Everyone knows “Die Hard” is the story of how a struggling New York cop made his way to Los Angeles to spend Christmas with his estranged family only to get caught up in a terrorist attack. Not everyone may be familiar with “Nothing Lasts Forever,” the book on which the movie was based.
If you haven’t read “Nothing Lasts Forever” and love the “Die Hard” series, you might be in for a real treat, like watching “Die Hard” for the first time.
The book is much like the movie, except the main character, Joe Leland, is flying to see his daughter, Leland actually knows who the lead terrorist is, and the terrorists aren’t just out to steal money. They’re trying to expose the Klaxon Corporation’s illegitimate dealings with an illegal government in South America. Leland tells the whole story to a stewardess he met on the way to LA, who is also his new girlfriend.
To not ruin the rest of the story, I’ll let you read the rest.
Joe Leland, like McClane, is a struggling NYPD cop. Unlike McClane, Leland is retired from the force and retired from the U.S. military. John Leland is a deeply disturbed ex-fighter pilot who never quite got over what happened to him in World War II and he still carries around a Browning Hi-Power pistol (even on the airplane).
As a former cop, Leland has a lot of experience with terrorists. He even attended a training seminar that discussed the work of “Little Tony” Gruber, the leader of the German terrorists taking over the Klaxon building.
Just like McClane, he escapes the initial hostage taking, exiting the company Christmas party while barefoot and armed. Joe Leland also crawls through the building’s HVAC ductwork, drops bombs down elevator shafts and takes enough damage to kill any normal human.
The producers of “Die Hard” didn’t intend for the film to be anything like the book, but it’s hard to fight awesome. Scenes like John McClane taping a gun to his back or jumping off a building with a firehose tied around his waist are just too good to pass up.
If “Die Hard” is the movie that changed action movies forever, then “Nothing Last Forever” is the book that changes action movies forever and it all started with a single disgruntled Air Force pilot.
See some of the best of John McClane in this clip from YouTube:
It’s a Wonderful Life turns 74 this year and watching it is a Christmas tradition in my home. The film hearkens to a bygone era where characters from the Greatest Generation grow up before our eyes. We feel their joy, sorrow and redemption on a personal level. It’s funny, sad and triumphant all at once. Having served three combat tours, this film now holds an important place in my heart. What it teaches today’s veterans makes it more than just a holiday film.
How many realize that the discouraged character of George Bailey is played by a real life war hero? In 1941, Jimmy Stewart received an Academy Award for Best Actor, but weeks later he enlisted in the Army Air Corps. With his significant civilian flying experience and degree, he was soon commissioned as a pilot, performing publicity and flight instruction duties. Stewart was not satisfied, and eventually fought his way into an assignment flying B-24 Liberator bombers, rising to Chief of Staff for the 2nd Combat Wing, 8th Air Force. On one of his 20 bombing missions over Nazi Europe his unit lost 13 planes and 130 men to enemy fighters and anti-aircraft guns. He was awarded the Distinguished Flying Cross. But the horrors he witnessed had made him “flak happy,” crushing him mentally. Reluctantly, Stewart was sent home to recover.
When he returned from the war he was haunted by what he had experienced in combat. Fearing that his Hollywood career might be over, he returned to California looking for work. Fresh young actors were taking roles that previously would have been Stewart’s for the picking. The stress of war made the 37 year old look more like he was 50, dashing his hopes of being a leading man again. Jimmy knew he had to do something. At first he wanted to do a comedy, as he felt there was enough sorrow in the world at the time. Eventually, director Frank Capra convinced him to play the lead role of George Bailey.
Filming the classic movie was arduous, with a visibly changed Stewart struggling tremendously with Post Traumatic Stress. It was obvious to the cast and crew that Stewart was drawing heavily from the anguish and fear he felt flying over Nazi Germany. That’s what makes his performance so meaningful. A near-suicidal George Bailey was really Jimmy Stewart trying desperately to come to grips with the nightmare of World War 2. Watch the film again and see the raw emotion on full display. As Stewart prays desperately at Martini’s bar for help from God, you see a man absolutely broken. Those on the set were understandably shocked at what was happening. Stewart was unleashing a torrent of emotion, baring his very soul for all to see. It’s as pure a performance as you’ll find in cinema. This was the role that likely saved the actor’s career and perhaps set him on the path to true recovery.
Stewart’s career was back on track. He had reclaimed his place as America’s leading man. Serving his country was in his blood though. He refused to allow his tough wartime experience to define him. Stewart pushed through his pain. In something never seen in today’s entertainment industry, Stewart even continued serving in the Air Force Reserve. He flew his last bombing mission in Vietnam and retired as a Brigadier General in 1968. He re-defined himself as an actor and never forgot the importance of selfless service. It was his willingness to embrace the tragedies in his life that transformed him, and it is an example for today’s veterans to follow.
I once saw a young patient dying in front of me as the medics removed him from my MEDEVAC helicopter. It seemed like he was staring through me. After that moment, I couldn’t speak to anyone for some time. It was like I was outside of my body, watching myself experience something over which I had no control. I thought I was weak. Eventually I talked it out with my buddy. Writing my book also helped me. Since then I have realized that I wasn’t weak. I didn’t have a “disorder.” I faced something abnormal and I wasn’t alone.
There’s an awful lot of George Baileys in this country. They answered the call. They sacrificed their own dreams for others. They defended the disheartened and led from the front. They and their families have given up so much but now they question if their sacrifices were all for nothing. Some are on that snowy bridge next to George Bailey right now, staring into that icy river, that permanent solution to a temporary problem.
If you’re struggling with PTS, stay the course. There’s absolutely nothing wrong with you. It’s the situation you were in that was wrong. What’s wrong isn’t how you dealt with life and death situations or how you handled the loss of friends. What you did and what you saw was not normal. You aren’t the problem. You are a hero for having survived the trauma.
Now is the time for you to confront it and then use the experience for good. The clouds will part — I promise you. You are not broken. Reach out to the friends who were there with you and talk. You might think that it’s just to help you, but I believe it might help them too; they just might have been too scared to reach out themselves.
So… be there this Christmas for an old friend. Call one old buddy this week and just talk.
“Remember, George: no man is a failure who has friends.” – Clarence
Nate Parker’s film The Birth of a Nation won Sundance Film Festival Grand Jury and Audience prizes for a drama, just days after the production company signed a record $17.5 million distribution deal with Fox Searchlight. The film is about what happens to a former slave after he leads a liberation movement to free other slaves.
The movie is based on actual events, and the uprising did not end well for the slaves or Nat Turner, the man who led it.
Turner would have visions that guided him through his life. He conducted Baptist church services and was dubbed “The Prophet” by his fellow slaves. While working in his owner’s fields one day, Turner heard “a loud noise in the heavens, and the Spirit instantly appeared to me and said the Serpent was loosened, and Christ had laid down the yoke he had borne for the sins of men, and that I should take it on and fight against the Serpent, for the time was fast approaching when the first should be last and the last should be first.”
In 1830, a man named Joseph Travis purchased Turner. It was while under Travis’ ownership Turner would make his move. The next year, an atmospheric disturbance made the sun appear bluish-green in Virginia. Turner took this as a sign, and prepared to start his rebellion.
On August 22, 1831, thirty years before the Civil War, Turner and an inner circle of trusted slaves gathered. They killed the Travis family as they slept, then went house-to-house freeing slaves and killing white people. His number soon grew to over 40 slaves, most on horseback.
Sixty whites were killed before Turner’s rebellion was put down. Even then, it took twice the number of men in the responding Federal and Virginia militias, along with three artillery companies to defeat the uprising. His rebellion crushed, Turner hid around the Travis farm until his capture on October 30. He was quickly tried, convicted, hanged, and skinned.
Retaliatory attacks from white mobs killed 200 more slave and free black men, women, and children. The state legislature of Virginia considered abolishing slavery, but decided instead to keep it and its repressive policy against all black people in the state, especially enforced illiteracy among slaves.
The Turner Rebellion is one of the defining events in the lead up to the American Civil War, on par with John Brown’s raid on the arsenal at Harper’s Ferry.
We’ve all heard of Rudy Reyes, the Recon Marine, martial artist, and actor who famously played himself in the HBO miniseries, Generation Kill, but few people really know what Rudy has been up to these days. Hell, we didn’t know either until we asked Rudy to sit down and chat.
The only problem? Rudy doesn’t sit. He’s always on the move. Always.
As a former Marine and Green Beret myself, I should’ve known what I was getting into when I asked Rudy for an interview. I’m sitting in my office waiting for the 47-year old Marine to arrive from Mongolia (yep, you read that right). After knowing Rudy for years, I can tell you there is one thing I should be doing right now: stretching.
I first met Rudy in a NYC restaurant back in 2010, just a few weeks after I had left the Marine Corps myself. I was in that awkward, post-military transition phase where the opportunity for a new life seemed so real, but I still had no idea what to do with myself after three tours to Iraq. That’s when I ran into Rudy. He was waiting tables at a Thai restaurant in Brooklyn, trying to pick up some extra cash between auditions. I can tell you with 100% accuracy, Rudy is a horrible waiter, but that didn’t stop him from giving the task his complete focus and energy. He only knows one speed: fast.
In fact, the Recon Marine and veteran of some of Iraq’s most gruesome battles moved around the restaurant like he was clearing a room. Maybe it was the newly grown “veteran” beard on my face or just the post-military emptiness that all warriors feel, but Rudy stopped when he saw me and asked me, “hey brother, are you a vet?” When I answered,”yes” and mentioned that I was just a few weeks out, Rudy invited me to join him for a workout the next day. See, that’s the kinda guy Rudy has always been. He knew me for less than a minute before welcoming me into his world.
Nearly a decade later, I am excited to see my friend again, especially now, because he’s literally traveled the globe to come up to my office. Besides his warrior spirit, there is one thing that I’ve always loved about Rudy: He knows how to make an entrance. He’s just walked in wearing a sleeveless WWII blouse while carrying a kettlebell and tactical boombox.
So let’s get this interview started…
Photo Courtesy of Rudy Reyes
Brother and leader of Marines, welcome back to We Are The Mighty. What the hell are you wearing?
RR:Hey brother, good to see you. Aww yeah, you love this jacket. My buddy who worked on ‘The Pacific’ hooked me up. It’s what the hard chargers wore when they stormed Iwo Jima.
And what about the sleeves?
RR: Didn’t need them. [Rudy’s now doing pull-ups in the office]
Dude, it’s been a decade since ‘Generation Kill,’ and you still look like you’re on the teams. How the hell do you find time to get in the gym?
Ok, well, I have no excuse not to work out today. What were you doing in Mongolia?
RR: Aww, oh my gosh bro, it was amazing. I’m part of the Spartan Race Agoge Krypteia. I am one of the leaders of these 60-hour endurance races all across the globe. Just like the Spartans of Greece, we train people to be the strongest and [most] mentally tough citizens on earth.
(Photo Courtesy of Rudy Reyes)
RR: It’s the land of Genghis Khan. We took a group of Agoge athletes through a training program just like the amazing warriors of the steppe. There was wrestling, archery, and shapeshifting.
RR: Oh yeah, the Shaman [priest], covers his face so you can’t see it, but it’s real. He changes into different animals to help the athletes remove the evil spirits from their lives. It’s amazing how this cleansing will move you towards peak performance.
Wow, this just got interesting. You really think that fighting spirits is part of fitness?
RR: I don’t just think it, brother. I know it. I’ve been cleansing my own demons for years as I move toward being my best self. I’ve learned to dive into my dreams and explore the world as if I was awake. I’m an oneironaut.
(Photo Courtesy of Rudy Reyes)
RR: Oneironaut. I’m able to travel into my dreams, and once I am awake, I draw what I saw so that I can learn about the future or the past. It’s like being on a reconnaissance mission again. I have to get close to the enemy around me so that I can learn how to defeat them.
What have you learned from these dream missions?
RR: The enemy can come in many forms both internal and external. I have to fight things like self-doubt and depression as well as evil spirits that put barriers in our path to success. I’ve grown to be a better warrior, athlete, and father as an oneironaut. I recently dreamed about my son and I traveling to a beautiful waterfall.
(Photo Courtesy of Rudy Reyes)
Can you teach me how to do this?
RR: Yes, of course.
Sh*t! He said yes, change the subject before we actually start fighting spirits.
It sounds like you’ve had a helluva year thus far, what does 2019 look like for you?
RR: Brother, I am so blessed. I’ve spent the years since I first met you focused on the things I love and believe in, and now it’s paying off. I get to be the warrior I am on camera with the Spartan Agoge and travel the world. I also have my non-profit, Force Blue, where we pair special operations veterans and underwater conservationists to save the planet’s coral reefs. We were just awarded a grant from the State of Florida to rescue and restore the coral reef off of Miami and the keys.
(Photo Courtesy of @ianastburyofficial)
Wait, what? The state of Florida is paying you guys to dive coral reefs?
RR: Hahaha [Rudy’s laugh is now visibly causing all my coworkers to look in our direction]. Pretty much, brother. Florida’s reef is the 3rd largest in the world and one of the most threatened. The coral is both a wall and source of life. By getting in the water and restoring the coral, we are protecting the coastline from tidal erosion and protecting the fishing industry. We call it Project PROTECT.
Dude, that’s awesome. You’re rocking it. I see the same passion in you now that you had back when we first met in NY. What’s your secret?
RR: Positive mental attitude, my brother. We are our best when we believe in ourselves. That’s where I start each day and try to land each night. Positivity is contagious just like an insurgency.
You know I like that.
RR: Semper Fi.
Semper Fi, brother. [Rudy is now doing more pull-ups]
(Photo Credit: Hollywood Reporter via Lou Pitt. Used with permission.)
Manager/producer and former Agent at ICM Lou Pitt shares about his life and experiences in the entertainment industry. His current clients include Oscar winning actor Christopher Plummer, New York Times best-selling authors Brad Meltzer, Lorenzo Carcaterra. Tilar Mazzeo, A.J. Hartley, Visual Effect Oscar winner John Bruno and Director Jason Ensler.
Former clients include Arnold Schwarzenegger, Gale Anne Hurd, Dudley Moore, Bruce Lee, Rod Serling, Nick Nolte, Blake Edwards, Howie Mandel, Paul W.S. Anderson and Jessica Lange.
WATM: Tell me about your family and your life growing up?
Pitt: I was born in Brooklyn, NY, where I spent the first six years, but my growing up years were in Miami Beach and Sarasota, Florida, until I moved to Los Angeles the summer of 1957. At 14, my single working mother wanted me to go to Kentucky Military Academy (KMI) which had its winter quarters in Venice, Florida, some 18 miles south of Sarasota. The Fall/Spring terms were in Lyndon, Kentucky, adjacent to Louisville. I spent all four years there. One of my roommates went on to West Point and retired as a Lt. Colonel after serving two tours in Vietnam. All the regimentation was on preparing teens for the military with a full ROTC program recognized by the Army with dedicated instruction by active military officers. Upon my initial arrival at KMI as a freshman, I found that my best friend from Sarasota, Jay Lundstrom had also committed to going there. We had become great friends and played Little League and Pony League together. In fact, it was really because of him that got me on my first team after badgering one of the coaches that I should be selected. Nobody should be left out, he reasoned. A classy gesture from a 9-year-old that became a life lesson about friendship in its purest form. We roomed together for most of the 4 years we were there and have remained good friends to this day. When I was chosen to be Captain of the KMI baseball team in my senior year, I said, “not without Jay.” We served as co-captains of the team.
Lou (left) with his buddy Jay (right) on the KMI baseball team where they were both co-captains.
WATM: Were you involved in any sports?
Pitt: I loved baseball and played shortstop. I continued playing throughout my years at KMI and beyond. My mother and I moved to California at the end of my junior year and returned to KY for my senior year in ’58. My dream was to play professional baseball where I was invited for a tryout with the Dodgers during the Christmas period 1957. It apparently went well with follow ups meant to happen following graduation. However, the rubber met road once in college following a pre-season workout with the start of season, a week away. The truth was, I came to the realization that I didn’t want to live out of a suitcase in pursuit of a dream. Went cold turkey and never picked up a baseball again until I played in a few Hollywood Stars games at Dodger Stadium thanks to my friend Jack Gilardi. I wanted to stay rooted in one place which had been absent most of my life. It was a decision I never looked back on or regretted. I went to Cal State Northridge and graduated in 1962 with a degree in theatre and a minor in English.
Fun fact: Famous actors Jim Bacchus (Gilligan’s Island, Mr. Magoo, Rebel Without a Cause), Fred Willard (Best in Show, Modern Family, Spinal Tap), and Vic Mature (Kiss of Death, The Robe, My Darling Clementine) attended and/or graduated from KMI as well.
Lou as a senior cadet at KMI in 1958.
WATM: Did you serve in the military?
Pitt: Yes, I was actually drafted into the Army but was fortunate to find a Reserve unit in Van Nuys in the nick of time. I was against the war and fortunate this option materialized given the dramatic escalation of the war. I did my Army Basic at Fort Ord and MOS school at Fort Gordon, GA. My MOS was a Military Policeman (MP).
While at Fort Gordon, a high security post at the time, I auditioned for a play that was being done on the base. I figured this would keep me out of trouble and away from the “lifers” (career EM’s and Officers). The play was “Look Homeward, Angel” and starred Army personnel and people from off-base. It was a great escape and I made a lot of friends from the local town along the way. One of them turned out to be Lt. Col. David Warfield who, as it turned out, was not one of the city folk, but the Adjutant General of Fort Gordon, the second man in charge of the base.
At the time, I didn’t know who he was as we were in “civvies” during rehearsals. He said if I ever needed anything, to let him know and gave me his card. Covered! The night of the first tech rehearsal, our barracks was subjected to a surprise inspection for drugs and each soldier was required to be sequestered by their bunks for however long it took. I knew I’d never make it to the theatre. Unexpectedly, he showed up at my barracks looking for me. His big black car rolled up outside of our building and heard determined footsteps that got louder and louder with each step. I was called out to the front of the barracks and he opened the car door himself. I had never seen a car that big in my whole life. The Col. said, ‘We can’t be doing this all the time, but hop in. I assume you’re not hiding drugs.’. I thought I was living in a Neil Simon play and it wasn’t going to end well after the final curtain.
Lou on stage in his role as Ben Gant in the stage production of “Look Homeward, Angel”
A newspaper clipping from the play “Look Homeward, Angel”. Lou is at the top.
WATM: How did you get involved in the entertainment industry?
Pitt: With an introduction by a friend’s dad, I secured my first job at Creative Management Agency (CMA) mailroom in 1964 predecessor of ICM Partners. At the time, it was the “Tiffany” of agencies with no more than 60 clients at the time and all of them big stars. The size of the mailroom was the average size of a closet. I was in the mailroom for about six months and then went to train on the desk of Alan Ladd Jr (Producer/Studio Executive; Star Wars, Blade Runner and Braveheart). Alan was my mentor along with Marty Elfand (Agent/Producer; Dog Day Afternoon, An Officer and a Gentleman).
While the agency was primarily motion picture focused, they sold variety shows and packaged Gilligan’s Island which made more for the agency than any star they represented. In the mid to late 60’s, I went to the Arthur Kennard Agency who represented TV stars (Raymond Burr-Perry Mason) and many stars of horror films like Boris Karloff, Bela Lugosi, Vincent Price, Lon Chaney, Christopher Lee, and Richard Kiley who was starring on Broadway in “Man of La Mancha.” It was there, I signed Bruce Lee who was in the series, Green Hornet. At nights, he taught classes in martial arts. Bruce introduced me to Kung Fu. Among his clients were Steve McQueen, James Coburn, Mike Ovitz (CAA), Marvin Josephson (CEO International Famous Agency) and Tom Tannenbaum (Universal TV Studio Executive;) and many other Hollywood luminaries.
Bruce charged a minimum of 0 an hour, which was a lot of money in those days. The Silent Flute (later produced in 1978 as the Circle of Iron) was a script that Bruce wanted desperately to put together but couldn’t get anybody in Hollywood to take an interest. Coburn did his best to bring it to life in LA. We were together for about two or three years when Bruce said, “I will never be a star here, and the only way I will get this made is in Hong Kong.” Off he went. The rest is history as they say. Bruce died before making the film where the produced 1978 version starred David Carradine. In 1971, I went to work at IFA who, in 1975 merged with CMA to become ICM and remained there until 1998.
A picture of a friend, James Coburn, Chuck Norris, and Bruce Lee.
WATM: What values have you carried over from the Army and military school into Hollywood?
Pitt: KMI’s motto was, “Character makes the man.” That to me, defined the traits which mattered most to me in life. Responsibility, honesty, discipline and keeping one’s word. Promises made and promises kept. The centerpiece at KMI was always about the team effort and found it so applicable in a business so dependent on others for success.
Graduation Day 1958 from KMI.
WATM: What are some of your favorite memories with your clients both past or present?
Pitt: Meeting Princess Diana a few years after she married Prince Charles, that came about when I represented Dudley Moore. He did a film in 1985, “Santa Clause, the Movie,” that had a Royal Premiere during the Christmas holidays in London. Dudley’s girlfriend, my wife Berta and I met the Royal Family before the screen presentation. The filmmakers were positioned in a circle for the prince and princess’ arrival. When introduced, they walked inside the circle and greeted everyone individually moving from one to the other. Princess Diana spent a lot of time with each person and was interested in chatting about the movie. She asked a lot of questions and was truly engaged. In truth, Princess Diana weakened my knees. She was extraordinary, as anyone who ever met her could attest. I remember she was still in conversation with the first person while Prince Charles was pretty much done with the group…while encouraging her to “move it along.”
The other that comes to mind was the July 4 holiday opening weekend of “Terminator 2.” At the time, it earned a box office record million over the five day holiday. Having put all the pieces of the film together that included the rights, which were overly complicated as they were jointly held by Gale and Hemdale (who needed to be bought out if it was to ever work), the financing (Carolco) with three high-profile stars; Arnold, Gale Anne Hurd and James Cameron, each with their own schedules that needed to marry organically. It took four and a half years to put that film together and its success was a career game changer for everyone involved.
Lou with Arnold in Budapest, Hungary.
WATM: What was/is it like to represent Rod Serling, Gale Anne Hurd, Bruce Lee, Christopher Plummer, Gena Rowlands and Arnold Schwarzenegger?
Pitt: Rod was my first writer client and I was working with him during the latter part of his career. It was after the Twilight Zone and the Night Gallery series. Rod was a straight-forward, clear headed thinker and smoked a lot. He was a great storyteller with a distinctive voice and an incredible mind. Someone you could listen to for hours. Rod was a WWII veteran as well. He walked the walk.
Bruce was intense and serious but couldn’t have been more grounded at the same time. But mostly, self- assured about his career and looking to break new ground. I can still see Bruce’s smile. His frustration was that he couldn’t get the buyers in Hollywood to take the martial arts action genre seriously enough. By the late 70s it was obvious Bruce was ahead of his time and the martial art films exploded. I never doubted Bruce’s eventual success because he was so centered and full of confidence, talented and focused. It was not a question of if, it was a question of when and how. I really liked him and can tell you he was not that character portrayed in Quentin Tarantino’s movie.
Christopher is simply a very classy man grounded in empathy…especially among other actors regardless of their profile and standing in the business. A man of mischief when it’s playtime but utter discipline when it’s time to prepare and go to work…in fact, obsessively so in a good way. He literally and figuratively never walks in front of you, always behind whether on the red carpet or to a restaurant. “What can I get you” precedes “Hello.” Maybe the greatest storyteller I’ve ever met. He is dedicated to his work and truly loves his profession. Chris inhales the work and the most prepared person I’ve ever met. He has old fashioned manners in a good way. Prefers writing letters then sending emails. Behavior matters and thoughtfulness matters. He’s the first to the set and the first to be “off the book”. We’ve worked together for 45 years and he is a truly special friend.
Love Gale! Her first agent. Smart and I always felt like a partner in “how do we make this work”. She has such a strength, determination and intelligence about her that’s inspiring. She was like a teammate and that we were on an adventure together. There was great trust between us and an unusual giver of herself for others. She’s a “get it done” person that was always open to ideas. A wonderful inner sensitivity that was never far below the surface. We created a “no frills” concept for film budgets that were below a certain level in addition to films she made with or without Jim as a way to introduce new talent or stories that needed special handling.
Arnold is simply one of a kind. 24/7 was not just a descriptive phrase, it was a lifestyle. He defined the word, “commitment” and made a believer that anything is possible. The challenges were exciting because he broke ground that was transformative that defined a movie culture for the 80’s and 90’s. He defied gravity.
Gena Rowlands –What an extraordinary, graceful person she is. Never one to “work the room”, read the trades or lay judgement on anyone’s work in idle chatting. In the 45 years together, she never asked me what she was up for or when she was going to work. She figured if I had something to say, I’d let her know. As warm on screen as she was in her living room. Legendary and an elegant person that’s simply comfortable to just be around whether on a set or in the kitchen. Her career with John was a family centric of gifted actors that spilled into a comfort zone for others that followed. She and John rolled the dice on how to make movies that didn’t have any rules. She just makes you feel you want to kick off your shoes and just chat about stuff.
Lou, Berta, Dudley Moore, Brogan Lane, Peter Sarah Bellwood in Bora, Bora
WATM: What was it like working your way up in the industry in the 60s and 70s?
Pitt: The 60s broke the ground for what the system is today. No longer exclusive contract players, writers, directors, make-up, casting, etc. that could be controlled, and contracted out to other studios or disciplined for whatever infraction the studio bosses captiously inflicted on their talent. The emergence of stars making films away from the studio system and putting together the films they wanted to make as Producers. The emergence of Kirk Douglas, Burt Lancaster, Gregory Peck and others opened the door to an independent way of thinking, putting movies together and taking them to studios became the new norm…a new freedom with new rules to play by.
Mr. Plummer as Kaiser Wilhelm – “The Exception” which Lou produced.
WATM: What are words that you live by?
Pitt: “There are no bad meetings”
Character Makes The Man
Respect for all no matter the rank or position
Mark Twain’s quote about, “If you tell the truth, you never have to remember what you said.”
I remember when I was learning to type, there was a sentence designed for a speed test that stuck with me. “Do all that you can do as quickly and as quietly as when you were told to do it.” For me it was about “get it done” and don’t waste a lot of time getting there. Keep your eye on the ball.
WATM: What are you most proud of in life and your career?
Pitt: I have a remarkable family who’ve been loving, emotionally supportive and inclusive. I’m immensely proud to work in a business that I really love. To have worked with so many extraordinary gifted clients and colleagues who challenged the world every day with their ideas, their talent and trust, has been inspiring and exhilarating. Everyone has been a gift to me.
Hollywood is really, really good at killing the bad guys. And even though they haven’t quite gotten to ISIS just yet, there is a trail of bloody, dismembered evil in the wake of action stars like Jason Statham, Sylvester Stallone, and everyone else who may have been considered for a part in The Expendables.
Despite Hot Shots! Part Deux and Charlie Sheen’s claim to the contrary, there is an undisputed number one deadliest action star in the annals of Hollywood military history. That title goes to the Terminator: Arnold Schwarzenegger.
Granted, this is before the Expendables 3 and the newest Rambo movie, but unless Rambo kills an entire Colombian drug cartel (which I admit, he might), the winner should still be pretty clear.
Randal Olson, a data scientist at Life Epigenetics, merges cutting edge epigenetics research with advanced machine learning methods to improve life expectancy predictions. He put data collected from MovieBodyCounts.com to put together data visualizations for the deadliest action heroes. At the top, was the star of Predator, Total Recall, and my personal favorite, True Lies.
Thank you, sir.
As of Olson’s 2013 writing, Arnold was at the top of the list with 369 kills. His highest single movie record came in Commando where in the final island scene alone, he managed to off 74 guys, mostly using firearms but featuring the best use of a toolshed. Hey, Alyssa Milano ain’t gonna rescue herself.
Of the 200 actors listed in the data, the top ten include Chow Yun-Fat in second, Sylvester Stallone in third, and then Dolph Lundgren (thanks, Punisher!), Clint Eastwood, Nic Cage, Jet Li, Clive Owen, and Wesley Snipes. In fourth place comes Tomisaburo Wakayama, who got 150 of his 266 onscreen kills in a single movie, 1974’s Lone Wolf and Cub: White Heaven in Hell.
The top 25 deadliest actors, visualized.
Olson notes that the deadliest woman onscreen is Uma Thurman, who has 77 kills because remember: the Crazy 88s only had 40 members.
There’s nothing in this world that makes a deployed troop happier than opening a care package from the folks back home. Some of momma’s cookies, hygiene stuff, and little sentimental things are always appreciated. But everyone gets hyped the moment the MWR gets some new video games.
One of the unspoken realities of deployment life is, between missions, there’s almost nothing to do. Boredom causes complacency — and complacency is cause for concern. This is where Operation Supply Drop comes in.
Since 2010, Operation Supply Drop has impacted 471 deployed units, supporting over 361,271 troops. The care packages include some of the top video games that troops miss while overseas, consoles to play them on, peripherals to enjoy them, and some coffee to help work gaming into their schedule.
Glenn D. Banton, Sr. CEO & Executive Director of Operation Supply Drop, tells We Are The Mighty “Being able to provide a positive impact and morale boost to our troops at this scale is a huge driver for OSD. What really keeps us going is that many of these men and women then become active members in our community programs when redeploying back home. OSD provides relevant services to the military community during service, through transition, and into civilian life.”
(Photo by Maj. Erik Johnson)
While this is their most well-known program, it’s only about half of their mission statement. They’re also making great things happen in a program they call Respawn, through which they supply injured troops at military medical centers around the world with video games. There have been many studies conducted on the physical and mental health benefits of playing video games. Mentally-challenging and thought-provoking games have been instrumental in assisting those who sustain traumatic brain injuries.
(Photo by Mr. Steven Galvan)
Other amazing programs run through Operation Supply Drop include Heroic Forces, which provides one-on-one professional development support to troops leaving the service; Thank You Deployments, where the community nominates fellow veterans for VIP events, like attending the E3 Expo or meeting sports legends; and an awesome, recent addition in Games to Grunts, which gives free game codes to veterans. There’s no catch: Just sign in with a verified account from ID.me and you get some pretty sweet games.
Jason Cabell finished his mainstream directorial debut with the film “Running with the Devil,” starring Nicolas Cage and Laurence Fishburne. The film is inspired by Cabell’s service with the Navy SEALs, dealing with the drug trade.
With completing “Running with the Devil,” Cabell becomes a rare breed in Hollywood and the military- a combat veteran Navy SEAL who wrote and directed his own feature film. The cast thoroughly enjoyed working with him; Laurence Fishburne shares details about his experience on RWTD.
Fishburne: [It was] one of the best experiences I have had in recent years, especially with a new director. Jason is incredibly well-organized and beyond enthusiastic. His script was so clever, fun and simplistic. The best things usually are simple and his simplicity brought an elegance to the story. Jason was just incredibly well prepared, which is one of the most important things a director can be. He has incredible leadership abilities because he knows how to follow. Overall, one of the best experiences I have had in recent years.
Cole Hauser, Jason Cabell, Barry Pepper and Laurence Fishburne on set of “Running with the Devil.” (Photo courtesy of: Jason Cabell)
Even with his career highlights in special operations and hard earned success as a filmmaker, he is a salt of the earth type of guy. Cabell comes from humble beginnings having been born in Chicago a couple of years after the 1968 Democratic Convention. The riots took place right across the street from where he lived. His father transferred to Colorado to get away from the inner city.
Cabell was born into a mixed family where he came to realize differences among his friends growing up. His father, an African American, was a World War II vet in the Navy as a 20mm gunner on an ammo ship. He served in the battle of Midway and Guadalcanal. After returning from WWII, he played football at Western Michigan University and tried out for the Chicago White Sox but wasn’t allowed in the clubhouse at the time due to his race. Cabell’s dad met his mom while she was working as a nurse.
Cabell’s mother was first generation from Norway. Her family fled Norway when the Nazis invaded. Cabell recalls her kindness and love throughout his childhood. “My mom always encouraged me and said I could be anything I wanted to if I worked hard enough. We always went to the movies together. That was our thing. She loved Dr. Zhivago and from an early age always took me to the Oscar contenders,” Cabell said.
Cabell’s grandfather was a carpenter and settled the family in Skokie, IL. His grandpa built houses in the Skokie area. When visiting Skokie with his family, Cabell would work for his grandfather and remembers noticing the tattoo on his tenants’ arms from concentration camps, as Skokie was a Jewish hub where many Jewish people had relocated from Europe post WWII.
His parents stressed traditional values: be polite, be courteous, always be present for Sunday dinner, have family values, obey the golden rule, be respectful to elders and others and give respect where respect is due. His parents wanted the children to take pride in their appearance and focus on details like not missing belt loops. Cabell recalled that as a military man, “My father wanted us to make our bed and be disciplined in all things.”
Cabell said his parents taught him to “Take the hard right over the easy wrong. Do what you say you will do. Be reliable. Don’t commit to anything that you can’t do. Be honest with yourself and other people. You have to deliver every time and be a man of your word.” Cabell was always close to his family. Both of his parents have passed but he continues to model their values with his own two children. Cabell pressed forward from his youth in Colorado to the next big adventure- the Navy SEALs.
Cabell had a call to adventure which led to him to the to the SEALs, where he wanted to explore the world. At the time he joined in the late ’80s, no one really knew about the SEALs. He was living in Arizona and saw an Air Show with the U.S. Navy Parachute Team- the Leapfrogs (a group of SEALs). After seeing the Leapfrogs he went to sign up for the Navy SEAL program without knowing how to swim. To learn, he worked with a coach before heading out to the Navy.
Cabell said, “In training you play with your life every day. Things are pretty dynamic, spending 320 days-a-year with your teammates. You constantly ask yourself, would I train and put my life on the line for these people? I got to see and experience the world with these guys.”
He went to well over 100 countries and got to experience places like Iwo Jima, Wake Island, and even stopped to see different atolls from WWII. One of his most memorable training events took place in Monashka Bay in Alaska. The team did a maritime training mission in the area where they experienced a really big weather front but still had to go through with the training mission. Cabell got frostbite from the mission and still has a scar from it.
His foray into the filmmaking business may surprise some people, but he believes he is on the right path. “I always seem to end up where I am supposed to be. If you listen to the universe and head in the right direction, then 1,000 hands will push you along,” Cabell said.
Nicolas Cage and Jason Cabell on set of “Running with the Devil” (Photo courtesy of: Jason Cabell)
There were not any barriers for him in transitioning from the SEALs to being a filmmaker despite having no film school education. Throughout his journey, Cabell has gained many fans and industry professionals that appreciate his work. One is Andrew Ruf, managing partner at Paradigm Talent Agency, who shares this on working with Cabell:
Ruf: Having exceptional rapport is a two-way street that requires constant collaboration to build a strong, positive relationship. When Jason and I first met, we bonded over shared personal experiences and a mutual passion for actors and storytelling. Jason is a down to earth guy who genuinely has great instincts for the work we do and has an incredibly focused drive. His work ethic is unparalleled.
Cabell led a 77-person combat assault force in Baghdad during the height of the war, which helped him tremendously in life and leadership. His leadership experiences prepared him for leading on set. On the set of “Running with the Devil” in Colombia, they had a 250-person crew, which beckons for a person that knows how to get things done.
He said, “You have to possess extreme discipline to be the best.” Cabell read over 1,000 scripts, studying both the good and bad examples, to get the beat pattern down. His experiences on a SEAL team taught him to learn quickly and taught military skills like, skydiving, flying an airplane, calling for fire, calculus and dive physics. Cabell thinks the military education system is the best education system in the world. Actor, writer, director Peter Facinelli worked with Jason on RWTD and shared his thoughts on the experience.
Facinelli: Jason’s military background was apparent; he is a commander on-set and you are part of his troop. I felt protected and that he would have my back, due to his confidence under stress. I never saw a lack of confidence at any point. Jason won’t let people see him sweat. He is efficient and keeps things moving like clockwork. He keeps the “troops” informed and lets the actors know what is expected from them- a well-run set. I have worked with a lot of directors and he has earned my respect.
Facinelli and Cabell on the set of “Running with the Devil.” (Photo courtesy of: Jason Cabell)
Cabell got his start on the creative side of the industry by writing scripts. He started small by directing an 0,000 movie, “Smoke Filled Lungs.” He produced a TV movie for MarVista titled “2020,” and just kept learning and moving.
He said, “My father always taught me you can do anything you want if you are willing to sacrifice and put the work in.” He made a lot of sacrifices to begin a new career where reinventing oneself is tough and becomes harder as age increases.
“One of the things nowadays is making excuses and being a victim,” said Cabell. “People fetishize being a victim in our culture as opposed to being a success. No one will give you anything. You have to work for it. You have to work beyond exhaustion and failure, or you will never succeed.”
He believes there are many people that are victims from societal pressures. He said, “To succeed you need to stay away from negative people that crap on your dreams. If you have the talent and are doing the right things, then keep doing it.” Cabell has never been the fastest or strongest but has found a way to grind it out.
Producer and executive Lauren Craig also experienced working on set with Cabell.
Craig: I worked with him from the beginning to the end of production. He was professional, open to ideas and it was easy to follow through on what he wanted because he was so direct with his vision. Jason found a way to separate who he is as a SEAL and who he is as a filmmaker, which greatly benefited the production. He focused on his vision and story and tried to make it as universal as possible… Jason was always trying to boost the morale of everyone on set. We were in the snow, desert, and urban areas. No matter the situation, he was always encouraging and trying to bring everyone up. Jason is the consummate professional; we were all on a team together even though he was the director. He made us feel like we were a part of something bigger.
Jason Cabell on set in the Sandia Mountains (NM) with Nicolas Cage, Laurence Fishburne and AP Lauren Craig. (Photo courtesy of: Jason Cabell)
Fishburne had positive insights into Cabell’s directing abilities.
Fishburne: A little bit of Eastwood comes through in Jason’s directing. His enthusiasm is similar to John Singleton’s enthusiasm. John was a first-time director when I worked with him. Jason’s experience as a veteran plays into his abilities as a director. He has a young man’s spirit with an older man’s wisdom. Jason is the kind of guy that will tell you he was afraid of something and he is also wise enough not to show it. Showing fear will not get you through it; moving through your fear is what truly helps you.
Fishburne provides a final thought on Cabell’s trajectory within the next 5 years. He said, “I will see Jason on set working somewhere and calling “Action,” saying “Very good, Mr. Fishburne, can we do another one?”
With the success of the film that has such a high level cast, the continued work ethic of Cabell and the agency behind him, Ruf is highly positive on Cabell’s upward trajectory.
Ruf: Jason is a very promising artist in Hollywood. I can see him being one of the highly sought after directors/writers in this industry in both film and television and running his own production company. His adaptability and leadership abilities will allow him to reach new heights in whichever field he decides to pursue but his passion for entertainment is certain and this is where I see him scoring. He is incredibly talented and knowledgeable when it comes to what the audience wants to see on screen, and we, here at Paradigm, look forward to what he has in store next.
Gathering Storm is an intense new show on National Geographic featuring the United States Navy, Coast Guard and Air Force. Each branch is highlighted as they race against time to complete vital missions during catastrophic storms.
Keo Films spent over a year developing the six-part series for National Geographic. The show will bring viewers inside the intensity of the world’s most powerful storms and outline the devastating impacts of climate change. Keo Films gave hundreds of cameras to maritime workers to document a year at sea and what happens during a major storm. Cameras also followed the three military branches serving in the midst of deadly storms.
The Coast Guard can usually be found right in the middle of it all, always ready.
Chief Warrant Officer Paul Roszkowski is a part of the leadership within the Coast Guard Motion Picture and Television office and was involved in the series from the start. “The Coast Guard worked with Keo Films for more than a year to coordinate filming part of our mission the public generally doesn’t get to see. This involved getting international film crews cleared to film at a moment’s notice at a number of Coast Guard units across the country and prestaging cameras at some units in case a storm formed. We are grateful to all of the units that participated in this which include USCGC Cypress, USCGC Alex Haley, Sector Guam and Sector Miami. Gathering Storm will give a peek behind the curtain of what Coast Guard personnel are doing before a major storm hits and the rescues start,” he shared.
Sector Miami is one of the busiest areas of responsibility for the Coast Guard. When hurricane season approaches, that responsibility increases tenfold. “We have two of the busiest cruise ports in the country… The port coordination team is vital. The decisions that are made [during a storm] are impactful. When we set those port conditions, the implications they have on all the stakeholders in the area are huge,” Coast Guard Lieutenant Commander Daniel Delgado explained.
As the Incident Management Division Chief for Sector Miami, Delgado worked closely with Keo Films for the series. “They were interested in seeing the preparation that goes into the ‘before the storm’ work. A group of people were here with us here in the sector building and also gave cameras to our teams that went out to verify pre-storm preparations. It was great working with the crew and they were very respectful of us and the work we had to do and didn’t impede it,” Delgado shared.
When hurricanes are approaching, the Coast Guard receives daily updates from the National Hurricane Center, which is a part of the National Oceanic and Atmospheric Administration (NOAA). Although the public has probably heard of the term “hurricane hunters,” they may not realize who’s flying many of those planes to gather vital weather data that gets dispersed to the Coast Guard: the United States Air Force.
In the first episode, viewers watch as the production crew follows members of Sector Miami navigating the Coast Guard’s response to Hurricane Dorian, a Category 5 hurricane which devastated the Bahamas and Abaco Islands in 2019. The damage left the islands in ruins and Hurricane Dorian was soon declared the worst natural disaster in Bahamian history. The Coast Guard saved the lives of over 400 people, flying and sailing through hurricane force winds and almost zero visibility to do it.
While the first two episodes focus on powerful hurricanes, the series then takes viewers into typhoon alley and through the roughest and most deadly fishing ground on the earth – the Bering Sea. Then watch as the Coast Guard and Navy rush to respond to typhoons in the Pacific, all while the Air Force is flying through the storms to gather the important data needed to respond.
“We featured the ‘Hurricane Hunters’ of the 53 Weather Reconnaissance Squadron of the USAF Reserve, based out of Keesler Air Force Base in Biloxi, Mississippi,” Executive Producer Matt Cole said. He shared that he enjoyed getting to personally interview veteran Hurricane Hunter Lieutenant Colonel Sean Cross about what it’s like flying into powerful storms.
Viewers will also watch the Navy become storm chasers with their advanced technology. “It was fascinating to see how the US Navy center in Pearl Harbor, Hawaii plays a lead role for the whole of that region in tracking typhoons and even providing life-saving forecasts. So, out there where typhoons are such a serious and life threatening problem, the forecasts provided by the US Navy using satellite data are invaluable,” Cole said.
The Keo Films also learned a lot during the filming process. For instance, prior to working on the series Cole and the film crew thought ships were safer in harbor during a storm – an assumption the Coast Guard was quick to correct.
“The folks who work out at sea face these huge storms at their fiercest. By filming with maritime workers on ships at sea we were able to capture the reality of cyclonic weather events and to track their development, through the eyes of these people who work in their path,” Cole explained. Although Hurricanes receive a lot of attention from the media during hurricane season, the show goes even deeper by revealing what it’s like to be in the middle of it all.
Film taken from over 1000 cameras paint a stark and terrifying picture of the impact of storms and climate change, felt on every corner of the globe. “I think that like us, the viewers of the series will come away with a lot more respect for the workforce that makes a living out on the ocean and the military teams that are on constant vigil to try to keep them safe when storms are brewing, through understanding the power and scale of the dangers they face,” Cole said.
The six-part series on National Geographic will air two episodes in a row each Saturday beginning August 15th, 2020 at 10pm.
“I know why you’re here. I know what you’ve been doing. I know because I was once looking for the same thing. I was looking for an answer. It’s the question that drives us, the question that brought you here. You know the question just as I did:”
Will there be another Matrix film?
Looks like the answer is yes, fellow cyberpunk warriors. Yes, you bet your pleather-clad ass there will be.
I know, right?
There have been rumors for years, but Warner Bros. just announced that Lana Wachowski is officially set to write and direct a fourth film, starring Keanu Reeves and Carrie-Anne Moss in their dynamic and ground-breaking roles of Neo and Trinity.
“We could not be more excited to be re-entering The Matrix with Lana,” said Warner Bros. Picture Group chairman Toby Emmerich. “Lana is a true visionary — a singular and original creative filmmaker — and we are thrilled that she is writing, directing, and producing this new chapter in The Matrix universe.”
The Matrix 4 script was also written by Aleksandar Hemon (Sense8) and David Mitchell (Cloud Atlas).
This year marks the twentieth anniversary of The Matrix, which garnered four Academy Awards and birthed a franchise that has earned over id=”listicle-2639941881″.6 billion in the global box office. It is still considered one of the greatest science fiction films of all time — as well it should be. Have you watched it lately? It totally holds up.
Army Capt. Rebecca Murga had the same goals as anyone else at gear turn-in after deployment: get rid of this sh*t and get back home. But she made a rookie mistake when she left Afghanistan without double-checking her gear against her clothing list.
That’s how she ended up at the Central Issue Facility with a desperate need to go home and no Gore-Tex. And since Army property values never match civilian price points, she’s left with the option of paying hundreds of dollars or weaving a Gore-Tex from cobwebs and unicorn dreams.
Anyone who has dealt with DoD civilians knows that it’s a recipe for frustration, but Murga manages to smooth talk her way through the facility only to find herself faced with something worse.
See how Murga’s conscience clouds her homecoming in the No Sh*t There I Was episode embedded at the top.
Remember that movie Stealth? It’s the one where Jamie Foxx, Jessica Biel, and the other sexy pilots are forced to fly with a plane that has a computer pilot and, turns out, computer pilots are bad because lightning can strike them and drive them crazy and then they murder all the people?
No? Well certainly you’ve seen or heard of the Terminator movies. You know, the ones where plucky humans and their hacked robot bodybuilder are forced to fight other robots in order to prevent a future apocalypse ordered by military AI?
They’re great films, but they imply that any future where computers are controlling the weapons of war is dystopian AF. In reality, we live in a world that has walls, and those walls are guarded by men with guns. It would be much better if the U.S. could guard those walls with robots with guns controlled by men.
This would provide two advantages. First, if the guards on the walls are robots — not fleshy humans — then people shooting at the walls can only destroy hardware, not kill men and women. But perhaps the bigger factor is that artificial intelligence is enabling robots to become better at some jobs than their human controllers.
Stealth‘s artificial intelligence can pilot fighter jets, but, for some reason, needs a special sensor that looks like a robotic eye instead of just using, you know, its radar or even just normal cameras.
This may sound familiar to people for one or both of two reasons. First, the Air Force is actively pursuing this as the wingman concept. But second, Skynet in the Terminator movies got its start piloting stealth bombers where it achieved a “perfect operational record,” according to Schwarzenegger’s character.
Is this so bad? I mean, sure, we should stop short of handing strategic control of the nuclear weapons to Skynet, but that was never a realistic plot premise. Remember, even during the height of the Cold War, it was rare for launch approval for nuclear weapons to be handed down past the president. If we don’t trust generals to make nuclear decisions without the president approving it, why would we ever let a computer have full control?
So, if we develop Skynet and don’t give it access to the nukes — if we create safe AI — we’re left with a completely new version of warfare where we don’t have to risk our own troops at nearly the same level as we currently do. Doesn’t sound so horrible now, does it?
And, if the other side gets AI, that’s still better for humanity as a whole. Remember when the RAND Corporation anticipated that, by 2025, war with China would be bloody and unwinnable? No? We’re the only people who actually read RAND reports? Alright, then.
Here’s the thing: World War I was so horrible because it was a nearly unwinnable war for both sides. Once nations committed to the conflict, they poured blood and treasure into a never-ending pit of carnage. Millions died and little was gained for anybody.
AI wouldn’t make unwinnable wars winnable — at least not if both sides have it — but it could make them much less bloody, which is still a step in the right direction.
You know what would be even better than sending F-35s up with human pilots to detect enemy air defenses and suppress them? Sending them up with a bunch of fighters that are basically robots with AI. So, if they do get in a fight, they don’t need to take the hits.
(U.S. Air National Guard Master Sgt. Joshua C. Allmaras)
So, what about poor John Connor, an excellent small-team leader? What’s he going to do when he isn’t allowed to kill Skynet but, instead, Skynet is controlling most of the planes and tanks and ships? Well, he’ll lead small teams or infantry units on the ground while A Few Good Men‘s Col. Jessup gives the marching orders. AI can’t replace all decision-making at the front, and calm heads under fire will be needed to authorize strikes and targets.
So, yes, we all secretly want Skynet on the wall, even more so than we want Col. Jessup up there. But we also need John Connor, as long as we can keep Jessup, Connor, and Skynet from murdering one another.