who got it so, so wrong is too bitter to share here, but if your character wore a push-up bra, then you’re on it.
I’m an actor and filmmaker. I understand that Hollywood has to take some artistic liberties. I understand that a big name means selling-power for a film. I also understand the work it takes to bring a character to life.
I’d literally stab someone for love the chance to play a role like Captain Marvel — whoever they cast better make me so delighted to watch that I forget my debilitating FOMO about not playing the part myself.
Well guess what, Marvel? YOU NAILED IT.
Brie Larson has been on my radar since the effing fantastic Scott Pilgrim vs. The World.
She’s been on the world’s radar since her Oscar-winning performance in Room. Larson is the kind of actor who effortlessly morphs into a world. She is extremely natural on-camera.
Also, she’s just cool.
In the comics, Carol Danvers is an Air Force officer whose DNA fuses with a Kree, giving her superhuman powers. I don’t know how the MCU will bring her story to life, but I’ve got my fingers crossed that screenwriter Anna Boden will take a cue from comic writer Kelly Sue DeConnick who pitched “…Carol Danvers as Chuck Yeager.”
I believe that she could be powerful. I believe that she could be a leader.
Larson is lovely, but her looks don’t define her. She doesn’t need to be glamorous (though she surely can be when she wants to). This is the same mindset that women in the military have. There’s a comfort level with sacrificing some femininity for the mission. That’s what Hollywood gets wrong so often when they hyper-sexualize their military roles.
But not this time. Marvel crushed it with Larson, and I cannot wait to see this film.
This weekend, a sequel to a movie series that you kind of like is trying to have it both ways. “Terminator: Dark Fate” is many things, but the easiest way to describe it a sequel to “Terminator 2: Judgement Day” and also the start of a new franchise of Terminator movies in a new timeline.
Right now, there are a ton of spoilers out there about the movie, but we’re not going to do that. (Though seriously, be careful, because there is some crazy stuff that happens in like the first few minutes.) The big question is right now, does “Terminator: Dark Fate” have a post-credits scene? And does that post-credits scene set-up a sequel? Here’s the non-spoiler answer.
No! “Terminator: Dark Fate” does not have a post-credits scene of any kind, though the ending of the film does strongly imply a sequel is coming. The director of Dark Fate, Tim Miller has gone on record saying that he thinks a post-credits scene is a “Marvel thing.”
Terminator: Dark Fate – Official Trailer (2019) – Paramount Pictures
Imagine attempting to make your way across the United States with the entirety of America and the Internet on the lookout for you. Now imagine there are a million dollars at stake: a half-million for the Chase Teams after you and almost a half-million for you if you can evade capture. These are the stakes for “The Runner,” an original series available on go90 and AOL.com and perhaps the most innovate audience-participation reality competition ever devised.
“This new show is the most participatory, the most fun, and most exciting to watch,” says Vice News’ Kaj Larsen, a former Navy SEAL and one of the hosts of “The Runner.” “I think the really amazing part is that the audience has buy-in, all puns intended, in a fundamentally different way.”
The rules of the game seem complex, but in practice, they’re really very simple. One chosen Runner will attempt to cross the U.S. in thirty days, trying to go unnoticed through predetermined checkpoints by any means necessary. Meanwhile, five two-person teams of “chasers” will receive clues on mobile devices in an effort to track the Runner before the next checkpoint can be reached.
Kaj Larsen is just one of the hosts. He checks in on the progress of the Runner and the Chase Teams’ locations. His co-host, Mat “MatPat” Patrick, a YouTube star and self-proclaimed “Information Addict,” will ensure everyone understands how “The Runner” is played and what is currently happening in the game.
“I’m really the boots on the ground guy,” says Larsen. “My role is to help the audience understand exactly what’s happening with the game of cat and mouse going on between the chasers and the runner. I’ll be watching the Chase Teams working towards their challenges. I’m the tactical, kinetic element.”
“The Runner” uses a proprietary technology that allows the Chase Teams to geotag The Runner within five feet. This is how they “capture” the Runner. Their reward starts at $15,000 and goes up every second of every day of game play, up to a half million dollars. The more the Runner evades the Chase Teams, the more money he gets. The chase teams are given a new challenge every day, a challenge both cerebral and physical which will give them clue to the Runner’s movements.
“We cast a really wide net in trying to find people who had interesting, diverse skill sets that could be applicable to hunting the Runner,” says Larsen. “For example, two guys known as Brother Nature, they’re a group of surfer kids from Hawaii with a large social following.”
That social media following actually matters in this game because their built-in audience will help them crowdsource the answers to these clues. “The Runner” is a more than a game for just the Runner and the Chase Teams. It’s a live game for everyone on the internet. Viewers on social networks will have the opportunity to help interpret the clues for the Chase Teams and get their own cash prize. $15,000 is awarded to viewers every day with a $20,000 bonus to the most socially active viewer.
“The stakes are really high,” Larsen says. “But it’s a really fun game and Verizon is the perfect platform, given how exciting it is to play on mobile. The more people who play, the more exciting it is and the more money can be won.”
The show is the result of a decade and a half of collaboration and development between Executive Producers Ben Affleck and Matt Damon. It really is groundbreaking – From the core concept to the technology used to track the competitors to the inclusion of the nationwide audience, what we can expect is something truly unique.
“The truth is when Matt and Ben conceived it, the idea was so innovative that the technology didn’t really exist to make it work,” says Larsen. “That’s changed over the last decade. The ability to crowd-source, to use social media to unlock the clues, and to play the gamification side of the game, that’s all here and ready for prime time.”
The Runner launches July 1st, 2016 on go90 and AOL.com. Don’t expect to just be voting every week for an idol or waiting for the show to return from a commercial break to find the outcomes of a segment. “The Runner” features real-time video and three episodes daily, including a recap of the previous day, live updates, current standings, and performance analyses.
“It’s exciting and different,” Larsen says. “We’re getting into new, super-competitive territory. I love competition in any form, but for me, it’s an easy day. I can’t wait to watch these teams compete.”
From action-packed eyewitness accounts such as Guadalcanal Diaryto devastating Holocaust memoirs like The Diary of Anne Frankand Nightto the thrilling espionage tale of Operation Mincemeat, World War II is the subject of some of the most fascinating and influential nonfiction books ever written. Every year, seemingly dozens of new titles emerge to offer fresh perspectives and uncover fascinating details about the deadliest conflict in human history. These nine classics cover the war from the Eastern Front to the South Pacific and investigate its murky origins and complex legacies. Make your next great read one of these essential World War II books.
By John Hersey
Originally published in the August 31, 1946 issue of The New Yorker, this compassionate and richly observed portrait of six survivors of the atomic bombing of Hiroshima caused an immediate sensation. It was the first–and only–time the magazine had devoted an entire issue to a single article. Newsstands sold out within hours, and radio stations interrupted their regular programming to broadcast readings of the complete text.
More than a year after the Japanese city was destroyed, Americans were getting the first full account of the horrors of nuclear warfare. Hersey described stone facades permanently etched with the silhouettes of vaporized people and soldiers whose eyes were melted by the atomic flash. Widely recognized as one of the earliest examples of New Journalism (the style of reporting made most famous by Joan Didion), Hiroshima profoundly impacted the debate over nuclear weapons and played a key role in the healing process between America and Japan.
2. With the Old Breed: At Peleliu and Okinawa
By E.B. Sledge
With brutal honesty and lucid prose, Eugene Bondurant Sledge provides a grunt’s-eye view of infantry combat in the Pacific Theater of World War II. Nicknamed “Sledgehammer” by his comrades, Sledge fought with the 1st Marine Division in the grueling battles of Peleliu and Okinawa. Using notes he secretly kept in a pocket-sized New Testament, Sledge describes the terror of life on the front lines and documents acts of savagery committed by both sides. But he also admires the courage of his fellow soldiers and pauses, when he can, to observe his natural surroundings–an interest that would lead to a later career as a biology professor. With the Old Breed was one of the main sources for Ken Burns’s documentary The Warand helped to form the basis for the HBO mini-series The Pacific.
3. The Rise and Fall of the Third Reich
By William Shirer
First published in 1960, this National Book Award winner and New York Times bestseller traces the rise and fall of Nazi Germany from Adolf Hitler’s birth in 1889 to the end of World War II in 1945. As a foreign correspondent for the Chicago Tribune and one of “Murrow’s Boys” at the CBS Radio Network, Shirer reported from Berlin and Vienna in the years before the war and followed the German Army during the invasion of France.
After the war, he drew on his own experiences and a wealth of newly available documents, including the diaries of propaganda minister Joseph Goebbels and General Franz Halder and testimony from the Nuremberg trials, to write this 1,250-page volume. The book was a huge commercial success, selling one million hardcover copies and going through twenty printings in its first year. Although its scholarly reputation is often debated, The Rise and Fall of the Third Reich remains one of the most influential tomes about World War II to this day.
By Art Spiegelman
This Pulitzer Prize-winning graphic novel recasts the Holocaust with Nazis as cats, Jews as mice, and Poles as pigs. Originally serialized in the alternative comics magazine Raw, the story moves back and forth between present-day Rego Park, New York and Nazi-occupied Poland. In New York, cartoonist Art Spiegelman tries to mend his fractured relationship with his father, Vladek, by drawing a book-length comic based on Vladek’s wartime experiences. In Poland, Vladek and his wife, Anja, endure forced relocation to the Sosnowiec Ghetto; the death of their first son, Richieu; and imprisonment in the Auschwitz concentration camp.
Hailed by The Wall Street Journal as “the most affecting and successful narrative ever done about the Holocaust,” Maus elevated the critical reputation of comics and inspired countless artists, including Chris Ware, Alison Bechdel, and Marjane Satrapi.
5. The Longest Day
By Cornelius Ryan
Based on interviews with more than 1,100 D-Day survivors, The Longest Day is the definitive account of the Allied invasion of Normandy on June 6, 1944. Ryan experienced the battle firsthand as a 24-year-old reporter for the Daily Telegraph. When the bomber he was flying in was hit and had to return to England, he jumped into a patrol boat and returned to cover the fighting on the French beaches. Fifteen years later, Ryan set out to tell “what actually happened, rather than what generals or others thought happened.” The result is a masterpiece of military history packed with novelistic details, from the U.S. paratrooper who won $2,500 at cards on the eve of the battle but deliberately lost it all so as not to run out of luck to Field Marshal Rommel’s reason for being 600 miles away when the invasion began–he was bringing his wife her birthday present.
6. In the Garden of Beasts
By Erik Larson
This #1 New York Times bestseller is the riveting story of William E. Dodd, the American ambassador to Germany from 1933 to 1937. Dodd, a history professor, was not Franklin D. Roosevelt’s first choice for the job, and he arrived in Berlin with little appetite for the endless socializing expected of a diplomat and little sense of the dangers posed by Germany’s newly-appointed chancellor, Adolf Hitler.
While Dodd struggled to find his place, his 24-year-old daughter, Martha, took to her glamorous new life with verve. Beautiful and sexually adventurous, her high-profile paramours included Rudolph Diels, the chief of the Gestapo, and Boris Winogradov, an attache to the Soviet Embassy who recruited her as a spy. Part political thriller, part family drama, In the Garden of Beasts brings fresh perspective to the question of why it took the world so long to recognize the threat of the Third Reich.
7. An Army at Dawn
By Rick Atkinson
While most American history buffs are well versed in the Allied push across Europe after the Normandy landings and the key battles for control of the Pacific, the North African campaign is a less familiar subject. Drawing on personal diaries and letters from soldiers as well as official documents kept in British, American, French, Italian, and German war archives, Rick Atkinson corrects the record in this Pulitzer Prize-winning history, the first volume in The Liberation Trilogy. From the amphibious invasion of Morocco and Algeria in November 1942 to the Allies’ watershed victory at the Second Battle of El Alamein and the US Army’s coming-of-age at the Battle of Hill 609 in Tunisia, An Army at Dawn seamlessly integrates big-picture military strategy with boots-on-the-ground perspective. Atkinson is particularly insightful on the clash of egos between the old-school British commanders and their upstart American counterparts.
8. Stalingrad: The Fateful Siege: 1942-1943
By Anthony Beevor
With more than one million casualties, the five-month siege of Stalingrad was the bloodiest battle of World War II and a decisive turning point in the fight for Europe. Antony Beevor, a former British Army officer, brilliantly balances the huge scale of the conflict with a soldier’s-eye view of some of the most horrific conditions in the history of modern warfare.
He begins with Operation Barbarossa, the 1941 German invasion of the Soviet Union that was plagued by bad weather, long supply lines, and difficult terrain, and analyzes how the Luftwaffe’s carpet bombing of Stalingrad helped to create the treacherous, rubble-strewn conditions that allowed Soviet snipers to wage a gruesome war of attrition. Most captivatingly, Atkinson portrays Stalingrad as the terrifying outcome of totalitarianism: Hitler lived in a fantasy world and refused to listen to German officers who tried to save the Sixth Army from complete destruction, while Stalin’s demands for total obeisance resulted in the executions of 13,500 Red Army soldiers.
9. Human Smoke: The Beginnings of World War II, the End of Civilization
By Nicholson Baker
In this highly unusual and captivating work, novelist Nicholson Baker tells the story of the buildup to World War II in vignettes. Each short piece contains a fact or a quotation drawn from primary sources including newspaper articles, radio speeches, personal diaries, and government transcripts.
Through the steady accumulation of detail, Baker suggests that Allied leaders were not as reluctant to enter the global conflict as most historians contend. He goes back to as far as 1920 to quote Winston Churchill on the proposed bombing of civilian targets in Iraq (“I am strongly in favor of using poisoned gas against uncivilized tribes”), then skips ahead to the prime minister’s preferred military strategy in 1941: “One of our great aims is the delivery on German towns of the largest possible quantity of bombs per night.” Turning to the American scene, Baker draws from sources suggesting that Franklin D. Roosevelt may have deliberately goaded the Japanese into bombing Pearl Harbor so the US could enter the war.
Some scholars were harsh in their judgment of Human Smoke, but by returning to the primary material, Baker rescues pacifism as an honorable concept and reminds readers that when military leaders rush to apply new technologies to warfare, it is often civilians who suffer the most.
Nevertheless, 2018 does have some upcoming titles worth a look.
All these film titles and release dates are subject to change.
1. “The Last Full Measure”
Directed by Todd Robinson, the film showcases a Pentagon investigator who teams up with a few veterans of “Operation Abilene” to persuade Congress to award deceased Air Force medic, William Pitsenbarger the Medal of Honor 35 years later.
Pitsenbarger is accredited with saving over 60 ambushed service members in one of the bloodiest campaigns of the Vietnam War.
Release date: Sometime in 2018.
2. “12 Strong”
Directed by Nicolai Fuglsig, the film chronicles one of the first Special Forces teams to deploy to Afghanistan after the attacks on 9/11. The SF team joins forces with the Afghan resistance and rides into battle against the Taliban on horseback.
The film stars WATM friend Rob Riggle, Chris Hemsworth, Michael Pena, and Michael Shannon.
Release date: 19 Jan. 2018.
3. “Tough As They Come”
Starring and directed by Sylvester Stallone, the film tracks Travis Mills (played by Marine veteran Adam Driver), a quadriplegic soldier returning from Afghanistan after his horrific injury. Back in the U.S, Mills has to reconcile with his stepfather while coping with his new life using prosthetic legs and arms.
Directed by Hollywood icon Clint Eastwood, the film focuses on the American soldiers who discover a terrorist plot on a train headed to Paris. Reportedly, the three Americans who thwarted a terrorist attack will be playing themselves in the film alongside actress Jenna Fischer.
Directed by Justin Kurzel, the film chronicles a nameless ex-Nazi captain who navigates the ruins of post-WWII Germany to atone for the crimes he committed during the war by hunting the surviving members of his former SS Death Squad.
Gal Gadot is rumored to have a role, but additional information hasn’t been released. So until then, here’s a hot photo of her in a skimpy bikini.
Most members of the military will be familiar with the HBO miniseries “Band of Brothers,” which follows the story of the men of Easy Company, 506th Parachute Infantry Regiment, 101st Airborne Division in WWII. Produced by Steven Spielberg and Tom Hanks after their 1998 success, “Saving Private Ryan,” the miniseries has been praised for its drama and storytelling.
Using leftover props and costumes from “Saving Private Ryan,” and with the consulting help of surviving Easy Company veterans, Hanks and Spielberg strove to bring the stories of Easy Company to life. However, “Band of Brothers” did take some artistic license for the sake of storytelling and presented some glaring historical inaccuracies as a result.
A serious WWII history buff could point out dozens of small mistakes in “Band of Brothers” like the inaccuracies of a German Jagdpanther at Bloody Gulch, the wearing of the 101st Screaming Eagle patch during the Battle of the Bulge, or the anachronistic headset worn by a C-47 pilot taking off from England. However, this article will focus on 6 inaccuracies that actually changed important historical details or rewrote a person’s story.
Edelweiss – Part Three, Carentan
During this episode, Private Albert Blithe is sent forward of Easy Company to re-establish contact with Fox Company during a night movement. Moving quietly through the darkness, he rounds a tree and is startled by a German soldier behind an MG42 machine gun. Lt. Dick Winters emerges from the darkness, further startling Blithe, and informs him that the German is dead. Lt. Lewis Nixon joins them and identifies the German as a Fallschirmjäger, a paratrooper. He further identifies a flower on the German’s uniform as Edelweiss, saying that it only grows high up in the Alps and is meant to be the mark of a true soldier.
Gebirgsjäger, German and Austrian mountain troops, wore Edelweiss badges, not flowers, on their uniforms as a symbol of pride in their mountaineering and soldiering skills. As such, it is highly unlikely that a paratrooper would adopt a symbol that held so much importance to mountain soldiers. It can be likened to U.S. paratroops taking great pride in their distinct bloused jump boots. Later in the 20th century, many a nose was broken at Fort Benning by paratroopers who caught a non-paratrooper wearing bloused jump boots.
Shooting POWs – Part Two, Day of Days
This episode serves as the catalyst for the many rumors about Ronald Speirs shooting German POWs on D-Day. In it, Don Malarkey jogs away from a group of prisoners being watched over by Lt. Speirs and another Dog Company paratrooper when he hears automatic gunfire from behind him—the implication being that Speirs executed the prisoners. In later episodes, the rumors evolve from Speirs shooting a few prisoners, to shooting eight, shooting twenty, and even shooting a drunk sergeant for refusing to go out on patrol.
In a video interview, former Dog Company trooper Private Art Dimarzio recalled capturing three Germans on D-Day with Speirs and a sergeant. “The LT called us together in a bunch and he said, ‘…you take one,’ they were all laying in a ditch, ‘I’ll take this one, and sarge you take that one.’ And we paired off and we shot the three of them.” DiMarzio also noted that, a few hours later, they came upon another group of Germans, all of whom Speirs shot. This account is entirely plausible given the orders issued to the paratroopers by General Maxwell Taylor, commander of the 101st Airborne Division.
“Take no prisoners,” Malarkey recalls General Taylor telling them. “If you were to take prisoners, they’d handicap our ability to perform our mission.”
Hitler’s suicide – Part Nine, Why We Fight
The episode opens stating that it is April 11, 1945 in Thalem, Germany. A string quartet of German civilians plays Beethoven’s String Quartet No. 14 in C-sharp Minor. Around them, other civilians clear up the rubble of their battered city under the supervision of U.S. soldiers while Easy Company soldiers look down from a damaged apartment building. The rest of the episode flashes back to Easy Company’s initial invasion of Germany before returning to the Thalem apartment where Captain Nixon informs the men that Hitler is dead.
Assuming the men have not been sitting in the same apartment listening to the same string quartet for nineteen days, this scene is anachronistic as Hitler committed suicide on April 30, 1945. It is unclear why this error was made or why it persisted from the HBO television release to the home video release, since a simple edit to the opening statement could make it April 30, 1945. This is an extreme oversight for such a big budget production.
Lt. Dike – Part Seven, The Breaking Point
Part Seven focuses primarily on Easy Company First Sergeant Carwood Lipton as he works to maintain the unit’s morale and combat effectiveness during the Battle of the Bulge. However, his efforts are hindered by their new commander, Lt. Norman Dike. Dike is rarely seen around the men, leaving them to go on walks or make phone calls at Battalion HQ. His behavior earns him the nickname “Foxhole Norman”. During the attack on Foy, Dike becomes paralyzed by fear and panics under pressure, sending a single platoon exposed on a doomed flanking mission. His poor leadership results in the deaths of many Easy Company men before he is relieved by Lt. Speirs and is eventually killed during the attack.
Firsthand accounts show that Dike was not a well-liked officer during his command of Easy Company, but he was by no means the cowardly and ineffective officer that was portrayed on screen. During the attack on Foy, Easy Company trooper Clancy Lyall saw Dike get shot in his right shoulder. Omitted from the on-screen depiction, this wound inhibited Dike’s decision-making and caused him to panic. Furthermore, Dike won two Bronze Star Medals for valor earlier in the war; one in Holland for organizing a hasty defense against, “superior and repeated attacks”, and another at Bastogne where, “…he personally removed from an exposed position, in full enemy view, three wounded members of his company, while under intense small arms fire.”
Finally, Dike was not killed at Foy. He survived his wound and became the aide to General Taylor. Dike remained in the Army for the remainder of the war, served in Korea, and eventually attained the rank of Lieutenant Colonel in the Army Reserves. He also went back to Yale and earned his law degree. He worked as a U.S. Commissioner in Japan, practiced law in New York City and Washington D.C., and was even employed by the CIA for a time. He died in Rolle, Switzerland on June 23, 1989.
Private Blithe — Part Three, Carentan
Episode three begins with Private Albert Blithe just after D-Day when he rejoins Easy Company after the confusion of the drop. Following the fight to take Carentan, he is struck with a case of hysterical blindness. After recovering, Blithe returns to Easy Company. Following his encounter with the dead German, Blithe admits to Lt. Speirs that he didn’t try to find his unit on D-Day; instead, he hid in a ditch out of fear. Speirs tells him that he’s already dead and that he must accept that in order to function as a soldier should, “without mercy, without compassion, without remorse.”
Blithe follows Speirs’ advice and fights ferociously during the German counterattack at Bloody Gulch. After the battle, Blithe finds a dead German that he shot and removes the Edelweiss on the German’s uniform. Blithe takes the Edelweiss for himself and places it on his uniform, completing his character arc. A few days later, he volunteers to investigate a farmhouse during a patrol where he is shot in the neck by a German sniper. The episode ends saying that Blithe died from his wounds in 1948.
Blithe’s depiction is mostly true. He was stricken with hysterical blindness and he was shot by a sniper whilst investigating a farmhouse. However, Blithe was shot in his collarbone. He recovered from his wounds and was sent back to the states. He remained in the Army and fought with the 187th Airborne Regimental Combat Team in Korea. After his second war, Blithe was assigned to the Military Assistance Advisory Group in Taiwan. In December 1967, while on active duty in Germany, Blithe attended a ceremony in Bastogne commemorating the Battle of the Bulge. Upon his return to Germany, Blithe felt nauseous and was taken to the ER at Wiesbaden Hospital. He was diagnosed with a perforated ulcer and died in the ICU on December 17 after surgery. Blithe had attained the rank of Master Sergeant and was buried with full honors at Arlington National Cemetery.
The other men of Easy Company never found out what happened to Blithe after he was wounded at the farmhouse. They assumed he succumbed to his wounds and the producers of the show did no further research. Having spent more than 20 years in the Army over the course of three wars, Blithe deserves more credit than he is given in Band of Brothers.
The surrender — Part Ten, Points
The last episode of the miniseries follows Major Dick Winters and Easy Company during the last few months of the war. After the official German surrender, Winters meets with a German Colonel who offers Winters his Luger pistol as his formal surrender. Out of respect for a fellow soldier, Winters allows the Colonel to keep his sidearm. The German is surprised by Winters’ gesture and gives him a crisp salute in return.
In reality, the surrendering German was a Major like Winters. The sidearm that he offered as his formal surrender was a Walther PP (a long-barreled version of James Bond’s famous Walther PPK), which Winters accepted and kept until his death in 2011. In an interview for HBO, Winters showed the pistol and recounted the German’s surrender:
I was assigned this Major and when he walked in, he presented me this pistol and offered his personal surrender, which naturally I accepted gratefully. So that would be the end of the war for his men and this is basically the end of the war for my men. And the significance is that, it wasn’t until later when he had given me this pistol and I got a chance to look at it carefully that I realized, this pistol had never been fired. There was no blood on it. That’s the way all wars should end: with an agreement with no blood on it. And I assure you this pistol has never, never been fired since I’ve had it and it will not be fired.
Winters’ powerful and insightful words about the surrender make the scene in Band of Brothers feel like a missed opportunity. The real-life exchange between the two Majors and the impression that the symbolic pistol left would have been more impactful than the surrender shown on screen.
After the series premiere, Winters told Hanks that he wished the production had been more authentic, hoping for an “80 percent solution.”
Hanks responded, “Look, Major, this is Hollywood. At the end of the day, we will be hailed as geniuses if we get this 12 percent right. We are going to shoot for 17 percent.”
“Band of Brothers” is a well-made and fitting tribute to (most of) the men who fought in Easy Company during WWII. As with most Hollywood productions, the history was adapted for dramatic effect and series structure. Certain stories and experiences were modified or folded into other characters for the sake of storytelling, but the show as a whole is still one of the best portrayals of WWII to date. In the case of the aforementioned stories and experiences however, their true history deserves to be told, learned, and remembered.
Ah, the new soldier. A blessing for the command and an absolute nightmare for the first-line supervisor. You don’t know if they’re about to blow a few paychecks worth of money on strippers, salvia, or an overpriced Camaro. Worse, they could be the kind to hit on local girls and accidentally stumble into the first sergeant’s daughter. Here’s what the sergeant wishes the new kids would know before they even showed up:
Seriously, don’t buy the car
OMG, you have a bonus check, and a few paychecks and so many people want to loan you money against your guaranteed government paycheck (unless you are in the Coast Guard, and then it’s mostly guaranteed but not totally, right?).
But you can Uber for a week or two and wait to buy a car you actually like at a decent price instead of getting the first Camaro you can see on the lot.
Really, you don’t need to get laid right away
Yeah, it’s been a long time since you got some. Unless, of course, you were one of the folks hooking up with randos behind the port-a-potties at basic training during blue phase which, ew, gross. You need to get checked out.
If you can get some on your first week at a new duty base, congrats. If you happened to get some back home during leave, good work, but don’t jump through a bunch of stupid hoops to get a new notch in your belt here the first week. Feel free to take a couple of weeks to get the lay of the land, find out who’s likely healthy and who is or isn’t a good idea for a partner.
Stumbling into the first dark room you can find is a good way to trigger IEDs, not a good way to enjoy yourself.
Drink in moderation
Yeah! You can finally drink again! Time to —!
No. Just no. Go get a couple of beers and sip on them. New soldiers drinking until they asphyxiate on their own vomit is the stupidest of cliches. Get drunk. Enjoy it. Get tipsy. Fall over once or twice.
Just don’t drive, and don’t keep drinking until you fall over a balcony. Please. Your NCO support channel has their own stuff to do this weekend that doesn’t include talking to the MPs about your untimely demise.
Avoid literally any place that advertises to you
Don’t care if it says “We accept junior enlisted,” “Finance E-1 and up,” “All ranks welcome” — if it advertises to the military, you shouldn’t be there. Those signs are basically the equivalent of a “Free Candy” sign on the side of a van, and you’re the unsuspecting child.
Please, don’t get in the van.
If (s)he has a military dependent ID, (s)he’s not for you
It does not matter how many times he or she bats their eyes at you, flexes their pecks, or makes obscene gestures with their mouth while pointing at your belt, you are not to engage with them if there is a single sign that they might be the child of a military member or married to one (especially married to one).
Just go find a local hottie…or maybe set up an online dating account.
Do like, four sit-ups every day
Yeah, you’re out of basic and AIT. Congratulations. But when your physical training drops to just the morning formations, there’s a chance that you’re going to start sucking every time you squeeze yourself into some overly tight PT shorts. So, please, for the love of all physical training regulations and military readiness, just do a couple of sit-ups every night before you nuzzle up to your PlayStation controller.
Although it will be years before the first humans set foot on Mars, NASA is giving the public an opportunity to send their names — stenciled on chips — to the Red Planet with NASA’s Mars 2020 rover, which represents the initial leg of humanity’s first round trip to another planet. The rover is scheduled to launch as early as July 2020, with the spacecraft expected to touch down on Mars in February 2021.
The rover, a robotic scientist weighing more than 2,300 pounds (1,000 kilograms), will search for signs of past microbial life, characterize the planet’s climate and geology, collect samples for future return to Earth, and pave the way for human exploration of the Red Planet.
“As we get ready to launch this historic Mars mission, we want everyone to share in this journey of exploration,” said Thomas Zurbuchen, associate administrator for NASA’s Science Mission Directorate (SMD) in Washington. “It’s an exciting time for NASA, as we embark on this voyage to answer profound questions about our neighboring planet, and even the origins of life itself.”
Members of the public who want to send their name to Mars on NASA’s next rover mission to the Red Planet (Mars 2020) can get a souvenir boarding pass and their names etched on microchips to be affixed to the rover.
The opportunity to send your name to Mars comes with a souvenir boarding pass and “frequent flyer” points. This is part of a public engagement campaign to highlight missions involved with NASA’s journey from the Moon to Mars. Miles (or kilometers) are awarded for each “flight,” with corresponding digital mission patches available for download. More than 2 million names flew on NASA’s InSight mission to Mars, giving each “flyer” about 300 million frequent flyer miles (nearly 500 million frequent flyer kilometers).
From now until Sept. 30, 2019, you can add your name to the list and obtain a souvenir boarding pass to Mars here.
The Microdevices Laboratory at NASA’s Jet Propulsion Laboratory (JPL) in Pasadena, California, will use an electron beam to stencil the submitted names onto a silicon chip with lines of text smaller than one-thousandth the width of a human hair (75 nanometers). At that size, more than a million names can be written on a single dime-size chip. The chip (or chips) will ride on the rover under a glass cover.
True color image of Mars taken by the OSIRIS instrument on the ESA Rosetta spacecraft during its February 2007 flyby of the planet.
NASA will use Mars 2020 and other missions to prepare for human exploration of the Red Planet. As another step toward that goal, NASA is returning American astronauts to the Moon in 2024. Government, industry and international partners will join NASA in a global effort to build and test the systems needed for human missions to Mars and beyond.
The Mars 2020 Project at JPL manages rover development for SMD. NASA’s Launch Services Program, based at the agency’s Kennedy Space Center in Florida, is responsible for launch management. Mars 2020 will launch from Cape Canaveral Air Force Station in Florida.
Sometimes, all it takes is a whiteboard and a marker to jump-start a dream into reality. This week’s Borne the Battle features guest Jesse Iwuji, whose creative and hardworking mindset led him to overcome great challenges and become a NASCAR driver.
Growing up, Iwuji excelled at both track and football. His high school accomplishments led him to the Naval Academy’s football team where he played safety. He graduated from the academy in 2010. After seven years active duty, Jesse transitioned to the Navy Reserve.
After his football career ended, Iwuji found competitiveness in racing. However, he was at a disadvantage compared to his peers who started racing at a very early age: Iwuji started in his mid 20s. He lacked sponsorship and he wasn’t born into a racing family. Despite this, his determination and led him to a variety of open doors. He funded the first part of his NASCAR KN racing career through a variety of ways to include starting his own business. Currently he is racing in the NASCAR Gander Outdoors Truck Series.
Today, Iwuji represents sponsors from several different organizations, which many help veterans. He uses racing as a platform to advocate for veterans’ rights and he shares his passion in Veteran communities and schools. To Jesse, nothing is impossible if you have vision and hard work behind it.